Category: Arts & Life

  • Mama Africa the musical hits Cape Town

    Mama Africa the musical hits Cape Town

    Last Thursday, the past struggles of great South Africans, such as world-renowned singer and rights activist Miriam Makeba were relived when Mama Africa the Musical, produced by ZMirage UK, took the stage at Artscape Theatre Centre in Cape Town, South Africa. Assistant Editor (Arts) OZOLUA UHAKHEME reports. 

    Ninety minutes before the show began, the hall was filled to capacity with the huge crowd that came to witness it. While some were curious, others genuinely looked forward to watching the icon, Miriam Makeba, portrayed on the stage of The Artscape Theatre Centre, Cape Town, South Africa.
    When Miriam Makeba’s performance: Mama Africa The Musical, started at 7:30pm last Thursday, the atmosphere was electrifying as the first sequences of music, dance and praise chanting rented the air. The excitement of the audience was obvious as they watched the story gradually unravel. The audience was seen responding to the moods of the performance as it switched from celebratory, to sadness, to the fighting spirit and finally to freedom.
    At intervals, you could hear the excited chatter of the crowd as they clustered together in groups to discuss the nostalgic feeling the play evoked in them. It was a reawakening and reorientation on the past struggles of great South Africans such as Miriam Makeba. The play also seemed to give the young people the opportunity to identify with the fighting spirit of Mama Africa. It will run till February 12.
    Miriam Makeba: Mama Africa The Musical is meant to coincide with Black Month celebration, when African heroes and icons’ virtues and heroism are brought into international limelight. Among the audience were celebrities; captains of industry; American Ambassador to Cape Town; Artscape’s Chief Executive Officer (CEO) Marlyn Le Roux; Richard T. Moody and Simone Heradien of Artscape, amongst others.
    Mama Africa the Musical is a unique production mix for Artscape Theatre as it presently exhibits 90 per cent western theatre content for its mostly African audience’s consumption. Mama Africa has travelled the world equipped with African energy, resilient with messages of love and brotherhood, coincidentally, in this traumatic Trump-u-tic Nope World Order.
    The story of the life and career of the Grammy award winning singer and civil rights activist is delightfully told in the musical, written/directed by Niyi Coker Jnr, winner of Washington DC Kennedy Centre Award for directing. Mama Africa The Musical, a cross-continental cultural project, started three years ago as a collaboration between the University of Missouri, St. Louis United States (US), and the University of Cape Town, South Africa. It also has the support of the ZM Makeba Trust.
    Prof Coker (Jnr), an E. Desmond Lee Distinguished Professor of  African/African-American Studies, Theatre & Cinema Arts at the University of Missouri, St. Louis, US, did an extensive research into the life and career of Miriam Makeba, especially her role in the struggle against apartheid. Makeba’s life story illustrates the resilience of the African spirit, master artistry and positive, forward looking spirit.
    The 40-man cast maiden show, with an international crew, was at The Great Hall, University of Western Cape, South Africa between May 25 and 29, last year. It later proceeded on tour of the US at The Anhuesser Busch Theatre in the Blanche M. Touhill Performing Arts Centre, University of Missouri Campus, St. Louis. This was between September 15 and 18 of the same year; and Skirball Performing Art Center, New York City on October 3, 2016.
    After these successful outings in the academic circuits, both in South Africa and the US, Mama Africa was repackaged for wider public outing, starting with its scheduled run at the influential theatrical performance space, ArtsCape in Cape Town. It has also been billed for tour of the United Kingdom (UK) next month and Nigeria in May, this year.
    Mama Africa parades top performers including Jennifer Pau-Kakaza, whose credits include Lady Macbeth in (Macbeth), Ciesca, (Gianna Schichi); and 1st Chercatrice (Suor Angelica). She has also done voice over work, background vocals and acted films, series, and musical shows.
    Simangele Mashazi is a talented singer/songwriter, who has performed on various stages at festivals such as KKNK, Woordfees, the Artscape Youth Jazz Festival and Darling’s Vooorkamer Festival. Most recently, she shared the stage with the Ramon Alexander Quartet at the 2016 Cape Town International Jazz Festival.
    There is also Phelo Nodlayiya, who performed roles such as Osmin from Die Entfurhung aus dem Serail, Coppelius from Tales of Hoffman, Don Alfonso from Cosi fan Tutte, to mention but a few.
    Makeba was born in 1932 in Prospect Township, Johannesburg, South Africa. She was a world-renowned singer and civil rights activist. In the 1960s, she was the first artist to popularise African music around the world. Ms. Makeba became active and outspoken against the Apartheid system. These activities led to the revocation of her South African citizenship. Although banned from South Africa until the release of Nelson Mandela from prison in 1990, Makeba was a towering figure in the global anti-Apartheid struggle, leveraging on her highly successful music career. She lived and worked in the US, Europe and Africa during these years, enjoying both celebrity status as an entertainer and often encountering difficulties because of her outspoken political positions.

  • Telecommunications and Nigeria

    Telecommunications and Nigeria

    The 196 page book is a comprehensive profile of the telecommunications industry operating in Nigeria. The author explores the history of the Nigerian telecommunications sector.
    The very well researched book with 35 chapters carries interviews of different big shots in the telecommunications industry. The book provides answers to many questions going on in the mind of subscribers.
    The writer touched all the key agencies in the telecommunications industry one after the other as she tells you each history, challenges and targets.
    She also lets you a bit into the private lives of the owners of these telecoms as she pictures them either in their officer, cars or homes putting on a particular wrist watch, cloth or using a particular phone, ring tone, shoes or even answering calls from their wives mothers and other loved ones.
    The writer picks particular mannerisms that the reader cannot overlook but read to the end of each description.
    For MTN, she explains that it was a great risk to consider investing in Nigeria but after hitting the ground running, in no time, the company became the first mobile company in Nigeria to record one million active subscribers on its network.
    Still in the first chapter she talks about internet, broadband, data revolution, online transactions and e-commerce.
    The third chapter, cybercrime, explores the rising possibility of falling victims of cybercrime because of the availability of smart phones and internet at very affordable costs.
    The writer gave examples of cases of victims who have lost millions to cybercrime and added that a total of N7.33bn was lost in 2007 to cybercrime.
    Chapter four pictures a scenario showing the challenges that network providers go through. A very interesting chapter, a chapter that unravels the idea behind the coming of one of MTN’s big advert that gets anyone who hears it dancing; chapter five talks about the advert “I don port o.”
    Part of the revelations as earlier mentioned includes the problems between MTN and NCC in 2013 when NCC wrote to all operators in the Nigerian telecom sector setting July 1, 2013 as deadline for all SIM cards to be registered if not each unregistered SIM card would attract a N200, 000 fine if not disconnected.
    Two years after NCC slammed MTN with a fine of N1.04 trillion in October 2015 which was later reduced to N780 billion with an initial payment of N50 billion.
    The chapter also exposes the security challenges that they face, tax payments, infrastructural challenges but concluded that after 15 years, MTN remain steadfast in its drive to add value to the society.
    Airtel: The cat with nine lives is the title for chapter 6. The chapter also witnesses an interview with the Chairman and Chief Executive Officer, Bharti Enterprises, Mr Sunil Bharti Mittal, boss of the Airtel network.
    The chapter also chronicles the history of Airtel, how it changed names several times and where it is at the time of the publication of the book. It concluded with the saying: “At Airtel, we will continue to blaze the trail in the telecoms industry by introducing revolutionary interventions and value offerings that will make life better for more Nigerians.”
    For Globacom, the story of how it came to be is one of a father and son. The writer explains how the discussion went in Chapter 7.
    Chapter 8 focuses on Etisalat, how it broke into the market even with other telecoms around and what they brought to the table for customers.
    Many Nigerians may not have heard about the latest nTEl that took over the NITEL/MTEL bringing the number of mobile operator in Nigeria to five. According to the owners “We did not buy NITEL because it was never up for sale. What we did was to acquire these assets from within the NITEL portfolio and MTEL portfolio. Of course, we have taken a small number of ex-NITEL/MTEL employees. These people went through a process of redundancy with the federal government, but we found them knowledgeable and experienced with deep historical expertise to customers.”
    In interview shows the status of nTEL, its strength and possibility of building the biggest possible network in Nigeria.
    Other topics from chapter 10 to 35 includes, Ministry of Communications, NCC: The Enforcer, NITDA: The Flagship Agency, Telecom Group: The Smart Initiator, Zinox Technologies: The Digital Oak, Unotelos Nigeria Ltd: The Entry of a Little Giant, ATCON: Mother’s Love, ALTON: The Game Changer, MainOne: The Main Cable Operator, VDT: The Resilient Operator, HeightSafety West Africa, Slot: The Bull, PTV: The Turning Point, Pointek: The Egalitarian Transformer, IT World Ltd: Cashlite Facilitator, Kaadi Igbe Ayo: Sunshine State’s Card Technology, Subol: The Telemedicine Innovator, We Erred in Killing CDMA, Broadband Will Restructure Nigeria, Sanction Not Best Strategy to Correct Telcons, Online Transaction to Hit N168bn in Q4, Why Poor QoS Will Persist, Bitflux May Invest Over N20bn for Broadband Rollout, 80% Evades Taxes in Ondo, In Ondo Mimiko Digitalises Service delivery with Kaadi Igbe Ayo, Ondo Leverages on Technology, To Unveil Digital Smart Card.

  • ‘Fed Govt will not tolerate destruction of national monuments’

    ‘Fed Govt will not tolerate destruction of national monuments’

    The Minister of Information and Culture, Alhaji Lai Mohammed, has said the Federal Government will not tolerate the destruction of national monuments anywhere in the country for whatever reason.
    Mohammed gave the assurance when he visited the site of a national monument, the 190-year-old Brazilian style building in Lagos.
    The building, which was acquired and gazetted as a national monument by the Federal Government in 1956, was destroyed by some developers. The Federal Government and the developers have since instituted cases in court over the property.
    ‘’Because they wanted to develop this place, they have broken so many laws. Fortunately, this is a country of laws and we are ready to meet them in court and one thing I can assure you is that nobody can benefit from his own crime.
    ‘’I want to assure you that we will challenge them in court and we are going to get our reliefs and we will restore this building to its former glory. We have the picture, we will rebuild it,’’ he said.
    Alhaji Mohammed said the monument, built by returnee slaves from
    Brazil, is unique because it chronicled the historical, cultural and social relationships between Nigeria and Brazil
    ‘’It is like a living monument of our (slave trade) past. It was a monument that exhibited the Brazilian architecture at that time, which is rare to come by anywhere in the world. It is a remembrance of what our ancestors went through in slavery and how they triumphed, came back and showed that they were well-to-do. The important thing is that a people without history will perish very fast. This building was worth billions of dollars because it symbolised our past.
    ‘’No amount of skyscrapers can replace this history and all important monuments that have been demolished, and I want to assure you that nobody can profit from his crime. You cannot go to court now and say that because the structure has been destroyed, the land should go back to the owner.
    ‘’This is why I have come here with the (Lagos State) Commissioner of Police, who has been quite helpful. I want to assure Nigerians that we are going to pursue whoever has destroyed this place. It may take time, but the hand of the law is long.

  • Made in Nigeria returns to Abuja

    Made in Nigeria returns to Abuja

    Nigeria’s first Performance Poetry Theatre Production, entitled Made in Nigeria, returns to Abuja after a thrilling performance in Lagos.

    To mark this year’s Valentine’s Day, the organisers, NSW poetry, is staging the production at the Congress Hall of the Transcorp Hilton, Abuja, by 7pm.

    “More than chocolates and flowers, sharing a beautiful evening of poetry is without doubt the best gift of all. So, why not re-discover the magic of poetry and theatre this Valentine season at the Transcorp Hilton with Made in Nigeria?

    Written by renowned Performance Poet Dike Chukwumerije, Made in Nigeria, is a 20-poem rendition seamlessly linked by drama, dance and music, which tell the story of Nigeria’s journey to Nigeria.

    After its premiere between last September 30 and October 2 in Abuja, the orgainsers, by popular demand, took the production to the MUSON Centre, Lagos December 16. Come next Saturday, the production however returns to the Federal Capital Territory (FCT).

    More than a chronicle, this creative collection of human stories evokes empathy. Two lovers caught in the political crisis of the mid-‘60s, a couple in the ‘70s facing their parents’ aversion to inter-tribal relationships, a soldier’s wife anxious for her husband’s return, a mother guiding her son through recession.

    Weaving these stories together, Made in Nigeria re-creates the rich tapestry of Nigeria’s socio-cultural and political life in sublime poetry. According to the organisers, tickets are available for purchase at the Transcorp Hilton for N5000 (Regular) and N15,000 (VIP). ”For convenience and cost savings, you can purchase tickets at a discount online at www.afritickets.com,  www.naijaticketshop. com and www. dealdey. com.  Tickets will also be available at the door on the day of the show.”

  • Moremi resurrects in Ile-Ife

    Moremi resurrects in Ile-Ife

    As part of its yearly town and gown programmes, the National Troupe of Nigeria in collaboration with The Crown Troupe of Africa, embarked on a four-campus tour of the epic play, Moremi.  The play first took place at Ile-Ife, the historical bas of Moremi before proceeding to other locations.  Edozie Udeze was there

    The story of Moremi is synonymous with the liberation of Ile-Ife.  It is the story of a heroine who volunteered to use herself to save a whole kingdom.  When the invaders used all sorts of tactics to trick Ife people and subject them to endless nightmares and tortures, both the Ooni and his subjects were at a loss on what to do to counter these rampaging forces.  And when the Balogun of the kingdom and his Ife forces refused to obey the Ooni to go in search of the marauders, Moremi, the Iya-Oloja of the kingdom and the women leader whose love for the welfare of the people was never in doubt, took up the offer to discover the secrets of their enemies in order to safe-guard the people.

    This was the story replicated on stage last week when the Crown Troupe of Africa in collaboration with the National Troupe of Nigeria, staged the play at the Obafemi Awolowo University (OAU) Ile-Ife, Osun State.  The play simply titled Moremi, written by Ayodele Arigbabu and directed by Segun Adefila was to situate the role of this brave woman in the proper setting of Ife kingdom.  It was to streamline the role of women in the peaceful progress of a state.  The brevity of Moremi when the people almost lost hope of being liberated is also what the society needs now, not just to accord women their proper roles in the ordering of the society, but for those of them who have the political and social wherewithal to always come forward for the good of all.

    In its traditional town and gown programme, both the Crown Troupe and the National Troupe of Nigeria intended the four campus shows to let the students early enough into the essential qualities needed from those who want to lead and lead well.  Moremi proved that to the best of her ability.

    When the descendants of Oduduwa took over Ile-Ife, it was noted that they drove away the original owners of the land who they met on arrival.  Having been driven away from their cradle, these people immediately went into guerilla tactics and warfare, attacking Ife at random.  Most often they would carte away their goods, take their women and young men as captives.  There was serious crisis of confidence in Ife hierarchical arrangement.  The Ooni was incapacitated; his chiefs and generals had suddenly lost their grip and zeal to fight and defend their people.  There was gloom everywhere.

    In the interim, Moremi, widowed already and in exile in Offa, strolled into Ife to see her people.  A former wife of Oranmiyan, she quickly began to re-assert her role and place as a women leader.  She first upstaged the reigning Iya-Oloja who was incapable of providing an audacious leadership.  The Ooni promptly granted her request by reconfirming her the leader of market women.  She took over with renewed zeal and determination to help the economy of Ife to recover again.  At that point the men had lost focus; that needed aura and sheer determination to defend the people was no longer there.

    When the marauding forces of their enemies became too unbearable, the Ooni ordered the Balogun to go into outright war to save the people.  But he declined, saying, “I am too young to die”.  It was at that point that Moremi said – “Oh send me.  I will go.”

    And so she became one of the new prisoners of war captured by the invaders.  But she did not  forget to go with her black power, the magic, for which she was well-known.  There she used her physical and psychological charm to obtain the secrets of their powers from their leader, who was also their Balogun.  That done, she immobilized them all, as she left them in a state of coma and hopelessness.  Soon after, the people recovered.  By then Moremi and her girls had disappeared back to Ife.  Another war then ensued which saw Ife being more courageous now. But in the end, Moremi lost her only son.  Victory was assured, but the gloom in the air was too palpable.  Moremi bemoaned the loss of her only son, but she was more consoled by the fact that Ife was now totally liberated, free from all sorts of incessant attacks and harassments.

    Adefila used all sorts of improvisations in forms of dances, songs, drumming and satires to reinvent the story and pass the message across.  He told the story; he devised methods, styles and artistic aesthetics to embellish the drama and the role of Moremi in a society peopled by cowards and half-baked leaders.  The Pit Theatre of OAU was filled to capacity during the two day showing of the play.  The students turned out to show their enthusiasm and appreciation of not just the way Adefila portrayed the place of women in the society, but equally the way he used the play to reach out to the students on the ingredients of leadership and the outright condemnation of corruption.  This was why they cheered, applauded and heralded this play done to update them on some certain socio-political needs of a nation.

    In an interview, Toyin Bifarin Ogundeji, a lecturer in the department of Dramatic Arts of OAU, and one of the facilitators of the show, said that Adefila’s approach to the total interpretation of the play first dumbfounded the students.  “But when it began to unfold, all of us started to see the real message in what he did.  People know Adefila as someone who is always staging plays whether there is money or not.  So, this play stems from ife too – Moremi is a well-known historical name here and the people find it easier to identify with it.  She was the saviour of Ife at a particular time in their lives and this is what Ife people up till today do not take lightly.”

    In his own response, Adefila said this is one of the best ways to encourage live theatre not only on campuses, but in the entire society.  “A lot of students when they graduate abandon the theatre practice.  But with this kind of show and more, they will be able to know that theatre practice can sustain them when they leave school.  Our visit here has been fruitful.  It has shown us that people still love live theatre a lot.  This show is billed for ife, Ibadan and Ilorin and Kwara State University.  People turned out en-masse to watch the shows, so it is a way to encourage me and the troupe to do more.  The students wondered what I had on stage until the play got underway.  What I do is to use my plays to show and tackle fundamental socio-political and economic tendencies of the nation.  This is what we’ve done with Moremi-keeping the issue of genuine leadership and love for the people open.  Let the people see it and make their own deductions,” Adefila said.

    On his part, Akin Adejuwon of the National Troupe of Nigeria, who provided the Logistics for the tour, explained that the theme of leadership involving Moremi lured him into the collaboration.  “It is a play you cannot resist,” he said.  “This was why we decided to be involved, to pass the message across to as many audiences as possible in the universities.  It is part of our yearly town and gown programmes,” Adejuwon clarified.

  • NBC promotes creativity among Nigerian youths

    NBC promotes creativity among Nigerian youths

    With the aim of driving creativity and engagement among Nigerian youths, The Nigerian Bottling Company Limited (NBC), in conjunction with the School of Arts, Design and Printing of Yaba College of Technology, Lagos, recently organised the second edition of its Coca-Cola Bottle Competition.

    The contest required individuals or groups to develop 3-dimensional artworks out of empty Coca-Cola 35cl or 50cl glass bottles.

    At the recent exhibition and grand finale of the competition held at the college, NBC celebrated the First Prize winners, Kaffo Abdulwarith, Dadde Daniels, Phillip Obafemi and Festus Ajimo for their art genius in putting together the winning artwork: ‘A guitar boy made from empty Coca-Cola bottles’.

    Two other creative works, the first, a standing mirror designed with empty bottles and the second, a giant Coca-Cola bottle, emerged the second and third place winners respectively.

    Speaking at the grand finale, the Legal, Public Affairs and Communications Director of the beverage company, Mrs. Sade Morgan, described NBC’s Coca-Cola Glass Bottle Competition as one of the many ways NBC is driving youth engagement within the academic environment and also creating an opportunity for them to discover and demonstrate their hidden creative abilities to produce masterpieces in art.

    Also, in commemoration of its 65th anniversary, NBC commissioned six renowned Nigerian artists to produce a Limited Edition of ‘6+5’ Coca-Cola bottle signature artworks, which were auctioned at NBC’s 65th Anniversary Cocktail reception held recently, and the funds donated to support some selected charity homes.

    The artists commissioned include Sam Ovraiti, famously known as Nigeria’s most expressive water colourist, Ada Godspower, a practising artist and painter, who hails from Benin City, Edo State, Soji Yoloye, a prolific and accomplished multi-talented Nigerian artist and painter, Osun State-born Babalola Lawson and Kesa Babatunde.

    Speaking further on the motive behind the commissioning of the works, Morgan noted that NBC’s focus on the support and development of art in Nigeria is predicated on the understanding that the country’s rapidly evolving economy demands a dynamic and creative workforce.

    “Arts and its related businesses of cultural exports for this country have long been a strong source of revenue and thus it is imperative that we, and not just NBC as a company, but other corporate entities, continue to support the arts and arts education in our nation.

    “With the engagement of art as a vital tool by a corporate organisation of this size and stature, it is hoped that government at all levels and other corporate institutions, as well as individuals, will recognise the role art plays in our society. This is essentially because the value of art and culture cannot be overlooked going by its overreaching impact on the economy, health, well-being, society and education/history of any given country if well harnessed,” she said.

  • ‘Not all our officers are bad – KAI Public Affairs Officer

    ‘Not all our officers are bad – KAI Public Affairs Officer

    At the state command office of the brigade, the Marshal-General, CSP Jimoh Bola Amusat was not available for interview, but the Public Affairs Officer, Mrs Rahmat Alabi stood in well for him.

    When confronted with the numerous allegations against the KAI officers, Mrs Rahmat Alabi said the management is not unaware of some of the allegations of officers’ misdemeanour but said the brigade has been taking steps to address them. As a starter, she said the organisation only recently established the KAI Transformation Centre, where erring officers are sent to for reform. Aside that, she said the body conducts regular seminars, workshops and talks for the officers, just so they understand their mandate and not become terror onto the citizens.

    Said Alabi: “Once they are caught for such misdemeanour, we bring them to the Transformation Centre and put them through rigorous reorientation, all in a bid to transform them and make sure they don’t go back to their old ways. We tell them their role is to help the citizens know their rights and that if they see somebody who is just coming from their village into Lagos via places like Ojota, their duty to such person, first and foremost, is correction. Tell them to use the pedestrian bridge and that it is not safe to cross the highway. Also tell them that there is a law forbidding it, rather than arrest and extort them. The same applies to hawkers. Tell them, ‘Look here, this is not allowed. For your own safety, don’t go onto the road. There are vehicles plying on high speed.’ Remember the case of the hawker who got killed while running away from a KAI arrest? We don’t want such incident repeating itself.

    “To the traders, I’d say, don’t endanger your lives. Also, don’t cause traffic bottleneck. By the time one car stops to buy from you and another follows suit, you are automatically causing traffic build up, which may soon become a serious jam. So KAI’s job is to help save people from themselves, as well as help the city function seamlessly. And people are duty-bound to comply.”

    When reminded that the brigade could easily station men at 50metre radius of the highway to bar people from crossing the highways, if truly their mission is to prevent people from crossing the road, Alabi said, “But there have been sensitisation through the mass media via radio jingles, television and even the print media. Except for the new entrants, which granted are a common sight in Lagos (because of the belief that once you come into Lagos, prosperity is certain), nobody can really claim ignorance of these laws. People just choose to be unreasonable and that is why we have to compel them. But if you ask me,  I think it really does not make sense that we have to compel people to do something that will help preserve their lives.”

    When asked if the body punishes officers found guilty of extortion and overzealousness, Alabi said most times, such officers are removed from such posts, demoted and committed to the Transformation Centre for as much as three months.

    She said the brigade has yet to apply dismissal as punishment, but said it may soon begin to consider the option to force the officers in line. “Sometimes,” she said, “they are also issued queries and put on suspension, and you know what this means for a civil servant.”

    Alabi however sues for patience and understanding on the part of the citizenry. She opined that in spite of everything, there are still very good officers amongst the brigade and cautions against generalisation. “Not all of them are that bad. Some are working tirelessly. You have to understand that it is nearly impossible to have one hundred per cent compliant staff to a set rules in any organisation.”

    On the allegation of unruly behaviour, which many argue may not be unconnected with poor education, lax recruitment process and poor orientation, Alabi said “We actually have more graduates amongst them, who conform, largely. Of course when the brigade initially took off, it took in all sorts of people; but as time went on, they’ve gone through the process of refinement. I will not shy away from the fact that there are some areas prone to a lot of officers misdemeanour but the onus lies on the citizens themselves. If you’re not convinced of the offence you have been held for, you can come to our office and make a report. Admitted, they usually instil fear in the people just to have them pay their ways through; but after the ordeal, you can come to our office to make a report. They have their name tag and such cases of maltreatment and extortion will be investigated and the officers, if found guilty, dealt with.”

    She disclosed that the officers are on a regular basis reminded of their expected roles and comportment as officers mandated to enforce discipline. “Regularly during our Monday and Thursday parade, our management go over the message from scratch, telling them what is appropriate and expected of them. “

    Confronted with the allegations of KAI officers’ pacts with roadside traders and that they even remit proceeds to senior officers in the offices, Alabi shook her head in disagreement. “To start with, the part about remitting to the superiors in the office is not true. That is one hundred per cent false. The truth is that when people are prevented from displaying their wares at spots, where they feel they’ll make good sales, they resort to blackmail and concoct all sorts of stories to tarnish the image of the officers, especially if they are the incorruptible type.”

    Asked whether it is possible to extend KAI’s closing hours beyond 4 O’clock, since traders now wait until the men close to storm the roadsides and display their wares, Alabi said, “As a matter of fact, we normally work until 6 to 7pm but right after that, we have to let them go for security reasons. Don’t forget that their job is a risky and sensitive one and some aggrieved traders may seize the opportunity of the cover of the night to unleash terror on them.”

    On penalty for offenders

    Soon, Alabi said the body will be printing out the laws for easy access to the people, so that they can be better educated about their rights. She however said that those who are caught for crossing the highway are expected to be taken to the mobile courts, where instant judgment are dispensed. She said the sentence depends on the discretion of the judge and the fine is around N5,000. If it’s a minor, he or she would be made to go through community service, such as washing public toilets or cutting overgrown grass and the likes. “And if a person claims that he has no money, he is also made to go through community service.”

    She affirmed that crossing highways, though an offence, may not require anyone going to jail, since it is a minor one. But for street trading, that is  major offence, an offender’s punishment may range from a fine to a jail term. Again, she said “The punishment is at the discretion of the judge. Ours is to apprehend offenders.”

    On confiscated goods, she said these are grouped into perishable and non-perishable goods. “The perishable ones are forfeited to motherless babies homes. We have their list and you can go through them. For the non-perishable goods, you pay fine. That’s our way of earning revenues for the state.  It also serves as a deterrent, so that you don’t go about displaying your wares where you shouldn’t. However, if the goods are illegal or contraband, then that is even a bigger offence and out of our hands. That goes to the police and the criminal courts.” Alabi said.

    She rounded off by commending the brigade. In spite of everything, she said “Our men are working. You can see the sanity and orderliness on our highways. People should not because of the activities of a few bad incidences, generalise and condemn all the good works of KAI.

  • KAI: Disciplinary agency under trial

    KAI: Disciplinary agency under trial

    Amidst complaints of sundry excesses of some officers of the Lagos Kick Against Indiscipline (KAI) Brigade by frustrated citizens, Gboyega Alaka attempts an X-ray of the agency’s activities. He also sought audience with the agency’s management.

    When an agency instituted by a government to curb indiscipline ends up with its fingers soiled in all manners of indiscipline acts, including extortion, bribery and unruliness,  then there may be need for worry, or at best a review of its activities.

    This probably sums up the story of KAI (Kick Against Indiscipline); an agency originally set up in 2003 by the Lagos State government to “effect a change in attitude and promote clean and hygienic culture among the people of Lagos State,” but of which many Lagosians now have tales of woe to tell.

    While evident positive changes in the conduct of the citizenry have been noticeable in most parts of the state, there have also been complaints of misplaced priority in the conduct of the brigade and a deliberate or calculated effort by its officers to extort money, especially from ignorant citizens, who run afoul of the state’s civil laws. Many complain that the brigade has deviated from its original mandate of preventing street trading and promoting clean environment, to fishing for unsuspecting people and visitors, crossing the highways and feasting on poor traders struggling to make a living in a hard economy.

    From Cele Bus Stop along Oshodi-Apapa Expressway, to Oshodi under Bridge on Agege Motor Road to Oke-Odo in Abule-Egba, Onipanu, Palm- Grove, Obanikoro, all along Ikorodu Road through to Ojota, regarded as the number one entry point to Lagos; the stories have not been too complimentary. While one cannot deny the visible orderliness attained in some hitherto notorious areas like Oshodi, Cele by Oshodi Apapa and Ikotun; the question has been about the method through which the officers achieve it. Many accuse the KAI guys of using brute force. They wonder why a civil brigade should be so brutal in its quest to arrest and insist that the body has become wayward, negating the primary aim for which it was set up. They cite cases where traders have been chased into moving vehicles, such as the incident that happened on Ikorodu Road last year.

    23 year-old Nkechi spoke of how a certain KAI officer almost got her killed all in a bid to arrest her for crossing the expressway at Onipanu Bus Stop. She admitted to being wrong to have attempted to cross the road, but said the manner in which the KAI officer waylaid her mid-way into the expressway so scared her that in a bid to retrace her step and avoid being arrested, she almost ran into a moving bus.”It was only by the grace of God that I am alive today,” she recounted. “I only escaped by an inch, having stopped in my tracts in time. I bet they must have killed so many people in that manner. Please tell them that that is crude and counter-productive,” she concluded.

    At Oshodi, a former IT trainee with a media house, who would rather not have her name mentioned, narrated her ordeal. “I had just crossed the road at Ojota successfully, when two men in lemon and brown and khaki uniform held me by the hand and started dragging me to a spot, where there were several other men in the same uniform. It took me a while to understand that I may have contravened some laws. I suddenly remembered that this is Lagos and all the stories I’d heard back in Osogbo, where I grew up, about people being arrested for crossing the highway came to me. I’d thought all the while that they were fabricated stories.”She recalled.

    But her story did not end there. She narrated how they took her to corner behind their vehicle and demanded money from her. “They said if I didn’t want to be put in their van (Black Maria) and driven straight to prison, I should settle them with two thousand naira. When I told them that I am only an IT student and new in Lagos, they asked if I was willing to pay my way with my body. One of them actually tried to pull me to himself and even asked to see my breasts. It was when I told them that I was working with a newspaper house and threatened to call the police and report to their office that they soft-pedalled and let me go.”

    Joe, a journalist with a national daily is irked at the fact that an organisation mandated to enforce discipline has become so enmeshed in untoward acts. Recounting his own experience, he said on one occasion he was arrested for crossing the highway at Palm Grove Bus stop along Ikorodu Road, but said what annoyed him was that rather than take him to court and make him pay the fine, the officers began demanding money from him and other offenders. Said Joe: “While others were busy paying their ways to freedom with whatever they could afford, I just stood aside. Later one of them came to me and said, ‘Ol’ boy you no go bail yourself? But I told them to take me to their mobile court and that rather than pay bribe to them, I’d rather pay the fine. This surprised them and after much foot-dragging and deliberations, they told me to go. This proved to me that they are mainly out to make their own money rather than do the job they were mandated to do.”

    Continuing, Joe spoke of how the KAI officers even use touts to grab and arrest people crossing the expressways. “I’ve seen cases where innocent people crossing the expressway were grabbed by the hands and dragged to KAI officers. Apparently, they have discovered that people will not fall prey once they see uniformed officers around, so they employ touts whom the innocent citizens are hardly wary of until they are arrested. If they’re desperate, why use touts to arrest people. Sometimes, they even use them as baits. In such cases, you see the touts crossing and think it is safe to cross and before you know it, you’re in their dragnet.”

    “The worst part,” Joe argued “is the fact that in arresting offenders crossing the highways, the officers only target well-dressed, decent-looking people, whom they feel they can make money from. I have seen a case, where a number of people were crossing and they only went for the guys in suit and ties. That, to me, is in itself criminal.”

    He advised the government to erect barricades like they’ve done in some places to other vulnerable spots to deter people, if in fact that is the government’s motive.

    A pact with the street traders

    Another worrisome trend that people, especially market women, complain about is that roadside traders in most markets now form a pact with KAI officials in their respective areas by contributing certain amount of money, which they give to the KAI officials as bribe in order to be left alone to perpetrate their street trading act. It is said that once these traders comply, there is usually a truce and the officials look the other way, while street trading goes on. By implication, this leads to inconvenience for the road users, who are left to manage whatever is left of the road.

    They allege that the officers now have a list of the names of roadside traders in most markets, where each of them pay as much as N500 every week. It is said that those who decline to pay usually end up being harassed, and their goods seized.

    An attempt to however confirm this allegation from the market women in the Ikotun Market in Ikotun area of Lagos met a brickwall, as the women vehemently denied the existence of any such pact. One woman, who sells fresh fish by the roadside said almost aggressively, “Who told you? There is no such practice here.”

    Asked how come she was selling her fish by the roadside (this was around 5pm) and if she didn’t have a stall or shop inside the market, she said she only relocates to the roadside in the evening, when the KAI officers would have closed for the day. She confessed that customers would only stop to patronise them if they are by the road because most Lagosians are always in a hurry, especially at the close of work.

    On whether she didn’t know that activities of people like her contribute to the daily traffic gridlock on that side of the road, her reaction was “How?”

    Another woman who was within earshot of this conversation however interjected that “Look, the overzealousness of those KAI people is too much. Are they the first to do the job. Everybody knows that Ikotun is a traffic hold-up area, yet they keep harassing us and blaming us for the traffic. Vehicles have their job to do, while we also have our business to do. I don’t see how we stand in their way. In fact, that is why I now come out only in the evenings, when they would have gone away with their nuisance.”

    Clash of interests

    Another feeler from areas like Ikorodu speaks of how KAI’s insistence on no street trading has caused clashes even with the local land owners, who complain that they are no longer able to earn revenue from the traders. A resident of Ikorodu, Ademola Adeoye, said the culture has been that some people, who claim to be representatives of the omoniles (land owners) collect fees from the street traders. He allege that even touts (agberos) collect their own, thereby making the job of the KAI officers difficult.

    Adeoye said this is the pattern in virtually all the markets in the state and advised the government to first sort out that part of the set up, if it truly wants KAI to function effectively.

    When asked if he is aware that the traders also contribute money to bribe the KAI officers, he said “That may not be out of place. You know already that corruption is endemic in the country and it will take greater effort than we’re putting in to significantly curb it.”

    Brute force

    Another major complaint against the KAI officers is the brute force which they use to arrest so-called offenders. Fidelis, a trader at Oshodi was an eye-witness to one of such arrests, and lamented that ‘It was horrible.’ He said the man had just crossed the express at Ojota and because he was putting up a little resistance, three of them descended on him, pulling and tugging at his trousers and suit, while others were hitting and dragging him. And this was a man fully dressed in suit. They didn’t even consider the fact that he may be going to an office for an appointment or for a job interview. By the time they finished with him, he was an eyesore. I bet that man, if he did not end up in their ‘Black Maria,’ would surely have to go back home. I think that is crude. They need to be tutored to be more civil in the dispensation of their duties.

    “I also do not like the way they put people through corporal punishment, as if they were school children and shove them into their Black Maria, as if they were already convicted. ” Fidelis rounded off.

    Asake, a trader along Alade Axis of Allen Avenue down to Ikeja Medical Centre area by Allen Avenue said the manner in which KAI officers swoop on traders smacks of petty thievery and sadism. He likened them to rats, whose main aim is to pilfer and that they do this under the guise of doing their job. “Even some of us that are not on the major road still get harassed. How do they want us to survive?”

     

  • Campus couples: Pains and gains

    Students in relationships sometimes live together in school as couples. While this has paid off for some, many others have regretted it. Medinat Kanabe examines the now popular habit and went in search of the view of opinion moulders.

    Tade and Gbenro were both students in a polytechnic in Lagos. Gbenro was already in HND 2 when Tade got admission into the institution. She met Gbenro during her clearance and admission process in one of the cybercafés on the campus and they immediately struck a friendship. When she finished and got up to leave Gbenro asked where she lived and she told him she didn’t have a place yet. There and then he offered to help her. He told her she could come and stay with him, since he would soon be graduating and offered to cede the room to her when he was done.

    In no time, they began living together and soon became lovers. Going down memory lane, Tade said “It happened so fast. We lived together until he wrote his final exams and I was promoted to ND2. After his project presentation, he continued to stay in the house because of me until he was called to serve in Zaria where he lived for one year. After his service year, he came back to Lagos and secured a job with the Lagos State Ministry of Agriculture, Alausa, Ikeja. Then I was already in HND 1.

    “He didn’t bother to look me up or call, so I decided to pay him a visit at home. But Gbenro had changed. He used to be very loving and caring in school. He wouldn’t let me cry or feel bad, he would make sure I read my books and do well in exams. But this Gbenro looked at me scornfully. I went into his room to try and talk to him, but he shrugged me off and told me he was tired and needed to rest. I went to the living room to be with his mother. After a while he came and told me he wanted to have a talk with me. He told me that he met a girl on camp, while in Zaria, with whom he lived throughout the service year and the girl was pregnant for him and plans were underway for their wedding.

     “To say the least, I was devastated. He was my first love and I thought we would end up as husband and wife. I went back to school but could not concentrate because the room brought back memories of him. So I moved out. This affected me in my exams and I ended up with a bad result that year. But I thank God I got over it. I was still young, so I took a decision to move on.

    “I am now 24 and graduated, but I will not advice anybody to live a couple’s life on campus. It is cheapening and risky.” She said.

    Roseline and Tunde are another interesting pair. They were in love. They met in their first year in school. Roseline was the most beautiful girl in his class, and he worked his way into her heart. In no time, they began to live together and were practically ‘married’ until their final year. The relationship became so sizzling that she even did a change of name. Soon, her friends began calling her Mrs Feyijimi (Tunde’s surname)

    After their final exams, her expectations heightened and she told Tunde to come and see her parents; but what she got shocked her. Tunde told her she had become too fat due the contraceptive pills she had been taking to prevent another pregnancy and abortion.

    “I love slim ladies and I don’t know if you will be able to have children after all the abortions you have done,” he told her. “That was how the relationship ended,” Roseline recalled.

    Chidinma and Danladi also lived together on campus like couples. Though they are from different religion and cultural background, they were so in love that everyone thought it was nearly impossible for them not to end up as man and wife.

    They finally got married and lived for 10 years as husband and wife until one day when the marriage came to an end. Chidinma complained that Danladi doesn’t show her much love but Danladi kept giving the excuse that he showered her with love before they got married and she was expecting too much from him.

    ‘It’s a ‘NO, NO’- Marriage counsellor

    A marriage counsellor, Mrs Pauline Alimi who spoke to The Nation said when young people start living couples’ life as students, it is usually for fun. They share things, go out together and people know them in the campus as husband and wife. They even visit each other’s home during holidays.

    She said, “The woman especially is happy but the man may still be having other girlfriends without her knowledge. But towards the end of their academic year when they are about graduating, reality usually dawns on them.

     “It is when they travel to different parts of the country to observe the mandatory National Youth Service Corps, NYSC that they know if their love would stand the test of time. Both of them would meet other people on camp and it is usually easy for the man to forget his campus spouse. But not so for the lady. Usually the affair comes to an end during the NYSC year. Although, I know of one couple who are still married, only about 5 percent usually survive.”

    Pointing out that such relationships usually affect the studies of the lady more, she said this is because the ladies are like mothers. “They take care of their spouses at the detriment of their studies while the man has enough time to study.”

    Explaining why romance may wither too early if they eventually get married, she said “You cannot eat your cake and have it. The time for romance should be observed in marriage but if you have allowed yourself to enjoy the romantic stage on campus, there is no way you can get it back. But if she knows him inside out and holds him very well, the marriage will work.

    “At the time when they are married, the lady should try as much as possible to be in tune with what is happening in the world because the man would like to explore. He had been confined to a particular place on campus for 5 to 6 years, so he wants to explore. She therefore has to play her part very well to keep the marriage working.”

    Alimi further said that “If they don’t end up getting married, the girl may be lucky to have another man who will marry her, but she will keep asking herself where she got it wrong. But she didn’t get it wrong; she just put all her hopes in one person. She could have gone through campus, enjoyed campus and have relationships but she put all her eggs in one basket.”

    The men are not left out, as Alimi said it can affect them too. “If the man is the shy type, he could find it difficult to get into a new relationship and would also be wondering where he went wrong. But if both of them are extroverts, they would have seen the handwriting on the wall and gone their separate ways after NYSC year.”

    From the point of view of a mother, Alimi counselled seriously against it. “Living together is for adults who are married, who know what it means to be married. They should rather face their studies. So, it’s a ‘No, No’ for me.

    You don’t live with a man or woman outside wedlock – Pastor

    Pastor and founder of Thy God Thy Glory Church, Olajide Olabode said God does not support it. “You don’t live with a woman or man without being married. That is sexual immorality and the Holy Bible says we should flee from it. It is a sin and the Bible says we should not commit fornication. The Bible also says you should not defile your bed.”

    Going back to his days in school, he said he had a classmate who is now a police AIG and now married to one of their juniors in school. “They didn’t live together because it was not allowed on the University of Ibadan campus, but she was always in our room. She cooked and was like a mother to us. She got pregnant at 300 level while we were in our final year and his father married them. Today they are still together but the younger brother who tried the same thing regretted it.”

    “Many people did it while we were in school and today, some are heartbroken, some are still single and many are regretting it.”

    Aside the fact that God is against it, he advised students to stay away from living couple’s life until they are married, saying there are lots of diseases out there.

    Man and woman can only live together after Nikkah – Muslim cleric

    A Muslim cleric, Abdulameed Odunaye said it is a sin in the sight of God. “People are not allowed to live together until they have done the nikkah (tied the wedding Knot). If on campus you meet a girl and you do the nikkah, you can live together. The parents of the girl must have given their consent and exchange of dowry must have taken place in the presence of witnesses. Islam does not also support long courtship.

    “It is not even permissible for a man and woman to stay together without a third party, especially if he is not your relative.”

  • Glo African Voices parades Afro/Urban, Afro-Pop, Dancehall artistes

    The 30-minute CNN magazine programme, African Voices, sponsored by Globacom, continues this week with an expose on three wave-making African artistes who have excelled in different genres of music.

    Watch the trio of Tanazania’s Diamond Platnumz, Senegal’s Mao Sidibe and Kenya’s Phy Mwihaki Ng’etich tell it all in a ‘no-holds barred’ interview on the international news channel on Friday at10:30 a.m. and 4:30 p.m.

    Born Naseeb Abdul Juma in 1989, Diamond Platnumz has had a rewarding music career on the African continent, and has won numerous awards. He set a record in 2014 at the Tanzania Music Awards when he won 7 awards including “Best Male Writer”, “Best Male Artiste”, “Best Song Writer” and “Best Male Entertainer of the Year”. In 2015, at the MTV Africa Music Awards, he won “Best Live Act” and “Artiste of the Year” and “Best Male Artiste,” East Africa, at the African Muzik Magazine Awards.

    The Bongo Flava and Afro-Pop artiste whose spectacular performance at the 2016 Glo-CAF Awards on January 5 in Abuja left guests stunned and awed is known to be the most decorated and loved singer in Tanzania.

    Senegal’s Mao Sidibe began the group “BBC Sound System” in Dakar, Senegal where he grew up. He currently runs his own music and video production company called Mao Production, an outfit he started in 2012. Sidibe got a nomination from the French national radio, RFI for the annual African Music Awards Prix Decouvertes 2015. He fuses reggae, pop and dancehall with Senegalese traditional music instruments.

    On the other hand, Kenya’s Phy came into lime-light at age 8 when she was announced winner of the Kenya Music Festival for the solo classical piece in her age category. Phy, in collaboration with her friends, formed a group called “Phy and the Band” in 2011, which was greatly influenced by the Afro/Urban music genre. She left the group to do her own kind of music, the “PHY-music.”

    The programme sponsor, Globacom, urged viewers to tune into the programme which will also be rebroadcast at 4:30p.m. on Saturday and Sunday at 12:30a.m. and 7:30p.m. There will also be repeats at 11.30a.m. on Monday and 5.30a.m. on Tuesday