Category: Arts & Life

  • Vicky Haastrup Gender has no place in performance

    Vicky Haastrup Gender has no place in performance

    Princess Vicky Haastrup is another name that counts in the world of Female ship-owners in the country. The product of the London School of Business enjoyed a successful career at the NNPC for over two decades before becoming the Executive Chairman of the Port Terminal Operations of ENL. There, she worked with two ministers and under her leadership acumen; the concession grew and improved four folds.

    Haastrup also rose to become the chairman of the Sea Port Terminal Operators in Nigeria and took over the organisation, which was and still is male-dominated.

    “The experience was very challenging and really good. As a person, I like taking up challenges and I am also very excited to be part of the reformation that has taken place in the Nigerian port. We have been able to run the port efficiently by basically developing the port and investing in port development in Nigeria. A ship that would normally be discharged in ten days before we took over, we discharged in two or three days. That saved money for the ports, users and people who came to the ports to do business, like the clearing agents.”

    Emerging as chairman, Sea-port Terminal Operators in 2007 was another turning point in her life. “We all put our heads together and said it would be nice to have an association, where we can strengthen ourselves and encourage each other. We were not out to fight anyone, it was about supporting each other  because we were doing the same thing, so that we can learn from each other, compare our experiences and ensure that ports in Nigeria meet international standards.

    To succeed in what she did, the guiding principle was determination, perseverance and hard work. “I am a woman who believes that what a man can do, a woman can do better, and gender does not come into performance. We perform well anywhere in the world, wherever you find women, we do things differently. I knew I would not allow any man to intimidate me and that I had what it takes to run the ports then.”

  • Behold poems of love and peace

    Title: The Poems of Peace:
    In the season of bloodshed
    Author: Shehu Sani
    Publisher:
    Labari Communications, Kaduna
    Reviewer: Edozie Udeze

    The title of the collection is suggestive enough.  With The Poems of Peace-in the season of Bloodshed, Senator Shehu Sani, a well-known civil rights activist has shown that he is not just a prophetic writer, but one whose pen is dripping with deep ideas to save humanity.  Even though these poems were written before the coming of Boko Haram insurgency in Nigeria, his attention was focused primarily on sectarian, ethnic and communal clashes in Nigeria, more so in the Northern part of the country.  But as it is now, the messages contained in the anthology seem to be referring mainly to the more serious menace called Boko Haram.

    From the examples given in the lines, it shows that Sani is a prophet.  His love for what is good; what should benefit humanity is not contestable.  The beauty of the lines in the book is in reading them to see how the appeals, the emotions and instructions raised in the poems can help the society to continue to sue for peace.

    The poet says that peace is the best solution to make progress and as a society on the match to freedom and development, Nigeria needs peace in order to achieve the necessary milestones.  In 127 poems, with each dwelling on a convincing mission to change people’s attitude to one another, the poet is clear as to how to use written words to make the desired change.  The time for that is now.  Apart from using pictures in the book to demonstrate that violence is not good, there are poems pointedly saying so.  If you call me a terrorist, (page 113) he harps on the heart of the matter.  “You seized my land, you call me a terrorist, you rape my aunt, you call me a terrorist, you kill my son, you call me a terrorist, you demolish my house, you call me a terrorist, you ruin my life, you call me a terrorist, you chained my hand, you call me a terrorist, you wrecked my future, you call me a terrorist, you humiliate my people, you call me a terrorist, you burn my crops, you call me a terrorist…   You deny me peace, you call me a terrorist.

    Where injustice prevails and where the rights of man cannot be adequately protected, it is easy for the people to take to crime.  It shows, however, that terrorism does not just start.  Exigencies of leadership can often push the masses to resort to violence, destruction and war.  It therefore behooves on the government of the day to find plausible avenues to sue for equity, fairness, justice so that issues of marginalization and hate do not prevail.

    If you brand a man a terrorist when you’ve seized his land and deprived him of most necessities of life, then of course, you are aggravating his anger.  This is part of the mission which Sani set out to achieve.  Let peace be the watchword of the crème of leadership, first and foremost.  Then let it tickle down to the grassroots where everyone is made to feel this sense of oneness and then love will emerge.  Where you sow peace, you reap love and progress.

    In Living by the gun, for instance, he says: “You live by the gun, And never will you live in peace.  You live by the gun.  And never will you live in freedom…  You live by the gun.  And never will you live like human”.  In other words, the Holy Book even makes it clear that those who live by the gun, die by the gun.  Here, the poet clearly appeals to those who have made it a habit to resort to force to solve problems.

    Guns are not meant for progress.  Wherever there is a gun, the mind is not at rest, peace becomes elusive and somewhat expensive.  Those who make gun their best companion do not live in the open; they do not have honour or least of all, dignity.

    In seeds of hatred (page 17), he refers to the powers of the word of the mouth and how it can generate hate if not said with care.  Yes, of course the seed of hatred is in the gospel we preach, it is in the legacy we leave behind.  When hate and peace are at variance, anarchy becomes rife.  Therefore, it is imperative to habour bright thoughts”, it is more instructive to teach good lessons with words of mouth, words of love with plenty of positive ingredients in them.

    Nonetheless, the poet has a dream.  It is a dream that can make for peace.  In May Dream therefore, he says: “I dream of a world without war, when can I find it?”  That world without hate and acrimony, is it really too difficult to find?  Yet, the author offers a solution, wherever there are no borders, wherever hunger is absent and evil has no roots, then man will be in peace.  By this, the dream would have been achieved.

    This is hoping that the elements of love enunciated in this work can help to augur for oneness.  Oneness is what the society needs most now to ensure a better 21st century.  And one of the best ways to achieve this is for the younger ones to be made to read and study and imbibe the messages inherent in works of this nature.

    Even though the pictures are blurred, without captions to indicate their efficacy, the book is on cause to help for peace.  More poems of these kinds need to be written and disseminated for proper articulation in different parts of the divide.

  • Lifestyle hack for the week: How to break in your shoes painlessly.

    Lifestyle hack for the week: How to break in your shoes painlessly.

     

    Slipping into a fresh pair of shoes can be an instant confidence boost, but not when your new shoes don’t feel as good as they look (especially if they’re made from leather or suede). Today, we’re bringing you an easy at-home way to break in or stretch your too-tight leather shoes, without putting any of the burden on your poor feet (or spending a kobo). Just follow these five easy steps:

    1. Fill a freezer-strength Ziploc bag with water until it’s about half full.
    2. Gently squeeze out the air before zipping it fully closed.
    3. Place the bag of water in the shoe. (Tip: You can block off parts of the shoe with crumpled newspaper to keep the bag of water where you want it.)
    4. Put the shoes in the freezer overnight, or until the water is completely frozen. As the water turns to ice, it will expand, stretching the leather along with it.

    5. Remove the shoes from the freezer, wait about an hour for the ice to thaw, and then remove the bags. You’re done!

  • JMJ: Slum that makes Ajegunle look highbrow

    JMJ: Slum that makes Ajegunle look highbrow

    In this piece, Gboyega Alaka catalogues the lifestyle of the Ilaje settlers in the riverine JMJ Community of Ajegunle, Lagos and how they have survived over decades in an environment begging for urgent government interventions.

    It is a community in the backyard of Ajegunle. If you know Ajegunle to be a jungle city, as has been widely acclaimed over decades, then be prepared for a trip into a deeper, dingier and rougher jungle; where the alleys and labyrinthine routes are as twiny as a puzzle and a first-time visitor is sure to get lost, if unaccompanied.

    It is perhaps for this reason that this crew of The Nation staff will remain grateful to the Baale of Tolu community, Alhaji Jelili Idowu Ajibola, to whose community, JMJ is a suburb; for his reception, friendliness and support on this adventure. Himself a middle-aged man, probably in his forties and obviously literate and urbane in his disposition, Baale Ajibola took time to give an insight into the history of the area called JMJ; and also take this crew right into the deeper JMJ slum, showing them around and even accompanying them to the home of the Olori-Ilaje (Head of the Ilaje Community), Chief Marshal Oyedele Obakpolo.

    The major bus terminal nearest to JMJ is the popular Boundary (Ajegunle) Bus stop. From there, a first time visitor may negotiate his way via a bus, tricycle, motorcycle or foot. It is a sprawling community by a tributary of the Lagos Lagoon and plays host to a vast majority of Ilaje, a Yoruba ethnic group from Ondo State, South West Nigeria; with a little mixture of the other tribes. The first thing you notice as you get nearer and deeper into JMJ is the filth. But here and amongst the people, it doesn’t appear to be an issue. To put it mildly, both refuse and man have struck a peace accord. Even the entire bank of the stretch of the water is covered with refuse, punctuated only by little wooden cubicles reaching out onto the water and serving obviously as their toilets. Yes, the people mostly defecate into the water channel, in addition to dumping their refuse there as well. The result, is a thick dark filthy and smelly water. But they carried on and engaged in their day-to-day activities as if nothing was amiss.

    Just a few meters from the refuse, pockets of women could be seen roasting fish, which they would soon ship into town through their little children and adult hawkers; to be sold to the larger Ajegunle community. Virtually everyone spoken to, claimed the filth is a non issue and that they hardly fall sick to such environment-induced diseases  as cholera, typhoid and the likes.

    Apapa Vs Ajegunle

    Just a gaze across the water is the palatial and more illustrious Apapa industrial and residential area. Of course, one could also access JMJ via Apapa, crossing the nearly 100metres water channel. Even as Apapa has lost most of its plush and opulence, it is still a far cry and a big class difference remain visible between the two neighbourly community. What’s more, many agree that it is because of Apapa that the Ajegunle population rose uncontrollably in the 1950s and 60s; the majority of the inhabitants working either as industrial, office or domestic staff in the more illustrious area.

    Stories had it that it was populated mostly by whitemen in the pre-colonial and immediate post colonial years, hence its popular acronym amongst people in Ajegunle – European Quarters.

    Some improvement

    For those who knew JMJ in the past, it used to be a community of wooden planks and corrugated iron sheets, situated mostly on the ‘river’. It was more or less a sprawling shanty that would ordinarily amaze a first-time visitor, much like the infamous Makoko, or worse. This visit however presented a bit of a surprise. Most of the houses were no longer of planks and wood; but of cement block, though poorly constructed and still in the lumped up format, with no consideration whatsoever to planning motorability or ventilation. The baale actually captured it most succinctly, when he said “the building pattern in JMJ could be such that when one neighbour opens his window, he is more likely to be opening it into another neighbour’s bedroom.”

    May sound exaggerated, but it captures the scenario and condition under which the people in this community live. Little consideration is given to space or any kind of motor navigation.

    But as picturesque and indicative of squalour as that description may portend, the Baale again captured the remarkable progress the place has recorded when he said, “When we were young, we used to make a joke that ‘When an Ilaje wants to cook soup, all she needed do was put pepper and oil on fire and then dip his or her hand in the water below as an after-thought to pick the fish he needs.”

    The JMJ history

    According to Baale Ajibola, JMJ, according to the story handed down to them, was the name of a person, an important personality at the time.

    “He was very close to our fathers, including my own father, the immediate past baale. We also heard that he was the person given the contract to construct the Lagos National Stadium in the 1960s, as a minister. It was due to his prominence and influence at the time and the fact that he was a product of this area, and particularly an Ilaje man, that the stretch of land by the waterside now called JMJ, was leased to him. Of course you know that Ilaje people from Ilaje-Ese-Odo in Ondo State love to live around the river area because of their preferred professions of fishing and fish mongering, so it didn’t take long before they trooped here in droves and in no time formed a community. The name JMJ eventually stuck because it was he (Chief Joseph Modupe Johnson), who was allocating the space to the people.

    On why the place has remained predominantly an Ilaje settlement after over five decades, Baale said “You know that as human beings, there is always a tendency to want to perpetuate yourself anywhere you find rest of mind and prosperity.  That is why most of their people coming to Lagos always make JMJ their first stop. It is like a home away from home for them, as the lifestyle there is similar to what obtains in their home town. Like most Ilaje settlements, their main business is fishing; while their women do the selling, fresh and roasted. They are also into boat transport business. They have different points from which their boats take-off across the waterside stretch to Apapa and several nearby and distant backwater towns, such as Igbologun, Ijegun Imore, Sagbokoji and co.”

    Asked if as baale, his authority covers the whole of the JMJ community, he explained that there is a limit. “We share boundary with Araromi Community. Both Tolu and Araromi, as well as the larger part of Ajegunle right to the Berger end of Kirikiri Road fall under Ajeromi Ifelodun Local Government. The Ilaje Community of JMJ also have their own head, whom we call Olori Ilaje. His name is Chief Marshal Oyedele Obakpolo. Our fathers agreed that it was necessary to appoint a leader for them from amongst themselves, since they had become such a big community of people. He is of course subject to the baale, but he plays a stabilising role and ensures peace amongst his people.”

    (Ajegunle) Being an area known for its volatility and restiveness, we asked if he ever gets trouble signals from the community, Baale Ajibola said “The truth is that there is no community of people, where there are no issues, disagreements or rancour. But once we get wind of it, we simply call their head to summon them and put them in check. That is why I said that he plays a stabilising role. He is an elderly man, whom they all respect and differ to.”

    Asked what he is doing to ensure that the unfortunate incident of 2007, when scores of youths and middle-aged men from the community perished in an Ijegun-Imore petrol pipeline vandalisation fire never happens again,  Baale Ajibola said, that is something they wish never happens again. Aside the sorrow of loss of lives, he said it brought a lot of tarnish and embarrassment both to the JMJ community and the entire Tolu Commnuunity in general. As a result, he said “When that unfortunate incident happened, we summoned their elders and told them that we would not want such an issue to be emanating from our own domain because it’s a tarnish on the entire community and outsiders would not be able to differentiate between the two areas. In fact we told them in plain words to desist from such acts; and to the glory of God, we haven’t heard anything of the sort emanating from there anymore.”

    On the deplorable hygiene situation in the area; the baale said “The main challenge is that PSP refuse evacuation vehicles cannot get into the area because of the way houses in the area are constructed. As a result, they just use and dump whatever waste they generate into the moving river. Let me say the luck they have is that the water is not a canal but a proper flowing water channel linking bigger water bodies; so once they dump the refuse and the tide rises, it washes the refuse away.

    As a parting shot and another way of underlining the Ilajes adaptability to riverine environments, the baale again narrated a myth told during his childhood days, of how, to test for the paternity of a newly born baby, the people first threw their baby at birth into the water; if it flowed back up, it was said to be a true son/daughter of the home; but if it drowned, then the mother had a case to answer.

    Olori Ilaje of JMJ

    Soon after the chat with the baale, The Nation crew arrived at the home of the Olori-Ilaje, led by the baale himself. Chief Marshal Oyedele Obakpolo’s home is right on the bank of the lagoon tributary. Though variously described as a flowing water, the tributary looked to this reporter more like a water still in time, its dark liquid, repelling. A short distance to the back of the building right on the water, a wooden cubicle stood aloof – the family toilet. It was however the hostile gruel of a dog that first welcomed our team, ironically. But being familiar with the family and the beast, Baale Ajibola was able to calm him and lull him to quietude.

    Coast cleared, baale invited these reporters into the living room. The Olori-Ilaje is an elderly man well above 70. Possibly in his 80s. Sitting on one of the sofas, the fair-skinned elderly  man, who has been head of the JMJ Ilaje community for decades, looked frail, but his calmness and composure spoke of a man sure of himself and used to authority. After a brief introduction by the baale, this reporter opened the discussion from where he had left it off with the baale.

    Just how true is the story of throwing newly born babies into the water to test their paternity?

    To this Chief Obakpolo smiled quietly and said amidst chuckles: “Maybe there is some truth in it, but there is no water to throw any baby these days. All the water have become dirty and contaminated; and anybody who dared tries such will surely have himself to blame.”

    He explained that in the past, the water was so clean that when you looked down from your apartment (which was mostly on water then), you would see fish swimming underneath. “But what we have now is thick darkness and smell.”

    Clearly a man with a huge sense of humour, his response thus inevitably set the stage for a further discussion on hygiene. Since he has admitted that the water is now dirty and practically useless, and wells are not even a common sight, The Nation asked how they get their water supply.

    The Olori-Ilaje said potable water is a major challenge in the community. “We have no water. What we have done overtime is to connect water from Water Corporation, who then give us bills. In the past, we got water from Apapa; but now, we have a Mini-Water Corporation in Temidire (Tolu), which supplies us water.”

    Even then, he lamented that supply remains epileptic. Not too long ago, he said the water dried up for months, leaving the whole community in disarray and desperate. Now it is better, as the water only disappear for days; maximum a week or two.

    But don’t the pipes conveying the water through open gutters burst and pose danger to their health?

    The elderly chief shook his head in disagreement. “No, we don’t have health issues or disease outbreak. Our pipes no longer pass through gutters; so our water supply, when we get supplied, are clean and hygienic.”

    About electricity however, Olori-Ilaje said “On that, please help us thank the power distribution company. It is not perfect but it is a lot of improvement from the past.” It must be said though that there was no light in the community all through the hours of this crew’s visit and interaction.

    On toilet, Chief Obakpolo clearly sees nothing wrong with the direct deposition of excreta into the lagoon. “Our toilets are situated on the water and the flowing water flushes it away.”

    Again, he maintained that they do not fall sick as a consequence. But should they fall sick, he admitted that there is a (government) hospital on nearby Salawu Street, in addition to several privately-run health facilities. Indeed this reporter took note of the gigantic Tolu Medical Centre, a private medical facility that has served the community for upward of three decades.

    On how it is that his people are very comfortable living on or around water, Chief Obakpolo said “You cannot expect them to be afraid of water because they were born in water and grew up on water. You can see that our occupations also revolve around water. We are mainly into fishing, fish selling (by our women) and boat works  ferrying and repairs.

    On the fact that the environment has changed from a community largely build with plank and situated on water, Chief Obakpolo remarked jocularly that “Even the government has changed.”

    ‘It’s all bookish myth’

    Leaving the chief’s house, we encountered a young lady just emerging from one of the toilets. After a bit of hesitation, she responded to a question on why she uses such a toilet, which experts say is a direct way of polluting the water and poisoning the fish. “All those stories about excreta affecting fish is all bookish myth. Is there any fish that does not eat poop?  Fish eat poop, eat dead animal and humans in water and we still eat them. Have you ever heard that anybody fell sick for eating a fish that ate any of these things?” She asked rhetorically

    The lady who eventually gave her name as Cecilia (though this reporter suspected it was a fake name) said “Okay, if you’re saying we should use water system toilet; where do you expect us to get water to flush after each use of the toilet? Even the ones that we flush; where do they go to? Is it not into the water?” With the last question hanging, she hissed and waltzed into an alley, disappearing out of sight.

    Certainly there goes a lady set in her ways. A teenage boy not far away, who had been listening to this discussion chuckled and walked away, amused.

    The fish mongers

    Not too far from the chief’s home, this crew came across some women busy preparing fish for roasting. Curious, we asked if the fish were products of their men’s fishing exploration; but they sneered almost in unison and asked: “Where would anyone get such fish in the water nowadays. Yes their husbands fish, but the proceeds are lean and far between. The fish you see us preparing were bought from big fishing companies in Ijora (Lagos).”

    “Take a look at the labels on the cartons,” one of the women, who requested to be addressed simply as Iya Eleja said. “You would see Banaly, Cosmos and Tarapa. Those are the brand names that we buy from the fish companies. It is in those days that our fathers used to go fishing and come back with huge catches. Now that is rare. People still go fishing on the river, but they barely catch enough for their family consumption.”

    When this reporter pointed out that fish are not likely to survive in the filthy water, they all shook their heads in negation. One of them volunteered: “No, there is fish; it’s just that they have their own seasons, when they come out and fishermen catch them aplenty.”

    On how well the business of roasted fish retailing is doing, Iya Eleja, whose voice had been lively all the while, surprisingly assumed the dirge tone. She lamented: “Fish is now too expensive. This recession is affecting everyone and it is so hard to stay in business. The reason you still see us here is because we have no other business to fall back to.”

    Asked what they think of the refuse right behind them and if they were aware of the health implication, Iya Eleja explained that in most cases, it is the water that brings the refuse (from God knows where) to the area once the tide rises. “We are not dirty people. It is the water that brings the refuse. And if we decide to fill up the place, the tendency is for the water to be trapped when the tide recedes and create potopoto (marsh) everywhere.”

    ‘Our survival is tied to our environment’

    As we spoke with the women, an elderly man joined our little crowd. He wanted to know these reporters’ mission, which we told him was to highlight the problems inhabitants of the community were facing as newsmen.

    He welcomed the reporters. Even though he stylishly but surely declined giving his name, he said he has lived in the community for 45 years and as a retired civil servant of 35 years, he felt compelled to join in the discussion, when he overheard the discussion about environment.

    Baba, as we have chosen to call him in this interview, said “The issue you have raised about hygiene is good, but the government should realise that fingers are not equal. Everybody cannot live in Surulere and Ikeja. Even in Ajegunle and the whole of the Apapa environs here, everybody cannot live in Wilmer and Kirikiri (two areas in the locality a bit more organised); therefore, hanging a treat of eviction on people living in riverine areas like they’re doing in Makoko is tantamount to telling the people to go back to their villages.

    “To tell you the truth, some of these people you see here have their means of survival tied to this place. Take for instance this widow (points to one of the women). When I came here some 45 years ago, her husband laboured to build this house, and it is with this fish work and the rents from the house that she takes care of her children. How then do you want such a person to survive if you chase her away from here?

    “As we speak, the economy is so bad that asking anybody to relocate is tantamount to driving them to suicide. There is no money to relocate to anywhere. Even the job they’re doing (fish roasting) is best suited for an environment like this, because if they go into town, people are more likely to complain that their activities are constitution a hazard to their health. Besides, we are Ilajes and we thrive better near water.” He rounded off.

    Boat crossing

    A few meters away is a boat jetty, where Olaniran Oguntimehin, sat lonely. But his loneliness is momentary, as he explained to The Nation that they are likely to see a huge traffic of people crossing back from Apapa, if they tarried a while.

    “In another hour or two, students would soon begin to troop back from school in Apapa. And shortly after, the workers would follow. We have already had the morning traffic; and that is how we have it every working day. People prefer to cross the short water distance from here to Apapa to access their work-places, rather than go as far as Boundary (Ajegunle) or Coconut (along the Apapa-Oshodi Expressway).”

    He revealed that the boat crossing point was founded by his late father in 1964 and it is the first crossing point along the JMJ stretch. Today, it has become a trans-generational family business and I hope to pass it to those coming behind me.

    On the average, he said “We make between N15,000 and N20,000 daily. But that may be child’s play compared to what other places, where there is bigger traffic.”

    About the water, Oguntimehin said “It is nothing. Even as dark and smelly as you think it is, people still swim in the water. If you have the patience to wait, you’ll see some of the children come swimming. Even the Igbo children, who live in the community come here to swim; and you’d be amazed at their swimming skills.”

    He recalled how in the ’70s, the water was still “very wide, clean and gleaming, you’d think you were in a swimming pool.”

    AbdulLateef, the boat engine repairer

    Not too far from the boat crossing sat Abdul-Lateef, a boat engine repairer. This afternoon, business was dull as he had no job at hand; but he insisted that his is a lucrative profession, even more than auto mechanic.

    “We are only two in this area, and being a waterside, where boats operate, you should understand what I mean. It is with this job that I take care of my family and send my children to school. My family lives in Sango (Ogun State), while I live around here and go to visit them from time to time.

    Tell Buhari

    As our team prepared to leave, this reporter stumbled on a rather huge stack of logs. Following the lead, we stumbled on a rather huge fish smoking factory, yet on the bank of the ‘river’. But the women were not co-operative and rebuffed virtually all questions.

    “What exactly are you prying about for?” They asked. “We don’t want to answer any questions, as this will not be the first time we’d be answering survey questions. Nothing has ever come out of it. The other time, some group came here, asked questions, filled their books and promised us huge freezers to store our fish. We are still waiting for the freezers.”

    Thinking that these were government officials, they launched a tirade on the current government, lamenting the harsh economy. “Tell Buhari, Tell Ambode, that we are suffering. We are hungry; everything has gone comatose. That is all we have for you.” One of them said.

    Another hissed. See how empty this place is. You need to come here years back and see the activities taking place here.” While another, who works as a carrier said “Look, two weeks hard labour is not enough for me to feed for two days. See how bad things have become? Tell Buhari.

    However, one of them, a young lady, who claimed to have an HND in Marketing came forward. She said, “Take a look at me. My dream was that after my HND in Marketing, I would migrate from this smoke job of my parents to work in cosy air-conditioned office. But after an endless and fruitless job search, I had to come join my parents here to eke a living. That should tell you why we are all hostile.”

    It’s not true that they don’t fall sick – CMD, Tolu Medical Centre

    From your record or observation, what is the most common illnesses suffered in the JMJ area?

    From my observation, I’d say the most common illnesses that they present to our facility are diarrhea diseases, respiratory tract infections, and acute malaria.

    During interactions with the people, they all vehemently insisted that they hardly fall sick. How true is this?

    From our records, I can tell you that that assertion is false, as we attend to a sizeable number of patients with various kinds of illnesses from that community. An up-to-date health statistics data from the local government may also help show the true state of things.

    How frequently do you get cases of environmental diseases such as cholera, typhoid fever and the likes?

    The JMJ community is a densely populated one, with poor patterned building plan; hence their constant predisposition to environmental  health issues. As mentioned earlier, we see cases of malaria, gastro-enteritis and other illnesses; and these can be traced to the poor environmental layout of the community. We also see cases of public health importance like pulmonary tuberculosis, and more recently (three weeks ago), a case of cholera from that community.

    Can you relate their common illnesses to their immediate environment?

    Of course it has a direct cause-effect relationship. The malaria, respiratory tract infections and diarrhea cases can be attributed to the overcrowded population with inadequate ventilation and poor sanitation practices in the community.

    We also found that most of them defecate directly into the water channel behind them. They seemed to be sure it’s a harmless habit. Can you educate us a bit on the effect on both the aquatic life and the people living in the environment?

    It’s rather appalling and inexcusably shocking to note that such belief system still thrive in a community located in a fast-growing city like Lagos. Open defecation as it’s otherwise called leads to preventable diseases, such as cholera outbreak, typhoid and diarrhea illnesses, which are among the highest causes of illness and death, particularly of children in developing countries. This is also a major polluter of water bodies, as it depletes the water of oxygen needed to sustain aquatic life, thereby distorting the eco-system. In going forward, sanitation laws must be enforced by the government, with provision of decent toilet facilities accessible to all. 

    JMJ, the man

    Full name Joseph Modupe Johnson, JMJ, a former Federal Minister of Labour, Welfare and Sports (and later as Minister of The Interior) was born on March 30, 1912. He was born in Lagos and  educated at the William Wilberforce Academy. He was an ex-service man, who served in the Nigerian Army between 1939 and 1946.

    After a stint as a businessman, he delved into politics and was elected into the Ibadan District Council in 1948. He later became the first and only ever non-indigene to serve as Chairman of the Council.

    As Minister in charge of Sports, he built the National Sports Stadium in Lagos, first and largest of its kind in the country then.

    He in collaboration with London-based world-renowned boxing promoter, Jack Solomons, staged the first World Boxing Title fight in Africa in Ibadan (well ahead of the much publicised ‘Rumble in the Jungle’ of Zaire) in Nigeria in 1963 between Nigeria’s Dick Tiger and Gene Fullmer.

    He also earned a reputation for himself, when as President of the Nigerian branch of ILO (International Labour Organisation), he resigned, to protest the admission of the then apartheid South Africa as member.

    JMJ, as he was fondly called, was born into Lagosian and Brazilian families in Lafiaji. He died on June 15, 1987.

    Source- Wikipedia

  • ‘Why I was compelled  to treat widowhood’

    ‘Why I was compelled to treat widowhood’

    Abubakar Adam Ibrahim’s debut novel Season of Crimson Blossoms has won this year’s Nigerian Liquefied Natural Gas (NLNG), Nigerian Prize for Literature.  A multiple award winner and a Journalist, Ibrahim is unarguably one of Nigeria’s most promising young writers.  In this encounter with Edozie Udeze he digs deep into his style, the thematic thrust of his story and what more to expect from him henceforth. 

    When you set out to write this book, did you expect it to take you this far?

    When I was writing, my preoccupation was with the story, not about its potential mileage. I was focused on telling a good story, and because it is a complicated story with complicated and very sensitive background issues, it was very important to keep it real and focus on the story than on how far it could possibly take me as a writer. I think stories determine their own life span and their mileage and it would be foolhardy for a writer to focus on the possible outcome of a story at the expense of the craft itself.

    The major issue you discussed is widowhood in the North.How has it really been handled by native laws and traditions?

    The major focus was not widowhood in the north but the relationships between people with the different baggage that they bring along as a result of the varied backgrounds they have. It just so happens that a widow is the central character in the story and being a widow deprives her of certain considerations from people. They are judged more harshly, and some of their basic needs are taken for granted and if they make attempts to have these needs met, they are called names. The character of BintaZubairu was not treated badly because she is a widow but rather because she was adjudged to have strayed from societal expectations of her.

    But speaking generally about the conditions of widows in the north, I suppose it is the same everywhere in Nigeria. Yes, they may not be subjected to vile cultural practices such as drinking the water their husbands’ corpses have been washed in or subjected to the rituals of having their hair cut, they are often cheated out of their inheritance by the people who should secure these rights for them. I think there needs to be a conscious effort to protect widows. A situation where police officers feel the need to sexually exploit with the widows of their colleagues with the promise of helping them pursue their husbands’ benefits and entitlements is an indictment on our collective consciousness as a people. There is an urgent need to do more to protect widows and other disadvantaged persons in society.

    What is the position of a widow in the society in a Muslim setting?

    In the Muslim setting there is generally more sympathy for the widow than there is in other parts of the country. They are generally treated better, they are not inherited, as widows in other parts tend to be, they are not often accused of being responsible for their husbands’ deaths and are not subjected to any vile traditional practices to prove their innocence. With regards to inheritance, Islamic law is very clear about the percentage of their husbands’ wealth they are entitled to as individuals and they are granted custody of the children by law up until a certain period and if certain considerations are met. But there are instances where family members cheat them out of their inheritance, where they are arm-twisted into forfeiting certain rights the law has given them. Where the husband has no wealth to be inherited, the widows often suffer neglect from relatives. But on the whole, there is generally more empathy for the widow in the Muslim setting with members of the community often chipping in to help. But at the same time there are societal expectations that the widow should remain chaste until such a time as when she remarries, which is something the character of BintaZubairu failed to do in the novel.

    What other social problem of the North do  you intend to handle next?

    I don’t go about hunting for social problems to tackle in my novels. I just write stories and if these stories have anything to do with social issues, if these social issues happen to form a backdrop to the story because of the time or setting of the story, then I ensure I tackle it as objectively as possible. I think, for artists, the art should have prevalence than the message, where there is a message because principally, one is an artist not a propagandist. If I were a lecturer or public speaker or even an essayist,  I would have had a ready answer for you. But I am a writer, which means I am an artist first and my first allegiance is to my art, not necessarily to identifying and projecting social problems. That is what journalists are charged with doing. Writers are better off examining the human condition that results from any of these issues when they wish to engage them.

    What other influence[s] do you derive from Gabriel Garcia Marquez as a writer?

    Marquez may have had an influence on my style, but so have so many other writers. A writer’s style is something that is shaped according to what appeals to him and how he chooses to express himself and inasmuch as Marquez’s magical realism fascinates me and it is something I sometimes dabble into, I am more grounded in realism. I am influenced by many other writers as well and I am also influenced by the peculiarities of where I am from, from our story telling traditions and my personality as well have all melded in shaping the style in which I write.

    With this NLNG award have you really justified your inclusion as one of 39 most promising African writers as espoused in the Hay Festival Africa 39?

    I had no idea I needed to justify my inclusion in the Africa39 list. But even if that were the case, I think it is not my place to say. The Africa39 list says it is a compilation of the most promising African Writers with the potential to define future trends in African Writing. I have just written a book, which so happens to have won an award, in terms of its influence and impact on “African writing”, which in itself is a rather broad and ambiguous term, I think that remains to be seen. Perhaps in a few years, critics might be able to look back and say this is the case. Regardless, my preoccupation when writing my novel was to tell a good story in a beautiful way, not necessarily to define any trends. I don’t think writers bother about defining trends, they just write.

    Journalism is your first forte.How has it guided you as a novelist?

    For me it has been the other way round. My fiction writing has had a greater influence on my journalism than vice versa. I was first a writer before becoming a journalist and I suppose I will always be a writer long after I have given up journalism.

    Is NLNG prize justified in its winner take it all philosophy/How and why?

    This question has been debated for long. I suppose it is the same principle that applies to other literary prizes such as the Booker Prize and the Pulitzer and even the Nobel, which is not really a competition but a conferment. In that regards, you could say that is the norm that the winner takes all. But when you have an incredible shortlist, such as the one that we had this year, when you have friends lumped into a shortlist for the same prize, you wonder if there could be alternatives to the formula. But people have always wondered if there would be alternatives, I mean the Nigeria Prize for Literature is one of the most Lucrative literature prizes not only in Africa but in the world. It pays higher than the Booker Prize, and ten times what the Pulitzer Prize is worth. With that kind of money going to one person you wonder if there could be alternatives, especially in climes where the focus tends to be more on the money than on the literary merits of the shortlisted books, where the publishing industry is in dire straits and is likely to collapse on its face. But I have heard NLNG officials explain that they are only concerned with rewarding excellence and are not keen on a sharing formula for the prize. I don’t think I am in a place now to say if this stand is justified because no matter how you look at it, my position is compromised by virtue of being announced the winner of the prize. But I believe the publishing industry needs all the support it can get, even if you want to argue that they are private businesses that should be able to stand on their feet, the truth is that they are rendering a very crucial service to our collective consciousness as publishers of works that interrogate and explore our reality. It may be a business, but right now, it is being driven by passion and a zeal for public service than any economic gains the publishers are making. There are avenues for the private sector and other agencies to come in and chip in.

  • 1861: The cultural emergence of Lagos

    1861: The cultural emergence of Lagos

    The 5th festival colloquium for Lagos at 50 which centred on Lagos 1861:  Matters Arising and delivered by an astute historian and Dr. Patrick Dele Cole, brought to limelight the role of Lagos in the emergence of the Nigerian nation, writes Edozie Udeze.

    Events marking the 50th anniversary of the creation of Lagos State keep gathering different steams every month.  With the infusion of varieties of cultural programmes and displays, the organisers have succeeded in making it less boring for participants and stakeholders.  Last weekend in Lagos, the 50th edition of the series of lectures earmarked as part of the activities to usher in the anniversary was held at the National Theatre, Lagos.

    With the title of the lecture as Lagos 1861: Matters Arising and handled by Dr. Dele Patrick Cole, a seasoned technocrat and diplomat, it was obvious that the chequered history of Lagos State from inception has prepared it to be the first among equals.  But beyond the genesis of the 1861 episode that underscored the steady evolution of the state to what it is today, the National Troupe of Nigeria led by its director, Mr. Akinsola Adejuwon, performed to put guests in the right frame of mind to welcome the lecture.

    The dancers anchored their dances on the history of the state.  Through their dances, they reminded the public about those important personalities whose roles in public and private lives have continued to put the state on the road to progress and prosperity.  They sang and danced in honour of Oba Akiolu of Lagos, and how he and his ancestors and progenitors have kept the faith.  Lagos would not have been the melting pot of the Nigerian nation if the Obas, both present and past have not played their roles well.

    They also poured encomiums on Eleru Abiola and such other socialites in the state whose places in history are never in contention.  Incidentally, the Eleru was there present and her presence added unalloyed value to the songs.  As the drums beat to their maddening frenzy, the dancers did more justice to the songs.  They did not only praise these important people, they harped on the need for people to continually ensure that the state is made conducive day-in-day-out.  Lagos State is home to all.  It is very accommodating.  It is conducive for business; a place where people come and refuse to go once they tasted the norms of the environment; its allure and aura.  The dance steps and patterns were dynamic and effectual in different forms to demonstrate the opportunities that abound in the state.  The costumes, interspersed with red beads and anklets did justice to the show.  The local costumes of buba and iro worn by the three male and three female dancers showed Lagos as a state of freedom where there should be the epitome of existence, love and prosperity.

    This was why in his opening remark, Adejuwon thanked the organisers for keeping faith with the National Theatre as the venue of the lecture.  He said, “We all are here today because this is your home, it is a venue built to have shows like this one we are having today.  It was the property of Lagos State before it became the property of the federal government.  It is situated in this centre of excellence for our use.  This is why it is the National Theatre, meant for all of us.  Its occupants are Lagosians, and so let us make maximum use of it to promote theatre, to keep it afloat for us all”.

    With this, the lecture proper took off on a sensitive note.  Cole, a historian and scholar of repute dwelt on the historical excursion of the state from 1861.  1861 was the year when the peace of the state was first shattered and disorganised by the British invaders and overloads.  He began thus; “the history of Lagos is the history of Nigeria.  The history of Lagos cannot be divorced from the history of Nigeria.  It was in 1861 when suddenly sounds of gun and the booming of explosives were heard everywhere in the city.  Indeed the Oba woke up completely disoriented.  He thought it was the god of thunder angry with the people and he felt it was time to appease it”.

    Yet that was not what it was.  Cole, a Lagosian himself, totally versed in the history and evolution of his society, said, “oh, it was an invasion; the coming of the Europeans to Lagos.  At that point the bombing intensified as fire settled on top of houses.  Many homes were burnt down as communities and settlements got more confused.  The Oba then sent out his soldiers to find out what was amiss.  When the soldiers got to the seashore, they saw the British with the huge canons and guns stationed to bombard the whole town.  It was terrible and unbearable.

    Thereafter, the white men began to move to the palace of the Oba to set their eyes on him.  There, they said it was one Queen Victoria who told them to take over the city.  They accused the Oba of still maintaining and engaging in Slave Trade, which the Queen and others in Europe had already banned.  He was however told to remain in office but at the beck and call of the Queen.  This baffled everyone.  But the city was thus taken over by the invaders who instructed the Oba and his people to henceforth engage in trade in oil from the interior to the hinterland with the British in close supervision.

    Cole, a former ambassador to Brazil and presidential aspirant, said further, “Lagos now became a colony.  This was strange to the people.  The British also warned them not to trade on the sea anymore.  They were dumbfounded.  The order came from the Queen.  Then the consul brought a book and asked the Oba to sign.  He signed, thus ceding Lagos to the whiteman.  Then the whiteman said this is the treaty of concession and now the land belonged to the Queen of England.  It is now a crown colony of Lagos to be run and administered by Her Imperial Majesty”.

    From that moment to date, the state has played prominent roles for the emergency of Nigeria.  In 1914 when the amalgamation took place, Lagos assumed a new role in the formation of Nigeria.  It later became a protectorate and the capital of Nigeria.  In 1967, it became the headquarters of Lagos State and that is why we are here today”, Cole reminisced, saying, “this celebration is important to all of us not only as Nigerians, but as Lagosians, for Lagos has now become one of the fastest emerging cities and economies in the world”.

    But for Lagos to become what it is today, people from different corners of the world made it possible.  Cole said, “So in 1877 Brazil released their slaves.  Some came back to Lagos.  Here they had their Brazilian quarters.  Then the Oba of Lagos had an affair with a Benin woman to beget Oba Ado.  Today, we cannot forget our connection with Benin people.  Then the Aworis who came through the action of the Olofin of ife.  So the history has continued to unfold and spread.”

    Present at the occasion were J. P. Clark, Francesca Emmanuel, Eleru Abiola, Olawale Cole, Wale Adeniran, Teju Kareem and more.

    In all, Cole called for special status for Lagos State, owing to its role in Nigeria. Lagos to him, should receive special status and grants to run its affairs.

  • A book on widows debuts

    A book on widows debuts

    Most Nigerian women still experience great hardship over the death of their husbands. For many of them, the loss of their husband is only the first trauma step in a long term ordeal that will see them lose status, income security, livelihood, a home personal safety and security. In Nigeria, the plight of widows is lamentable because majority of them are not empowered. Widows in Nigeria no doubt pass through hell after the death of their husbands.

    This resulted in the story of 31 widows who narrated their ordeal in a book titled “Through the Fire” which was launched today in Lagos.

     The event which was  a gathering of concerned Nigerians also attracted eminent Nigerians with passion for vulnerable groups that have suffer huge losses and are going through challenging situations in the family front.

     Speaking at the unveiling, Co-ordinator of the project, Mrs. Sandra Oyewole, disclosed that seed of Addo project was sown in 2010, following a personal experience when a friend passed away and his widow needed support.. It was at that period that Sandra, the widow and three other friends agreed to write an inspirational book for widows.  According to Oyewole, the purpose of the book was to inspire widows, alert the general public on the challenges faced by widows and ultimately make a difference in the society in general.

      The team agreed that it would focus on inspirational books to tackle various societal issues the first of which was the widows’ project. The team settled on the name ‘Addo’ which in Latin means ‘to inspire’ and added the word ‘project’ which would convey the mission – ‘Inspirational Projects’.

    Speaking on what Kebbi State government is doing to alleviate the plight of widows in the state, the Special Assistant to Kebbi State governor on New Media, Aisha Augie-Kuta said the state is empowering widows with skills, take-off grants as well as provision of adequate healthcare facilities so as to be able to take care of their children. Kuta therefore enjoined women generally to be empowered financially so that when the eventuality happens, they won’t be caught unawares.

    Through the Fire is an inspiring story of 31 widows who have gone through the fire and have overcome. One of the widows spoke about how despite the challenges she faced she was able to find strength to also sympathise with her mother-in-law

    After the mourning what next? asked Mrs Omorinsojo Desalu “You no doubt have to prepare for eventuality such as securing some important documents and also start considering opportunities for earning” she said.

     Mr Chris Ubosi who spoke from man’s perspective said  ”the book  no doubt spoke about the necessity for us as individuals especially men to put their house in order, even before the exit of one’s  husband , the woman should be financially independent, and the more self esteem she will have.”, she said.

    Dr. Pamela Ajayi, a member of the project also spoke about the goal of her group; “we are out to provide support for those who mourn and offer needed voice for the right and privileges of widows who are denied of their rights after their husband passing”.

    In conclusion, the book spoke about enforcement and implementation of laws that protects women. The book later unveiled to some widow organisation and civil societies, among others.

  • AURODA: Nigeria arts exhibition holds in UK

    AURODA: Nigeria arts exhibition holds in UK

    An art exhibition by the Nigeria Arts Society UK entitled AURORA  is on in  London.

    The exhibition which commenced on October 13 will last till 29th. The work of seventeen artists are on display.

    According to the the President of the Society, Hassan Aliyu, the promotion of one’s cultural identity in a racially and culturally diverse society as the UK is of utmost importance in the wake of Brexit.

    AURORA according to him,  therefore highlights the spectrums of colour that constitute Britain today as well as the freshness and vibrancy Nigerian artists and Nigerian people in general bring to making Britain Great.

  • Whatever  happened  to Nigeria’s  goldsmiths?

    Whatever happened to Nigeria’s goldsmiths?

    Like a treasure hunter, Dorcas Egede went out in search of goldsmiths, a set of professionals who seems to have literally disappeared from the face of the earth. But she did come back with interesting findings; that they’re still around, though hanging in there by the whiskers, and that there is a new wave of professionals brewing. 

    STEP into a goldsmith’s workshop and the first thing that greets your eyes is not the glitter of precious stones, but rusty, trusty hammer – a must-have for a goldsmith, files of different sizes, pickers, chemicals and pliers, cutters, scissors amongst others. In fact, it will take some effort, especially if you’re not familiar with the profession, to know that you’re in workshop of a goldsmith. Of course there’s an open hearth alive with fire, with which metals and precious stones are melted.

    The goldsmith’s workshop is the smoke-blackened pot from which the cotton-white corn pap is dished out.

    Goldsmithing used to be a great means of livelihood in the mediaeval ages; in Nigeria it thrived greatly in the pre-independence years and a decade or two after. Gold itself, a precious metal with the original name Aurum (Latin: shining dawn) known for its incorruptibility and ductility, has found use in the fashioning of jewellery, trays, weapons, currency etc. It serves as an important religious and political symbol, and has been a critical part of civilisations and cultures; from the Mycenaean to the Egyptian civilisations and beyond, down to the various pre-colonial civilisations of sub-Saharan Africa. As a decorative covering, gold was used to make Egypt’s King Tutankhamen’s death mask and to adorn the Golden Stool of the Ashanti of Ghana.

    Nowadays, however, goldsmiths operate on the fringes of the economies of many countries—Nigeria in particular—so much so that the question that occasionally pops up in the mind of people is: Where are the goldsmiths?

    Business became very bad

    Inside the old rusty goldsmiths shops scattered along Ajeniya Street, Obalende, in the ever-busy Lagos central business district, female and male goldsmiths are seen working on the repairs of chains, bracelets, pendants and other pearls. They are cleaning, soldering and pickling.

    Joseph Egenti used to be one of them. In this reporter’s quest to find an answer to the flaming question of what’s been happening to the goldsmith and how to find them, her path crossed with his…

    “The business has since died off,” he says. “I quit in 1999. When you rent a shop, buy materials, and nobody checks on you for up to two months because people cannot afford to pay for your services… Because of the cost of purchasing materials for work, our goods were quite expensive and beyond the reach of many people, hence patronage was low.”

    He got into the business in 1974, beginning as an apprentice, which took him seven good years (1974-1982). “I worked as a goldsmith from that time,” he says, “till 1999 when business became very bad. When I left the business, I joined the textile mill. After some years, I had to quit that because things weren’t working well as well. I later became a security officer; but now I ride keke Marwa (tricycle/rickshaw).”

    He looks back with gratitude, with a measure of wistfulness, even. “We thank God for the period of boom. For about fifteen or sixteen years that I stood on my own, business was very good and we made enough money.”

    Asked what he did with his instruments, he said they slowly rusted away and he eventually discarded them. Why didn’t he sell them to other goldsmiths?

    “Who will buy them?” was his response, quick and wry.

    Goldsmithing is a very “coded” job

    Egenti and many others may have bailed out, but there are others who are being broken in. Gbemi, who is currently acquiring goldsmithing skills, believes that the job of goldsmithing “is a very “coded” one’—a slang by which she means goldsmiths operate in the shadow of other artisans and professionals in the society and that goldsmithing has become a shadowy profession. “Goldsmiths do their thing quietly,” she explains. “You still have the traditional goldsmiths, who are quietly doing their thing. Then you have the new wave goldsmiths, who studied abroad and are now using modern machines as against the old manual process.”

    No greater trade

    Mallam Usman Mohammed might as well be decorated as a knight of the order of goldsmiths, for he has been in the business for over fifty years. He acquired the skill by no formal means, but by observing his goldsmith father at work. He has plied his trade in Kano, in Kaduna, in Abuja and in France. “I get jobs from white people and as such, have had to travel frequently, far and wide.” Like Egenti, Mallam Mohammed bewails the present level of lucrativeness of goldsmithing. ‘Business was good back in the days, but now it has gone down. Children who are supposed to learn the trade and keep it running prefer to engage in white collar jobs.”

    Declining to say how much money he used to make during the hay days, he simply says things were better then than they presently are. “Now, we just do what we have to do because someone can’t stay idle. Some people don’t want to work, but they want to eat.”

    In spite of his lamentation, he says, “I have many other workshops, but I choose to stay here because I have been here for a long time.”

    On the mechanisation of the profession, he says “We use machines; we have used them for long; only that not everybody was able to acquire them since they had to be ordered from overseas. Originally, we were buying our materials from Beirut, and then moved to Italy, and now we’ve started buying from Dubai. I didn’t have to travel then; we ordered and they delivered the goods to us. But now, we don’t have to order anymore. People travel every week and buy us the things we need.”

    To Mallam Mohammed, the prognosis concerning goldsmithing is good. “Some of my children are into goldsmithing. I do not see any trade that is greater than this. My father taught me and I have also taught my children and many young people who showed interest in learning the trade. Some of them are here in Obalende, Yaba and other places around Lagos where they are doing the work. In fact, one of my boys who learnt under me got a job with [Goodluck] Jonathan when he was president. He still works for his [Jonathan’s] family. He makes all their jewellery and those buttons that are used on Jonathan’s Niger Delta outfits. I am always very happy and proud when I see how well my boys are doing for themselves. You know there is no greater joy and satisfaction than handing down the knowledge God has given you to other people. You know the problem we have now is that the younger generation are not willing to learn anything. They are just interested in securing white collar jobs.”

    For the donkey’s years he has been in the business, Mallam Mohammed has had no problem whatsoever, except that “the government is not encouraging local manufacturers. For instance, if you go to the market, every shoe that you see is imported from China. But there are boys here who produce shoes that are by far better than what these Chinese produce, but they don’t have any form of help from the government. Again, sometimes, government official, KAI will come and break their shops, and make away with their work tools.”

    Pointing to a cobbler just yards away from his own shop, Mohammed said, “That young man you see over there is a fantastic cobbler. He has many apprentices, especially females, whom he trains on the job. But those government officials never give him any breathing space. But it is hardworking people like him the government should support, to grow their business and the economy.”

    He is an old man, needless to say. He has a pair of glasses on, which does not look the least bit recommended. But then, he says they are useful to him. “Even though I’m old, I don’t have a problem with my eye sight.” Perhaps his eyesight is indeed failing and he is refusing to come to grips with it. But that comment may well accurately describe the acuity of his mind’s eye with regards to the homemade goods versus foreign goods controversy. His mordant wit is a rapier: “You see, the problem with Africans is that we don’t believe in what we have,” he says. “Our brain is as black as the colour of our skin. We have gold in abundance here in Africa. People from Europe and America come here, buy gold, silver and other precious stones and make jewelleries from them; then people will leave here and go and buy gold from them, whereas what you get from London is nine-carat gold, from the US it’s fourteen-carat gold, while here in Africa and Nigeria, what you get is eighteen-carat gold. But people from here will go to those places and buy their gold at very expensive rates. You know, our people believe that anything that is handmade is not good enough. That’s why they prefer to go abroad and buy their gold, while some white people, who know the quality of our work still patronise us.”

    “Many years ago,” he goes on, “the wife of the Ambassador to Germany came to learn goldsmithing from me. She told me that in their country, no matter how rich one was, they still had to learn a trade. She already had an idea before she came to me, though. Even though I didn’t have a machine and did my goldsmithing traditionally, she chose to learn under me. They were later transferred to Algeria and she couldn’t continue with the lessons.”

    Mohammed is not deterred by his age. “I can’t stay idle. I must at all times be doing something. And goldsmithing gives me so much joy. In fact, it is my children who are begging me to slow down.”

    On the use of fire for melting, Mohammed said, “We use different kinds of fire, depending on the quantity of gold that needs melting. If the gold isn’t big, we use the hose fire, which is a smaller one. If it is big however, we use the furnace. The traditional furnace is made from charcoal. But there is a modern kind of furnace which is a machine.”

    ‘We were in real business’

    Mallam Ilyasu Bala was in the business of goldsmithing for nearly thirty years before he decided to become a gold merchant. He was a goldsmith at a time Nigeria had just discovered oil and there was a boom in the economy resulting from the exportation of this plentiful resource. Sharing his experience as a goldsmith, he says, “The business boomed during the Babangida regime. That time, we were in real business. People bought gold for different occasions, some used them for decorations in their homes, engagements and weddings, the business boomed because there was money in the economy.”

    With a family to cater for and the economy taking a persistently downward slide, Mallam Hammed soon had to switch to gold merchandising when he noticed that business no longer moved like it used to. Now, he trades in gold, which he goes to buy from Dubai and sells here in Nigeria. He still does a little bit of goldsmithing though, he reveals. He does mainly repairs, helps to change the form of a piece of jewellery, even to turn white to yellow gold if that is what a customer wants.

    Things were better back then

    Entering into Oyebanji’s workspace is like peeking into a time capsule. The first things that call your attention in the cramped workspace, which he shares with two female goldsmiths, are rusty instruments dangling from a rope on the wall. The elderly goldsmith has been using them in all his years of practice. He is grateful that he has been able to preserve these instruments through time because, nowadays, as it were, the likes of those instruments being produced do not work as fantastically as his old and rusty ones.

    It is the proverbial Nazareth from which you would doubt that anything good can come, this workspace. But whilst goldsmithing still boomed in Nigeria, huge sums of money emanated from such tiny shops. In a corner, one of the female goldsmiths, a middle-aged woman, was working on a bracelet, washing it. After a while, she says, “Gold becomes dirty, as it attracts dust and all sorts, and it has to be brought for cleaning.” Over a small fire on her work table, she placed an aluminium bowl. In the bowl was some whitish liquid, which, she said, they refer to as gold colour. She put the dirty piece of bracelet and continued to stir. Right before this reporter’s eyes, the bracelet, which had hitherto been tainted, came out sparkling.

    Oyebanji has been in the goldsmithing trade for more than forty years. His father was a goldsmith, so he apparently took over the trade from him. After a bit of formal education, which helped him attain a bit of writing and reading skills in Isiwo, Ogun State, Oyebanji returned to Obalende, Lagos in 1963 to learn the art of goldsmithing. He’s been working there till date.

    Back in the days, he says, “goldsmithing business was alright. We didn’t have as many challenges as we now have. The instruments with which we work (especially the file, scissors, picker, and plier) are now hard to come by. This is because all the shops where we used to buy those things have closed. Shops like Leventis, UTC and Chellarams.”

    Asked where they used to buy gold from, Oyebanji said, “Early on, we used to buy gold from banks (American banks). But with time, banks stopped selling gold and focused on money matters alone. At the time, gold used to come in bars, which we called bar gold. They often carried this inscription, ‘999. We also used to buy the suffering coin-like gold. Now, we don’t make use of raw gold again. We make use of already used ones.”

    Asked to compare goldsmithing business as it used to be compared to what it is now, Oyebanji said; “Things were better back then than they are now. Granted that there wasn’t much money at the time, but things were not as expensive as they are now. With a little money, one could buy whatever he needed, but now, you have so much money and you can’t buy much with the money.”

    Is business booming as much as it used to? Oyebanji says, “You too have seen how dry this place has been since you’ve come in. There is no work. The gold that people used to buy for about ¦ 5,000 now sells for about double the price. So, people don’t buy gold like they used to. And since all we do now is basically repairs, or change a spoilt piece of jewellery to something else, like turning a piece of chain into a pair of earrings, we don’t get many people coming here for repairs. If people want an engagement ring, we can do that.”

    Oyebanji believes that it is the gold merchants who travel overseas to buy gold and sell to people in Nigeria that have rendered the business of goldsmithing nearly comatose.

    Did any of his children learn the trade? “They have an idea, having observed me for years. Before they left home, they all learnt how to do it. If their jewelleries went bad, or those of their friends, they brought them home, and fix them by themselves.”

    New wave goldsmithing

    Mrs Ronke Ekundayo would rather not refer to herself as a jeweller, for, according to her, the word ‘jeweller’ is rather broad. “A bidder is a jeweller, and so is someone who does wire works, sells jewelleries, or repairs them. A goldsmith is also a jeweller. But because goldsmiths are not many in this part of the country, when people hear that you’re a jeweller, they are quick to categorise you as a bidder, which happens to be the most common craft. I don’t like being referred to as a bidder or just a jeweller. Again, I don’t want a situation where one thinks I’m a bidder and starts bringing bidding work to me. I am a goldsmith and very proud to be one. I like to call myself a modern goldsmith. I am a modern goldsmith because most of the goldsmiths around still do their thing in a traditional way, but I am advancing towards the modernised way of goldsmithing.”

    How did she become a goldsmith? Was the trade handed down to her as well? “I’d say I stumbled on it. I actually started out with bidding, but I didn’t quite enjoy it. In bidding, we work with wires, and there were no connections to hold them, so they kept breaking. And people kept returning works we had done for them to be fixed. So, I was looking for a solution to this problem. In researching, I found out about soldering (the joining of two pieces of metal using a molten mixture of metals called a solder). At another time, I needed the services of a goldsmith. But I didn’t even know whether they existed in Nigeria or how to locate them, until I saw a newspaper advertisement. Professor Olayiwola was organising some training in metal works. She’s a metalsmith in the creative arts department of the University of Lagos. I went to her and learnt a little bit of goldsmithing under her. I had to leave to go for (National Youth) Service after a while. But I actually thought I’d return to her after service year. I just never did.”

    After her service year, Ekundayo got a job, which she soon quit because things were not going quite well. “Four years after, I just picked [goldsmithing] up again. You know, after working for a while and the work wasn’t going the way you thought it would. I was at home for a while, then my parents asked if I had given goldsmithing a thought, since I had been into it. I considered it and decided to pursue it. So, I travelled abroad for some training. After all the trainings abroad, I returned and took up an apprentice position with a traditional goldsmith. Slowly but surely, I garnered all I needed to set out on my own.”

    How is Ekundayo different from the traditional goldsmiths? “My use of modern technology sets me apart from the traditional goldsmiths,” she says. “Technology in terms of modernised and mechanised tools I use for the work; and of course, the broader knowledge of certain things about the work. Some of our traditional goldsmiths deal mostly with polishing and repairs. And the reason they seem to be just limited to polishing and repairs is in their lack of mechanised tools to help make their work easier. But that’s not the case for me. Again, my use of the internet for research helps me stand out from others.

    “I make jewelleries from the scratch. Someone may come to me, for instance, and say she needs a complete set of jewelleries. If she has a design in mind, we work with that design; but if she doesn’t, we just come up with our own design and tell you how much it costs.”

    Where does Ekundayo get her work tools from? “From the US, the UK. Imported.” As for the gold she uses for her work, she says she buys “used jewellery that we melt down. Although I recently heard that there are some places in the north from where you can get raw gold. I’m yet to confirm that though. For now, I buy from those Hausa merchants that change dollars and sell gold. I buy used or broken ones. I’m aware that some people buy their tools from Dubai, but I don’t go there for anything business.”

    Does buying used and broken gold for recreation of jewellery not reduce the cost of production in some way? Ekundayo says, “Oh it doesn’t. It really doesn’t.” She believes that what would help reduce the cost of production is if goldsmiths can access their work tools locally. “The most cost-intensive part of our business is in the procurement of tools. If these tools are locally manufactured, then maybe that would help reduce the cost of production. But having to import virtually everything we use, tool wise, makes it impossible for the cost of production to be reduced. Thanks to the high dollar rate now, the cost of production has further increased. Even the silver and gold we buy to melt and recreate has shot up in price. The silver we used to buy at ¦ 4,500 for an ounce is now ¦ 8,500. For gold, the last time I checked, it was being sold between at ¦ 13,500 and ¦ 15,000 per gram (which is even less than an ounce).”

    Ekundayo is not the stereotyped one-way traffic goldsmith. Much as she employs modern technology for her goldsmithing, she has not completely thrown off the traditional ways. Asked how she melts used or broken gold, she says, “When I want to melt gold, I use the traditional method by using a board with the melting torch or the modern way by using a furnace (a small silver pot-shaped instrument).”

    The traditional goldsmith uses charcoal fire for their furnace. But the thing that this modern furnace does for one is that it reduces a lot of inconveniences like burns. Ekundayo adds that “the heat from the modern furnace is also intense, but since it’s not open fire, it’s not as intense as that of the coal fire. Then again, it is safer in terms of exposure to certain health risks.”

    The quantity of gold to be melted determines the fire that would be used, Ekundayo says. “If I want to melt gold that is less than 20 grams for instance, I can decide to use the traditional method, but if the gold is up to between 80-100 grams, I’ll use the furnace.”

    Ekundayo’s mainstay is in training. “From time to time, I get jobs to fashion out jewelleries for people, and I only take such jobs if I have the time. My core is in training. Everybody says goldsmithing business has long been grounded and that there is no money in it. And I say the business is not booming for them because they are limited in what they do. You know Nigerians are adventurous people, always looking for something fresh, and these goldsmiths have nothing to offer them. But our own generation is different. I have been blessed with wonderful students. The students I have, for instance are very creative and full of ideas, probably because they are pretty young. But these older people are limited in their designs. I don’t blame them much, though, because they don’t have access to what we are privileged to have access to. I am not limited, and so for me, business is not bad.”

    Unlike other goldsmiths who are still in business only for repairs, Ekundayo says she does not do repairs. “I don’t take repairs anymore. The reason is that if someone brings a bad job for repairs and something goes wrong, I would be held responsible. I’d rather have such person take the bad work back to where he brought it from, because they will never understand that you were not the one at fault, and that the job was just a disaster waiting to happen. This is why I don’t take repairs.”

    What about training others? She says, “I won’t say training has a season. I have students come and go from time to time. People are interested, but because of cost and distance, some can’t take part in the training. Currently I have a handful of students learning. I still have my old students as well, because understandably these tools are expensive, so I give my old students the opportunity to come in and use my tools until they can find their feet. Training business could be better, but it’s not so bad.”

    The duration for training, Ekundayo says is for nine months and costs ¦ 650,000. What we’re offering here at that rate, if you had to go abroad to get it done, it would cost you at least, $10,000.

    How important is keenness of sight to the goldsmith? Ekundayo says, “When we’re doing what we call soldering, which is the joining together of two pieces of metals, we have to be very careful, because taking one’s eyes off the thing for just a moment can spoil everything. This earring I’m putting on for instance is a product of that. For a moment while trying to join these two pieces of jewelleries together, I was a little careless. If you take a close look at it, you will discover that one part of it melted. The fire stayed on for a little longer. That’s why I decided to use it for myself. There’s no way I’ll sell this. It’s a bad job. In using fire for joining, one has to be careful not to melt the piece of jewellery in the process.”

    Is it possible to pay for the training in instalments? “We don’t take payments in instalments. You know how it is with payments. You tend to be much more serious with your work when you consider the amount of money you had to pay,” she says.

    Corroborating Mohammed’s claim, Ekundayo reveals that the quality of gold produced here is the eighteen-carat gold. Why then do we still go abroad to buy jewelleries? “We still have third-world mentality. We believe that everything foreign is of better quality than what we have here. But all hope is not lost. If Nollywood could have a breakthrough, we are still hopeful that over time, we the goldsmiths in this part of the world will also have the needed break.”

  • Unmasking the Kuti clan

    Unmasking the Kuti clan

    This year’s Felabration was quite intriguing with the addition of an exhibition depicting Fela’s unique dress sense, the history of the whole Kuti clan and their faces in masks form and more, writes Edozie Udeze.

    A new dimension was added to Felabration this year.  The organisers decided to showcase the life and history of the late Afro beat maestro, Fela Anikulapo-Kuti in a new form.  At the Terra Kulture, Victoria Island, Lagos, where the exhibition took place, what were on display were the relics of Fela as had never been seen before.  What the curator and the artist in the person of Abolore Shobayo had in mind was to depict the faces of all the close and immediate relations of Fela in masks form.

    Accompanied with the history of each of Fela’s siblings and his children and wife, (that’s the mother of Femi, Yeni and Sola), each told the story of how the family came to be.  There was also the story about their parents in the persons of Rev. Israel Ransome-Kuti and his wife.  It was the discipline exercised by Fela’s parents that made him to grow to become a music icon.

    The pictures of these people were etched on well-designed fabrics depicting Fela’s style.  On the body of each fabric was written the history and brief professional attainments of each person.  Thus, you had the likes of Koye, Beko, Yeni, Femi, Kunle, Seun, Sola and the rest.  The idea, in the reckoning of Shobayo, was to let the world see and reflect on the genesis of Fela as an international artiste; a legendary music star.

    The materials used in the exhibits stood to represent the person of Fela and no one who saw them would ever doubt if Fela was not made alive once more.  The faces of the masks also represented each member of the Ransome-Kuti family.  As soon as you entered the exhibition hall, you were greeted by assortments of masks of the same sizes but different facial expressions, making artistic statement.

    Shobayo insisted that as an artist, known for excellence, he had to look at each person with a critical observation before presenting his facial image.  “You don’t need to be told who each mask represents for they are all real and convincing.”  With Fela’s trade mark of painting on their faces, they really showed that they all belonged to the same clan, class and family.

    In every art work, there was the unmistakable mark and sign of the great musician.  His symbol of defiance, mark of artistic decoration and fashion were all emblazoned on the exhibits.  It was all to show how Fela greatly influenced all the people around him.  His works cannot be done without recourse to the people who stood behind him while he struggled both for music and for humanity.

    For instance, part of the information provided showed where Kunle, identified as Fela’s second son, went to school.  The information duly recognized him as Fela’s son who is in-charge of his museum and monuments.  Up till that moment, not too many people could reckon that Kunle is Fela’s son who also has a huge responsibility on his hands.

    Equally, Seun, Fela’s last son, began to play with his father’s band when he was 6 years old.  And ever since, Seun has not looked back, taking on his father’s band and managing it as far as he can.  Today, the band Egypt 80 is still intact, courtesy of Seun who has himself become a global brand.

    Contained in the exhibition also were Fela and his 27 wives married to him in 1978.  It was one of those wives who gave birth to Seun.  The picture of the young girls, most of whom were in their teens, showed a happy Fela in their midst, smiling and raising his victory sign.  It was all in the spirit of Afro beat;  African patterns of life where a man is entitled to as many wives as he can cater for.  Fela demonstrated this and the picture could not hide his joy and fulfillment while he wallowed in the euphoria of that moment.

    The exhibition was indeed a pictorial excursion into the life and times of a legend.  It was to remind the public about those critical periods in Fela’s life when it was not clear whether he would survive the next moment.  The journey for him was tortuous and hectic.  He fought in all fronts to show everybody that injustice to one was injustice to all.  In this way, he used his lyrics to embellish his message.  He used some certain actions of stage crafts to state his own case whereby the authorities of government did not like him.  The pictures would make one feel nostalgic, looking back into time.  The memories are great and effusive, pointing to one fact: ‘A great legend truly passed this way’.  It will be good therefore if Shobayo could repackage the materials into a travel exhibit.  The rest of the world would like to see this maverick in his complete epitome and grace.