Category: Arts & Life

  • Auschwitz: visit to Nazi  concentration  camp

    Auschwitz: visit to Nazi concentration camp

    KRAKOW is not the hometown of the late Pope John Paul 11, I learnt as the minibus whirred past my hotel street.

    “It’s a village near here,” explained a guide. “But this is the big city around here, so many associate him with Krakow.”

    Krakow is one of the storied abodes of history. Its population bustles with tourists, and its central square preens with spires, rented horses and buggies, open-air restaurants, shops, lone minstrels and tourists burying themselves in flashlights of photography.

    But much of the city’s brio draws from a dark place. Many of the tourists like myself, visit because of Auschwitz, a name hard to spell out by lips and pen.  But what is harder still is the ability of anyone to digest its story. That was where our minibus was heading, to Auschwitz, a place of rottenness. It was, simply put, the symbol of Nazi barbarism during the Second World War, where a phalanx of self-righteous racists arrogated to themselves the role of a race’s messiah of human purity. They plotted, first by stealth and later by open brazenness, to wipe out what French writer Jean Paul Sartre described as “other people.”

    The other people, in this instance, were primarily Jews. But others included rebellious Poles, Jehovah Witnesses, dissidents, homosexuals, Gypsies, etc.

    The drive from Krakow gulped an hour and half, but that journey would have filled me with a lot more anticipation but for the guide’s decision to prepare us with a film of Nazi horror. Much of the film was familiar to me, having seen quite a few documentaries, seen movies like the Holocaust series, Escape from Sobibor, Schindler’s List, The Book Thief, etc. I had also read quite a few books, fiction and non-fiction, including Kosinski’s The Painted Bird, William Styron’s Sophie’s Choice, Primo Levi’s If This is a Man and Ann Frank’s Diary, etc.

    A witness to history

    I wanted to bear witness after the fact. Even though the evil happened between 1941 and 1945, I had always wanted to see Auschwitz for myself, to walk where Nazi jackboots stomped, where they shot humans at whim, where they burned humans to ashes, where they worked without profit. There I breathed the air where lawyers, doctors, teachers, fathers, mothers, children were reduced to sub-humans, lived like pigs, saw death but could not snatch it, where the devil unveiled the dark side of human folly.

    It is called Auschwitz, but its original name was in polish, and it was Oswiecim. When the Nazi’s took over, they did not only want to conquer the place but also its name. So, they changed the look as well as its sound. From a rustic, quiet, arboreal town, it became a hovel of cries, lashes, rat-tat of bullets, thuds of dying bodies, separated families, fear, loathing and foreboding.

    Our bus arrived Auschwitz to a stir of people. My group consisted of about 18 persons. But I saw about at least six other groups there at about 10 am. We went through security checks, and met our tour guide, who was a Polish woman. The gate appeared to me like a barracks portal, and the guide confirmed that the camp was originally a Polish military barracks. The Nazis remodeled it in their image and evacuated the residents. At the gate was written, “Works makes you free,” in German. It was one of the Nazi deceptions. They wanted to give the impression that those forcibly tenanted in that rampart were there to work for profit. The same deception was cast on the detainees. They were merely being resettled. So, they packed their belongings as though to another abode where they would live their normal lives away from the Nazis. They saw it as relief, but they did not know they were about to be relinquished.  So, they packed their best clothes, jewelry and money. Some draped themselves in their best fashion. They were rammed into trains with little air and rode for three and half days in some instances. They had no place to ease themselves except on themselves.

    Auschwitz was located close to another town called Birkenau. It was there the trains arrived, and it was a bigger camp. So, the inmates were transferred to hostels in Auschwitz.

    We moved from building to building. We saw an approximately 10-foot high wall, where the stubborn people were executed. Some earlier visitors placed flowers. There men and women were lined up and shot, just a yard away from the hostel. Windows overlooked the wall.  The hostel inmates could hear the blast of guns but could not see the carnage. They were not supposed to see but guess, why bullets blasted the air, and while voices yelled, whimpered and expired.

    They never enjoyed a burial except as ashes, if they were not dumped into a big ditch and left to rot. An urn contained remnant ashes secured from the early days after the place was liberated. It looked like shredded cotton before I looked closer and reminded me of wood ashes around my grandmother’s cooking pot. I looked away. Not far from there were masses of human hair. My mind zipped to the craze for human hair in Nigeria, and the contrast stared me in the face. The heaps of hair were shaved from the inmates once they arrived the camp. They used them to make beds and different sorts of clothing. It was classic humiliation to the Jews, especially men whose beards were sometimes as holy as their Torah.

    Next were their shoes, of various sizes and in that glass display were thousands of pairs of shoes. I wondered those who wore them, when they bought them. A girl probably once used those shoes to impress a date, received it as a birthday present, a guy probably had it for a graduation party, etc. Today, it is a symbol of absence and butchery.

    Face to face with signs of horror

    The hostel was brutal. The inmates slept on double-bunk beds and on mattresses made from hair. The mattresses were arranged neatly as though it were a dark sort of comfort. The hostels were narrow, and leg room was luxury. The toilets had no privacy and the bowls, cracked and slimy, made you retch. Yet, no one was allowed to use the toilets except early in the morning before work and late at night after work. Anyone who was pressed in between had to wait or face the repercussions. One of them was a starvation room. The inmate would lie in the cell without food or water until he or she died. A polish priest, Maximillien, volunteered on behalf of another man and survived the starvation room for about two weeks. The Nazis were not impressed. They killed him. The priest has been canonised.

    Other than the starvation room, there was the standing room, where the victim stood without the ability to sit or stoop, for days until he or she expired or served a specific term. Others were simply paraded at the wall of death and executed.

    As we walked by the toilets and bathroom, the guide quoted a woman, Esra Pollack, “Man has created horrors but cannot find the words to describe.”

    The most chilling horror was when we stood in the gas chambers.  Shower heads hung on the ceilings as promise of a normal bath. But it was a parody that ended in gas that turned into waves of fire that gutted the naked bodies at once. A few yards away was an incinerator that converted flesh to ashes. The ashes were used as fertilizers and the rest dumped in ponds or rivers. Like a peacock, a few metres away, stood a gated mansion.

    “That’s the home of the camp commandant,” said the guide. The place was a contrast. We never entered the mansion, and I wondered why. The sight of the luxury where the chief butcher enjoyed the higher comforts with his family was probably enough after all the horrors we had seen in a two-hour walk. We were told that no one survived the camp for more than six months, and those were few.

    In Poland, there were other camps as well, but this was the most notorious.  About 800 attempted escapes but only 144 succeeded and they thrived till the end of the war. With the high walls, the barbed wires, the high tower watches, the 24-hour vigilance, the regular roll calls, it was amazing that some people escaped or even dared.

    Most of the year was in freezing weather, sometimes minus 20 degree Celsius, more than many refrigerators. Although this was Poland, the majority of inmates were Hungarian Jews. Inside Poland, the Nazis killed 2.3 million Jews and about two million others sent to other camps, some inside Germany.

      We moved less than twenty minutes away to Birkenau, which was a bigger camp. There the refugees arrived. We saw the train coaches, the rump of the rail lines, and the area where the arrivals were sorted out. The women and children were separated from the men who were seen as healthy. The so-called weak men were lumped with the women and children. The fit men went to the hostels while the “unfit” were consigned to the concentration camp.

    As the war came to an end, the Nazis destroyed much of the evidence like the gas chambers and hostels. But the marks were unmistakable. One of the chilling reminders was the room where doctor Mengele operated. He slaughtered humans for experiment to make the perfect Aryan race. The man escaped and lived many years later and was never discovered until he drowned in Latin America.

    It was over, but for the rest of the day, I had to concentrate on the nature of human evil.

  • Encomium as Abraham clocks 50 with a book launch

    Encomium as Abraham clocks 50 with a book launch

    All roads led to Dominion Cathedral of the Redeemed Christian Church of God, Ipaja, Lagos, last week as the media expert and creative entrepreneur, Victoria Praise Abraham celebrated her 50th birthday with a book launch in grand style.

    Every October, family members, friends and associates join the woman which many described as dynamic and optimistic, to thank God for keeping her life for another year.

    Turning 50 is a reason to celebrate; it marks a big milestone in someone’s life.

    Expectedly, there was an influx of friends and colleagues at the double-barrel event.

    The celebrant, who spotted in a gold colour gown with a gold hat to match, in commemoration of attaining golden age, wore a jovial demeanor all through the event, cracking jokes and beaming smiles at interval as she exchanged pleasantries with the guests and close allies.

    The fully air-conditioned hall neatly decorated white and gold with a touch of leaf green, stomached guests and other attendees to the brim.

    Finally, the event kicked off at 11:05 with life band performers, Divine Band, dishing out melodious and mind blowing tunes, to which the guests roll their waists in unison.

    Speaking at the twin event, Abraham said, life at 50 for her is purposeful, focus, passionate and Christ filled.

    She said, she re-dedicated her life to God about 15 years ago, when she realized that if she truly needed to live a happy life, she should live a Christ-filled life.

    “I started this journey about 15 years ago and I re-dedicated my life to Christ. I realized that if I need true happiness, I need to be in Christ, and the only way I can make meaning out of life, is to entrench myself in Him”.

    Abraham said he who has no God is bound to be miserable, especially now that Nigeria is experiencing harsh economic downturn, and people cannot eat what they want or get money to do what they should do.

    “God remain my shield and present help in the time of need. So for me everything is God and God alone”.

    Glamorous Abraham, who admitted that life belongs to God, said her projection for the years to come is to always do the right thing in the sight of God, talk to young people and also to impact lives through her career as a media practitioner.

    Talking on her career as a writer and a publisher, Abraham said, writing is what she knows to do best.

    “I started with one, and it took me long time to write it. After that I wrote another one and last year again, I planned to write 5, but I was only succeeded in writing four and I printed 2. And this year also, I wrote three, but was only able to print one, because financially, things are bit challenging.”

    Speaking on her new book, ‘In Pursuit of Happiness’, the educationist turn media ace said, there is need to be happy in this time of recession and therefore the book treated 55 things that people should be doing as their watch words everyday to increase happiness.

    “Regardless of whatever that is going on, you need to think right, act right, behave right, smile often, and laugh happily every day.

    “ You need to do all these things deliberately on a daily because life itself will not make one happy and above all, making Christ as one’s Lord and Saviour,” she counseled.

    Different speakers at the events took turn to talk about a woman they had known for years.

    Opening the floodgate of tributes was, Victoria Omobola Oyedele, who reminisced on how the prayer life of the celebrant redeemed her own life.

    Oyedele, who described Abraham as courageous, focus and faithful woman, said they met at Court of Majesty parish of Redeemed Christian Church of God, Ipaja where the duo were choristers.

    “She touched my life with her prayer life; she is not a person that one can forget in a shortest while.”

    “One day, being a photographer I attended her book launch and she, obviously got excited at my dexterity on the job. And after the job, she called me where she was sitting with a female journalist, Yetunde. They were just asking me questions not knowing that they were actually interviewing me. Some weeks later, I got a text message on my phone that my interview was out in the newspaper,” she relived.

    Echoing the same sentiment, an undergraduate student of University of Ibadan, Tobiloba Obaromi said, she met Abraham when she was writing her first book, when she wrote a prelude of the book.

    “I never thought I could feature in her book, but being a consistent, encouraging and God oriented person, she gave me the opportunity.”

    “I wish her all her heart desires, God’s love and more amazing years in the presence of God”.

    Lending his own voice to the above panegyrics, Victor Olojo said, he met Abraham at both church and professional levels five years ago.

    Olojo who as well described the celebrant as dynamic and unstoppable, said Abraham’s level of energy is unprecedented.

    “If she starts doing something, she won’t back out until her mission is accomplished and this virtue makes her outstanding among her contemporaries.

    “I thank God for the impact she has made already and am very hopeful and trust God to attain her very best in the rest of her years on earth,” Olojo prayed.

    The high point of the event was the cutting of the 3-tier golden round shaped birthday cake alongside her mother, Madam Esther Arike Fadeyi,  friends and well wishers, with popular King Sunny Ade’s ‘Ojo Ibi’ rented the air as guests clink glasses for toast.

     

  • Death and the King’s Horseman comes alive

    Death and the King’s Horseman comes alive

    Nigeria’s Professor Wole Soyinka won the Nobel Prize in Literature in 1986 (30 years ago).  As part of the celebration of this rare feat, the National Troupe of Nigeria is staging Soyinka’s Death and the King’s Horseman in Lagos on 19th and 20th of this month.  Edozie Udeze explores the place of the play in the nation’s socio-cultural milieu

    As part of the activities to mark the 30 years of the Nobel Prize for Literature won by Professor Wole Soyinka in 1986, the management of the National Troupe of Nigeria (NTN) is staging Death and the King’s Horseman, one of Soyinka’s foremost plays.  Death and the King’s Horseman is a play written by Wole Soyinka during the colonial rule.  It is based on a real incident that took place in his society where a King’s death meant that his horseman would follow suit.  In this case, according to tradition, the horseman was seen as an important chief in the order of things in the palace.

    The death of the King also meant that his horseman was required by the natural law of the land to commit what was seen or considered as ritual suicide.  In other words, Elesin the King’s horseman knew from day one, what his role, position, and responsibilities meant in the palace.  And so the play was developed along that line to situate this obnoxious law ordained by the gods and given vent by the community.

    But did Elesin follow this precept when his boss, the Oba died?  In the process of obeying that law, the British overloads prevented Elesin from committing the ritual suicide.  They intervened because, in their own thinking, this act appeared barbaric, crude and unacceptable.  Yet, the story deliberately builds upon the true character of Elesin.  Soyinka having written this play way back at Cambridge where he was a fellow at the Churchill College during his early political exile from Nigeria, was able to quickly write a preface stating clearly that this play does not hinge on clash of cultures.

    In spite of this explanation, many critics still note that the role of the British in preventing the law of the local people from taking place is indeed a clear case of clash of cultures between Africa and Europe.  Be that as it may the play openly shows the tradition of the Yoruba people that the death of a king must be followed by the death of his second in command.

    It is to show that the spirit of the horseman is poignant and essential in helping, or if you like, in facilitating the King’s ascend to afterlife.  And if this is done properly, it will also help the community to prosper, thereby avoiding the wrath of the gods.

    When the spirit of the Oba is not properly interred, it is taken that he is still wandering among the living.  And a restless spirit is not good for the people if they want to know and enjoy peace.  The harm he will inflict on his community is better imagined.

    This is why the play takes time to document and state clearly the processes of the ritual.  It shows Elesin full of life, hoping that it does not end.  His role in the palace at this moment is enviable and irrevocable.  But he is also seen getting ready for the ritual which he also considers inevitable.  At long last, however, the British overlord, in the person of Simon Pilkings intervenes.  Like it is said in local parlance, he put his knife and divided what held the people together.

    The play depicts the catastrophic tendencies of this disruption.  The breaking of the ritual spells doom for the people.  Here Elesin is hounded in prison while the people await the next line of action to take.  While it is so, Olunde, Elesin’s first son, just back from England where he studied medicine offers to die in place of his father.  This he does in order to prevent the community from suffering for the sin of his father.

    Elesin who until now, is perceived as a coward, first by the Iyaloja, and again by the whole people, opts out of prison to render himself amenable for the role incumbent upon him.  When the Iyaloja taunts Elesin and reveals to him that Olunde who is a more courageous person has died in his place, Elesin strangles himself in prison with the chains binding him before anyone can stop him.

    The play shows other sequences of events that follow.  But in the end what does it mean to the society?  Has Elesin’s negligence helped in reordering the cosmic view of the world?  Is the world adrift, existing only in a void?  These are the thematic issues raised by the play which will be shown at the National Theatre, Iganmu, Lagos, by the National Troupe of Nigeria on the 19th and 20th of this month.

    To this end, the Artistic Director of the Troupe, Akin Adejuwon explained that the staging of the production is more propitious because it is thirty years this year since Africa and indeed the world joined Nigeria in celebrating Professor Wole Soyinka’s award of the Nobel Prize for Literature.  “Recall that Professor Soyinka became the first African to be awarded a Nobel Prize for Literature in 1986.  This is a feat that is worth celebrating and we have chosen one of his epic plays which incidentally was written by this time 40 years ago to celebrate the performing and literary icon.  Indeed we find the play which has been acknowledged as one of Africa’s best books of the twentieth century fitting to celebrate this living legend and icon” Adejuwon.

    Adejuwon also hinted that the November 19 performance would be a command performance that will be hosted by the Minister of Information and Culture Alhaji Lai Mohammed.  However he stated that the play, which will be directed by Mike Anyanwu and performed by some guest artistes and artistes of the National Troupe will open to a paying audience on November 20.  “We decided on the public performance and indeed to stage the production in line with the Minister’s drive for improved non-oil revenue generation through a wholly Nigerian cultural economy.  The National Troupe hence showcases the play with a view to further fulfilling its mandate to promote and develop our culturally valuable performance products for both local and international markets,” he said.

  • Which way the Nobel Prize for Literature?

    Which way the Nobel Prize for Literature?

    Penultimate week, at the University of Lagos, literary eggheads gathered to discuss the new trend in the Nobel Prize for Literature.  Edozie Udeze was there

    The Nobel Prize for Literature has never generated the kind of heat, controversy and debate it has done since it was announced a few weeks ago.  For the first time in the history of the Nobel, the literary community worldover was abuzz with different kinds of reasoning and ideas as to why the prize, essentially meant for literary writers, was awarded to a musician.  Although it was awarded to Bob Dylan on 13th of October “for having created new poetic expressions within the great American song tradition,” most literary eggheads have been pitching their arguments for and against this concept.

    This was why the department of English Language, the University of Lagos, penultimate week organized a forum to look into the pros and cons of the award.  The purpose of the forum was basically to see if it was proper for a music composer, singer and entertainer to be considered a literary poet in the tradition of the Nobel Prize in literature.

    In his opening remarks, Professor Hope Eghagha, the head of the department of English, reminded the gathering that “this is an engaging topic and it is right for us to be here today to discuss it.  It is for us to see truly the direction the Nobel is going.  Can we really influence what the Swedish Academy is doing concerning the Nobel for Literature?”, he added.  “Even then, the Nobel is the highest literary award in the world.  For this, it is significant to us because we know that fine writings are defined only by those who own and give out the award.  But then, why would the Academy at a point reject some great writers, only to give it to those who may not seem appropriate for it?”

    History is replete too, with writers who had rejected the prize in the past.  In the same way, the award had been given to some writers whose qualifications for it had been in doubt.  For Eghagha, a poet himself, “this shows that there is a great politics behind the concept of the award.  Yes, the statement said Dylan has produced music in the great American tradition.  Therefore, this qualifies his entry into the canon as a composer.  Yes, we agree that some of his lines are inspiring and memorable.  Yet, is the Academy creating an avenue to expand the frontiers of the Nobel to include creativity in other fields?  Or are they going back to the roots of poetry where Homer and the like used poetry to permeate the world? “ Eghagha queried.

    While he posed these questions, he threw the floor open for more literary eggheads to air their views on the matter.  Should the Nobel be given to a song writer?  This is in this era of more committed writers all over the world who have been in this business all their lives and have not been given even a hearing before.  Dylan is even a millionaire as it is and therefore shouldn’t this be given to a writer who needs this prize money more to be able to produce more works for literature?

    In his contribution, Dr. Chris Anyokwu insisted that Dylan is not the first musician or entertainer to be given the Nobel in Literature.  He reminded the forum that an Indian musician won it in 1930.  “Yes he was a painter and a musician and in giving the award to him the Swedish Academy noted that his works influenced his own culture and other cultures across the globe.  So, what we see here in the case of Dylan is not strange; it is not new.  Dylan wrote so much in the 1960s to influence Civil Rights Movements in America and beyond.  He is aversed to injustice.  He is deeply talented and popular and modern.  He is versed in American culture.  But here we have to look at the politics of it all.  Why hasn’t it be given to most African writers whose works really merit this award?  Anyakwu remonstrated.

    For him, even though Dylan is a performance poet, who writes good and profound poems, is he really better than Ngugi wa Thong’o of Kenya or Chinua Achebe who have been taunted by many as some of the best writers world-over?  But what we see now is that pop culture has been added to the award.  And it is the Swedish Academy that can explain why.  But here then lies the controversy.  May be it is time for writers to look into the commercial merits of what they write”,  Anyokwu, also of the department of English of Unilag, submitted.

    Professor Chidi Maduagwu observed that forever literature will remain controversial.  “It is ideal that Dylan converted his poems into songs.  Yes, he is basically a song writer.  It is his extraordinary use of the language that has distinguished him from the rest. He is ideologically inclined in his works and ways of presentation.  He is also an activist.  However, whether he rejects the award or not, it is his forever.  But whatever happens, I still feel some people are holding literature hostage.  Let literature be.  Let them not continue to hold it hostage.”

    In all, Maduagwu reasoned that Dylan deserved the award because he is qualified.  “His works are profound, universal and has varieties.  Indeed, his works touch a lot of things that the Swedish Academy is looking for”.

    Dr. Adetokunbo Pearse opined that Dylan’s Blowing in the Wind, a song universally acknowledged as being deep and profound, is enough to draw attention to him.  Having sung a few lines from it, he said, “I’ve been following his works since the 1960s.  In fact, the lyrics of this song have helped me to teach literature in the US for 20 years and in Nigeria for 10 years.  It does not matter what form of literature it is; literature is literature.  These, to me, are not popular culture; they are rather profound and unique.  Even then Bob Marley is another song writer whose works can one day earn him a posthumous Nobel Prize in literature.  Not only that, his works deserve to be taught in schools because of the messages of hope that they contain,” he said.

    Although Adedayo Lamikanre is a professor in Pharmacology, his interest in literary matters is quite overwhelming.  In his own contribution, he said, “You can’t set a pattern for literature.  The boundary is too wide.  There are indeed so many good writers who lived and did not get the Nobel.  So the beauty of literature is in its varieties.  Just write and keep on writing because you do not know how much impact you can create tomorrow.  Even then Shakespeare was writing for his small audience in England.  He didn’t envisage the impact his works would create some day.  It was in 1507 that the English Language became an official court language and so Shakespeare developed it further.  So, Dylan has to be applauded for this feat he has attained,” he said.

    Handled by Dr. Patrick Oloko, also an English teacher, the session couldn’t reach any compromise as to whether the Swedish Academy was right or wrong.  But the issue still remains that as a body, the Nobel Prize is full of politics and it is only those concerned who truly understand the precepts of that politics.  Like the Igbo would say: He who has yam and knife knows how to cut it and who to give it to.  After all he who plays the pipe dictates the tune.

  • Battered but not broken

    Victims of domestic violence and physical abuse shared their grueling experiences in the hands of men who once professed love to them with Sunday Oguntola 

    A PERFECT home appeared in the offing. 20-year-old Yetunde, a 200 level student of the University of Lagos (UNILAG) was too sure she had found the perfect man. Aside from being the CEO of a thriving real estate business, he was also godly and responsible. Throughout the 10-month the courtship lasted, they never met behind closed doors.

    “I never went to his house. All our meetings were in eateries within and around UNILAG,” she recalled. That effectively nullified the possibility of pre-marital sex. Yetunde, a committed church girl, was more than elated. Her dream of having a godly home was right on track.

    “All we discussed was the bible. He would break down biblical injunctions in such exhilarating way that I couldn’t but address him as my pastor. He was everything I wanted in a man,” she stated.

    Reality check

    But everything changed just months after they tied the nuptial knots. The once gentle, harmless hubby became hostile and aggressive. “He wouldn’t talk to me in the house for days. When I asked him why, he would say I just had to beg him. I would beg and beg but he would insist I must beg him until he is pacified even if it takes months,” Yetunde recounted.

    The emotional trauma became unbearable for the normally charming new wife. Her confidence took a low dive. Then the verbal abuse started. “My husband would talk down on me. He would say I was good-for-nothing. He said I’m just around to finish his money and eat his food.”

    Sometimes, the husband would withdraw financial support, knowing Yetunde had nothing to fall back on. She would have to rely on crumbs from neighbours in their posh apartment. Not a few of them wondered why the husband, a confirmed self-made business man would allow his young family starve.

    Yetunde became a shadow of her old self. She wailed and wailed without comfort. Even when she delivered her first child, the situation continued.  “Whatever he said was final, whether it pleased me or not. He believed a woman does not have a say.

    “The trauma was too much. At a point, I realised he didn’t want me to work. He would tell me that even if I started working, I shouldn’t let the money get into my head. I think he had inferiority complex, “she stated, pains evident in her once glowing eyes.

    Then, the new couple crossed the border to physical abuse. “He abused me physically like three times. The third time, I had to run for shelter at my neighbour’s place. He stripped me naked. I was so ashamed of what my marriage had turned to.”

    When the abuse became unbearable, Yetunde had to move out of her cherished matrimonial home. “I never knew my husband would beat me, let alone watch me pack out. But I had to save my life first. He was beating me like no man’s business,” she lamented.

    Back from hell

    According to her: “The worst that can happen in matrimony is physical abuse. It is so draining to see someone who claims to love you lifting his hands against you. It is a hellish situation that I will never wish for even my worst enemy.”

    For 12 years, Mojisola had a towering career in the financial sector in Abuja. Sometimes, she wonders if falling in love was not a curse for her. Her marriage lasted just a year but with many scars to show. From emotional abandonment, she graduated to be physically assaulted by a man who was all over him merely a year earlier.

    “He would beat and beat me until I had no strength to cry or even resist again. It was so shocking for me.”

    At a point, she became suicidal. She had sacrificed her high-flying job for the marriage. Her office in Abuja refused a transfer to Lagos. But she thought letting go of the job would be a rewarding sacrifice.

    Suicide to the rescue?

    But it didn’t and she couldn’t help being suicidal. “I was like ‘if I don’t get rid of this person, he’ll kill me.’ You know, when abuse and domestic violence is getting too much, you are either a victim or you want to be the victor.

    “And in a case where you don’t want to be the victim, you do anything to get out of it; so when I noticed it was getting to that point, I had to get away. I had to tell myself, this is the last I could take,” Mojisola shared.

    Her life was literally breaking down right before her eyes. It was painful but she was practically helpless. Her one-year-old child couldn’t get the best of life. “He stopped feeding us. I was all alone again. You know how painful it is to be married and still live like a single.

    “When my father died, he bought his cloth while I bought mine. The corpse had been lowered before my husband showed up. I had to spend my own money to lodge his relations in hotels,” Mojisola stated.

    A vote for self-love

    The battered Mojisola had to draw within herself to get help. The situation at home had gotten so bad that she couldn’t even engage her hubby in any meaningful conversation. If she needed anything, she had to go through his parents.

    When it was obvious she was only awaiting burial after a systematic killing, she opted to save herself. “When you have been through a lot, the best thing is not to give the people around the impression that you are weak or that you’ve given up on yourself, because yourself is what you have at the end of the day when everybody is gone.

    “And in the midst of the troubles you have been through, it is still yourself that will say no. I stand up against being violated, being abused by anybody trying to take advantage of me or the situations they find me.

    “It is still about you because that is what life is all about. Self love. That is what I call it; you love yourself out of every situation and you don’t give up,” she stated.

    Marriage that couldn’t be saved

    Lola’s matrimonial upheavals took longer to show up. Everything appeared to be under control. With a good job and a responsible hubby and attractive children, her world was a beauty to behold. But the first cracks appeared almost five years after the solemnisation.

    Their house-help suddenly took ill. She read nothing into it. It was a normal sickness that would soon go away, she imagined. But when the sickness took weeks, she decided to take her to the hospital. That was where she got the rudest shock of her life. The 17-year-old innocent-looking girl she brought from a village in Ogun State was carrying a three-month pregnancy.

    Investigations confirmed her dotting husband was responsible. To give peace a chance, she decided not to confront him. Rather, she took the house-help to the doctor and eliminated the pregnancy. She then sent her back to the village.

    She thought she had everything worked out. Unknown to her, her husband couldn’t live with being discovered. He was going to get his pound of flesh in a coordinated and calculated way.

    “He started staying away from home. I would beg and ask him but he would say nothing. I begged and begged to no avail. He stopped fending for me and children too. He would go for weeks without looking back.

    “When I told his parents, he flared up that I was reporting him. Then, he started beating me. I would cry and cry for days without sleep. I was shocked my husband had become a monster. Nobody could talk to him anymore.

    “Then, he said he was fed up with me and that I had to go. I couldn’t believe my eyes and ears. I thought I was in  dreamland. When the beatings didn’t stop, I had to run for my dear life. If I didn’t, I was sure he would have killed me, “Lola shared.

    She left in July 2015 and her once dotting husband remarried eight months after.

    Lola believed she did everything humanly possible to save her marriage. “God knows I tried. There was nothing I didn’t do. I didn’t want my marriage to crash. I cherish a beautiful home. But when he started beating me, I had to save myself at all cost.”

    Young but wounded

    Feranmi is just 24 but her life has been so battered that it is a wonder she lives to tell the story. When she met Lateef, she thought she had met a good friend. The lonely lady just needed a companion and Lateef was more than willing.

     “When I think of it, it was later that I realised it wasn’t love. It was comfort. When I met him, he was living in his house. I could go there at any time and sleep the way I liked; I was free. And it wasn’t like I had ever been in a serious relationship before. And then he was like a friend because my real friends didn’t really care about me. We talked about virtually anything,” she recalled.

    For one and half years, they dated. It was a sweet experience. Then one day, she caught him cheating on her. “I confronted him and he slapped me. I was surprised but didn’t fail to return the favour,” she stated. The duo fell apart for weeks.

    Then, one month later, she realised she was pregnant. She had nowhere to go than return to Lateef. “He truly was happy and I moved in with him. He lived in his family’s apartment and we were happy together.”

    But trouble started just two days after the naming ceremony. A simple disagreement led to a serious beating for Feranmi. She was beaten black and blue. Rather than upbraid him, Lateef’s family members agreed Feranmi deserved the treatment.

    She was scandalised and heart-broken. The beating became almost a daily affair. The hubby’s family members even made jest of her. “Some of them, younger than my siblings, would look at me and say, ‘You will soon receive your daily dose now’,” she shared.

    “It was so bad that I found myself in such a mess. My physical condition deteriorated badly. I couldn’t bear to face the world. My friends wanted to see me but I refused to see them because I was so frail and lean. I used to be lively and confident but I started thinking of myself as a nonentity.”

    The beatings went along with verbal abuses. “He would say I had nobody or nowhere to go. I was so ashamed and helpless. My life took a turn for the worst. I lost interest in life and anything related to it,” Feranmi continued.

     Much as she wanted to leave, she decided it would be terrible to walk out of a marriage. “I never planned to have kids for different fathers. My ideal situation was to have all my kids for a man but he was killing me silently. So, I had to do something,” she said.

    One day, she felt she had had enough and left. This was after several futile efforts by her friends to get her out of the physical and emotional abuse.

    Down but not out

    The women, who spoke confidentially with our correspondent, at an empowerment session by Hegai and Esther, a beauty store in Lagos, said domestic violence is one of the worst evils wives can come against.

    The session was organised in conjunction with Project Alert by the firm to help them regain their self-confidence and self-esteem through extensive therapy and sessions with make-up artists.

    Executive Director of Hegai and Esther, Mrs. Gbemisola Adebayo, said many of them have not smiled in a long time. “We need to make them believe in themselves again. They have been so battered that they have forgotten how beautiful they are.

    “We don’t just want to beautify their lives but also impact them. It’s not just about the make-ups; it is about what happens after the make-ups,” she explained.

    Addressing the victims, Adebayo said they shouldn’t be overwhelmed by their ordeals. According to her, “We all like to hide what we are going through. The experiences you have had must not define you. You are someone despite the scars. Everybody has a scar that they try to hide from others.

    “What you have gone through is part of the script. It is something that you must rise above and must never allow to tie you down. You are more than what life has given to you.”

    Executive Secretary of Project Alert, Mrs. Josephine Chukwuma, said domestic violence must be condemned by all and sundry. She said the situation requires collective efforts to overcome. “We must all have zero tolerance for violence against women under all guises, be it religion, culture or tradition.”

    Facing the abused women, she said: “You are victors not victims. The victims were those who died in it. You are battered but not broken. Do not allow what you have gone through to define you.”

    Tell-tales

    On tell-tales women should look out for, Chukwuma said: “Once a man is trying to isolate you from friends and relations; once he’s trying to cut you off from others, it is likely he is up to something. You have to become extra careful because nearly all victims of domestic violence are isolated, so that the man is not found out easily.”

    She added that abusers also start with emotional trauma and stigmatisation. “They want to wear you down with words and make you believe you are never deserving of them. Once a man starts verbal abuse, he is likely to beat you up one day.”

    Adebayo said women should be very alert while dating. She said most of the bestial acts that men later displayed were always there during courtship but largely ignored. “There are always signals but women like to overlook them because of love.

    “There is nothing a man does in marriage that he never demonstrated in courtship. It is all about paying close attention to his tendencies and tempers while dating.”

    Good men standing

    But both agreed that domestic violence is not synonymous with men alone. They pointed out that some women are equally abusing their husbands; a development they said is condemnable.

    Chukwuma urged women in abusive relationships to seek help before the situation turns fatal. “You have to speak out. If you don’t, you are digging your grave. The sad thing is the world will move on without you.”

    Good men, according to Chukwuma and Adebayo, are still out there. “Not every man beats his wife. There are still good men out there. They are caring and supportive. They love their wives, so much so, that they can’t bear to abuse them verbally, let alone physically. Every woman must position herself to attract one of these good men.”

    Adebayo couldn’t agree more. “I know several good men around me. They are fun to be with and absolutely adoring. They are well-mannered and gentle. Don’t let your experience make you believe every man is a wife beater.”

  • ‘My works mirror the society’

    ‘My works mirror the society’

    Eddie Onuzuruike is a poet, novelist and activist.  Most of his works tackle myriad of political, social and economic problems bedeviling the nation.  Even though he is also a politician, that has not in any way affected his deep interest in literary matters.  In this chat, he throws more light on one of his novels entitled The Old Soldier.  It is the story of a soldier who found life so boring after retirement.  But there were other things that preoccupied his time at one point or the other.

    Concerning the story, Onuzuruike said “In his mind, he thought about something worthwhile to do to keep himself busy – things that would help him to serve the society and contribute his own quota to the well-being of others.  So he actually took his time to think about it.  Yet, he felt, based on the state of things in the society that he might not be able to do much.  He was, at this point, advised that Japanese cars were better cars because of their fuel efficiency.  So he opted to buy a motor cycle and operate an okada business with it in the FCT.  He was based in the FCT (Abuja).  His wife, as usual did not like this idea of operating an okada.  She reasoned that here was a man who had a car before and whose life was much better, riding okada for a living.  Yet, the man stood his grounds in spite of so many challenges,” he offered

    As the issue developed further the retired soldier became more determined to use this means to be of as much help as he could.  As an author, Onuzuruike swiftly used this position to paint a moving story.  He said, “he was not using only okada, he also joined their union not only to strengthen it, but to also give it a new face towards a better direction.  At that time, okada was allowed in the FCT, although it has been banned now.  By the time he joined them and through the way he conducted himself, the union had no choice but to embrace him.  He was then appointed the chairman of the commercial motorcycle riders.  This was a position he used so much to impact on his colleagues in order to make the business more acceptable to the masses.”

    Using all sorts of intriguing approach and suspense, Onuzuruike told the story to make it stick.  There is plenty of life and believability in the story.  The story of an Okada man comes everyday in the life of almost all urban and village dwellers in Nigeria.

    However, as an author he makes it sound novel, unique and convincing.  He said, “as soon as he became the chairman, he noticed that they were into drugs and alcohol.  He swung into action.  He abolished those obnoxious habits.  He ensured that none of them ever took hard drugs or the sort while on duty.  And gradually he became just known as The Old Soldier.  Those of them who were worried took the news to their wives.  Their wives were quite impressed that a retired soldier was their leader.”

    Consequently, these women began to seek his advice whenever their men messed up in their homes.  “Ah, my husband has not come home for three days.  See, my husband is irresponsible”, some of the women would complain to him.  Then the story began to go round that here was a man who had plenty of discipline to lead the okada people.  With him, both the Road Safety and the Police began to work together to sanitise the commercial motorcycle sector.  It was very impressive that proper decorum really returned to the parks in the FCT.”

    In the collection of 500 most important poets in Nigeria where Onuzuruike’s poems were included, he is listed as one of the most vibrant Nigerian poets of this era.  About this, he said, “here I have five works included in the collection.  And all the works lampoon the people who do not lead well.  My poems harp on the need to have a new society that will benefit all of us.  One of them is on election in Nigeria where even before rigging started in this political dispensation, I had forewarned both the leaders and the led about the implications of such anomaly.”  The poem reads in part: Keep your money that is bereft of truth and I’d rather keep my vote…  Keep your rice which is full of political weapons…  It is part of enslavement and full of evil demonstrations…”  These lines show Onuzuruike as a prophet where the poems he wrote before time have come to fruition.  In time, more of such works from him are expected.  In all, his ever keen interest in national issues will continue to guide him.

  • Gemology uses precious stones to make creams -Chiedu

    Gemology uses precious stones to make creams -Chiedu

    More and more men suffer from things like high blood pressure, hypertension, cancers, heart attack and stroke at younger ages than was previously found, Tokunbo Chiedu.

                                                           

    Lawyer turned Beauty entrepreneur, and Consultant, with a bias for international business, Mrs Tokunbo Chiedu talks to Jane Kolade about her foray into the world of international business, becoming a beauty entrepreneur, and her world view. She also shares her passion for training, and how she brings that to bear in the running of her business, and day spa, which advocates the Gemology premium brand, and lots more. Excerpts:

    What is your take on the craze of Nigerian women with bleaching their skins?

    I’m not sure I can pinpoint why people bleach, because people have their different reasons for choosing to do that, but it may have to do with what you are exposed to, whether as a child. It might also have something to do with how you feel about yourself , and how they define beauty, or who is defining beauty. So I’m sure there are a myriad of reasons why people do that, I can’t speak for them.  But I think it’s important that you have to know that you are beautiful the way God made you.

    Of course, you know that there are people who suffer from skin conditions like acne; terrible ones that didn’t actually want to bleach their skins but some of the chemicals in the products used in treating their skins have that side effect and before they knew it, the entire skin colour has changed. Some people have a problem of having vey reactive skins, many people struggle with that, because it’s  a confidence thing that many people suffer from, which is why I don’t want to judge anyone. Having said that there are people choosing to bleach their skins, they are saying that they don’t like their black colour, and it is not a beautiful sight. We really don’t have that many experts who can advise, even going way back. Many people are seeking information on what to use, and end up using the wrong things on their bodies that are downright dangerous, and highly detrimental in the long term. But I think the ultimate advice is to say “you only have one self, and you have the responsibility to get the right information to ensure that you are not endangering yourself, because there are all sorts of chemicals in these products.

    Why do you think that Gemology is the better way to go?

    Gemology is actually from France and they are leaders in that sector, they are more natural than chemical because the formulations in products in the range are botanical. Gemology is a mineral based skin care brand formulated with trace elements from precious and semi-precious stones. The active ingredients in it are nature’s gifts to us, and trace elements are actually nutrients, the skin tends to absorb more when applied directly to the skin. Trace elements are the source of nutrients that you find in the food you eat, except that you find that when you ingest, your skin is the last part to gain from it. Technology now informs us that actually directly applying nutrients on your skin is more beneficial. There are a lot of health and anti-aging benefits attached to that because your skin gets to absorb the nutrients directly. So its undiluted, and it is not the residual form of the nutrient but the full essence.

    We advise a beauty prescription to start with, of course, our company represents the brand, and we work with trained therapists who have been trained by the brand. The brand is about education, its about elevating the standards in terms of the quality of care that consumers will see in the spa, and also the quality of products used on the skin. It’s a premium brand, one associated with luxury, and it is fantastic.  I have really reactive sensitive skin, and struggled with my skin for the better part of my adulthood, even from my teens, I have always had acne and blemishes. My dream is not to wear makeup, and now I can. I’m really happy with that. I am happy to not have to do make-up, but I am a

    Tell us a bit about the Gemology wellness weekend?

    tukunbo-chiedu-3

    The Gemology weekend will hold on the twelfth and thirteenth of November, twelfth is the men’s event, and thirteenth the women’s event. The Gemology Wellness weekend is actually our way of raising awareness about a good skincare regimen. We have set aside two days in November when we are just going to talk about wellness. It is about empowering people with information, during the programme there will be some services being delivered to the attendees. So they can have their shaving done, haircut, facial massage, body massage, manicure/pedicure. And we are working with professionals; therapists, barbers, beauty consultants who can advise. Day one will focus on male grooming, health, and fitness. We will have a medical doctor coming in who is an expert in the prevention of certain life threatening ailments; cancers, and so on. Especially because sometimes we don’t pay attention to these things, but it has become more important as increasingly people more and more suffer from things like high blood pressure, hypertension, cancers, heart attack and stroke at younger ages within the male gender than was previously found. Doctor Femi Olaleye is well known in that area and will talk to men about taking care of themselves, early detection signs and so on, while Gemology will talk about skin care.

    Day two is about women it’s the same thing- the doctor will be here to talk about the different ailments that women are plagued by, and steps to take to avoid those health pitfalls. The Nigerian woman is very much into great presentation, the average Nigerian woman loves and takes care of herself. We pay attention to personal branding, and sometimes the attention goes more on one thing than on the things that are most vital, so you get women who love hair, and pay attention to their hair, but don’t use anything particularly great on their skin. However, as a beauty entrepreneur I ask people to take a long term view, your skin is an asset and you should take good care of it.

    You presently have multiple interests in products and services that have to do with hair and skincare, how did that come about?

    Our core business is international trade and we are the go to brand for companies looking for access into the Nigerian market. We get invited to a lot of international events for the beauty sector. So we get to interact with international brands, at least on an annual basis. When we are approached for access into the Nigerian market, we typically look into the idea; some of the initial market intelligence was to advise the brand. And actually Gemology did some work to see if there was anything similar within the marketplace and all of that. That is our core business. We are a market entry market penetration international trade consulting firm. We have access to brands, and do all that is necessary to help promote them, and give them market access when they are ready for it. Prior to that, we provided advise to companies, and actually represent quite a number of brands in different sectors/ subsectors in the beauty industry.

    Do you care to mention any?

    Design Essentials is one. They are a leading brand, but they are also a training brand, which means that as a professional brand they provide training to support their stylists. They are the leading brand, both at home and abroad. We represent a food and beverage brand called Fosters Traditional Food, UK. They are a leading supermarket supplier, and also a leading brand supplying to the well known chains in the UK; Tesco, ASDA. They took an interest in the Nigerian market about three years ago, and we have done some work to try and support them, especially with NAFDAC registration, finding sub-distributors for the distribution of the brand, because we don’t actually distribute brands, though a brand we represent does. So we have affiliates for the brands we have worked with. Our work with brands is certainly interesting, quite a departure from the usual with firms which is more corporate. Usually developing international connections for brands, we went into the beauty sector because of the demand, as Nigeria is developing as an exciting place for lifestyle brands.

    Tell us about your educational background?

    I have a degree in Law and Social sciences, and a Masters in International Development. Both from institutions in the UK.

    So where are you from?

    I am a proudly Ijesha lady, married to a Deltan. Ijeshas are entrepreneurial by nature, intellectual, and we are trades people.

    How did you become a Beauty Entrepreneur?

    We organize international exhibitions, and it became a platform for brands. And the brands we represent found us because of the work we had done. It just became a natural progression for us to take an interest in representing some of the brands that have approached us. Especially because Nigeria is a big market, we like to have the best. We like to be on the same page as the rest of the world, and like to have access. The face of lifestyle here is changing so that we on par with a lot of global business destinations. Nigeria is welcoming a lot of business, and is involved in different sectors of the economy. These people who are coming into Nigeria with their business interests have needs, and some of them can be satisfied with what we have.

    Tell us the secret of your trim build and youthful looks in spite of being a mum in her forties.

    I think its my genes, I have good genes. Thank my mummy and daddy. And thank God. And then i love to eat. I really don’t believe in diets. But I like to eat good food, and also like to eat well. I have a sweet tooth as well. So I like my cakes and all that. But my work is very demanding, and I do a lot of things. I am an active worker, I wish I could exercise more, but I love swimming, and dancing; Salsa especially and it keeps you fit. But apart from that I would say exercise.

    Do you have a beauty routine?

    Oh yes, I do.

    Please share it.

    I have always have problematic skin, which I think is more hormonal.  So my skin tends to be reactive, even to touch. I discovered Gemology a year ago, I used it on myself and the result was amazing! Transformative actually. I wear make-up most days, so at night I remove my make-up with the Gemology Make-up remover, then I use the foam cleanser , then I use the toner. After that I apply a serum, during the day I apply an anti stress serum, and at night I use the calming serum. There are a bunch of serums, the anti stress serums, brightening serums, calming serums, those for sensitive skins and so. I love the fact that there are options to tally with what you might be going through. Your skin might be dealing with stress, too much aircondioning, dryness and so on. So it’s a beauty product tailored to what your skin is going through, although we usually don’t think of what the skin is going through. So if you are feeling tired, your skin maybe tired. At different times I use a repairing serum when my skin is going through stuff and needs repair so I use that. At times, I use the Diamond cream because my skin is dull, and diamond is known to be luminous, and it helps in oxygenating the skin, and makes you naturally radiant. It actually depends on what my skin tone is saying. So its good to keep a regimen, but introduce certain products at different times to address relevant concerns.

    At the Gemology stand during the last Beauty Africa conference, I noticed they did something called ‘face mapping’ tell us a bit about it?

    It really is facial skin analysis using a magnifying glass to look at your skin in a way that the natural eyes can’t to determine likely present, and future concerns. For instance, whether you are likely to lose skin elasticity because of your skin type. It is more like a deeper skin study in order to recommend the appropriate product, or what to do; like drink more water. It can prompt your beautician to ask you the right questions so they can help you. Many people don’t know about this, they just ask what their friends are using , and use same, simply taking recommendations from friends.

    So where can one get Face mapping done?

    tokunbo-chieduA good spa, or beauty consultant should be able to help with that. And we offer the service in our day spa. The Gemology day spa offers it as the first step in determining your beauty prescription.

    You carry a head of beautiful, natural hair, have you had any challenges with weaves like traction alopecia  to prompt going natural?

    I struggled with my hair because I have coarse hair. But I generally tended to reach for the more protective styles like weaves because I don’t have too much time on my hands to be sat in a place for too long. My hair kind of went natural because I was always in protective mode, but I love hair, whether relaxed or naturally textured. I think women should do whatever works for them.

    You wear so many hats, CEO, Director, yet you are a wife and mum. How do you manage your business with being a home maker?

    I think I’ve always had great family support. And I’m not just talking about just today as a married woman. But it goes way back to when I was a girl, my father was very supportive. He was a major influencer of who I am now, my mom too. My mum was extremely entrepreneurial, and strong. But I’m saying that whatever you able to do now is not just about today, but where you are coming from, what you have had put into you. So even from within my family, I had a lot of family support, like my siblings. People are always rooting for me. If I had to pin point what helped me do what whatever I have done, its because people were rooting for me, that’s my main driver. After God who propels me. And there is nothing more humbling and inspiring to have people who believe in you. And my husband is my biggest fan. He supports me a lot, and believes in me a lot. I also have a great team at work.

    Tell us some of your challenges starting out?

    Many. I’ve dropped many balls.  I made many mistakes, and have not picked my battles. I am very heady, and Nigeria doesn’t take kindly to that.

    In women, or everyone?

    Everyone. I just think that you have an opinion, not that you are being rude. And you believe in something.

    Are you completely satisfied with your life and career right now?

    I’m happy with all the highs and lows of my career. I’m happy with every part of the journey. I embrace everything, I embrace all my achievements and learning curves, I won’t say  mistakes because I think it’s a part of learning. Its an opportunity to learn how to and not to do certain things. In business you go through so much, sometimes there is no script. You have a business plan, but it doesn’t mean anything beyond that, it’s just that, a plan. And how responsively you react to what comes determines your survival. There are things you will go through that you would want to do differently should the opportunity arise, everyone has that. I do too, its part of my journey.

    What prompts your giving back to society?

    I’m a people person, I love people. I think that God has given me a lot. And I am not talking about material means. I’m talking about my intellect, and gifts. Everyone has gifts, I like to share that. Share my ideas and be part of forward thinking and progress. Its our Nigeria, and life is really not well lived until we’ve shared, until you’ve made a difference, until you’ve touched somebody. I think it was Maya Angelou that said “Its not what you say that people will remember but how you made them feel.” That is always going to make a lasting impression because people won’t forget what they hear, its authentic. Its real. We want to be able to do more.

    If a young lady walked up to you and said, “I would like to be like you” what would you advise?

    I would tell her to be herself. You don’t know the pain, you only see the glory.  I learnt that you have to be comfortable with your pain to be truly successful. You have to overcome it. I say pain, but it could be difficulty, or challenge. Its not going to go away, you to master it and conquer it. If they say, “I want to be like you”. I would say, “Which you? You don’t know anybody.” If they say, “I aspire to do …” I can live with that, but not be like you. In life we assume that we are all writing the same test, but everyone has a different question paper. My journey is so different from yours, some challenges I have faced others won’t face. Life is so personal and experiential. We can’t duplicate our experiences. Our responses to the same experience will be so different. We can be in the same situation, yet our reactions will be so very different because we are different. I would offer the young lady the few words of wisdom I could muster, the first would be find yourself because when you know you it’s the beginning.  To know what you know  what you want and what you don’t.

    What are the things her not to do or stay away from?

    I would say that you have to know yourself, and how certain things impact you, don’t throw yourself into situations. Don’t take anything for granted. Learn from anything going on around you. Be aware of predators, not everyone around you wants the best for you. You have to ascertain who is for you, and who isn’t.  Its about being in touch with the world.

     

     

     

  • TFL: Young people say no to child marriage

    TFL: Young people say no to child marriage

    Young people from public secondary schools across Lagos State will showcase the realities of child marriage in Nigeria using songs, poetry and drama to advocate for the elimination of Child marriage in the country on November 12th, 2016 at the 23rd Annual Teenage Festival of Life (TFL).

    TFL was initiated by Action Health Incorporated (AHI) in 1993 with the aim of bridging communication gap between young people and adults and also to serve as an enabling forum where young people and relevant stakeholders meet to both identify the plights faced by them. This year, the event is focused on creating awareness on the issue of child marriage, its prevalence in Nigeria, impact – effects on the child bride, community and national development.

    Child marriage is recognized internationally as a violation of the human rights of girls and despite laws against it, the practice still remains widespread. In Nigeria, 43% of girls are married before their 18th birthday and 17% are married before they turn 15. The prevalence of child marriage varies widely from one region to another, with figures as high as 76% in the North West region and 10% in the South East.

    These child brides are burdened with responsibilities as wives and mothers with little support, resources, or life experience to meet these challenges. Furthermore, girls’ rights, health and development are undermined by the impact of early marriage, including pregnancy and early childbearing which impacts on their mortality and morbidity. There are also outcomes of early termination of their schooling which limits human capital and their future productivity which of course affects the lives of their children and families.

    This year theme “Ending Child Marriage”; is one of the priority areas under “Ending Gender Inequality” Goal 5 of the 17 Global Goals for Sustainable Development. Ending Child Marriage not only achieves gender equality but translates to the fulfilment of other priority areas such as Ending Poverty, Achieving Education for All, and other goals. This, therefore, calls for urgent steps to eradicate the practice in Nigeria through policies and innovative ideas that must be implemented.

    This event will have in attendance as the special guest government officials from Lagos State Ministry of Women Affairs and Poverty Alleviation, Ministry of Education, Ministry of Health, UNFPA, the Tutor General/Permanent secretaries of all the Education districts in Lagos state, teachers and students of secondary schools in Lagos as well as the Executive Director of Action Health Incorporated Mrs. Adenike Esiet. Also in attendance as the celebrity artist of the day is Aramide, winner of best female artist Afrima 2016.

  • Museum exhibitions take multimedia approach (I)

    Museum exhibitions take multimedia approach (I)

    In museums all over the world, the use of multimedia applications continues to spread. Now that the early technological problems of the early experimental years have largely been solved, museums are focusing more on the needs and the quality of the interactive experience; the museums community globally is becoming increasingly aware of the use of multimedia in exhibiting their collections.

    Multimedia is simply a combination of two or more media. Computerised systems form part of a long tradition of interpretative and explanatory technologies and techniques that follow slide shows, text plates, and dioramas. Strictly defined, multimedia results when two or more media are combined to provide information about a subject. The media may be text, drawings, graphics, still photography, moving images from video and audio etc.

    Famuyiwa (2012) agreed that multimedia enable learning to become fun and friendly, without fear of inadequacy or failure.

    However, some challenges are militating against the effective use of multimedia in the National Commission for Museums and Monuments in Nigeria, among which are inadequate policy formulation on Information Communication Technology (ICT), lack of infrastructural facilities and bureaucratic bottleneck, among others.

    This paper, therefore, examines the effectiveness of multimedia applications for exhibition interpretation and looks at ways by which multimedia application can fully be integrated in enhancing museum exhibitions.

    Multimedia and museum

    exhibitions

    Fenrich as quoted by B. Famuyiwa (2012) defined multimedia as “an exciting combination of computer hardware and software that allows you to integrate video, animation and audio graphics and test resources to develop effective presentations on an affordable desktop computer”.

    Recent user studies analysing the patrons of web museums have discovered that a majority are seeking exhibits that go beyond a database of disparate objects. Visitors to virtual museums are looking for guided tours and exhibits that take advantage of new technologies and present information in a way that helps them to understand and appreciate the artifacts in their artistic and historical context.

    According to Koester (1991), “multimedia is really neither a specific technology nor a product, though many use the word in that way. Instead it is multi-sensory ways through the integration of disparate media and pieces of information”. This integration results in a multi-purpose device that in most cases is under the immediate control of a personal computer, and the ultimate control of the designer and user. From what has been discussed, it shows that using multimedia is not a choice but a necessity that will lead National Commission for Museums and Monuments to automation.

     

    Multimedia devices for

    enhancing exhibitions

    Various screen-based mobile guides have been adopted by a range of museum worldwide since the turn of the century. This is mainly due to the great potential that such solutions offer to museums and their visitors. Advantages include: variety of interpretation, engagement of visitors, outreach to new audiences, support for orientation and flexibility with content distribution.

    These multimedia devices among others include:

     

    Audio guide

    This provides a recorded spoken commentary, normally through a hand held device to a visitor in a museum. They are also available for self-guided tours of outdoor locations, or as part of an organised tour. It provides background, context and information on the things being viewed. Audio guides are often in multilingual versions and can be made available in different ways. Some of the more elaborate tours may include original music and interviews. Some audio guides are free or included in the entrance fee, others have to be rented separately.

     

    Multimedia electronic guide

    This is a device specially designed to provide audio, visual or textual content to the museum visitors with or without user’s interaction. It may also provide alternative content corresponding to various personal preferences. It may include accessories such as headphones, a digital pen and displays with Liquid Crystal Display (LCD). It May also be operated to supply content in different languages and accents, with different voice alternatives like (man/woman/child/native speaker etc), with text and with age group specific content.

    These electronic guides can also provide the museum management with useful statistics and report, which may include tour statistics, visitor statistics, opinions and other surveys.

     

    Cell phone tour

    This is an audio tour where pre-recorded or stream audio interpretation for a heritage site or a cultural exhibit is provided via a cell phone. Cell phone audio tours have the advantage such that most visitors already have the equipment needed to take the audio tour, being their cell phones. Each venue is assigned a phone number with appropriate stop numbers, displayed next to the exhibit. Once a visitor has dialed in, he will be prompted and can enter the corresponding stop number of the exhibit they are viewing, to hear the recorded content. These tours also enable the visitors to fast forward, rewind, and pause, as well as leave a feedback message for each exhibit or the whole tour, simply by pressing a number.

    In addition to audio content, some providers are also able to stream videos and text messages of recent visitors with updates.

     

    Video projector

    This is an image projector that receives a video signal and projects the corresponding image on a projection screen using lens system. All video projectors use a very bright light to project the image and most modern ones can correct any curves, blurriness and other inconsistencies through manual settings. Video projectors are widely used for many applications such as conference room presentations, class room training, home theatre and most importantly to enhance museum exhibitions.

    Projectors are used in many museums around the globe, sometimes connected to an interactive whiteboard to interactively teach visitors about the museum display.

     

    Liquid-crystal-display

     television (LCD TV)

    This is a television that uses LCD display technology to produce images. LCDs can be used in an exhibition for recorded spoken commentary, video clips of important festivals, archaeological finds and heritage sites. It is usually connected to the system or plugged in a memory device that contains the recorded clips.

  • NGA honours monarch  with Art of Benin Kingdom

    NGA honours monarch with Art of Benin Kingdom

    It has the imprimatur of the artist-elongated figure, pointed lips, full beaded. The sensuality is all too evident.  A temptress?  But the skilfully executed bronze bust, entitled: Edo Maiden, is far from matters of the flesh.

    “It has to do with a woman that is pure, virtuous, young and innocent,” explains the artist, Dr. Franklyn Egwali, a Senior Lecturer in Sculpture, Department of Fine & Applied Art, University of Benin.

    Executing the piece in the tricky medium of bronze did not pose much of a challenge to the artist. “I went to the studio, modelled it and produced,” he says casually. Still, it took three months to complete.

     

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    The thrust of Bimpe Owoyemi’s painting, Portrait of Oba Ewuare II, on the other hand, is the new Benin monarch. The artist, who did the portrait of the immediate past king, Oba Erediawa, seven years ago is fascinated by the uncommon look of an Oba-unsmiling, yet charming! And to capture this, she had to use red. On her inspiration for the work, she says: “I thought it would be an honour since he is the reason for the celebration. It was specially done for the coronation…”

    How coincidental?As this was precisely the reason, the National Gallery of Art (NGA) organised the exhibition, entitled: “Art of Benin Kingdom,” an exhibition of paintings, sculptures and drawings among others to highlight the rich art and tradition of Benin as part of activities to mark the coronation of Oba Ewuare II. Works of renowned Benin artists, alive and dead, alongside young artists were on display to the delight of viewers.

    Though NGA organises an annual art exhibition in Benin during the popular Igue festival, this particular edition was dedicated to the new oba.

    Some of the artists  praised the exhibition.  Leo Esezobor, a full-time artist, whose painting, Ugie, depicts a festive scene with chiefs decked in various celebration regalia, the bright colour he utilised accentuating the joyful mood, said: “I am glad that the exhibition was organised as part of the coronation of a new Oba.  Michael Igbowe, a sculptor and full time artist on his part believes that the exhibition demonstrates that art and tradition go together.

    “The concept of the exhibition is timely and unique. All areas were covered. It is a complete exhibition. His bronze bust, Oba Ereduawa was adeptly done as a realistic work. On why he chose the subject, he says: “He was the Oba that I admired for his peaceful reign. I had encounters with him at various fora and they were inspiring.” And Dr. Franklyn Egwali put his impression of the exhibition this way: “All the exhibits show the power of our art in all its ramifications.”

    On the significance of the exhibition, the host and member, House of Representatives, Oredo Federal Constituency as well as Chairman, House Committee on Culture & Tourism, Hon. Ogbeide-Ihama Omoregie, says:  ”When the Benin Kingdom is mentioned globally, four things readily come to mind,- rich culture, deep tradition, extensive history, and exquisite art. The once-in-a-lifetime event of a new Oba’s coronation in Benin Kingdom is an event that embodies all of these factors. It was, therefore, appropriate to put together a platform like the Art Exhibition that showcased the beauty and creativity of our arts and crafts across various medium like paintings, metal, bronze, fibre, ivory and wood works to complement the rich culture, history and tradition that the coronation ceremony itself presented.”

    To him, the exhibition was indeed a beauty. ”It fulfilled all of our objectives in terms of the quality and variety of works on display, the pedigree of exhibiting artists, the presence and participation of top dignitaries, and the influx of visitors.  Talking about pedigree of artists, I was pleased to see on display, one of the sculpted works of the renowned sculptor, Duke Igbinedion, who produced the iconic NASS Monument sculpture of a hand holding the mace that stands in the open square of the National Assembly. We had a lot of our visitors-foreign and local who visited and were very impressed with what they saw.” He maintains that the whole event from the opening ceremony to the days of exhibition was well-organised, and “I must use this opportunity to thank the Minister of Information and Culture and the National Gallery of Art for their cooperation with my committee in organising a memorable event. I must also thank the Oba’s Palace, the Coronation Planning Committee headed by HRH Prof. (Enogie) Gregory Akenzua and The Iyasere of Benin, Chief Sam Igbe, among  others, who supported us in having an outstanding event.”

    This sentiment is echoed by the  National Gallery of Art  Director-General, Abdullahi Muku. “It was a huge success. The Iyasere so appreciated the exhibition that he wanted its duration extended! The Gallery did it in appreciation of the rich art and tradition of Benin with the possibility of opening up their art to the domestic and international market,” he said.

    Among the Galleries that participated in the exhibition are: Idubor Art Gallery, DIVAS Art Gallery, Crowne Art Gallery, MVM Art Gallery and Black Passionate Art Gallery while the institutions include University of Benin (UNIBEN) and Auchi Polytechnic.