Category: Arts & Life

  • Service to humanity drives my passion for success – Orifa

    Service to humanity drives my passion for success – Orifa

    The Executive Director of Accentcare Home Health Services, Dr. Ifeoma Grace Orifa, has described passion for service to mankind as her strength and motivation.

    She stated this on Tuesday when she received a ‘Golden Role Model’ award from the Nigeria Youth Advocacy for Good Governance Initiative (NYAGGI) in her office.

    The award described her as an “epitome of human services’ and praised her for her patriotic zeal to youth empowerment as well as passionate commitment to qualitative and affordable healthcare, social development, service to humanity and God Almighty.”

    The medical professional, who expressed excitement at being recognised by the rights organisation, said she had been challenged to do more.

    “If I can be recognised this way even while in my own corner, I am further challenged to put more smiles on the faces of Nigerians.

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    “I am a passionate person driven by the need to empower Nigerians, especially those who want to be empowered. I will continue to better the society through my profession.

    “As you know, I have not achieved this alone,” she said while commending her staff for their commitment to work.

    Earlier, head of NYAGGI, Comrade Alabi Akeem Abiodun, said his organisation was moved to celebrate Dr. Orifa for her selfless service to humanity.

    “We have followed your activities for a while and are strengthened by the fact that there are still kind-hearted Nigerians who want happiness for the people.

    “Coming to your office, we are further reaffirming our positive opinion about your work. You are an ambassador for the youth and humanity.

    “In a country where people complain that the government may not be measuring up, you have become a role-model, a committed and patriotic Nigerian and true mother who sacrifices for the happiness of others,” Comrade Abiodun said.

  • Capital Luxury Group partners ministry to empower women through pageantry

    Capital Luxury Group partners ministry to empower women through pageantry

    In a bold step toward driving inclusive development, Capital Luxury Group, through its CSR arm, the Miss Luxury Foundation, met with the Benue State Ministry of Women and Social Affairs on May 26, 2025, to forge a partnership aimed at empowering young women through education, leadership, and economic inclusion.

    Held at the Ministry’s headquarters in Makurdi, the high-level engagement featured a presentation by Solomon Akeh, Project Manager of the Miss Luxury Foundation, who represented Dr. Edidiong Udoidiong, Executive Director of the Foundation. 

    He outlined the mission of the Miss Luxury Foundation and the purpose of the visit—to secure the Ministry’s endorsement and collaboration for the upcoming Miss Luxury Pageantry 2025.

    “At Capital Luxury, we believe that real luxury is the ability to uplift others,” said Solomon Akeh. “Miss Luxury is not just about the crown—it’s a transformative platform that nurtures confidence, vision, and purpose. This partnership with the Ministry will help ensure that the empowerment we envision reaches every corner of Benue and beyond.”

    During a productive Q&A session, Ministry officials expressed enthusiasm for the initiative and its alignment with government programs focused on gender equality and youth empowerment. The Foundation also shared plans to use the pageant as a springboard for broader initiatives, including leadership development, skills acquisition, entrepreneurship bootcamps, and long-term mentorship for young women.

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    In response, Hon. Mrs. Ann Itodo, Honourable Commissioner for Women and Social Affairs, welcomed the initiative and reaffirmed the Ministry’s commitment to supporting partnerships that deliver meaningful, lasting value.

    Directors within the ministry shared insights into government priorities and offered recommendations for maximizing the pageant’s inclusivity and policy alignment. The meeting concluded with a mutual commitment to ongoing dialogue and strategic implementation.

    This collaboration reinforces Capital Luxury Group’s position as a responsible thought leader in Nigeria’s private sector—leveraging innovation, culture, and inclusive development to drive transformational impact across communities.

  • ‘How my autistic brother inspired me’

    ‘How my autistic brother inspired me’

     “Impossibility is a myth.” Those words have shaped the life and thinking of Ozichukwu Tagbo-Okeke, the elder brother of 15-year-old autistic art prodigy, Kanyeyachukwu Tagbo Okeke. 

    While society often places limits on children with special needs, Ozichukwu believes his younger brother’s story has shattered those barriers and redefined what is truly possible.

    Kanyeyachukwu, fondly known as Kanye, recently broke the Guinness World Record for the largest painting created by an individual, an achievement many thought impossible for someone on the autism spectrum. 

    But to his brother, the awards and global recognition are only part of a bigger story.

    In an interview with The Nation, Ozichukwu said, “People may see a star or celebrity. But I see my younger brother who is differently abled. I see a boy with a dream, one that nothing can stop him from achieving.”

    Despite his condition, Kanye has risen to become a global figure in the art world. His works have been showcased internationally, and he has received several accolades including the Flame of Peace Award and the Indomie Heroes Award. But for his brother, the real achievement lies beyond the trophies.

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    “Kanye symbolizes something bigger than talent,” Ozichukwu explained. “He represents hope for every child that society has labeled as a reject. He shows us that no child is a waste, and that everyone has a purpose.”

    Ozichukwu shared how his views on what is possible changed drastically because of Kanye. “At first, I didn’t believe it. I thought, ‘Some things just scientifically can’t happen.’ But Kanye changed my perspective. He inspired me to find the possibilities in what we often label as impossible.”

    He criticized how families and society sometimes respond to children with special needs, often hiding them away due to fear or shame. “Many families carry their special needs child as an insecurity. They hide them from the world. But I’ve come to realize that the main issue isn’t the disability, it’s how that disability is treated.”

    “Our problems make us whole,” he continued. “Challenges are not something to be covered up. They are part of our identity. Facing them is the first step to healing.”

    Kanye’s art, according to Ozichukwu, speaks volumes. “Each brushstroke tells the story of children who have been ignored and sidelined. Through his canvas, we hear the voices of the rejected, children who were once told they couldn’t, but now show the world they can.”

    He called on the Nigerian government and society at large to do more for children with disabilities. “No child must be left behind, whether autistic, dyslexic, or fully abled. All children deserve love, support, and the opportunity to reach their full potential.”

    Despite his global recognition, Ozichukwu said his brother remains grounded and focused. “Every hurdle Kanye has faced has become a stepping stone. That’s the funny thing about his story. When people hear it, their first reaction is, ‘That’s impossible.’ But we know better. We know impossibility is just a myth.”

    He concluded with a powerful message: “Kanye has taught me that with belief, hard work, and love, anything is possible. He is not just my brother. He is my inspiration. And through him, I’ve learned to see greatness in what the world sometimes calls weakness.”

    For the Tagbo-Okeke family, Kanye is not just a record-holder; he is living proof that greatness lies within every child, regardless of how society defines them.

  • Enugu bags 2025 NAFEST hosting rights

    Enugu bags 2025 NAFEST hosting rights

    …Mbah vows to guarantee most memorable NAFEST experience

    Enugu State has secured the hosting rights for the 2025 edition of the National Festival of Arts and Culture (NAFEST), themed “Connected Culture.”

    The Director-General of the National Council for Arts and Culture, Obi Asika, officially handed over the hosting mantle to Governor Peter Mbah at the Enugu State Government House. 

    Asika said the decision to award Enugu the hosting rights was due to its rich cultural heritage, historical significance, and recent positive developments, which he described as “great things happening” in the state.

    In response, Governor Mbah assured Nigerians of an unforgettable NAFEST experience when the festival holds from November 22 to 29, 2025.

    Asika said, “Enugu has been on the news nonstop for great things. We see what is happening and we are proud of what you are doing and we want to be part of it. My supervising minister – the Honourable Minister of Art, Culture, Tourism and Creative Economy – is happy about NAFEST coming to Enugu.

    “Enugu is one of the best cities in Nigeria and you have one of the best governors in Nigeria. We have been observing everything you have been doing.

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    “It will interest you to note that NAFEST was established by the Federal Government as a platform to unite Nigeria after the civil war, and interestingly, the first edition was hosted in Lagos after the civil war and the East Central State won it. Since then, the only time the event was held in Enugu was 2008. That was 17 years ago.

    “But it is coming back. We see what Enugu is doing and I want to commend it. We also see especially some of the investment that you are putting in the Awhum Water fall, the Nsude Pyramid Canopy Walkway and other great things.”

    The Director-General, said the event, which would bring over 30 states of the federation and over 5,000 competitors and foreign participants to experience Enugu, would contribute to the economic growth of the state and empower the youth.

    “Enugu has a lot of limitless possibilities. I watched the Enugu Tech Festival and I love it. Enugu has a lot of schools than many states in Nigeria and NAFEST has a capacity-building side that will empower and upscale the capacity of these young ones to give them opportunities into the future. 

    “There are opportunities in NAFEST for the creative people, digital people, the content creators, the poetry people. Enugu has a strong background in masquerade and wrestling. These are some of the elements that are part of NAFEST,” he concluded.

    Reacting, an elated Governor Mbah, said NAFEST hosting rights furthered his administration’s agenda to bring 3 million visitors to the state, annually, adding that Enugu was purpose built for such events, given the aesthetic, landscape, and the topography, and infrastructural transformations going on.

    “Enugu lends itself to arts and culture. So, this is a situation where opportunity meets preparation. I can assure you that you are going to have one of the most memorable NAFEST events because we are ready and we are hungry for it.

    “One of the major transformational agenda of this government is to make here one of the top three economies and the premier destination for business, leisure, living and tourism. We have set a target to attract 3 million visitors every year. So, this is already like a marriage made in heaven. We are going to do everything to ensure that the objective of the NAFEST is achieved and we provide you with the environment,” Mbah said.

    He equally highlighted the progress and huge investments in the security of lives and property, assuring all participants of their safety.

    “Today, I can assure you that we are one of the safest states to live in because we have built infrastructure to ensure that we nip crime in the bud. But we are not resting on our laurels. We will continue to build on that,” he concluded.

  • ‘How SoundMind quietly transformed lives in five years’

    ‘How SoundMind quietly transformed lives in five years’

    A humanitarian and non-profit organisation, SoundMind, founded by United Kingdom-based philanthropist Kola Adeneye, is marking its fifth year of making an impact and igniting hope among vulnerable Nigerians.

    Founded by the dynamic Kola Adeneye, SoundMind began on May 24 in 2020, with a mission born out of empathy and an unwavering belief in the strength of community.

    “We do better when we help each other,” Adeneye often says, a philosophy that pulses through every initiative the group touches. At its heart, SoundMind is about connection, contribution, and co-creation, a digital agora where nearly a million committed followers engage, uplift, and empower.

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    From grassroots outreaches to life-changing initiatives, SoundMind’s impact reads like a blueprint for modern philanthropy. The Widow’s Mite Project, business empowerment grants, and over N509,000 in financial support to small ventures have not only kept dreams alive but helped rebuild futures. There’s the annual Back-to-School drive, covering tuition and supplies for students who might otherwise be left behind; emergency medical aid that arrives when hope runs out; and a quiet but powerful donation of a generator, transforming a fledgling business from survival to success. And then, there’s the unforgettable outreach in Benue State, where 100 children, often overlooked by society, were given not just essentials, but dignity.

    Post-pandemic, as the world recalibrated, SoundMind didn’t retreat. It surged forward. For five years, through uncertainty and change, it has remained anchored by its core values, an ethos of service, a commitment to dignity, and a belief in the ripple effect of lifting just one person.

    As they celebrate this extraordinary five-year journey, SoundMind doesn’t rest on its laurels. Instead, it looks ahead, with a community stronger than ever and a mission that feels more urgent with every passing day. In an era desperate for authentic connection and meaningful change, SoundMind reminds us: true transformation begins when we choose to show up for one another.

  • In Ibadan, Juju Eyes romances Booksellers

    In Ibadan, Juju Eyes romances Booksellers

    Booksellers Limited, Ibadan, Oyo State, was the venue. The venue of the first location that hosted Sam Omatseye’s newest book, Juju Eyes. The public reading of the book by Omatseye was captivating for Dr. Kolade Mosuro, owner of Booksellers, was delighted to welcome guests from all over. It was an appropriate romantic moment between the enticing Juju Eyes of Shay and the irresistible aura of books that ushered all into the bowel of Booksellers. Edozie Udeze was there.

    That the city of Ibadan is the pace setter in terms of knowledge and civilization is never in doubt. There is a place at Jericho in Ibadan called Booksellers Limited. It is located on Magazine Road along Challenge -Jericho axis, two places where the heaviest and largest companies and establishments have been present in Ibadan from time past. Inside the Booksellers sprawling compartments are books. Books on all subjects and themes in the world adorn the stores and the shelves and all corners.

    And the owner of the business Dr. Kolade Mosuro knows nothing but the business of books. He smells books; he procures books from all corners of the world to market and sell. It gives him joy and satisfaction when he sees lovers and seekers of knowledge trooping in from time to time to buy books. It was so on Saturday, May 17th. This time the Booksellers headquarters was the venue of the public reading of Sam Omatseye’s new book, Juju Eyes. For three hours or so, the excitement inside the hall was pitch high. Mosuro was in his best element, ever more gregarious, excited and joyous to welcome the author, this exceptional storyteller.

    Part of what happens to a new book is that the public gets to know more about it particularly when it is hot and fresh And the reading by Omatseye and some students of Government College Ibadan, Queens School Ibadan and Lead City College Ibadan truly added an accelerated stimulation to the outing. Through them the books spoke to the inner minds of people present. As usual, Omatseye, Chairman of the editorial board of The Nation, an artist like no other, beamed with joy. The glow of the afternoon and the number of quality audience that came to get acquainted with the Juju Eyes of Shay Ekanem, the major character of the book synchronized with the eagerness to find out from the author reasons why he embarked on this type of story. It is a story that situates Nigeria and some other climes in the model way of corruption, exposing all elements of evil that bestride a society.

    All these are only embedded in the story, stigmatizing and addressing Shay as the conveyor of everything good, everything bad and all that is ugly. The story ripples with issues of bad struggling over good and evil trying to become born again. It is like an anathema, some kind of incurable situation. Mosuro first fired the salvo. He said Omatseye sits atop the editorial board of The Nation Newspapers where the editorial content of the paper controls and directs the conscience and soul of the nation. “You can now see why and how the author brought that sort of quintessential ideology to bear on the quality and style he exhibited in this book”

    All eyes then turned to Omatseye known for his easy but crafty way of distilling stories into poetic nuances. The hall therefore waited expectantly as the students began to read some portions. Soon after, Mosuro teased the audience with the author’s note and the background that triggered the story. A student read the prologue. The prologue states why the story took the shape it is today. Shay, a girl of four years could overpower and destroy a deity, a goddess and then created a confounding confusion that even the author could not fathom or resolve. It is only a woman with an impeccable inner and outer beauty, aura and power like Oluseyi Ekanem aka Shay who is capable of such panorama. The deity now needs a companion, but Shay is like a bone hung on the neck of a dog. The bone cannot fall and the dog cannot eat the bone. A woman made so impenetrable by unseen forces bigger than those of the deity, the goddess and the priestesses, all put together, make Shay a problematic, confusing and all powerful lady.

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    It is a confounding tale rendered to symbolize a society on the brink, a society filled with too many confusing elements propelled by evil demons, wickedness in high and low places. Expertly told, the story is more than a fiction and the characters also juxtapose all the issues of wanton leadership overtime. As the student read she said, “suddenly the four year old yelled. And Maami ran to her daughter. She was still holding the heart, but she pointed the mother’s eyes to something else. (Then) a fire started. Maami held her daughter and they started to run. Before they had run a mile, they looked back and the forest was on fire”.

    Now imagine a little baby girl of four disgracing a bigger witchcraft by setting her forest on fire and escaping pronto. But as the creator of this enigmatic scene, Omatseye has not been able to resolve the whereabouts of the heart or whose own it was. That is part of the intrigue and dilemma and magic of the creative ingenuity and enterprise for which Omatseye and most iconoclastic storytellers are known all over the world But the magic of the heart of a goddess in the hands of a four year old baby far astounds the worst mystery of the creative fiction. And with this confusion and more, Shay became a gifted she-goat, an avowed whore, a woman who decided to torment men at will. She chose to tear down all their wall of resistance. She held in her hands all the men who dared to date her.

    The forces behind her, the eagerness with which she destroys men with chronic beauty as her arsenal, Shay has suddenly become an epitome of a rudderless and ruthless society. The story runs from stage to stage, climaxing into immorality and other evils being the centerpiece of it all. For the beauty of a woman can fall the greatest of men, more so when the lady is that ready to unleash her powers and venom on willing men who dare to come her way. The second reading was basically titled A New Phase which is the chapter three of the book. Interestingly, the student read with profusion, proper elocution and phonetical accuracy. They held the audience spellbound with their power of presentation. They made the sweetness of the story sink into the minds of the people. Guests were intrigued. The art of story reading is a craft in itself and students have mastered that early. The joy of the afternoon was more in the choice of the chapters that were read. Foundational chapters, Shay is seen in the University of Calabar as she is propelled to contest for Miss campus. It was her entry and overall win that catapulted her into the realm of the society where she acquired more pride and indeed reinvigorated her prowess to seek to challenge her victims with her aromatic and deadly aura. In a local parlance her type is synonymous with “if you follow Shay, you will enter your grave quick quick”.

    The student intoned, “after she won Miss Unical, many admirers including society reporters thought otherwise. They described her as natural on stage. The social media waited for her next exploits. They recommended her for the Miss Nigeria contest. She had become not just a campus belle, or a regional vision. She was a beauty as export. Shay took a while to come to terms with her new status because she was dazed by this fresh flurry of sunshine”.

    Chapter seven was also read by one other student. Themed Aboniki, the chapter sensationalizes the role of this powerful balm in the lives of many old people. This is the ointment that Maami, Shay’s mother had almost turned to her second nature. The aroma of Aboniki makes her daughter always want to buy more and more to quench her arthritis. “At quieter times, when the Aboniki gel was not melting in Sheens all over her body, she sipped warm water or slurped pain killer. Her best peace was after she has swallowed her sleeping pills and lapsed into the silence of the night”. This chapter describes Shay’s relationship with her mother, a woman she was not too proud to present to her friends. Yet she never failed to provide her with aboniki to kill the pains of old age.

    The author himself read a portion of bornfire, chapter sixteen, a scene he said took place in Ibadan. There you encounter one of the craziest things politicians do to keep their power intact. In actual fact, bundles of naira were burnt in order to secure political future for Osa, someone looking for power. Chief Lambe is a political god father, a political power maker. He decides who goes for what position, as long as you come to terms with his conditions. “He looked with horror when a stove was lit and the flames burst in its blue terror from an oven. The oven was queer. She had not seen its type before. The kilm was like a baking oven, but it had blue flames sticking out like a tongue. It also had its face cover … She was dazed when the first bundle of a million naira was thrust into the tongue of the blue devil and it was devoured”.

    When it was time for a conversation with Michael Olatunbosun of Splash FM, Ibadan, as a clever and robust writer, Omatseye parried some questions. He was keen about some; some of the conversations hinged on sensitive issues. Nonetheless, Omatseye was equal to the occasion. He never told us exactly who Chief Lambe was, this chronic money burner. He said it was not Adedibu when prodded nor any other well known political figure. However, the man truly existed and what he did was replicated in reality.

    Omatseye accepted that while he wrote the story man y other dimensions crept into it.” Yes, it is an opportunity to delve into some issues that bother our nation. The story is the story of Nigeria, all aspects of its everyday life, what the people do and what the leaders also do. Shay is the complication called Nigeria. She is good now, next moment the evil in her takes over. She is not totally in control of herself and her behavior. Therefore she is a vessel through which a society is revealed via this story Juju Eyes “. The audience kept hammering him with questions bothering on how much information he has about the inner workings of government, How Uncle ID deflowered Shay and why such issues happen in Nigeria everyday and no one takes responsibility. The questions showed that people are at home with the content of the book. It was clear those who read still read and even read with clear minds and perceptions. The book harps on religion, on leadership, on miracles, fake and real -a whole gamut of a pretentious society.

    Professor Femi Osofisan sat all through with glimmers of smiles on his face. Someone came from the Nigerian Copyright Commission, also from News Agency of Nigeria. Some broadcasters from within and around Oyo State. When it was time to sign autograph, it was obvious that about 80% of those who attended purchased the book. If you wish to see the Juju Eyes in the eyes of most runs girls on how such people operate with reckless abandon, then read the book to know and appreciate. The evening ended well with the Booksellers bubbling with more customers coming from all over to purchase more books, Juju Eyes Inclusive.

    On the trip with Omatseye to Ibadan and other places for the purpose of Juju Eyes were two of his blossom pals – Victor and Samuel. Their presence added glamour and influence to the outing. The books were in their custody. It was in their care to handle and dispense judiciously. The moment of the days of the reading and conversations with the author and the book offered them time to make the books available promptly and in good earnest.

  • Ebeatu unveils Singnify to transform African music

    Ebeatu unveils Singnify to transform African music

    In a strategic move set to reshape the future of African music distribution, Qris Chinedu Ebeatu, CEO and co-founder of the platform formerly known as NextXtar, has announced its official rebranding to Singnify. 

    This transition marks a bold leap forward in the platform’s mission to empower artists, promote equity, and build sustainable careers for emerging musicians across Nigeria and the wider continent.

    According to Ebeatu, the decision to rebrand was fueled by a desire to create a name and identity with stronger global resonance. 

    “Singnify’ reflects our core mission: to give voice and significance to every artist,” he said. “It signals our evolution from a talent showcase platform to a full-service global music distribution hub.”

    Singnify’s mission is clear: to provide Nigerian artists with a gateway to the international stage. 

    The platform achieves this by distributing music across all major digital outlets, offering robust marketing support, and equipping artists with powerful analytics tools to grow and understand their audiences. 

    Strategic partnerships with global music stakeholders are also central to Singnify’s strategy, helping to bridge the gap between local talent and international opportunity.

    Available for download on both iOS and Play Store, Singnify is building a mobile-first, globally accessible experience. The company is also onboarding regional representatives to support artists both locally and worldwide.

    Beyond simple music distribution, Singnify distinguishes itself by offering a suite of services that support holistic artist development. Artists receive a free website, real-time analytics, and direct access to promotional tools. The platform also offers personalized guidance, helping users navigate and thrive in an increasingly competitive market.

    Central to Singnify’s appeal is its transparent and artist-centric revenue-sharing model. Artists maintain full ownership of their music and receive the majority of their streaming revenue — a standout feature in an industry often criticized for its opaque financial practices.

    Once music is distributed through the platform, Singnify leverages its network of curated playlists, promotional channels, and industry contacts to enhance visibility. For high-performing artists, the platform facilitates connections with A&Rs, record labels, and influential stakeholders, actively bridging talent with opportunity.

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    Ebeatu is optimistic about the future of Nigerian music, citing a surge in global interest in genres like Afrobeats. “The Nigerian music industry is vibrant and rapidly gaining global attention,” he noted. “Over the next few years, we’ll see more structural development, better rights management, and increased digital innovation.”

    Despite the momentum, Nigerian artists face significant challenges, including limited access to international markets, promotional resources, and royalty transparency. Singnify seeks to address these gaps through fair payment structures, educational content, and hands-on artist support.

    Innovation remains at the heart of Singnify’s approach. The platform continues to invest in technology and user-driven updates, with upcoming features including AI-based promotional tools, advanced artist dashboards, royalty-split tools for collaborations, and integrated social media kits. Singnify is also in talks with global partners to introduce artist funding and sync licensing opportunities.

    Ebeatu’s journey into music entrepreneurship was inspired by the struggles of talented Nigerian artists. “I wanted to create a platform that removes barriers and gives every voice a chance to be heard globally,” he shared. “The success stories of the artists we support keep me inspired every day.”

    He emphasizes that genuine understanding of artists’ needs — not just technology — is critical to building trust and value in the music community. Balancing creative vision and business demands, Ebeatu stays grounded in Singnify’s purpose by maintaining close connections with the artist community while steering the platform’s strategic growth.

    Looking to the future, Singnify aims to expand its reach both within Nigeria and internationally. With its app already available globally, the company is focused on scaling its infrastructure to support a broader user base while maintaining its artist-first philosophy.

    “Singnify will be known as the launchpad for African talent onto the world stage,” Ebeatu declared. “Our lasting impact will be a more inclusive, artist-friendly global music industry where creators from every corner of the world have an equal shot at success.”

    As Singnify steps into this new chapter, it promises to be more than just a platform — it’s a movement to redefine what’s possible for African music on the global stage.

  • A review of Omololu Kassim’s Back to Life

    A review of Omololu Kassim’s Back to Life

    Triumphant Tale of Nine Lives

    Professor Tunde Akanni

    The Review Proper

    Foregrounding

    In Back to Life, Omololu Kassim is back to the energy-sapping but fulfilling business of writing on a grander height because the author of Back to Life was in the league of the best crop of reporters with optimal visibility before the June 12-induced shutdown of the Concord titles. However, with the indulgence of this august audience, I dare say so much water had passed on…  

    In this 98-page volume, Kassim has combined the dexterity of a nosey and crafty reporter with the panache and precision of a medical sociologist to make the world better with the detailed documentation of the uncommon ordeals of the protagonist of his book, Quadri. 

    The said ordeals comprise a multilayered series of excruciating health issues made even worse by the paucity of suitable health facilities yet only affordable to the insignificant percentage of the sprawling population.  Even in enviable Lagos, the setting of the didactic story.

    The Substance of the Story

    At the very beginning, Quadri, the man who can be credited with the proverbial nine lives, had felt intermittent pains in the groin and managed it over time. He has a modest income coupled with the protracted illness of the loving, strong-willed and supportive wife, Abeebat Typical with her gender in most cases, Abeebat mustered all the energy to nurture the love. The strong woman was the embodiment of life-wire for Quadri and indeed the entire family, suppressing her own traumatic predicament for the wellbeing of others and particularly the sick hubby.

    It is only fair that we appropriate a fair attention to the good memory of the better half of Quadri who seemed to, if only for love, prefers to see Quadri live forever. 

    Abeebat ignored her own failing health, manifest with an emaciated physique to tear through the thickets of the frustrating Lagos traffic to visit her darling hubby while recuperating after each of the two surgeries he had.  She even prophesied recovery for Quadri. Ironically, just when Quadri, inspired by Amina the heroine of the entire gamut of all the health struggles in Back to Life together with Benjamin, Quadri’s brother, was ready to tackle the health challenges of Abeebat, it was the saddest encounter, to echo poet Kalu Uka. 

    The queen that she was, she even organized what qualified as a psychological reset for the family members.  On the eve of her admission for the scheduled surgery to wipe off the root of her challenge following a proper diagnosis of tumour in the brain, she had some kind of energy resurgence. 

    Infinitely committed to the happiness of her entire family, she convened a dance session.  She danced and enjoined Amina, other children as well as her hubby to do dance steps to reigning music numbers.  These included those of King Sunny Ade, KWAM 1 as well as hiphop particularly Kiss Daniel’s wildest of all times- “…lo lo lo, buga won”. It was the happiest moment in the recent life of the family.

    It therefore became quite tempting to presume that the dance was to signal the message that joy is coming to the family and fully too. As daunting as Quadri’s case is, so shall it be for Abeebat, hence the dance session.

    Back to Quadri, Amina managed to raise a loan to finance the surgery for hernia considered to be a minor one. She accompanied the father to Zenith Clinic on the appointed date.  The operation took only 30 minutes. It was a success. But the joy of that success, to echo Ola Rotimi in The God’s are Not to Blame, has a slender body breaking too soon.  Sigh of relief in order after the 30-minute procedure? No!  He started vomiting. Doctors needed to do some scanning of the abdomen to ascertain the exact problem with precision.

    Rather than head home to recuperate, Quadri, in company of Amina was, taken in his own car that he initially drove, to a diagnostic centre. The result: There was a blockage in the intestinal region disrupting normal flow of ingested drinks and foods. The alimentary canal could no longer function normally. The accompanying agony transcends comprehension as he could no longer pass excreta. No time to waste for the crucial task ahead. On to Central Metropolitan Hospital. Because of Quadri’s social standing and the fact that Amina is also a hospital administrator, the preliminaries at CMH were given accelerated attention Kassim reports:

    …this health condition was considered clinically dangerous…an emergency case which could not wait for protocol. Screened blood was connected to Quadri’s body through intravenous lines before the surgeons got down to work.  This blood transfusion was necessary to replace anticipated excessive loss of blood… p6

    Following the six-hour-long operation, he continues:

    …Amina followed closely behind the attendants as they transported her father from the theatre to the ward.  It was a solemn moment for her. She didn’t utter a word.  She couldn’t.  She only watched as her mind raced through many thoughts, thoughts about her father’s close shave with death in the theatre. P9

    Back in the ward and back to life, so to say. Unable to move his body on his own, Quadri’s body is also highly wired up: “An intravenous drip trickling into his veins, drop by drop along a line which pierced through his left arm into his bloodstream.  Another line pierced through his nostril to drain out waste fluids from his lungs into a transparent receptacle.  Yet another line pierced through the right side of his belly to drain out waste fluids from his abdomen. Furthermore, a tube was inserted through his penis to drain out urine which flowed uncontrollably into another bag. P12

    Quadri endured this situation for 44 days, eating up the entire annual leave of Amina. Not a few of the spectacles will be forgotten by either of Quadri or her faithful daughter, Amina.  CMH being a public hospital is often overcrowded. All seats at the reception always taken up. Tales of sorrow everywhere with needy patients often requiring urgent attention but with no help in sight.

    Quadri notes a particular cancer patient, Kamoru. This patient has no one to support her besides her withered mother begging for alms to support her dying son.  It took long before Kamoru got admitted into the 18-bed male ward with Quadri. His was a bad case. Often overwhelmed with unbearable pains, Kamoru would cry out aloud to the discomfort of everyone around but attracting little or no help.  Not long after being admitted, Kamoru passed on. But even before Kamoru Chief Allbert Ojoye gave up the ghost.

    Who will remember the poor in Nigeria regarding health? When will the poor be remembered?  Who will address medical tourism abroad undertaken by government leaders including President Buhari and others and thus bourgeoning by the day? These and others are the questions Kassim keeps raising regarding what seems theseeming callous disposition of government to the plight of most Nigerians who can  hardly afford  the continually rising cost of healthcare?

    Although Quadri’s 44-day stay in the hospital was tiring enough with multidimensional repercussions, his freedom being outside even with the burden of colostomy bag or what you may call toilet pouch was not going to be for two long before being re-admitted. For a third surgery. Yet another corrective surgery.  But even the first post hernia surgery was corrective.

    Incidentally, it does not occur to Quadri that he would need a third surgery. He had only gone to CMH for routine review on a particular day when he was told he would need to go through another procedure to normalize his life, so to say. He won’t have to carry the colostomy bag everywhere again so he could, afterwards, resume normal toilet practice as opposed to his dependence on colostomy bag.

    Again with Amina, he returns to CMH. He is duly counselled and made to realise that he ould need to be off food for some four days. Yes, four whole days! This is to made his body system ready enough for the surgery. On the said day, Quadri, right in Maryam’s presence is made to understand that the procedure won’t exceed two hours as opposed to the previous one that took six hours. Sheer toasting, to descend to the street. The procedure eventually runs for eight hours! 

    This situation raises questions we must ruminate seriously on to appreciate life, Quadri’s life precisely and indeed by extension, each of our own lives and indeed the life of the energetic care superintendent, Amina. The poor girl took a loan to finance what he thought was going to be a minor surgery but ended up getting stuck with two additional operations!

     One may well ask: Who, assuming we are in Aminat’s shoes, will not be overwhelmed or dumbfounded? Who will not be broken, and you will excuse my resort to popular, as in severely shattered  and disoriented? But what option have Quadri and her relentlessly supportive daughter? Right between the devil and the deep blue sea! Quadri survived this round and Amina as usual defrays all the bills obviously with the numerous support volunteered for her dad by family members and friends who had sympathized with them.

    But it is no longer at ease for Amina now a serial task master. Abeebat’s situation has since degenerated. That dance session I mentioned earlier was hardly short of dance of death. It is the last the  with Abeebat who was hypertensive, had ophthalmic challenge of cataract and so forth. As was with Quadri’s hernia operation leading to other surgeries, Abeebat’s cataract surgery revealed the urgency of the brain tumour surgery which ultimately led to the Intensive Care Unit, ICU.  Sadly, it turned out to be the very terminal…

    Lessons

    Amina fought so hard to have her Daddy back but together with Daddy back on his feet, complemented by her siblings, fiancé and Uncle Benjamin they lost the battle to save Mummy Abeebat. They can only make do with Quadri. Who, then, should do well to appreciate life more than Quadri? And Amina?

    No less important is the need for us all to pay attention to the needs of our neighbours and the powerless in the hospital. Quadri, who became a fan of the popular Zee World TV programme while bedridden, revealed that patients bear the bills for TV subscription. The TV set was probably donated by a past patient

    Yet another lesson from this publication is the need for us all to hold firmly to the pillar of our faith, for that will strengthen our capacity for religious tolerance.  Nurse Stella, being a Christian, could only conduct daily morning devotion in the only way she knows.  It is left to individual patients to decide on their preferred worship renditions.

    How about the intermittent fasting recommended for Muslims and medics, which has also been endorsed for good health? If you need surgery, you must experience it, but there is no reward. So, why not establish it? Perhaps that may be the only thing that will keep you away forever from the surgeon’s knife.

    Finally, kudos, indeed a huge one to Amina, who stood tall through the struggles of Mum and Dad.  Daddy’s journey back to life owes a lot to this energetic queen that her dad fittingly hails as a faithful daughter.

    Overview

    Finally, to all potential readers of Back to Life, you will find the book quite enthralling and unputdownable. The prose style adopted by Kassim is typically reportorial to the extent that this is even manifest in the paragraphing.  Adding to that is the author’s poetic indulgence, especially with alliteration.  He, for instance, describes the experience with the oxygen provided to patients in the hospital, such as given to Quadri, as a” sweet surrender to superlative sedative”. Aint that super sexy? These and other linguistic adventurism avail the book with a breather, far from being dense and daunting.

    Like Kassim’s favourite editor and author of the foreword, Mike Awoyinfa, he is intentional with the choice of simple expressions that will enable average speakers of the English Language to understand. Not for him the exhibitionist, high-sounding lingos. Kindly indulge me to claim that graduates of Nigeria’s only better by Far graduates are outstanding in this regard.

    Quite commendable too, the author demonstrates transparency and genuine commitment to inspiring people to knowledge with generous footnoting to support otherwise inadequate, self-explanatory explanations of some medical terms. I wish to remind us here that I had earlier dressed the author in the double garments of a journo and medical sociologist.

    There are spelling slips in a few of the sections, including an embarrassing one on page 79, even as that does not sabotage the intelligibility. Some incredibly long sentences equally abound, disrupting the flow of the prose here and there, comprising as many as 47 words

    Parting Shot

    On the whole, I hereby wish to state that Back to Life is a manifestation of   Kassim’s commitment to, as we see in relay race, passing on the baton, but here to the society or sharing with humanity whatever our Allah-given endowment may be. The author, though no longer in the employ of any media organisation, has defied all distractions to pass on information and knowledge whose value is hard to quantify to the society that nurtured him and still supports him.  Kassim’s story in this book is as much Quadri’s return to life as it is of the resilience which returns Amina’s life to being the task master of all the ordeals in Back to Life.  May we all keep triumphing over our challenges.

    Professor Tunde Akanni teaches Journalism at the Lagos State University, LASU. Follow him on X: @AkintundeAkanni

  • Eniola Shokunbi: Minister, NiDCOM boss celebrate 12-year-old Nigerian-American inventor

    Eniola Shokunbi: Minister, NiDCOM boss celebrate 12-year-old Nigerian-American inventor

    The Minister of Youth Development, Ayodele Olawande, and the Chairman/CEO of the Nigerians in Diaspora Commission (NiDCOM), Hon. Abike Dabiri-Erewa, have celebrated the remarkable achievement of 12-year-old Nigerian-American inventor, Eniola Shokunbi.

    Shokunbi, who developed an innovative air filtration system to combat pollution and enhance respiratory health, has secured $11.5 million in grants for the project in Connecticut, USA.

    During her visit to Nigeria as a guest of the Raw Materials Research and Development Council in Abuja, Eniola, accompanied by her mother and two sisters, met with Dabiri-Erewa and Minister Olawande, who both commended her ingenuity and vision.

    Read Also: Eniola Ajao opens up about pregnancy at 20

    Dabiri-Erewa described the young inventor as “a beacon of hope and a true ambassador of Nigerian excellence,” stressing the importance of nurturing such young talents. “Eniola’s brilliance, resilience, and determination reflect the extraordinary potential of Nigerian youth,” she said.

    Expressing gratitude for the warm welcome, Eniola shared her aspiration to bring her innovation home to improve air quality in Nigerian cities. “I want to inspire other Nigerian children to dream big, solve problems, and make a difference,” she said. “Any problem you see has a solution; it’s just up to you to find it.”

    The minister praised her drive and innovative spirit, stating, “Eniola represents the future Nigeria must believe in. Her story is one of resilience, vision, and hope. We must create environments where young Nigerians—home and abroad—can thrive without limits.”

    Both leaders pledged continued support for young innovators and emphasised the government’s commitment to amplifying the voices of exceptional youth like Eniola Shokunbi.

  • Oba Elerinmo graces ACLAR 2025 conference in Morocco

    Oba Elerinmo graces ACLAR 2025 conference in Morocco

    …speaks on cultural and religious matters. 

    With an increasing demand for his extensive experiences in cultural and religious matters, the paramount ruler of Erinmo Ijesa Kingdom in Osun State, His Royal Majesty, Oba Michael Odunayo Ajayi JP, Arowotawaya II, the Elerinmo of Erinmo, was billed to address the audience in the twelfth edition of the African Consortium for Law and Religion Studies (ACLAR) conference, 2025.

    In a formal invite to the monarch, signed by Kofi Quashigah, ACLAR President, and W. Cole Durham Jr., ACLAR Board Member, the high-powered delegates’ conference sees the convergence of eminent global personalities, scheduled to be held in Ben Guerir, Morocco, North Africa.

    It is a gathering of academics, professionals, and religious experts, including traditional office holders, that would dissect core issues relating to law and administration, religion, cultural and social matters, with the theme: “Law, Religion and Work in Africa.”

    Oba Elerinmo, whose vast knowledge of cultural matters spans, joined other eminent personalities to address the issues of cultural and traditional matters as they concern Africa. Although he did not present a formal paper, his address and input in a panel discussion where the idea of “TRADCO” was discussed were of great importance and value to the conference.

    Oba Arowotawaya II has been a regular attendee at the ACLAR conference in the past. Over the past years, he has joined eminent academics, law professors, deans, and vice chancellors drawn from all over Africa, the US, the UK, Europe, and Asia to attend similar conferences in Nigeria, Ethiopia, Kenya, Cote d’Ivoire, Zimbabwe, and now Morocco.

    This attests to his wealth of knowledge in traditional and religious matters. As a custodian of people’s heritage and also a cerebral traditional ruler, Oba Elerinmo has been at the forefront of where vital cultural and governmental issues are discussed in Nigeria. Elerinmo has been a father figure to many in the area of traditional and cultural matters. 

    Recently, Oba Elerinmo was invited by the Osun State office of the National Youth Service Corps (NYSC) for the Batch A Stream 1 Orientation course, where he delivered a lecture, educating the young adults who are visiting Osun State for the first time about the rich culture of the State. 

    Read Also: Morocco Invests $10 Billion in High-Speed Rail Expansion, Reinforcing Its Infrastructure Strategy

    Besides, he is a Fellow, Institute of Alternative Dispute Resolution of Nigeria (FiADRN) and a Fellow, Institute of Conflict Management of Nigeria (FiCMN).

    Elerinmo also serves on other Boards as a reputable member. He is a patron to many youth organisations and also serves as National Deputy President of the Yoruba Obas Forum, including others.inmo of Erinmo, was billed to address the audience in the twelfth edition of the African Consortium for Law and Religion Studies (ACLAR) conference, 2025.

    In a formal invite to the monarch, signed by Kofi Quashigah, ACLAR President, and W. Cole Durham Jr., ACLAR Board Member, the high-powered delegates’ conference sees the convergence of eminent global personalities, scheduled to be held in Ben Guerir, Morocco, North Africa.

    It is a gathering of academics, professionals and religious experts, including traditional office holders, that would dissect core issues relating to law and administration, religion, cultural and social matters, with the theme: “Law, Religion and Work in Africa.”

    Oba Elerinmo, whose vast knowledge of cultural matters spans, joined other eminent personalities to address the issues of cultural and traditional matters as they concern Africa. Although he did not present a formal paper, his address and input in a panel discussion where the idea of “TRADCO” was discussed were of great importance and value to the conference.

    Oba Arowotawaya II has been a regular attendee at the ACLAR conference in the past. Over the past years, he has joined eminent academics, law professors, deans, and vice chancellors drawn from all over Africa, the US, the UK, Europe, and Asia to attend similar conferences in Nigeria, Ethiopia, Kenya, Cote d’Ivoire, Zimbabwe, and now Morocco.

    This attests to his wealth of knowledge in traditional and religious matters. As a custodian of people’s heritage and also a cerebral traditional ruler, Oba Elerinmo has been at the forefront of where vital cultural and governmental issues are discussed in Nigeria. Elerinmo has been a father figure to many in the area of traditional and cultural matters. 

    Recently, Oba Elerinmo was invited by the Osun State office of the National Youth Service Corps (NYSC) for the Batch A Stream 1 Orientation course, where he delivered a lecture, educating the young adults who are visiting Osun State for the first time about the rich culture of the State. 

    Besides, he is a Fellow, Institute of Alternative Dispute Resolution of Nigeria (FiADRN) and a Fellow, Institute of Conflict Management of Nigeria (FiCMN).

    Elerinmo also serves on other Boards as a reputable member. He is a patron to many youth organisations and also serves as National Deputy President of the Yoruba Obas Forum, including others.