Category: Arts & Life

  • ‘Why I work so hard’

    ‘Why I work so hard’

    When many young people frolic around or endlessly bemoan the unemployment ravaging the country, Zainab Shuaibu is always in practical conversation with her paint, brush, pencil and other materials and tools she engage to produce artworks. Since she discovered her gifts as a creative person, she has been engrossed in the art business, whether in Nigeria or London, UK, where she studied. Her words, “My inspiration comes from multiple sources. I get emotionally inspired.  Sometimes I feel some energy and I just channel it into my work.  Sometimes I have this concept and I am not sure of where I am going and I eventually come up with something very   captivating.”For her, there is no going back once she sets a target for herself in her career. This is how, within two months, she was able to produce tens of inspiring artworks she exhibited in Abuja last Saturday. According to her, there were days and nights that she did not stop working. Indeed, many who beheld the works wondered if delectable Shuaibu has time for any other thing apart from producing visual arts. She says, “Yes, I have time. But when  you have ambition, that is all that matters.  I work all night. Some days I don’t work; like a week, I may not do anything. But when there is work to be done, there is just no going back on it.”Her colours are very attractive though subtle in some of the works. What informs her choice of this? “I am also a textile designer and an illustrator.

     “So, I know my colour very well. That is why I am good  in colour combination,” she explains. On her philosophy as an artist, however, Shuiaibu believes art should be functional. There should be a place for humour, she adds, but that should not blind the artist to the reality of the people’s existence. She says that is what informed the theme of the exhibition, which attracted dignitaries from all walks of life to Thought Pyramids, Abuja.”I am deeply interested in national issues because as a nation we  need  to work together.  There is a massive divide going on and I think we need to  come together more as a nation. This is my own way of delivering the little I can do, with my art skills and my  talent if you want to call it that.

    “The exhibition is themed ‘Matters of the Heart and Mind.’ The main purpose is to deliver social, political  and emotional issues  we all face as human beings. Of course, it also encompasses humour, so it can be light.”Interestingly, while many of the works interrogate the politics of leadership, resource management and human right in Nigeria, one fiercely tackles prostitution. The work, titled ‘Harlotry’, presents a commercial sex worker nude, with her ample breasts and practised vagina openly beckoning customers. Why this effrontery on the part of Shuaibu – a lady for that matter? She argues, “There are a lot of issues we sweep under the rug in this country. I do not think things like prostitution and rape should be ignored. I think the victims exist and I think not making statements about them or not discussing the topic make them feel worse about the situation.  So, I got inspired by what I have seen and what I heard around and  from the stories I read in the papers. Around here, people don’t discuss that.”With Zainab’s father and mother, Kabiru and Jummai Shuaibu, as the chief host, among dignitaries at the exhibition were the Director-General of the National Council of Arts and Culture, Mrs. Dayo Keshi, who represented the Minister of Information and Culture, Alhaji Lai Muhammed; Alhaji Abdullahi Datti, Sanni Muhammed, Chief Suru Salami, Chief Jide Omikore and Alhaji Haruna Muhammed. The minister commended the artist and described her as a shining light.”Zainab’s colours are real and attractive. She responds to issues of the moment through art. She showcases our diverse cultures and uses her talent to raise awareness on issues. This exhibition is a milestone in her artistic endeavours and Nigeria is very proud of her,” Mohammed said. Also, a seasoned artist, James Irabor, who is the curator at the National Gallery of Arts, said Shuaibu transcended various genres and techniques.

    Irabor said, “Hers is a combination of different kinds of styles. That is why although this is a solo exhibition, the works on display look as if we have a combination of artists on board. You can see traces of the Zaria school as well as the impressionist from the US or the minimalist from far and near. She is bringing home all available styles to Nigeria.”

  • Kaduna road contractor left in the lurch for refusing to pay N40m bribe

    Kaduna road contractor left in the lurch for refusing to pay N40m bribe

    When Wole Oyekanmi took over a contract under the immediate past administration of Kaduna State to conclude the Gonigora Road project in the state, little did he know that he was getting into dangerous waters. Three months after intensive work, his refusal to comply with a huge bribery demand forced him out of site and left him indebted to several contractors. Today, he is a man torn between the devil and the deep blue sea  and urgently craves Governor Nasir El-Rufai’s intervention. He shared his story with Gboyega Alaka.

    WOLE OYEKANMI is at the moment a troubled man. Creditors are after him and he can no longer move freely; particularly in Kaduna, where until the twilight of the immediate past administration of Governor Muktar Ramalan Yero, he was a road contractor with the state government. Oyekanmi, a Redeemed Christian Church of God (RCCG) pastor in Lagos, also happened to feel at home in Kaduna (until recently), where he says he sometimes ministered “in some Redeemed churches.” This perhaps was why he was well-positioned to take over a 6.5km Gonigora Road construction project in April 2014. The project, which according to him was worth N640 million, was originally awarded to a Chinese company, Hussain&Brian Construction Company Limited; but was up for grabs, when the original contractor had cancer and was moving back to his country.

    Said Oyekanmi: “They had problems continuing with the contract and I was approached. The Chinese company wanted me to take over the contract, so I took my engineers to them and assessed everything to ascertain that the contract was real. But the Ministry of Works and Transport insisted that they did not usually transfer contracts, except I bought over the Chinese company, which I did. I did a change with the CAC and gave them a certified true copy of the certificate and other relevant documents.”

    Thereafter, Oyekanmi said he and his team moved to the site and commenced work. The total contract was worth N640million, but the first phase was a 1km stretch, for which a mobilisation fee of N160million had been released by the government. Of this sum, the Chinese contractor had accessed N100million, leaving N60million balance in the bank.

    “The agreement was that we would access the balance, once we delivered on the 1Km stretch. Things however started going awry, when a senior government staff at the time (name withheld) started demanding a N40million bribe out of the N60million. Naturally, I told him this was not possible because the implication was that I would barely have anything left to execute the job. But they insisted that that is how it was done in government and I either complied or had them to contend with. Rather than reason with me, the next thing was that they started raising issues. They said they did not recognise me as the contractor of the job. In response to this, I produced all the documents of the transfer all over again.

    “Next, the senior government official (name withheld) said ‘I learnt you are a pastor;’ to which I said yes. And he asked ‘Then what are you doing in contract?’ I guess he could not understand that being a pastor is not necessarily a profession and we needed to earn a living. He was also probably thinking I won’t play ball, being a pastor; and was therefore trying to put me down.

    Frustrated out of the site

    “Anyway, we continued with the contract; a lot of people supplied us with products, diesel, bitumen, this and that. The Works Department came in from time to time to carry out inspection to ascertain the level of works that were been done, but curiously, they always disappeared when it came to giving the valuation. This was a game in the ministry then, and it was their systematic way of frustrating us. Their ultimate goal, we saw, was to frustrate us out of site, which they eventually achieved.

    Were they physically chased out of the site?

    “I am a Yoruba man. It is not until somebody comes with a cutlass to chase you away. They used a lot of body language, one of which was a refusal to give a report of their evaluation of our work. They also refused to acknowledge that we were working. They would say: “What are you doing? You people are not doing anything;” just because we were ‘not playing ball’ and in order to frustrate us. They would see machines working, works physically progressing; we were doing drainages, working on the surface, compacting it; and yet they insisted that we were not doing anything. As a matter of fact, they actually came on a particular day to physically chase our supervisor and workers off the site on the pretext that they were doing evaluation. On that particular day, I was out of the state, but I got the report. That was the climax and we had no choice but to vacate the scene. Don’t forget, we had not been given any amount of the N60million and had been soldiering on, hoping to conclude the first phase and access the money. So it was really a big blow because we had almost completed works on the first phase and had become indebted to so many parties.”

    Oyekanmi said his team worked on the site for three months and were supplied materials based on the agreement that once we were paid, they would be paid as well. We gave our suppliers post-dated cheques on the understanding that we would be able to access the N60million, once work was completed. The suppliers even went to the bank to confirm that the money was there before they commenced supplies. The bank manager was kind enough to oblige them. Three different people supplied us three tankers of diesel, one contractor constructed the drainage, one did the casting of the drainage and another supplied bitumen. In all, six groups were involved. It was when the work came to an abrupt end that they started agitating for their money. They said it was not their business if the contract was revoked and that since they had supplied materials or played their parts, they just wanted their money.

    Chased by suppliers and creditors

    Asked what the situation is at the moment, a visibly shaken Oyekanmi said “The situation at the moment is that our suppliers, sub-contractors and other creditors have come after me. Recently, two of the guys, who supplied us diesel, came to Lagos with two policemen to arrest and take me to Kaduna. First, they took me to Meiran Police Station, where I was detained over-night; and the next day, I was taken to Kaduna by road. We spent 18 hours on the road. Thereafter, the police commenced investigations into the matter. Initially, I was made to believe that the money had been transferred into the Treasury Single Account (TSA) but when we got to the bank with the police, we saw that the money was still in the account. The IPO then went to the ministry to confirm the position of things and it was confirmed that I have not benefitted ten kobo from the contract. The story about town however, was that I abandoned the job. While I was in detention in Kaduna, two of the guys that supplied us diesel from Kano came to the Police Station with five policemen and demanded that I be released to them. They said they wanted to take me to Kano, so they could deal with me appropriately.”

    A lawyer’s intervention

    Asked what his lawyer did at this point, Oyekanmi said “The Deputy Commissioner of Police thankfully said he was not ready to transfer me officially to Kano. He however said he would not be able to stop them from arresting me on the road, once I was released. You see, up north, it’s a different ball-game. When my wife called our lawyer, he came and said the only thing he could do was to go to court and get an order to restrain them from arresting me. But he requested for a fee of N200,000, which we said we could not afford. As a result, he left in annoyance, saying we should call him when we’re ready.”

    Why I’m involving the press

    The matter is now a case of life and death. I can no longer move freely. Threats of arrest and kidnap hang over my head and I think it is high time we brought the matter to the notice of the Governor, Malam Nasir El-rufai. It is important that he knew that such money exists in a bank somewhere.  There are no evidences that his government is aware yet. I am using this opportunity to call on the amiable governor, to look into the matter and hopefully review the contract; so that the money could be released, and I could pay all the people I’m owing and get them off my back. For instance, I am supposed to be in Kaduna today (Wednesday August 24) for a meeting with some parties in my lawyer’s chamber, but we could not go. We held a meeting in my lawyer’s office (in Kaduna) last Wednesday (August 17), where he proposed out-of-court settlement, which the Deputy Commissioner of Police consented to. But during this same meeting, two people (from Kano) staged a walk-out, insisting that they were not interested in any out-of-court settlement other than instant payment. We however reached an agreement with the other parties on how to raise money to pay them. There are some people who are owing me, from whom I hope to raise some money. In fact, the first tanker of diesel that was delivered was diverted and sold by a member of my staff who took the delivery because I was not on site. Of course when I discovered, I got him arrested along with the buyer. That case is still at the Force Headquarters in Kaduna. Those people wrote an undertaking that they would refund the money, N1.8million. So, the police agreed that they would go and re-arrest them and get the money back. We also agreed to go round to Oyo and Abuja to collect money from other people that are owing me to further offset the debt.

    “These were some of the things we were supposed to meet today to reassess, but I got information that I would be arrested once I showed up. We were told that the people from Kano would be waiting outside the lawyer’s office to arrest me the moment I alight from the vehicle. I was therefore advised not to show up. It has therefore has become difficult for me to even go round to raise money or try to retrieve money owed me by other people to pay up some of these debts.

    Challenge of bureaucracy

    Even before we left the site, there had been a letter ordering us to vacate the site; so when we were eventually chased out of the site, I made efforts to meet with this senior government official. But every effort was rebuffed. In fact there was a day I was at his office as early as 9.30am, but would you believe that he did not see me until he closed that day? When he was going and saw me waiting at the reception, he asked: ‘You this man, what is it? You’re here again?’”

    Due to high level protocol, we have not been able to meet anyone in the present administration of Governor El-rufai. So it is still basically a police affair. This is why we decided to put it in the papers, so that the governor can see it and come to our aid. We want him to intervene, so that we can move back on site and complete the work, and more importantly access the money and pay all those we’re owing, because I sincerely feel their pain.

    “I was able to get in touch with an official in the present administration when they came on, but the initial talk was that we should allow them stabilise. When we went back again, the case had begun to take the toga of Yoruba/Hausa. The official promised to present my case to the governor and I prepared an executive summary for him, so he could understand the case in clearer perspective, but the next thing is that he stopped picking my calls.

    A dent on my pastorhood

    “Although I am not a pastor in Kaduna, I used to minister in Redeemed Christian Church of God in Kaduna before this problem came up. But this problem has now affected my reputation. In fact, some of the complainants now tell me that I have spoilt the pastor title. At the meeting we had at the lawyer’s office; when he told them to take things easy and that this man is a pastor and cannot tell lies, they all screamed and shouted back that he should not tell them about any pastor stuff and that how could a pastor be owing them? They said I am a liar and that I stole their money and ran to Lagos.

    “Even in my neighbourhood in Lagos, this whole matter has affected my entire family reputation. When they came to arrest me, they created a lot of scene and were shouting at the top of their voices that this was the man they had been looking for, who swindled them of their money and ran to Lagos.

    “It is unfortunate that I am going through all this because I refused to give a bribe to a government official. In fact, I was told that it was the man’s habit to always demand huge kickbacks and that the Chinese man had already settled. Looking back, it may even be their endless demands that frustrated the Chinese and caused him to pull out of the contract.”

    Resort to court:

    At a point, we had to resort to the court to make the ministry do the needful and proper thing rather than acting arbitrarily with impunity on the matter. We engaged the service of a lawyer who charged us N500,000.00 to file action and restrain the Ministry. The case was charged to court in Dec 2014.

    Prior to the prolonged strike action embarked upon by the Kaduna State Judiciary Workers.

    Unfortunately, however, the lawyer that we engaged happened to be compromising with the Ministry of Works people. He said I should make additional deposit of #1.000,000.00 before he could proceed on the matter.

    Our debt

    We are indebted to the tune of N25 million. We engaged the services of suppliers whom we still owe and this had put us under intense pressure when it was said the ministry had revoked the contract. Also we had some suppliers of AGO which we used at site to power the plant/equipment. We have some drums of Bitumen on site and other materials.

    Our Prayer

    Our prayer is for the ministry to come clean, –

    – Let them rescind their decision asking us to make a refund

    – do a more professional assessment of value of work done by an independent firm of Engineers.

    – Allow us to continue with the work, and to access the balance in our account in Diamond Bank.

    Produce evidence – Government official

    When contacted on phone, the senior government official (name withheld)told The Nation that he is no longer in government and is therefore not in a position to attend to Oyekanmi or help him retrieve any money. On allegations that he frustrated the contractor and requested a huge bribe from him, the official said “Before I would say anything further, let him produce evidence that I frustrated him or demanded  a bribe from him.”

  • Time for quality and standardisation

    Time for quality and standardisation

    Title: Standardisation and Quality Regulation in Africa: Institutions and Legal Frame works.
    Author: Paul T. M. Angya
    Publishers:Aboki Publishers, Abuja
    Year of Publication: 2016 No of Pages: 262
    Reviewer: Edozie Udeze

    The term standardisation may be a bit alien to most Nigerians and consumers of goods and products either locally made or imported.  But one man who has chosen to make the term clearer and stamp its relevance in the minds of the public is Dr. Paul T. M. Angya, the Director-General of Standards Organisation of Nigeria (SON).  In his book, titled Standardisation and Quality Regulation in Africa:  Institutions and Legal Frameworks, he states it clearly that SON is a body vested with the responsibility to tackle issues of quality and safety of products for consumer consumption in Nigeria.

    Therefore the essence of this book, in his reckoning, is to pinpoint those contending issues pertaining to standardisation and quality regulations not only in Nigeria, but in Africa as a whole.  It is not only in terms of regulation and what it portends for the people, but also in terms of institutional control within the context of the legal frameworks.

    In compiling materials for this epoch-making book, the one and only of its kind on this subject-matter in Nigeria, the author, a Doctorate degree holder in Law, was able to note that in “Africa Standardisation is not just scientific but substantially depends on legislation, and the law to drive and give it impetus.  Therefore the differing legal systems in Africa mean that concerted and meaningful effort has to be made in terms of a process of unification of the laws governing the standardisation process in Africa if indeed Africa is to meet challenges of the global economy in order to be a very active participant.”

    Having held so many positions at the continental level in different parts of Africa in the African Regional Organisation for Standardisation (ARSO) it became imperative for him to put some of his experiences down to help guide this sector to achieve its set goals and objectives.  This is why this book streamlines those salient elements that make standardisation work.  It points out what consumers ought to know and notes that Africa can only cease to be a dumping ground for goods with substandard out puts if only the leaders come together to have a harmonised principle to guide everyone.

    While Europe operates almost a unified market structure to regulate commodities, Africa in its total diversity of 53 countries operates like a house divided against itself.  This non-conformity makes it easy for African countries to import with impunity thereby, often, endangering the lives of the people.  But where there is a common law for all, issues of inferior or substandard products can easily be traced and trashed out for the good of the people.

    On page 2, he notes unequivocally that “the lack of a harmonised approach is a serious barrier to trade … So also on page 7, he observes rather abysmally that “this is so because the increasing complexity of goods and services have put the African consumer at a disadvantage, the sophistication of the products of the industry, their complex nature and the general disability of the consumer regarding his capacity to detect any defect in the products upon an average visual inspection, as to determine their fitness for purpose, underscores the relevance of institutions responsible for stadardisation with specialised manpower and knowledge to protect the consumer as well as safeguard the economic health of the nation.”

    This is why it is good to espouse this knowledge and bring it to the fore.  This book harbours no secret in this regard.  For, if Nigeria has to get it right, its many cacophony of bodies and voices dealing with this sector have to be streamlined.  If this is done, it will make for more effective checks and balances on standardisation in order to ameliorate the consumer’s already apathetic condition.

    “Without standards, there will be nothing to enforce,” the author notes on page 71.  In other words, “quality regulation starts where standards stop.  In the light of clarification, it is deductible from the relevant provision of SON and NAFDAC enabling laws reproduced herein that, whilst SON is charged with elaboration, promulgation and establishment of standards on every and all conceivable products in Nigeria, these duties are with a view to securing  uniformity in standards specifications throughout Nigeria.  In it, NAFDAC is to compile such specifications and guidelines from such standards by which it carries the regulation of food products listed there-under.”

    Divided into headings and sub-headings for easy assimilation, the book goes deep into the workings of standardisation in a developing economy.  It highlights problem areas; it dissects both government and individual concerns for a concerted law to move the sector to the next level.  In the whole exercise as enumerated by the author, what is then the impact of quality regulation in Nigeria in relation to Britain, for instance?

    Here the viability of laboratory tests, product certification, management systems, accreditation and so on, become topical and bearing in order to totally conceptualise the theme of the book.  Even though conclusively, quality still remains an intrinsic component of standardisation as examined in this compilation, it is the prerogative of the consumer to look out for a product that is of the required standards.  The author, though very meticulous and thorough in his articulation, there are two issues that need to be noted here.  His usage of z in place of s in some places for organisation and standardisation calls for attention.  Both were used interchangeably and this, of course, shows some level of inconsistency.  Again, some of the terms are too hard to convey the core values of the message to an average reader.

    Nonetheless, the goals and aims raised herein can only be achieved through collective responsibility.  That is the whole essence of this book.

  • Winning the IPA prize was an astounding feat

    For discovering a new urine tests for malaria, Dr. Eddy C. Agbo is suddenly a toast of the global health community. He recently won the inaugural Private Healthcare Alliance of Nigeria and Innovative Prize for Africa. Dorcas Egede interacted with him.

    Great things sometimes, like the DNA, can be super coiled and tightly packed that you most times, undermine them at a glance. Such is the story of Eddy C. Agbo, a Nigerian scientist who has risen from a humble background to win the inaugural Private Healthcare Alliance of Nigeria (PHN) for 2015 and the Innovative Prize for Africa (IPA), courtesy his biotechnology company. Impressively, the IPA came with a mouth-watering prize money of $25,000.

    Agbo, together with his research team, won these awards for the invention and patent of the world’s first clinically validated non-blood malaria test method, the Urine Malaria TestTM.

    According to Agbo, the UMT has the capacity to tell in about 25 minutes, if a fever is due to malaria or not, using only a few drops of urine.

    This, he said, provides an alternative to patients, who dread the Rapid Diagnostics Tests (RDTs), with its attendant needle-pricking and blood drawing process. Malaria tests traditionally require blood samples and a compound microscope and means they can only be safely conducted in healthcare settings (hospitals and medical laboratories) and by medical practitioners (primarily, medical laboratory scientists) alone. There is also the matter of the relatively high bills, which usually push patients into self-medication.

    It is also a welcome invention for medical practitioners who have desired an alternative to pricking patients for blood samples; some painless, relatively less risky means.

    Besides, the accuracy of the RDTs has also been found to be below average.

    Malaria is a disease with a long history, especially in tropical Africa, dating as far back as over 400 years. The disease has had a notorious impact on the armed forces of several countries of the world, influencing the outcome of battles. Caused by Plasmodium parasites, borne by female Anopheles mosquitoes, it is an acute febrile disease which, as the World Health Organisation (WHO) asserts, could progress in severity and end in death, if left untreated within one day. Malaria kills a child every half-minute, the United Nations Children’s Emergency Fund (UNICEF) has stated. Health experts in various parts of the world have also agreed that malaria has killed more patients than has HIV/AIDS. The World Health Organisation states that “about 3.2 billion people, almost half of the world’s population are at risk of malaria” and that last year alone, Sub-Saharan Africa contributed 88% of malaria cases and 90% of deaths.

    Explaining the driving force behind the invention, Agbo said “Many clinicians make an empirical diagnosis of malaria, which means they often do not require laboratory tests in order to make their diagnosis and prescribe medications. Such guesswork on both sides means that there sometimes will be diagnostic errors and treatment failures.”

    He also said this negates the WHO ‘Test Before You Treat’ policy and argued that malaria is but one example of a febrile illness – an illness accompanied by a fever.

    A visibly elated Agbo therefore said these problems necessitated the development of UMT. He explained that the UMT is an inexpensive test and that “the principle is based on antigen-antibody binding. Fragments of specific malaria parasite proteins excreted in urine have their conformation (structure) changed due to the acidic nature of urine, making it difficult for the body’s antibodies to bind to them. This difficulty is what makes urine RDTs, which rely on the principle of the body’s antibodies neutralising the changed parasite proteins, often inaccurate.”

    Recognising this problem, Agbo, who said he was astounded by his IPA nomination said he used recombinant DNA technology to generate recombinant antibodies, which being hybrids of the natural antibodies, could now bind to the germs and their proteins, neutralising them.

    What was researching and developing the test like? Easy, quite like Fleming’s rediscovery of penicillin’s antibacterial potential or difficult as scientific researches typically are? “Difficult,” Agbo wasted no time admitting. He said “We worked tenaciously for seven years to develop and clinically validate the UMT. If you think about it, this is almost a life-time.”

     “The use of urine instead of blood is one key shift in convention, as this means diagnosing malaria may no longer necessarily require making a trip to a hospital or a medical laboratory; anyone may easily conduct this test by themselves,” said Agbo; adding that “presumptive empirical diagnosis and the imprecision that sometimes comes with it will no longer be necessary.”

    Treatment following UMT-assisted diagnosis will be specific for malaria, should the test turn out positive, and worries about the onset of drug resistance and treatment failure may be assuaged. He further explained.

    Could he possibly be the first person to think of or attempt developing this novel diagnostic tool? “Not by a long chalk,” he rejoined animatedly. Still, the idea of a non-blood-based malaria test came across as revolutionary, impossible even, whenever he discussed it, he revealed. “But I had a team that also cherished the challenge to think outside the box. So, we chose to see the obstacle as a stepping stone, the challenge as an opportunity. Seven years later, here we are!”

    Not only has  Agbo merely succeeded in developing this tool, inserting UMT, himself, and Nigeria in the timeline of malaria diagnosis, but the test also became “the third major global milestone” after the French Army surgeon, Dr Alphonse Laveran’s pioneering of microscopic diagnosis by demonstrating malaria parasites in the blood of febrile malaria patients in 1880, and the introduction in 1976, of the blood Rapid Diagnostic Test (RDT) by a company called Becton Dickinson; winning the IPA 2016 social impact prize by his company, Fyodor Biotechnologies also came with a lot of punch.

    The ultimate goal, Agbo said, is “to get the UMT in the hand of every African who needs it within the shortest possible time.” Yet another ambitious future direction is a plan to develop a non-blood urine test for Ebola. This is given the last outbreak, which claimed over 11,000 lives over a six-month period, the stigma and dread that accompanied the suspicion that a patient with a fever may well have been infected with the highly virulent and contagious Ebola virus. Agbo’s belief is that “the UMT will be immensely helpful [in such cases of disease outbreaks]; people can test themselves in the comfort of their homes.” The third future direction is the development of a multi-diagnostic urine test tool that Agbo said “can be used to test for a set of five diseases, to confirm which of the diseases is causing the fever, using only one urine sample.”

     “Africa sorely needs institutions like the African Innovation Foundation (AIF) that promotes African innovations,” Agbo said with urgency in his voice. He added that, “The IPA prize is now in its fifth year, having been established in 2011 by the AIF, which itself was set up ‘to amass prosperity for Africa by unearthing, recognising and supporting Africans who are dedicated to providing the African continent with innovative breakthroughs and solutions that improve the continent’s socio-economic status.”

    Eddy Agbo has come a long way. Even though he showed significant promise as a young boy, attending Government College, Maiduguri on a scholarship sponsored by the old Anambra State, the road ahead was a daunting stretch and held no easy promise of success to him. He studied Veterinary Medicine at the University of Ibadan and later went for a Master’s degree in Biotechnology at Wageningen University Netherlands. He obtained a doctorate in Molecular Genetics from Utrecht University, also in the Netherlands, was a Research Fellow at Johns Hopkins University School of Medicine, Baltimore, USA.

    Agbo thinks himself fortunate to have had such privileged education and said “I have been blessed along this path, and I appreciate it.”

    The first of seven children, Agbo must have shoulders familiar with the weight of responsibility. Perhaps this is what fuels his desire to return to the land of his birth and help develop it. When asked why he relocated to Nigeria, Agbo simply said: “I believe that I have my desired purpose for traveling abroad fulfilled. My intent now is to drive the development of Nigeria’s bio-economy a tall order that I have given myself, but just like the UMT story, one that I believe we can and should do. Why not? Especially since the time is now!”

    About the IPA

    Founder of the African Innovation Foundation (AIF), organisers of the IPA awards, Jean Claude Bastos de Morais, said, “Five years into launching the IPA, it has become clear that there is no one true path of innovation. Our aim has always been to uncover home-grown innovations that address African-specific challenges. In this regard, African innovators are paving the way for breakthroughs that have tremendous impact on improving the lives of Africans. For instance, the winners of the 2016 edition of the IPA have demonstrated real ingenuity in addressing the malaria and HIV disease burdens confronting Africa. It is these types of needs-based innovations, the kinds that solve today’s problems and raise the standards of living for all Africans that the IPA aims to recognize. What needs to happen now is for the investment community to recognize the potential of African innovations and to support our innovators to achieve scale and impact.”

    The IPA program Director, Pauline Mujawamariya Koelbl, said “What intrigues the prize’s organisers the most about innovation by Africans is “the range of solutions created by Africans to solve real and pressing African challenges. It is one thing to speak about Africans’ capabilities to solve their own challenges in general, and it is another thing to actually demonstrate this by concrete examples with a human face and a name attached to it! Moreover, each year, IPA organisers witness the fact that Africans are not just devising solutions to African challenges, but that some African innovations have a global reach and can help tackle global challenges.”

     

  • Osun at 25 promises spectacular calisthenics display

    Osun at 25 promises spectacular calisthenics display

    Celebration of compositions, colours, designs and formations to stun! No form of human activity appears to have been formed to arrest, entertain and motivate better than calisthenics. That is what the skyline of Osun, South-West Nigeria promises to be resplendent with as the State of Virtuous marks its 25th anniversary on Saturday 27th, August 2016.

    Calisthenics is a body of exercises consisting of a variety of gross motor movements; often rhythmical and generally without equipment or apparatus. They are, essentially, body-weight training tactics.

    Wikipedia explains that the word calisthenics has its roots in Greek words kálos, which means “beauty”, and sthénos, meaning “strength.”

    Thus, calisthenics is the art of using one’s body weight and qualities of a body’s motion as a means to develop one’s physique as well as an art of aesthetic display.

    There are numerous types of this body building exercise which include: lunges, jumping Jacks (star jumps or stride jumps), squat -jumps, sit -ups, crunches, pushups, pull-ups, dips, leg raises, hyperextensions, planks and so on.

    Sports teams and military units often perform leader-directed group calisthenics as a form of synchronized physical training (often including a customized call and response routine to increase group cohesion and discipline.

    Calisthenics is also popular as a component of physical education in primary and secondary schools across the world.

    Either at its most elementary or at the advanced level, calisthenics’ primary motif always resonates whenever it is performed.

    To say that it brings out beauty is to say the obvious. Wherever there is calisthenics display, the atmosphere turns into beautiful scenery with competing colours and designs..

    It is this component of calisthenics that has been given meaning in Osun under the Government of Ogbeni Rauf Aregbesola as part of the total package of educational training for young minds.

    This kind of extra-curricular development was last exhibited in the Second Republic in the old Oyo State under late Chief Bola Ige as the Governor.

    The State of Osun is the first in the country to revive this sterling and rewarding initiative in about more than three decades.

    The scheme seeks to instill the spirit of collaborative efforts and discipline in school children. This is by combining extra-curricular activities with academic pursuit, thus building their minds and bodies and preparing them for the future.

    Besides, calisthenics trainings  are also intended to increase body strength, body fitness, and flexibility of the pupils through movements such as pulling or pushing oneself up, bending, jumping, or swinging, using only one’s body weight for resistance; usually conducted in concert with stretches.

    Again, proper calisthenics training will promote the growth of lean muscle mass, and increase the strength, mobility, flexibility, agility, and endurance.

    Proper strength training via weight lifting routine will promote the growth of muscle mass and strength.

    When performed vigorously and with variety, calisthenics can provide the benefits of muscular and aerobic conditioning, in addition to improving psycho-motor skills such as balance, agility and coordination.

    It also teaches the pupils the spirit of cooperation, discipline, organization, concentration and togetherness as they perform as a group thereby working in their minds as one.

    In addition to general fitness, calisthenics exercises are often used as baseline physical evaluations to test  physical fitness. In other words, pupils who undergo calisthenics training will have sound minds in healthy bodies. Participants become good samples in precision, unity of purpose, social networking and above all, discipline.

    This programme was conceived to enhance the emergence of a new generation of students who are physically fit, mentally sound and socially responsible and well-adjusted to the need of the society.

    The programme has been so entrenched in the body system of the pupils that it has become a routine exercise and they have, on few occasions, displayed the stuffs they are made of.

    On the two previous occasions the state had put up the show, the pupils had dished out breathtaking calisthenics performances at the Osogbo City Stadium.

    As Governor Aregbesola would say, “Education has three aspects: the affective, cognitive a psycho-motor. It is this last aspect – the psycho-motor – that had been neglected before our government. Education is meant to be total. As we develop their cognitive and effective senses, so also we must develop their body fitness in order to have a sound mind in a healthy body.”

    In the fullness of time, the child being raised in Osun today must turn out to be a model of good character, innovation and competence; the true Omoluabi to the state’s tomorrow.

    On a third outing in the state, the 25th anniversary of the creation of the State of Osun awaits another spectacle of performance as colour, arrangement, cooperation, concentration, focus are all to be on display in what promises to be another historic performance in Osun.

    *Owolabi, a Media Assistant writes from Osogbo, State of Osun

     

  • Kerosene price hike: We don’t cook any more !

    Kerosene price hike: We don’t cook any more !

    It is no news that prices of kerosene have gone up; what may however be news is how the common man, already bearing the brunt of high cost of food commodities, is faring with this additional brunt. Gboyega Alaka went to town to feel the pulse of the people.

    WHO would have imagined that prices of kerosene would one day become a thing of so much worry in Nigeria? Who would have contemplated that a commodity, which went for as low as N50 per liter a couple of years ago would so soon sell for between N200 and N250? (A respondent even said he bought it at N300 in his area in Lagos not too long ago; arguing that what sold for N200 was the 60cl beer bottle measurement.)  Now that was the equivalent of a dollar just a few months ago; and in a country where most people live below a dollar per day, it leaves a lot of questions about the people’s chances of survival.

    By nature, man is hardly able to eat his food raw, safe for some fruits. It is for this reason that he has always had need for cooking fuel, be it firewood, charcoal, gas or kerosene. In most third world countries, Nigeria inclusive, kerosene has been the most preferred in the present modern day. More than 80% of Nigeria’s population uses kerosene for their cooking; and that is despite recent government campaigns for a switch to alternative fuel. Perhaps the government foresaw an impending crisis, which the people conveniently ignored, partly because prices (of kerosene) have for a long time remained affordable. Even when the prices purportedly went up under past government administrations, government’s subsidies kept it at bay and ensured that it remained within the reach of the common man.

    It is however a different story today. First, an unending scam within the sector ensured that subsidies had to be removed. Secondly, the increasing rise in the price of dollar, plus an almost total deregulation of the sector has ensured that the price continues to shoot up. To make matters worse, prices of food have also risen astronomically, making cooking, something very basic for man’s survival, extremely difficult.

    Litany of complaints

    When The Nation went out to various parts of Lagos recently to feel the pulse of the people, especially how they have been coping, the responses were not unsurprisingly a litany of lamentations. What turned-out a bit of surprise however was the magnitude, level of disillusionment and a sense of regret at the present administration.

    Mercy, Cynthia and Favour are petty traders at Volkswagen Bus-stop along Badagry Expressway. Mercy sells cigarettes and candies, while Cynthia and Favour operate a makeshift food canteen by the roadside. They sat together this particular afternoon, so they inevitably had to be interviewed together. Mercy said the situation is really tough and that she has had to resort to using charcoal and nylon to make fire to prepare her meals.

    “My brother,” Mercy began, “a litre of kerosene is now N230 in my neighbourhood, so I have resorted to using charcoal and nylon. You know that even with charcoal, I still would need a little kerosene to light the fire; so I now use dry nylon in place of kerosene. I set fire to the nylon and place it on the charcoal until it catches fire. That is how we have been managing to cook and put food on the table for our children.”

    Mercy said she no longer uses kerosene as it is, since the price of the quantity to cook a meal is almost equal to the cost of the food stuff itself. Imagine me cooking one derica of rice at N250 with a litre of kerosene at N250. That does not make sense to me at all.”

    When asked if the price of charcoal has not gone up due to the pressure of demand for it, Mercy said “Charcoal is still far better. With N50 charcoal, you can cook a meal. You’ll even have left-over that you can use for your next meal. But not so with kerosene. A litre of kerosene can barely cook a meal. Maybe a pot of soup and to boil water to make garri. And if you venture to use it to cook beans, you can be sure that you will not have anything left in your stove.”

    Cynthia on her part said “the worst part is that the kerosene even dries up quickly. I think it has to do with the quality, but I can tell you that the kerosene we use now is different from what we used to use in those days.”

    Favour chipped in that the situation has affected the cost of food that they sell. She said the young men who patronise them at the bus park now complain perennially of the quantity they dish out for them, but she said it is not their fault. “If we don’t pass the cost to the customers, then we won’t be able to go to the market the next day.”

    On whether they have not tried gas as an alternative, Mercy said “I use gas from time to time, but I stopped when its price also went up. I use the medium size cylinder, but as we speak, the price has gone up to N5,000, so for now, I am sticking with my charcoal and nylon.

    Not far from the trio is a group of men under a large umbrella, where Fair Onyinyechi operates another makeshift canteen. With this group, it was as if they had been waiting for someone to unburden their hearts to, and they were all the more happy when they discovered their guest was a newspaper reporter. Quickly, they gathered and literally struggled to outwit each other in laying their complaints.

    A young man, who gave his name as Abdul Rafiu Akorede, said “ I will not lie to you, things have gone really crazy. It is as if the world is coming to an end. Is it that they have deliberately dropped the quality of the kerosene? I ask this question because the rate at which it dries up raises suspicion. I wasn’t born yesterday, and I remember that when I was young and the stuff was cheap, it usually lasted longer. You could use a litre to cook two to three times; but that doesn’t happen again. Why should they reduce the quality now that they have increased the price? Please help us tell the government that we the masses are suffering. If they do not do anything about our problems, especially this kerosene and foodstuff issue, we will soon start rioting on the streets.”

    At this point, another gentleman, Otunba chipped in: “How much does this girl sell a plate of eba now? Before, a plate of semo (semovita) was N150, now, it is N200, and yet the quantity has been reduced. If we complain to Onyinyechi, the next thing we hear is “I beg o things don cost o” And we know it too.”

    Even Onyinyechi who had been silent all the while jumped in at this point. “A derica (measurement tin) of rice is now N300; add that to an expensive kerosene that now sells for N220 and you will understand that it is not my fault.”

    Otunba added that many people now no longer cook for their children at home, owing to the exorbitant prices of kerosene. “Some people have resorted to only giving their children money: N50, N70, N100 to buy food at the various mamaputs, rather than cook at home; and they don’t bother asking if the food they bought satisfies their hunger or not.”

    He therefore said government should bring down the price of the fuel, even if it is for the sake of the masses, since “they (the elite) use gas.”

    Akorede said even children now complain that food sellers don’t want to sell food of N50 again. Where they do, you would know that it is just to fulfill all righteousness. N50 beans is not even enough to satisfy a chick.”

    A woman who wouldn’t give her name said, “ Frankly, this change has brought us more woes than we bargained for. In fact, I regret going out to vote that day; we should just have left Jonathan to continue in government; at least things weren’t as bad as this then. the masses are suffering; the rich are enjoying because they can afford gas.”

    Otunba again chipped in: “What my wife uses now is Abacha stove, sawdust (a makeshift sawdust-powered stove that became popular when fuel scarcity hit the country briefly in the late 1990s). The children go to sawmill and gather sawdust, which we now stuff in a stove carcass and ignite with fire.”

    He added that “For now, sawdust is free, because we’re helping them to clear their waste; although I hear that some people are already charging little money for it.”

    By now, another man had joined the group. He introduced himself as Chika and said at the moment, even N400 is not enough for him to eat at the local mamaput food sellers again. The situation is so tough. Do you know that the staple lunch in my home now is garri and groundnut? Gone are the days when children eat quality meals for lunch.”

    At a nearby auto spare-parts row, Agada, who sells oils and other auto accessories said “With kerosene at N220 per litre, I don’t cook anymore. There is no money to buy expensive kerosene to cook expensive food; so I just buy food from any of the numerous mamaputs around – you can see that they’re all over the place. Although the price of kerosene has affected the quality and quantity of their food, I still find it more convenient as a bachelor.”

    As a confirmation, Agada showed this reporter the leftover bread he ate for breakfast. He implored the government, as a panacea, to subsidise the price of kerosene, so that it can become affordable again. People are suffering; even firewood is getting more expensive now.”

    His friend, Chukwuma said, the situation is also breeding little criminals. “Nowadays, you see little children engaging in petty stealing. Some of them, who have morals engage in cheap labour to make quick money, and begging. This I believe is because parents no longer bother if children are okay with their meals. They just give them whatever money they can afford for food, not minding if the money is enough. And don’t forget that hunger will not go away simply because you ignored it. The result is that we now have children who struggle to fend for themselves.”

    Opeyemi Waheed, a soft drink seller, summed it up, when she said she now spends as much as N1500 every morning before setting out for her place of business. She said cooking with kerosene at N220 a litre has become a hefty addition to the cost of feeding at home. “In the past, we used to make do with N500 for breakfast; but with the prices of food – whether rice, beans, yam or even bread; along with kerosene, things are now nearly unbearable. And what exactly is the size of my business?”

    At a nearby Ibukun Olu Abdul Azeez Filling Station, this reporter sought to confirm the price of the commodity. A couple of women were seen on queue buying the product. The attendant revealed that a litre currently sells for N200. He said they sold at N150 not long ago and that the price fluctuates according to price of supply. He also said he does not know anyone who sells at a lesser price in the area.

    Speaking to The Nation, one of the customers on queue said she once bought at the station at N220 not too long ago. And contrary to the attendant’s claim, she said she has not bought the commodity at N150 per litre there this year.

    In the Sango/Toll-Gate axis of Lagos/Ogun border, the story is the same. Modinat Oguntimeyin, a housewife, lamented the hike in the price of the cooking fuel. She said, “The kerosene hike is really affecting us. At the moment, it is sold at N200 per litre, and by the time you cook twice, it is finished. We don’t even know what they now mix with it that makes it evaporate so quickly.”

    Romoke Olusola, a petty trader said the price of the liquid is becoming unbearable, even though it is indispensable to many families. She implored the present administration to look into the issue if indeed they want the change mantra to have any meaning to the people.

    She said “Some people now stay a whole day without cooking because of the price of kerosene. Many have diverted to firewood and charcoal…. If you look at the kerosene we’re buying these days, you’d see that it contains a mixture that changes its original colour to orange-like colour. you would also notice that after one round of cooking, what is left may not be enough for any significant cooking.

    Funmilayo Ajibade, a street hawker could however not hide her anger against the government. He chided the government for not doing enough to protect the interest of the common man in the kerosene matter. “We have children at home to cater for and since the price of everything including kerosene has gone up, I have no option but to become a hawker overnight.

    “Currently, we buy at N200 and before you know it, a litre is gone. How does the government want us to survive in this harsh condition?” She queried.

    In his contribution, a sculptor and father of three described the situation as unfortunate. He blasted the government for “turning deaf ears to the groaning of the common man” saying that “our leaders seem not to be ready to ameliorate the hardship that stares the common man in the face.”

    He added that the common man now cooks  only once a day or not at all.

    Outside Lagos, the situation is the same or even worse. Samson Adekunle, who schools in Kwara State said the product sold at between N215 and N230 per litre before he came on holidays to Lagos. For this reason, he said, even as students, they have resorted to cooking with charcoal. “You won’t believe it, but we cook with charcoal in our hostels now. a good number of us have bought coal-pots and we buy charcoal between N50 and N100. And the good thing is that it lasts much longer than the kerosene you buy at over N200.

    “Some students who live off campus even use firewood. They forage nearby bushes for woods and use them to prepare their meals. In the alternative, many students simply eat-out.”

    The gas option

    In June 2013, Lagos State government under Governor Babatunde Fashola launched the Liquefied Petroleum Gas (LPG) cylinder initiative for clean and green environment. It was a campaign aimed at taking the people away from the old-fashioned way of cooking with charcoal and firewood, which the government described as ‘harmful.’ it also sought to disabuse the people from their age-long belief that cooking gas is only for the rich and upper-class. While the campaign won a good number of people over, the larger population still ignored, despite the lower cost and the affordable sized cylinder.

    However, the current high price of kerosene is forcing so many to make a switch, and quickly too. many housewives have spoken of how they practically coerced their husbands to fund the switch.

    Blessing Baraka, a housewife in Ikotun area of Lagos, is basking in her new found possession. Though she had never used gas in cooking before, she confessed to this reporter that she is relishing the new experience. She said she literally arm-twisted her husband into letting them switch to cooking gas, since kerosene was becoming unaffordable and electricity, which she normally used had become scarce due to the drop in supply. She said the newly introduced pre-paid metre being introduced in her area made matters worse, because it suddenly became extremely expensive to cook with electricity. So now, she said she does not have to buy kerosene at high prices nearly every day anymore, saying it had even become embarrassing. But more importantly, she is enjoying the convenience and the fact that her cooking utensils no longer get black and messy.

    About the risk of inflammability, she said she is being careful enough, and that she has consistently warned her children of the danger of fiddling with it.

    She is however not too happy with the fact that the price of gas is also going up. “When we took the decision to switch to it, a cylinder was around N3,500; but as we speak, the price is between N4,000 and N4,500. I even hear that even the price of charcoal is gradually rising. I think the government should do something to stem the situation, else the common man may not be able to eat again.

    Mrs Balogun, a petty trader in Ile-Iwe area of Ikotun also said she had to switch to gas, when electricity, which she had been used to became too epileptic. “When electricity initially became too epileptic, I switched to kerosene, but that became too expensive too and I had to embrace the gas option.”

    She said though that too is not so cheap, especially if you’re just starting out, but ultimately, it is a lot better, faster, neater and more convenient. “To install the cylinder and the cooker, I spent N11,000 on the cylinder, hose and regulator N2,000 and gas N4,200. That totalled about N17,000. add that to the price of the cooker itself, and you will understand why it is taking many people too long to switch.”

    She said subsequently, it hasn’t been too difficult and a cylinder lasts her about two months, which she said is cheap, compared to kerosene of N250 per day.

    Hassan Adam, who lives in Apapa said using kerosene to cook is a wasteful venture that any wise person should have done away with a long time ago. He wondered why anyone would be spending almost ten thousand naira on kerosene a month, when a cylinder of gas  that sold around N2,500 before the recent pipeline vandalism, could last them up to two months and beyond.

    He said he switched to cooking gas about three months ago, when the Lagos State government embarked on a massive campaign for a switch three years ago.

    Adam also said most of the gas plants now run home-delivery service, which takes away the inconvenience of carrying the cylinder over long distance.

    Charcoal prices on the rise too

    According to Sango-based Romoke Olusola, many have indeed switched to cooking with charcoal, even if it is for a while, until kerosene prices come down. She however regretted the fact that even the price of that is gradually climbing to the ceiling. “Many have switched to charcoal and firewood, but even the price of that is painfully on the rise. A bag of charcoal, which formally sold at N800 now sells at N1,800. Now that is over a hundred percent increase, and automatically a hundred percent increase in the burden of the poor masses.”

  • ‘Photography gives me my groove’

    ‘Photography gives me my groove’

    Soibifaa Dokubo is a dancer, photographer, actor and voice-over artiste.  A staff of the National Troupe of Nigeria, he operates as the main photographer of the parastatal, where he handles both the stage and other photographic activities of the Troupe. He has been in the forefront of the efforts to give photography its pride of place in theatre practice in Nigeria.  However, he is more piqued about the situation of theatre in the Niger Delta, more so in Rivers State, his home state where he said politicians and leaders of the people have relegated cultural matters and entertainment to the level where the youths can no more identify with their customs and heritages.

    In an interview, he said, “I tell you, the Niger Delta, Port Harcourt, to be precise, while we were growing up, we were told was the hotbed of entertainment in Nigeria.  Today, the contrary is happening.  The political class in the Niger Delta does not have an iota of respect for the arts.  As for theatre, this does not even exist at all.  The leadership has stopped the Carniriv which was a yearly carnival that used to provide over a million jobs.  Today, government says it is an uncivilized act.  The political class does not have an idea of the political, social, economic and dynamic importance of the art in a society.  This is bad enough.”

    A social critic and someone who believes strongly that the cultural sector should be allowed to prosper and provide more jobs for practitioners, Dokubo said, “In Rivers State, one of the biggest employers of labour which is Carniriv has been suspended by the present administration.  This is based on the wrong notion told to the governor that carnival is a form of idol worshipping.  Can you imagine that in a society where people should hold on to their traditions and customs?  For that reason alone, the government has jettisoned Carniriv thereby increasing the rate of unemployment.  Today more youths are on the streets looking for work to do and their rich cultural elements are being allowed to die away.”

    Over the years, some of the programmes of the Carniriv had been used to satirise events in the state.  In this, people come from far and near to watch the cultural displays thereby attracting revenue to the state.  At other times the people involved in the planning and execution of the event used the opportunity to create jobs for themselves and more people in the state.  “Whenever this happened the little money the young boys and girls made from the show would keep them happy and satisfied for a long time.  Government should leverage on people’s events for the good of everyone.  This is the whole essence of culture as the bedrock of tourism promotion and as an alternative to oil.  Before now, you know Rivers State had been good to theatre and entertainment, both formal and informal.”

    Yes, he opined, more has to be done to revive some dying languages in the state and then bring back the rich cultural values of the people.  “We have great writers like Elechi Amadi, Gabriel Okara, Ken Saro-Wiwa and others.  And what did the government do to utilize the richness of their works to better this society?  Now cases of insecurity, poverty, joblessness and more have tended to kill creativity in the region.  We know, however, that there are some hiphop musicians coming up already.  But that is not enough.”

    An award-winning actor, Dokubo is often keen on how to elevate the status of photography to make it enviable.  “Yes, my first award was Zafaa Noble film awards where I was voted the best male actor.  This was in 2015.  And in January this year, we attended the African Magic Choice Award where I had a nomination as the best supporting actor.  The film is Stigma which has also won so many other laurels from different quarters.  Presently, that film will be showing at the African film festival in Hamburg, Germany this year.”

    Produced by Dagogo Diminas, Stigma is against all forms of stigmatization in any part of the world.  Introduced into photography by the legendary Don Barber, Dokubo feels that this is one profession he finds his utmost groove and satisfaction whenever he is engaged in it.  “When he met me, he said, ‘you dance, you act, but when old age catches up with you, photography can never fail you.  And so began my love for photography which has made me the Chief photographer of the National Troupe of Nigeria.”

    This was how he was taught by Barber to become a photographer.  Even though he still acts, Dokubo is better known today as an ace photographer whose works are often unique, spectacular and colourful.

    Although those periods were good for the National Troupe of Nigeria, where artistes truly excelled, Dokubo still believes that things can turn around with time.  However, he wants the younger artistes to take photography more serious because this is the era of technology.  This is an era when photography pays; when more people have more value for this form of the art.

     

  • Tuale’s Checkpoint speaks truth to power

    Tuale’s Checkpoint speaks truth to power

    For Tuebi Abidde aka Tuale, a Theatre Arts graduate from the Lagos State University (LASU), the society’s best interest can be better served if everyone does his bit. This perhaps explains what informed the whole idea of the Checkpoint, a stage play, which he uses to prick the conscience of the high and mighty and the hoi polloi as the case may be towards addressing the issues that are germane to the smooth running of the society.

    “The thing is it’s a comedy. It’s for people to just come and have fun. Although we are going to deal with serious issues but it’s not to bite or finger anybody. We’re just talking about it without mentioning names or focusing on a particular sector of the country and all that.”

    But why choose the title Checkpoint?  Abidde, who is an On Air Personality with Wazobia FM, offers a plausible explanation. The idea of the play, he simply says, is a product of his upbringing.

    “I had an auntie, now of blessed memory whom I grew up with in the Ajagbandi area of Lagos. She was always picking on me. She was very strict to a fault. We used to call her, Mama Pastress. From primary through secondary and up to the university level, she didn’t give me any breathing space at all. I remembered one day while at the university, she  called to tell me that what the spirit is telling her now is that I want to join bad gang and I told her at the time that look mummy, tell the spirit that l’m not joining any bad gang. But in all of that I think what she was trying to do was to make sure that I become the type of man that l’m today,” he recalled. Of course, his growing up experience came in handy when he had to be part of projects that had a lot to do with behavioural change communication during the compulsory one year National Youths Service Corps programme in Abuja in 2003. “It was from that point the seed of behavioural change communication became fully watered such that I began to nurse the idea of doing my own project, which has to do with talking to the youths and young people in general and to the ordinary Nigerians on the streets because that is where I believe change should start from.” Thankfully, the play debuted last year and recorded quite a huge success such that the patrons are already calling for an encore.

    Riding a horse of recall, the Bayelsa-born actor from Sagbama town who sees himself as a satirist at heart, said the overarching theme of last year’s event was the need for change, a topic, he argues, was altogether timely because the new ruling party, the All Progressives Congress (APC) actually rode in on the cusp of change “As such, choosing an idea in sync with their party ideology was not a bad idea after all.”

    Specifically, Abidde, who says his role models in the acting profession includes great thespians like Taiwo Ajayi Lycett, Sola Fosudo to mention just a few, recalled that: “The slogan last year was, ‘Before we can experience real change, we’ve to check ourselves by ourselves.’ That was the central theme of last year which we’re still going to adopt even this year. With all these whole change, change thing, I’m of the opinion that if we want real change, we have to start from ourselves because if we change our attitude towards our immediate society that would in turn determine the kind of policies that would be made to run our society. That is the long and short of Checkpoint,” he deadpans.

    Unlike last year, where the cast was made up of mainly Theatre Arts students drawn from his alma mater, LASU, with his former lecturer and mentor, Sola Fosudo, lending a helping hand, this year’s event promises to be even better in a manner of speaking because it will be star-studded and even bigger.

    This year’s event which holds at the Muson Centre, Lagos, is scheduled for Sunday, September 11, 2016.

    “This time around, l think l now have a proper grip of what I really want to do. To package this year’s edition, l decided to enlist the support of someone who can appeal to the elite as well as the common man on the street so l chose Ali Baba. This is also because of the programme he does at Nigerian Info FM, ‘Let’s Talk With Ali Baba’, where he talks about virtually everything from politics to the police and all that. I also chose Fatiah Balogun, the popular Nollywood actress, for the value she would bring on board as  well.”

    Besides, the cast will also be peopled by his colleagues in the media fraternity including: Timilistic Tim, Lawal Sheriff, who is an editor at CoolWazobiaInfo, Ogbolor, Kelechi Nkoro, a sports analyst, Nkubi, also on the Wazobia team, who anchors As E dey Hot and a host of others.

    “I didn’t go out to do an audition because I wanted actors who can easily understand the theme as well as fit within the stage and outside the stage to further drive the message on Checkpoint.”

    Justifying the need for the play, Abidde, who easily code  mixes English language and pidgin, by virtue of being an expert broadcaster in pidgin, said: “We’re going to be taking on issues on politics, judiciary and we’re also going to take a look at the entertainment industry.

    We’re going to be looking at the education sector, specifically lecturers and students relationships and all  that. We’re also going to talk about the welfare of the Nigerian populace as a whole. We’re also going to have giveaways. We’re looking at two orphanages where we hope to donate some of the proceeds we’re going to realise from the show.”

    When The Nation broached the subject of what’s really in it for him, in terms of monetary reward, Tuale as he is fondly called by fans, laughed uproariously.

    Waxing philosophical, he responded in staccato English:

    “Like they say, na where person de work, naim e dey chop. So the workchop part dey there. You no fit rule that one out.”

    But without as much as making light of the issue, Abidde, who is fifth in a family of seven, says the motive for the project is purely altruistic. “Basically, this project is for self-fulfillment. I just decided to do this as my own my modest way of contributing towards uplifting the society.”

    Of course, a programme of this nature requires sponsorship, which he says has been long in coming. “We actually approached a few people and they told us why they cannot be involved this time because of the present economic crunch and all that. But that is not stopping us from moving forward. Fidelity Bank is one company that has been with us since last year and still promised to lend their support this time. They are bankrolling the venue. We also have a real estate development company, Bluesea Estate involved with us. So we’re home and dry.”

     

  • Seven months after: Artistes  still wait for compensation

    Seven months after: Artistes still wait for compensation

    It is seven months now since the Artistes’ Village at the National Theatre, Iganmu, Lagos, was demolished by the management of the National Theatre.  Edozie Udeze in this interaction with some of the affected artistes reveals that government is yet to fulfill its promises to the artistes.

    On January 23rd this year, the immediate past General Manager of the National Theatre, Iganmu, Lagos, Mallam Kabir Yusuf sent bulldozers and caterpillars to the Artistes’ Village located within the premises of the National Theatre.  Their mission was to demolish what he termed the shanties and illegal structures within the Artistes’ village.  In the process, a lot of art works and buildings were destroyed.  This was so because the action took place very early in the morning without adequate warning or space for the artistes to salvage their works and save their property.

    Seven months on, the affected artistes are still bemoaning their fate.  They are still waiting to be compensated.  When the demolition took place, the Minister of Information and Culture, Alhaji Lai Mohammed paid an official visit to the place.  He promised to pay compensation to the affected artistes on or before the end of this month (August).  As at press time, the promises had not been fulfilled and the artistes were not happy.  Even though they were hopeful that something would still be given to them to start their professional lives anew, they were not satisfied with the level of arrangement on the part of government.

    One of those most affected is Monday Guobadia.  In an interview with The Nation, he said, “I was given this place on rent to be doing my creative work by the National Council for Arts and Culture, a parastatal of the federal government of Nigeria.  I am a sculptor and I have been here for seven years.  Then, suddenly one morning Kabir sent bulldozers with heavily armed police officers to level down my gallery and other structures within this premises”.

    Recounting his ordeal in the hands of security officers detailed to supervise the demolition, he said, “It was awful.  They didn’t even allow me or some other artistes to salvage our works.  Before I could be contacted, a lot of damage had already been done to my workshop and gallery.  Works worth millions of naira were destroyed.  That place was a swamp when it was given to me.  I used my money to sand fill it and made it habitable.  Then one day one man came here and said it was an illegal structure.”

    Almost talking to a point of tears, he went on, “when I did it to suit my taste, I started producing arts there.  Even though I was able to rescue some of the works, I lost the most valuable of my sculptures done over many years ago.  Now the Minister said he would compensate us.  When he came here, he wasn’t happy to see how the structures were destroyed.  On the long run, he promised to give us N20 million, even though what we calculated was more than that.  But we have agreed to accept the money; at least to have something to start life all over again.”

    Now, living almost on charity and what some of his friends contribute to help him, Guobadia is idle.  He has nowhere else to ply his trade; no workshop to engage in his creative venture.  “I only try to do one or two things to survive and friends to help me too.  But for how long?  The minister said, they would turn this place into a global artiste village.  But as you can see now, there is no sign to that effect.  I don’t even know if we still have a government in this country”, he mused, robbing his chin agonizingly.

    Guobadia, however, admitted that the minister had sent a message to reassure them, yet there are no significant signs to fulfill the promises before the end of the month.  “This is the seventh month.  We are still waiting.  There’s nothing a poor man can do.  I can’t fight government.  Who am I?  All these happened just because they put a man who did not understand or value the art as the G.M of the Theatre.  I hope they’ll not replace him with another G. M who doesn’t appreciate our creativity,” he pleaded.

    As the artistes await the intervention of the minister to carry on with their trade, their spokesman, Tope Babayemi told The Nation that the promises would still come to pass.  Even though he reiterated that August is the deadline given by the government, he was of the strong believe that it would still materialize.  He said: “Government is going to pay us compensation.  No doubt about it.  There are different levels of discussion according to the letter sent to us by government.  First is the temporary relocation of those affected by the demolition.  Then after that the place will be rebuilt.  First step is the compensation.  Government has written us and made an offer.  So what we are waiting for now is that process to commence.  And I have been assured that before the end of this month, the minister will find time to do that.  I mean to meet with us to pay the compensation.”

    It is believed that the process will be transparent and that the media would be invited to witness it.  Babayemi explained further: “Now when you are talking about art works, it is impossible to value that in terms of monetary value.  Art works are inestimable.  What were destroyed were many and much.  How do you value the visual arts, the galleries, the costumes, the dance materials and lots more?  These are not quantifiable.  Even then we are dealing with a minister who has shown more responsiveness to the arts than before.  We have decided therefore to accept the compensation.  It is a token, yes, we know.  It is to support those who have lost their means of livelihood.”

    Then when the time comes the place would be rebuilt to meet international standards and those affected will get their shops back.  As an Artistes’ Village that is befitting to a country, the shanties will no longer be tolerated so as to preserve the sanctity of the environment.  Babayemi said more; “during his last visit, the minister made a comprehensive tour of this premises.  So we believe him, we hope it will happen.  So by the time you add the compensation to the rebuilding of the place, you have a significant amount being expended by the government.  So, I would not like to dwell so much on the compensation because other juicy things will follow.”

    “What will happen here, in all intents and purposes, is a plus for the arts.  The work we are doing here will equally benefit more from the changes we envisage.  For now, I have been keeping my colleagues in check, hoping the best will happen.  They have said severally that they would go back to the trenches.  But I have told them to hold on.  That government has till the end of this month to do their bit,” he said.

    But the artistes have not been temporarily relocated seven months after.  This is one of the reasons why some of them do not as yet trust the sincerity of the promises made.  “When you get to the point of conflict,” Babayemi interfaced, “the process of negotiation takes time and has to be meticulously done.  The fact that we are artistes does not mean we are unintelligent people.  No.  The processes of government take a little time to materialize.  That we know and we have to wait.  Look at the budget, it affected us.  By the time the minister came and made these promises even the budget had not been approved at that time.  We must not allow the suffering to affect our patience.  Yes, Nigerians are suffering.  We must not allow that to rob off on the mobility of our trade.  We are noble people, a thinking people.  That’s why I keep telling them it’s not time yet to go back to the trenches.”

    As it is, it is hoped that the artistes will not continue to be disenfranchised as they contribute their quota to the economy and make money to keep life afloat.  End of the month is here and it is time to redeem these promises and keep the art sector on a sounder footing.

  • ONE: Youths in Lagos rally for a stronger health sector

    ONE: Youths in Lagos rally for a stronger health sector

    “75,000 Nigerian children die before they reach the age of 5 every year”
    “Nigeria accounts for one in every 8 child deaths globally”
    “58,000 Nigerian children contract HIV from their mothers every year”
    “158 women in Nigeria die each day of pregnancy or childbirth-related illnesses”

    To commemorate this year’s International Youth Day, ONE an international non-partisan advocacy organisation last Saturday held a walk/rally in Lagos to press home a demand for  stronger health sector in Gboyega Alaka was there.

    The statistics on display on the placards were as scary as they were outrageous. For a so-called largest economy in Africa (until about two weeks ago), it was indeed a statistics to be ashamed of. And it was for these reasons that Nigerian youth in Lagos gathered at the National Stadium two Saturdays ago under the ONE.org umbrella to commemorate the International Youth Day (marked a day earlier on August 12) and also advocate for immediate government action to reverse the unhealthy health situation with the slogan:  #MakeNaijaStronger.

    The day’s event included an exercise session at the National Stadium, Surulere gathering point; a road-walk of over five kilometres that took participants from the stadium through Western Avenue, to Empire, Yaba and back to the Stadium, a brief enlightenment session by ONE’s Nigeria Country Representative, Edwin Ikhuoria and a free test session.

    Speaking at the Ikhuoria said it is an unfortunate reality that Nigeria remains one of the most dangerous countries on earth to be a child or mother. He spoke of a man he met hours earlier at a radio programme, who had to be born with only one arm because doctors said he was too big to come out from his mother’s womb, hence one arm had to be cut off to save mother and child. This man, he said, was born as recently as 1991.

    He thus condemned a health system that is so deficient; it had to be bringing forth disabled children  not by default.  He thus said that: “If we don’t do something, Nigerians will continue to lose mothers and children produce disabled or perpetually sick children, unless we speak up or come out on International Youth Day like this.”

    To this end, bills were given out to participants to fill as signatories, which would be compiled and submitted to their various National Assembly representatives, to press home a demand for urgent action for greater government investments in the health sector.

    He also called on volunteers, whom he said would act as ambassadors and move from house to house and get signatories in their neighbourhood. He said the target is to get 100,000 signatories.

    Yannick Tshimanga, a Democratic Republic of Congo national and an assistant communications assistant with ONE, who travelled to Lagos purposely for the programme said the organisation considers the International Youth day as one of the most important on the Nigerian calendar, hence the decision to hold the #MakeNaijaStronger rally to commemorate it. He said the youth should naturally play very pivotal roles in the development of a nation and that this can only be achievable, if the country has a strong and healthy youth, hence the rally for a stronger health sector.

    He explained that ONE is an international organisation made up of seven million members globally, with its main offices in Washington DC. Nigeria alone, he said, has a whopping 2.4 million members, making it one of ONE’s strongest member nations.

    Tshimanga said ONE’s Africa office has been active since 2010, catering to the whole of Africa. “In Nigeria specifically, we’ve done a lot of works. You might recall the Cocoa Na Chocolate campaign, which we launched in 2014. That was part of the ‘Do Agric’ campaign, where we got 19 African artistes to come together. The ambassador for that was Nigeria’s D’banj and the theme of the song was to say to African and world leaders that it is when we invest agriculture, that we can create jobs for the youths.

    Just last year, Tshimanga said ONE had the ‘Poverty is Sexist’ campaign, which he said was aimed at empowering women and girls in communities across the globe. “The fact,” he said “are there, and it’s a shame that whether in the education or work environment, the women are marginalised or not even reckoned with. So we thought that if we invest in the women, and girls, we would be improving our society as a whole.”

    Lending her voice, another member, Chinasa Imo said it is unfortunate that a nation like Nigeria should still have people dying of malaria, whereas some countries don’t even know what malaria is. She condemned the high rate of pregnancy-related deaths and said “Enough is enough! Nigerians want to be able to have confidence in their health system. This is why ONE decided to leverage on this year’s International Youth Day, to raise more awareness on our health campaign, which we have been running since April this year.”