Category: Arts & Life

  • ‘Shooting movies at tourist sites will boost Nigerian tourism’

    ‘Shooting movies at tourist sites will boost Nigerian tourism’

    Director-General, Nigerian Tourism Development Corporation (NTDC), Mrs Sally Mbanefo, has described shooting of movies at tourist sites as a good move that will enhance the tourism industry.

    Mbanefo hailed Mr. Odera Ozoka, producer of the movie A Forgotten Place , for complementing government’s tourism development and promotion efforts.

    She spoke while receiving the delegation of Diaspora Nigerians of Black Tower Gong Production Limited and Odera Ozoka led by a Nollywood veteran Mr Mahmood Ali Balogun at the headquarters of the Corporation in Abuja.

    The NTDC boss also commended Mr Balogun for supporting the movie production company for visibility to the rich cultural heritage in the country. She described the growth of the entertainment tourism in Nigeria as highly encouraging, being the 3rd largest in the world.

    The Consulting Producer and Nollywood Veteran, Mr Balogun praised Mrs Mbanefo for her visionary approach in identifying the potentials of the film and the possibilities for its worldwide success as a result of the historical importance of the film.

    Balogun said: “With this meeting, Mrs Sally Mbanefo has shown that there are people who truly care for Nigerians’ interest at the top. She was quick to see the potential of this film as an international juggernaut, and in supporting this film and the young filmmaker, Odera Ozoka, she has given me hope in the system.”

    The Black Tower Gong Production Limited boss in his spirited and passionate talk about the film disclosed that ‘A Forgotten Place’ movie will project Nigeria’s image, promote the tourism assets in the country and encourage international tourists to visit Nigeria.

    Ozoka added that the movie based on the Biafran war, will highlight unifying narratives at this critical moment in our nation building.

  • Writers can help fight violence in the North

    Writer of the book After They Left Edify Yakusak, has said Nigerian writers can help end insurgency and violence, especially in the North.

    She linked the lack of awareness by some Nigerians on the violence in that region to insufficient literature.

    The lawyer and writer, who believes that  enough is not being done to curb incessant clashes in the region, said the government has to stop the trend.

    At the presentation of her book, Edify noted  that more literature needed to be written to educate people on the killings in North Central.

    Her words: “What inspired me to write the book is the lack of literature on the violence in the North. We have very few and I don’t think they are enough, considering the gravity of what is happening, the fact that people are being killed and no one is saying or doing anything about it. So I just felt that I should write this book to create awareness on what is happening in the North Central.

    “The violence is really bad, from 2011 to 2014 in places like Kaduna State, you hear of people going to villages and attacking and scores of people – as many as fifty –are killed but people don’t care. If it had happened in Europe or US, the whole world will stop but in Nigeria, people don’t pause to sympathise when they read of things like this. You find out that things like this is still happening and no one is trying to bring about a concrete solution to solve the issue, which is what I am trying to address, writing the book,” Edify said.

    She went on:“I don’t think the government is doing enough to curb communal conflicts and attacks by herdsmen and others, though they are trying but I don’t think it is enough. The first step towards solving a problem is recognising it exists, which the government is yet to fully do. I feel a lot more can be done, go to these communities and incoperate laws that will permanently solve the problem, if the problem is from the herdsmen, fix it, if it’s the people, fix it, it is not just on the work of the government but all of us as well.

    “I think their are many reasons to the killings ranging from ethnicity to religion to plain wickedness but I can’t come out and say which since I’m not the one doing the killings but I believe that it is as a result of unchecked history of violence, especially around the north since the 80s and there has been no proper sensitisation of the people on why it should be stopped which continues to lead to more cases of insightments all over.

    “There are literatures targeted at addressing violence all over the country but their is room for more, people need to write more, we all write in one way or the other even if it is the little we write on social media platforms, I believe that if more people talk about the subject, it will go a long way in providing awareness and people will be able to come together to find solutions.”

     

    END

     

     

  • The return of Abuja Carnival

    The return of Abuja Carnival

    The annual Abuja Carnival is coming back after two years in the doldrums. Shaibu Husseini , a member of the newly constituted committee explains why in this chat with Edozie Udeze

    The annual Abuja Carnival was begun many years ago to encourage the promotion of cultural and tourism potentials in the Federal Capital territory.  The event which hitherto had grown into an enviable festival, attracting participants from far and near, did not happen last year.  When it was time for it to be celebrated two years ago, the federal government said it did not have enough resources to run it.  What therefore happened in the last two years, left many close watchers of events in the culture sector wondering whether the Abuja Carnival would ever see the light of day again.

    But all hope is not lost.  In the past few weeks, the Minister of Information and Culture, Alhaji Lai Mohammed has been making frantic efforts to bring back the event.  In order to achieve this aim, he has consulted far and wide and has therefore set up different committees to help bring back this glorious festival that helps to ignite the federal capital territory November every year.  A member of one of the committees and a senior staff of the National Troupe of Nigeria (NTN), Shaibu Husseini, explained the nitty gritty of the new face Abuja Carnival and what the nation stands to gain from it.

    He said, “Oh, well, I am happy to inform that there is an effort to revive the Abuja Carnival to get it going again.  The Minister has just constituted a carnival management committee and I am privileged to be a member of the committee.  Good enough, Abiodun Abe in returning as the Artistic Director of the carnival.  There are other members too, even though it has not been formally inaugurated by the Minister of Information and Culture, Alhaji Lai Mohammed.  After a press conference by the minister, shortly, the committee will formally take off,” Husseini reiterated.

    With the minister as the chairman of the planning committee of the festival, it becomes imperative for the people concerned to look inwards to give the nation a benefitting carnival come November this year.  To this end, Husseini said, “Yes, it was to hold last year, unfortunately, however, the minister was appointed barely a week before the carnival.  Therefore he felt the arrangement in place was not appropriate to have a successful outing.  This was why he put it forward so as to have it more properly organized and done.  And this year, he felt the carnival is the flagship of the ministry and so it has to happen.  He thinks it is time for us to properly re-institutionalize the carnival.  If this is done, people will continue to look forward to every November to have a colourful festival. This is why he began on time for early arrangement which involves a lot of stakeholders.

    With series of meetings and consultations with stakeholders in the culture and tourism sectors of the economy, it is possible to have a huge carnival that will yield huge resources for the country.  “Artistes and other people involved are fully engaged in this regard.  We want to ensure that this year’s will fly so as to bring back the glory of this all-important event.  I want to say that I am excited about the prospects of the carnival on two levels.  The first level is that this is the first time it will happen under a Ministry of Information and Culture.  Before now, it happened under the Culture and Tourism ministry.  So then, we relied on the information arm of the Federal Ministry of Information for publicity for the event.  This proved very ineffective and difficult.  Today, the story is different and therefore publicity will no longer be an issue.  Secondly, we now have a Minister who is interested in packaging an event that will boast tourism development in the country.  He has been so consistent so far in order to ensure that the carnival itself outlives the committee members and so forth.”

    At the moment, Abuja Carnival has lost its grip on stakeholders and state contingents have not been active in the last few years.  Most foreigners who had grown to love the festival and were even sending delegates to be a part of it have been left in the dark.  Now that the festival is about to kick off again, how will their interest be revived?  A lot of knotty issues have to be sorted out to drive the tourism sector in a way to have the carnival become meaningful once more.  To Husseini, this is a situation the present crop of people in the committee are prepared to shoulder.  What is paramount at the moment is that the carnival will happen in a big way and all the people; states and foreign participants, will come back fully.

    He said; “Already, the issue of funding may not be a problem.  As part of the structures put in place by the minister, he has also put in place a sponsorship committee to handle the issue of funding.  That committee has been there all along.  But now, it will have more bite.  He has also volunteered to lead the drive himself in order to make it more effective.  In addition, the government will also provide its own funding.  In terms of the foreign participants and so on, with the aid of publicity that will be done and with the involvement of the relevant people in the ministry, and those in-charge of foreign relations, we are going to have a bigger boost this year.  Also the relevant sector of the Foreign Affairs Ministry will be involved in this regard.”

    As at now, the committee in-charge of contacts and mobilization has gone to town, reaching out to the necessary people and agencies.  This is to redraw attention to the importance of the festival as a point of unity for the nation.  This is why there are going to be series of workshops and meetings, to streamline issues and come out with watertight schedules that will make for an excellent outing.  “This is why the minister doesn’t want this to be a solely government affair.  He wants us therefore to have a true national carnival that is located in Abuja.  This is a point of cohesion for the people and for the nation.  This is to give us the necessary platform to showcase the best of our cultures and tourism potentials.  Don’t forget that this year’s theme is: the creative industries; a pivot to national development.”

    But in a situation where the economy is in recession and most states cannot pay salaries, is it possible for them to be truly involved in this matter this year?  For Husseini, this is no issue.  “You see, you know, recession does not usually affect culture and cultural matters.  Culture will still live even in a depressed economy.  But what I know is that with the kind of enthusiasm the minister has shown, it will be very easy to mobilize the states, to have the ear of the governors and see how they’ll encourage their states’ artistes to be there.”

    In order to see how culture and other properties of traditional heritages can help to diversify the economy, the Abuja Carnival can then be said to be in order.  Now that there is absolute peace in Abuja and its environs, this is the most poignant time to bring back the event.  It is to continue to cement issues of love and togetherness where culture plays the most relevant role for civil orderliness.  “It is to show also that Nigeria is a happy place where they can spend their holidays.  These cultural products will drive tourism.  And while the Abuja Carnival is on, you’ll see plenty of these products on display.  There, varieties of costumes, masquerades, durbar, boat regatta and so on will be displayed.”

    Security will also be provided along all the carnival routes.  The routes will also be decorated with different colours to synchronise with the mood of the people and the theme of the event.  Usually, the festival happens for three days during the last week of November and Husseini is saying that this timing may not be altered this year.

  • The long-awaited tales from the North

    The long-awaited tales from the North

    Title: Season of Crimson Blossoms
    Author: Abubakar Adam Ibrahim
    Publishers: Parresia Books
    Pages: 347

    What is it with love that makes one fall in love with a particular person and not the other? Why is it that a girl considered by many as lavishly beautiful and fit to go with a fine macho man would rather go with someone many find intriguing or hard to explain? That is love and that is why we talk about the beauty and the beast. This may not be what Abubakar Adam Ibrahim sets out to explore in his debut novel Season of Crimson Blossoms, but that may be the picture that would resonate deeply in the mind of a reader of this first impressive novel.

    It is the story of Hajiya Binta Zubairu, who at fifty five and after many years of living as a widow falls in love with a waif who comes into her house to rob her of her valuables. For her it was love found in a strange and unexpected place. The boy she falls in love with is so young that his son who she loves and adores is by far older than the crook she falls in love with. But love is a feeling psychologists, doctors and scientists have spent eons to try to understand, explain and find explanations for.

    Mallam Haruna, the radio carrying successful washman of caps who has been doing his job so finely that his clientele expands as far as to rich and powerful politicians who perhaps would have been expected that Binta would agree to marry is rejected and repulsed by her. All his entreaties to be her suitor fall on deaf ears. Rather she falls for ……who goes by the moniker Reza, Hausa word for razor blade; a name given to him by those who consider him as dangerous as that little weapon. He lives up to the name because he lives in the dark shadows of life and works as a ‘finisher’ for a certain politician for whom he carries out dirty assignments. If he is not working in the shadows for the senator he is the lord of the manor at San Riro where children of questionable origins congregate and live their lives as enforcers for dirty politicians who prefer to use them as canon fodders while sending their own children abroad to read courses that are of little importance to the country.

    The novel is a multilayered story of life in the northern part of the country and a detailed look behind the veil and hijab by one of their own. Readers who are not familiar with life in the north are going to have a surfeit of glimpses into it in this book, from people like Dijen Tsamiya, an old wizened marriage counselor who teaches new wives the technique of conceiving and how to “always put your legs up so his seed will run into your womb.”

    Hajiya’s discreet affair with a vagabond like Reza was to be her undoing, a few people including her fellow women as the madrasa have been suspecting her movement with Reza, His decoy visits to her house was no longer safe and good they had to relocate to a hotel downtown for their rendezvous which made Haruna to confirm the suspicion he had always been having. Her own restraint in going to the hotel and the return of her daughter who is having a troubled marriage also make her house improper for their trysts. The final crush comes when her only son Munkaila comes on a visit and meets Reza just coming out of the house, this is followed by an unexpected tragedy.

    At the end of the book the reader is left wondering who deserves what fate in the story; the con politician who sends his own children to safe school abroad, Reza and his fate in the hand of the politician or Hajiya and her cruel fate of losing a loving son due to her indiscretion? Season of Crimson Blossoms is a book readers would find many interesting vignettes to hang on to and Ibrahim surely is a writer whose talent would continue to blossom. This is a strong story well woven with a rich tapestry of language. He is a writer to bank on.

    This leads to another rising voice from that part of the country, Elnathan John’s debut novel Born on a Tuesday is another well knit story of religious intrigue and subtle fight for supremacy within the same faith. Dantala, an almajiri who was sent far away from home finds himself thrown into a world that he tries to understand and find meaning of but it continues to confound him. People whose exterior are pious but are really pilferers of money from the mosque collections, living amidst Dan Daudu (homosexuals), false religionists, dubious politicians and killers.

    After leaving home he finds himself living on the fringes with crooks, killers and political thugs while studying at a Sufi school and meets Banda, a gang leader and nominal Muslim. Dantala’s story is that of homelessness and encounter with political violence which he hates and thus decides to run away and seek refuge in a mosque. This also turns out not to be as calming as he thought it would be. He finds out that religion also has its own drawbacks and masqueraders, he falls in love with the daughter of his teacher and in his effort to not to be seen as too forward he lost it and the girl goes with another man.

    There is no doubt that both Abubakar Adam Ibrahim and Elnathan John have contributed to the understanding of life in the north in their first novels, it is also significant that the books are among the 11 novels shortlisted for the Nigeria Liquefied Natural Gas (NLNG) grand prize. The language and insights in the books are compelling and very detailed, Ibrahim and John are surely writers who would be heard from in years to come; this they have proved by been shortlisted for the Caine Short Story Prize, they are promising and engaging.

  • Talking sustainable development

    Talking sustainable development

    Spiritual empowerment creates economic empowerment and facilitates political  stability.” Those were the ideologies that gave birth to the book Empowerment for Sustainable Development  according to Moses Obuba Kalu at the public presentation and  launching of his book held at the auditorium of the Nigerian Institute of Medical Research, Yaba, Lagos.

    Kalu believes that for there to be sustainable development an individual needs to be encouraged and empowered, these will make him be in a position to develop his community, the society and the country at large, He believes that if Nigerians don’t embark extensively on self-sufficiency in Agriculture and industrialization, the country won’t be able to achieve its full potentials. He says “we have to develop individuals this is more paramount to development, many resources without effective human management will result into wastage, but when individuals are effective they will be able to manage the scanty resources available to them…”

    The book launching was graced by various dignitaries from different spheres of life such as Archbishop Magnus Atilade, Sam Ohuabunwa, S.N Okeke, Professor Ndubisi Nwokoma, Rear admiral Solomon Okeke, Yeye of Sasha kingdom Precious Olubunmi Agbabiaka amongst others who came to felicitate with a man they all described as an icon.

    Nwokoma in his review described the book Empowerment for Sustainable Development as a collection of critical issues and practical solutions for the empowerment of an individual in harnessing their gifts and God given talents for spiritual and economic development. He says the book focuses on issues and strategic principles and techniques that enhance the spiritual, economic and public development for individuals to enhance their contribution to society and further enhance the human condition on a sustained basis.

    According to Chukuma Okafor the book is a priceless gem for the youths as the book promotes core values that builds a man and make a nation. He adds that Moses Kalu is an expert in Micro and Small scale enterprises and has dedicated a portion of the book to explain how to start little businesses, sources of financing them and how to make a little idea grow big by explaining minor processes in which they can start a small business and make it grow big. The book will teach them to achieve sustainable growth and development without cutting corners.

    Archbishop Magnus Atilade in his words describes Moses Kalu as a man in a privileged position to produce authentic records and proper documentations. He enjoins all Christians, professionals and people from all works of life to have the fear of God and desire for effective leadership and good governance. According to him anybody who wants to know the origin, establishment and growth of CAN, the acquisition of this book is a necessary requirement.

  • Chukwuma and his symbols of woods

    Chukwuma and his symbols of woods

    The title of the exhibition showed the extent of the seriousness involved in the works.  Genesis – a charity art exhibition, recently organised by the Ovie Brume Foundation, Lagos, in which several artists exhibited their works was a prove that there are Nigerian contemporary artists whose works always speak volumes.  One of them is Gerald Chukwuma whose three works on display showed the high standard of his artistic experimentation.

    In these three outstanding works titled Covered, Metamorphosis and The coral, he used woods to establish deep symbols and patterns entrenched in ulli and nsibidi arts.  His patterns are colourful and truly represent wood relief embedded in cultural values of a people.

    In reality, Chukwuma is better known for his wood relief sculptures, an artistic element associated mainly with the Nsukka (University of Nigeria) art school.  It is a tradition which the school has built and kept over the years.  And today, for most Nsukka artists, this has come to single them out in their artistic excursions into time.

    Wood allows Chukwuma to explore, dig, extend, narrate and describe indefinitely with deep colours, textures and morass.  In other words he embellishes woods with multiple colours, a habit that is widely known to him and for which he is respected among the comity of artists far and near.  While he works, he makes efforts to splash colours in such a way as to make woods come truly alive.

    “In the course of time”, he said, “teachers like Professors Uche Okeke, Chike Aniagor, El Anatsui, and Onuora Udechukwu who taught me at Nsukka have influenced me tremendously.  While my first love is painting these great artists encouraged me through their works to dabble into other artistic media.  These include woodworks, drawing and so on.”

    For now, he is involved in deep experiments in renaissance art, fauvism, impressionism, abstract art, chiaroscuro, vanishing point, provenance and more.  Every of his symbol has a message to pass across and the colours help to define the symbolism.

    In metamorphosis he emphasizes the beauty of the ulli symbols.  He juxtaposes colours on the woods to distinguish it from the ordinary art.  In the cord, another wood relief, he uses the symbol of a lady to address the issue of beauty.  The emblem in the background is a sign of love, desire and hope.  In it the lady is ready to be loved, as she perches precariously on the sand of time.  Her body pines for love, for attention, for cuddling.  She yearns for romance and her body seems to be on fire of want.

    Chukwuma knows how to use these symbols to tackle series of human needs for one another.  Having taken part in over 18 group exhibitions and 3 solo exhibitions over time, his art works have been made known far and near.  In 2008 and 2012, he emerged as one of the top 3 winners of the prestigious National Art Competition.  He has equally featured in the Cable News Networks (CNN), Inside Africa programme in 2011 not only to showcase his works but to also discuss Nigerian and African contemporary art works.

    Chukwuma made a First Class in Fine and Applied Arts from the University of Nigeria, Nsukka.  And today the same school has acquired two of his works for keeps in the school’s museum.  This shows him as one of the most classical artists of his generation in this contemporary era.

  • Book on sustainable development launched

    “Spiritual empowerment creates economic empowerment and facilitates political  stability.” Those were the ideologies that gave birth to the book Empowerment for Sustainable Development  according to Moses Obuba Kalu at the public presentation and  launching of his book held at the auditorium of the Nigerian Institute of Medical Research, Yaba, Lagos.

    Kalu believes that for there to be sustainable development an individual needs to be encouraged and empowered, these will make him be in a position to develop his community, the society and the country at large, He believes that if Nigerians don’t embark extensively on self-sufficiency in Agriculture and industrialization, the country won’t be able to achieve its full potentials. He says “we have to develop individuals this is more paramount to development, many resources without effective human management will result into wastage, but when individuals are effective they will be able to manage the scanty resources available to them…”

    The book launching was graced by various dignitaries from different spheres of life such as Archbishop Magnus Atilade, Sam Ohuabunwa, S.N Okeke, Professor Ndubisi Nwokoma, Rear admiral Solomon Okeke, Yeye of Sasha kingdom Precious Olubunmi Agbabiaka amongst others who came to felicitate with a man they all described as an icon.

    Nwokoma in his review described the book Empowerment for Sustainable Development as a collection of critical issues and practical solutions for the empowerment of an individual in harnessing their gifts and God given talents for spiritual and economic development. He says the book focuses on issues and strategic principles and techniques that enhance the spiritual, economic and public development for individuals to enhance their contribution to society and further enhance the human condition on a sustained basis.

    According to Chukuma Okafor the book is a priceless gem for the youths as the book promotes core values that builds a man and make a nation. He adds that Moses Kalu is an expert in Micro and Small scale enterprises and has dedicated a portion of the book to explain how to start little businesses, sources of financing them and how to make a little idea grow big by explaining minor processes in which they can start a small business and make it grow big. The book will teach them to achieve sustainable growth and development without cutting corners.

    Archbishop Magnus Atilade in his words describes Moses Kalu as a man in a privileged position to produce authentic records and proper documentations. He enjoins all Christians, professionals and people from all works of life to have the fear of God and desire for effective leadership and good governance. According to him anybody who wants to know the origin, establishment and growth of CAN, the acquisition of this book is a necessary requirement.

  • Eyesore! Ogun grapples with  threat of epidemics, as corpses litter  major roads

    Eyesore! Ogun grapples with threat of epidemics, as corpses litter major roads

    Why should dead bodies be left to decompose unattended to in the open in this day and age? Is it the collapse of a system, bureaucratic bottleneck or ignorance of the dangers to society? These are the questions Daniel Adeleye sought answers to; as he attempted to unravel the reason behind what has become an eyesore in parts of Ogun State.

    Dateline: Tuesday, July 26 2016
    Time: 7:45
    Location: Asbestos/Imperial area, off Lagos-Abeokuta Expressway

    A blast of cold filled the air, as workers trooped in their large numbers to resume at their various offices/work-places. Many more were still trooping out of the popular Lagos yellow mini-buses otherwise known as danfo, while some had come in via the Lagbuses. Asbestos/Imperial area in Sango-Ota is not new to such hurly-burly and human and vehicular traffic due to the huge presence of factories cottage industries in the area and Sango-Ota area in general.

    The axis also serves as gateway to neighbouring Republic of Benin as well as other satellite settlements, hence the daily crowd of people, especially on work days. The same scenario plays out every end of work, naturally.  But there is something unusual this particular morning. Even before he caught the foul air, this reporter had noticed a certain briskness in the passers-by as they surged ahead of him.

    More unusually, nearly everybody covered their noses. Some with their palms, others with hankerchiefs. Those who didn’t have handkerchiefs, made do with tips of their clothes, and some – the females – used their handbags; whatever that was meant to achieve.

    Huge odoriferous stench rent the air, which grew stronger as movement progressed. Just as this reporter made to ask what it was that was causing such atmospheric discomfort, he spotted a lifeless body of a human being right ahead of him, already decomposing. The wind wailed, as bottle flies buzzed with excitement, even as people warded them off from coming near them. Women held their breasts; children recoiled with fear and horror, holding tight onto their mothers; while the men shook their heads in pity and dismay, even as they spat out their contaminated spittle.

    Many cursed their luck that brought them that way; and many like this reporter, must have wondered why the corpse was left to rot away in the open and become such a nuisance in this day and age. What exactly are the relevant authorities doing?

    But that is just one instance. The most recent as a matter of fact.

    Dateline: Monday December 21, 2015

    Location: Sango Overhead Bridge

    One cannot forget in a hurry the horrific image of a decomposing corpse, dumped right on the Sango Overhead Bridge, not too far from the site of the above narrative. As is typical of a Monday, people were heading for their normal business activities, with many hoping for a fruitful week, especially with the harsh economy that was beginning to bite really hard, following the downturn in global crude oil price. But lo and behold, a young woman’s corpse lay conspicuously on the bridge. You really couldn’t miss it, except if you took some other alternative route or lucky to have somebody warn you ahead.

    Worse, her private parts had been removed; giving way to suspicion that the victim was killed for ritual.

    Most disappointingly, the carcass remained on the spot for several days, probably weeks, constituting unimaginable discomfort to road users and people going about their business activities at the makeshift market below the bridge… until whatever was left was mercifully evacuated just before Christmas.

    Of course, it left a sour taste on the palate of those whom, for certain reasons, inevitably had to pass through or near the spot during those horrible days.

    A source told The Nation that the fear of indiscriminate arrests by the police caused many to desert the place. One of them, a lady said, “Nobody could tell how the corpse got there, so nobody wanted to be saddled with the responsibility of writing a statement and explaining what they knew nothing about.

    Headless body at Ijako/Owode

    No sooner had the Sango-Overhead Bridge people heaved a sigh of relief and began enjoying free air again, than the horror shifted to Ijako/Owode axis, also in Ado-Odo/Ota Local Government Area.  A headless body, most probably another victim of ritualists, lay by the roadside, causing commotion and literally shutting down commercial activities in its immediate environment. Walking past, especially in the later days of the rotting corpse became a sight only for the steel-minded, while the poignant odour caused many to nearly suffocate, as they tried unsuccessfully to hold out the bad air.

    The horror lasted some odd days; and that was despite repeated calls on the appropriate quarters in the local government to wake up to their duty.

    Lagos-Ibadan Expressway Long Bridge

    Recently, another corpse was left to rot in the open for days at Kara area of Obafemi-Owode Local Government, by the long bridge along the Lagos-Ibadan Expressway, as one approached Lagos. It caused such huge atmospheric discomfort, until the Fulani herdsmen, who graze their cattle in the area, were left with no choice but to cover it with sawdust and cremate it.

    According to residents and regular passers-by, about three such cases had earlier occurred in the last four months in that axis, which falls under the control of Obafemi Owode and Ifo Local Governments. They alleged that it is either the relevant government agencies came late or never came at all, leaving the decomposing corpses to literally disappear through the help of natural elements like the sun, wind, rain and unsuspecting pedestrians.

    Sagamu Local Government is not left out in this tales of woe. Around July 2014, a few days to the annual Redeemed Christian Church of God (RCCG) convention, a corpse was dumped directly opposite the Redemption Camp along the Lagos-Ibadan Expressway. The corpse was ignored for days until it ruptured and pandemonium broke. All businesses and human activities around the area literally shut down until the remains were mercifully evacuated.

    Shame of a state

    The above may just be few of cases like this in Ogun State. Going by the indices, it may also be concluded that the departments responsible for keeping the environment free of such unclaimed human corpses, lack direction and therefore need some rejuvenating. Ogun State is by all ramifications, a frontline state in Nigeria and perhaps Africa, when it comes to civilisation, having enjoyed some of the earliest contacts with the modern world. The state boasts of some of the most recognisable elites the nation has ever produced, including the best educational heritage and facilities dating as far back as over a century and half; not to talk of its enviable position as host to the highest number of universities in the country. Add this to what has been acclaimed as the state’s remarkable performance in terms of revenue generation and infrastructural development and you begin to wonder where the crack occurred.

    Do the local governments under which these ugly occurrences play out understand the plight of people living and doing business in these areas? What is the supervisory ministry doing? Is it that Oke-Mosan, the seat of the Ogun State government never listens to the radio or television? Do they even understand the health implications for the people, and the psychological impact such decomposing corpses could be having on young people? What does such negligence portend of our regard for the human being?

    At the Imperial/Asbestos area late July, the first direct respondent to The Nation’s enquiries was Adekunle, a carpenter, who had come to help his colleague on a furniture job in the area. Many people, including those who operate small businesses in kiosks in the area and even managements of some of the big and medium scale companies around declined to comment. But Adekunle, who wore a deep pensive expression, chided government officials, for their failure to act with speed, thereby leaving the corpse to decompose and cause the public so much hardship.

    He said the odour that emanated from the corpse so decimated him psychologically, that it took him two days to fully get himself back.

    “As far as I’m concerned, we don’t have a responsible government in this part of the world and it’s very sad. Immediately the corpse was sighted here, we learned from a reliable source that companies around us here teamed up and went to complain at the local government, but yet there was no intervention.

    “I came here to work that Monday, but after spending a few hours, I had to leave because of the bad stench emitting from the corpse. I know how much I spent to treat myself before I could regain myself. Thank God I didn’t bring my son, who had insisted on coming with me.”

    Even though the corpse had finally been interred about 24 hours before The Nation got to this particular scene, the stench generated still filled the atmosphere. The refusal of the companies to comment on the matter made it difficult to understand how much the incident affected their activities and productivity or how much pressure they even put on the authorities. However, a protocol officer who didn’t want either his name or that of his company mentioned, said when they got to the director of Water Supply and Environmental Sanitation in Ado-odo/Ota Local Government on a Monday, two days after the corpse was dumped at a junction leading to their company, they were told at the environmental office that the police and Chief Magistrate needed to sign a warrant paper before such corpse could be evacuated. They said without these signed papers, the environmental department of the council could not do anything.

    He however said the story remained the same when they went back the following day. By Wednesday, the head of the environmental section told them that both the police and the Chief Magistrate of Sango-Ota division had assented to the warrant form, but the post- mortem had to be done on the body before it could be buried.

    He said: “At this point, we pleaded with the officer that even if the post- mortem would be done before the burial, they should at least evacuate it from the spot to the mortuary. But he insisted that his department would not do anything until all the due processes were followed.”

    On the impact on his organisation, he said, it constituted psychological trauma on their workers and customers; and that’s aside the health and environmental hazards.

    “Our workers and customers were more or less having their freedom of movement infringed, because most of them started nursing fears of possible indiscriminate arrest by the police. Nobody could explain how the corpse got there, whether it was a victim of assailants or ritualists and investigation could be going on underground.

    “And for us as a company and the kind of products that we produce, it is important for us to do away with anything that could contaminate our environment,” he explained.

    The role of the public health officers can definitely not be over-emphasized in this regard. They have control of all factors that may have direct or indirect effect on physical, social or mental wellbeing of citizens in the society. The question however is if they are still really up to the task. Why are they treating cases of decomposing corpse with kid gloves?

    In his own submission, the Director of Water Supply and Environmental Sanitation, Ado-odo/Ota Local Government, Alhaji Isiaka Alabi Onifade, told our reporter that in any organised entity, there are usually procedures that must be followed in doing things. He said environmental and health officials have no power of their own to bury any corpse, whose source of death had not been ascertained.

    He opined that the delay in evacuating corpses in public places often comes from the police and the magistrate, who must sign the warrant form, before evacuation and burial could take place.

    “There are some steps which have to be taken before we can do anything. Nowadays, a judge will request for a pathological report on such a body before signing the warrant paper for the burial; and it takes a whole lot of time to get a pathologist,” he stressed.

    Asked why such corpse could not be deposited in the morgue, while the other steps follow, Onifade said it’s not their duty to carry such corpse to the mortuary, but the police’s. “Ours is to seek the last solution to such corpse.” He said.

    He continued: “In this era when all tiers of government are struggling to pay workers’ salaries, people cannot be dying anyhow and they expect that government alone has the responsibility of burying them.”

    He said formerly, it’s only the police that needed to sign, but that has since changed and the magistrate must also sign. He explained that these agents are not under the control of local governments, hence the usual delay.

    Onifade therefore tasked the general public that it’s the duty of all to maintain healthy and sanitary environment and not just the designated health officials as they think. “People should be very vigilant. If they discover any such corpse in their areas, they should, as a point of duty, report immediately to the appropriate quarters, so that the process can commence immediately.” He concluded.

    Reaffirming Alabi’s stance, the supervisory councilor for health in Ado-odo/Ota Local Government, Hon. Olaleye Owolabi, said unless such a case is reported directly to his office, he may not be aware because he cannot be everywhere.

    Owolabi, said one of the contending issues confronting government is that people don’t really see it as part of their duties as citizens to report such cases to the appropriate quarters.

    “Sometimes people will see such and look away. That is one of the challenges we’re facing as a government. If they report such cases to the police early enough, the police will go to magistrate and the two bodies will perfect the warrant for us to take prompt action.”

    “But without this process, there is nothing anybody can do. The corpse may have its own family (and one cannot just evacuate and bury).” He reiterated.

    Delay not from us, the police

    The term ‘warrant’ refers to a specific type of authorisation issued by a competent officer, usually a police or a judge, as the case maybe, that permits an otherwise illegal act that would violate individual rights and afford the person executing the written protection from damages when the act is performed.

    A police source at Sango-Ota Divisional headquarters, who spoke to The Nation off record and preferred anonymity, said the delay came as a result of the time the corpse was dumped and absence of the magistrate to append her signature on the warrant form for the burial.

    He explained that “The corpse was dumped during the weekend, and on Monday when the Magistrate at Sango-Ota Division was to sign the warrant, we were told she was not around. And without her assent, there is nothing we could do as police. On Tuesday when she came, she requested for the pathological reports before she signed, so on our own expense, we went to get a pathologist from Abeokuta, who did the post-mortem on the corpse before the magistrate finally signed the warrant.”

    Our source however declined comments on why the previous cases were not promptly attended to.

    ‘You don’t need a magistrate’s signature’

    Reacting to the above assertions in Abeokuta, the Chief Registrar of Ogun State Judiciary, Mr Olusola Oloyede Esq, debunked that a magistrate needs to sign a warrant form before health officials could do their jobs.

    Oloyede affirmed that it is the duty of health officials to remove such corpses; and that a magistrate only needs to sign a corona’s reports carried on such corpse after it has been removed from public view.

    Oloyede said: “It is the duty of health officials to remove corpses on the roads. After they have removed it and maybe corona is being done on the corpse, that is only when magistrate could be involved, to sign the corona’s reports.”

    He therefore declared unequivocally that it is the health officials who have failed in their responsibilities.”

    It’s grave danger – MD,

    The medical director, Ogun State General Hospital, Ota, Dr Adedayo Sobanjo, confirmed that bodies left unattended to indeed pose grave danger to health and the risk of spreading epidemics becomes very high.

    “The flesh of human being or any animal, if left open or even buried underground will have to decompose. If it is underground, it may not pose any danger, but if it is left in an open place, maggots will begin to feast on it and bacteria would escape into the air. The people around there are also prone to being infected from the bacterial that come into the decomposing bodies”, he explained.

    Sobanjo also added that such bodies in the open places can actually pollute water, if there is any source of water, especially stream or river, which people use for their needs, around the scene. “Yes, it constitute dangers for people around, such decomposing bodies can contaminate water.”

  • The long-awaited tales from the North

    Title: Born on a Tuesday
    Author: Elnathan John
    Publishers: Cassava Republic
    Pages: 263
    Reviews by Olayinka Oyegbile

    What is it with love that makes one fall in love with a particular person and not the other? Why is it that a girl considered by many as lavishly beautiful and fit to go with a fine macho man would rather go with someone many find intriguing or hard to explain? That is love and that is why we talk about the beauty and the beast. This may not be what Abubakar Adam Ibrahim sets out to explore in his debut novel Season of Crimson Blossoms, but that may be the picture that would resonate deeply in the mind of a reader of this first impressive novel.

    It is the story of Hajiya Binta Zubairu, who at fifty five and after many years of living as a widow falls in love with a waif who comes into her house to rob her of her valuables. For her it was love found in a strange and unexpected place. The boy she falls in love with is so young that his son who she loves and adores is by far older than the crook she falls in love with. But love is a feeling psychologists, doctors and scientists have spent eons to try to understand, explain and find explanations for.

    Mallam Haruna, the radio carrying successful washman of caps who has been doing his job so finely that his clientele expands as far as to rich and powerful politicians who perhaps would have been expected that Binta would agree to marry is rejected and repulsed by her. All his entreaties to be her suitor fall on deaf ears. Rather she falls for ……who goes by the moniker Reza, Hausa word for razor blade; a name given to him by those who consider him as dangerous as that little weapon. He lives up to the name because he lives in the dark shadows of life and works as a ‘finisher’ for a certain politician for whom he carries out dirty assignments. If he is not working in the shadows for the senator he is the lord of the manor at San Riro where children of questionable origins congregate and live their lives as enforcers for dirty politicians who prefer to use them as canon fodders while sending their own children abroad to read courses that are of little importance to the country.

    The novel is a multilayered story of life in the northern part of the country and a detailed look behind the veil and hijab by one of their own. Readers who are not familiar with life in the north are going to have a surfeit of glimpses into it in this book, from people like Dijen Tsamiya, an old wizened marriage counselor who teaches new wives the technique of conceiving and how to “always put your legs up so his seed will run into your womb.”

    Hajiya’s discreet affair with a vagabond like Reza was to be her undoing, a few people including her fellow women as the madrasa have been suspecting her movement with Reza, His decoy visits to her house was no longer safe and good they had to relocate to a hotel downtown for their rendezvous which made Haruna to confirm the suspicion he had always been having. Her own restraint in going to the hotel and the return of her daughter who is having a troubled marriage also make her house improper for their trysts. The final crush comes when her only son Munkaila comes on a visit and meets Reza just coming out of the house, this is followed by an unexpected tragedy.

    At the end of the book the reader is left wondering who deserves what fate in the story; the con politician who sends his own children to safe school abroad, Reza and his fate in the hand of the politician or Hajiya and her cruel fate of losing a loving son due to her indiscretion? Season of Crimson Blossoms is a book readers would find many interesting vignettes to hang on to and Ibrahim surely is a writer whose talent would continue to blossom. This is a strong story well woven with a rich tapestry of language. He is a writer to bank on.

    This leads to another rising voice from that part of the country, Elnathan John’s debut novel Born on a Tuesday is another well knit story of religious intrigue and subtle fight for supremacy within the same faith. Dantala, an almajiri who was sent far away from home finds himself thrown into a world that he tries to understand and find meaning of but it continues to confound him. People whose exterior are pious but are really pilferers of money from the mosque collections, living amidst Dan Daudu (homosexuals), false religionists, dubious politicians and killers.

    After leaving home he finds himself living on the fringes with crooks, killers and political thugs while studying at a Sufi school and meets Banda, a gang leader and nominal Muslim. Dantala’s story is that of homelessness and encounter with political violence which he hates and thus decides to run away and seek refuge in a mosque. This also turns out not to be as calming as he thought it would be. He finds out that religion also has its own drawbacks and masqueraders, he falls in love with the daughter of his teacher and in his effort to not to be seen as too forward he lost it and the girl goes with another man.

    There is no doubt that both Abubakar Adam Ibrahim and Elnathan John have contributed to the understanding of life in the north in their first novels, it is also significant that the books are among the 11 novels shortlisted for the Nigeria Liquefied Natural Gas (NLNG) grand prize. The language and insights in the books are compelling and very detailed, Ibrahim and John are surely writers who would be heard from in years to come; this they have proved by been shortlisted for the Caine Short Story Prize, they are promising and engaging.

  • When the  Alakijas  donated  lecture  theatre in  Minna

    When the Alakijas donated lecture theatre in Minna

    Just back from a trip to Niger State, where billionaire businesswoman, Folorunso Alakija unveiled a 350-seater lecture theatre her family donated to the Ibrahim Babangida University, Lapai, Niger State, Yetunde Oladeinde recounts minute-by-minute order of the event.

    It was Wednesday July 27, 2016 and this reporter was part of the delegation heading to Minna, Niger State, venue of the commissioning of the 350-seater Modupe and Folorunso Alakija Lecture Theatre, donated by the Alakijas to the Ibrahim Badamasi Babangida University, Lapai, Niger State.

    The university’s delegation led by the Vice Chancellor, Prof. Muhammadu Nasir Maiturare, was already awaiting the arrival of Mrs Folorunso  Alakija, Africa’s second richest woman. The delegation with Mrs. Alakija and her entourage made a courtesy visit to the State Governor of Niger State where they were received by the Deputy Governor who represented the Governor who was unavoidably absent. They were warmly received and Mrs. Alakija gave the Deputy Governor, a gift of her autobiography, “Growing with The Hand That Gives the Rose” and six books authored by her and recently introduced to the public on her birthday.

    Thereafter the entourage drove to the University in Lapai, where Mrs. Alakija was expected to commission the new Lecture Theatre. Here, she was received by the former president and the university’s chairman, Endowment Board of Trustee, General Abdulsalami Abubakar; chairman, IBB University Governing Council, Dr. M.K Santuraki; Chancellor of the university, His Royal Highness, The Emir of Minna, Alhaji Umar Faruk Bahago, former Niger State first lady, Senator Zaynab Kure; members of the governing council and the Commissioner of Education, Science and Technology, Hajia Fatimah Maiduju, who represented the executive governor of the state. She gave the former president a gift of her book “Growing with The Hand That Gives the Rose,” much to his delight. He would later make reference to the book in his speech at the commissioning.

    By 12.40pm, the delegation arrived the venue of the commissioning and the programme commenced with opening prayers at 12.45. This was followed by the introduction of guests and a welcome address by the Vice Chancellor, Professor Maiturare.

    “It is a privilege to witness this additional edifice and also a day to celebrate the values of a philanthropist. True happiness emanates from what we give and certainly not from what we get. I only interacted with her in my office for only two hours and to my amazement, I discovered her sterling qualities, qualities which are the hallmarks of true greatness. You cannot but admire her simplicity, temerity and a humble desire to touch lives. Mrs Alakija is a rare gem’’.

    On his part, Gen Abubakar went down memory lane to talk about how the project begun. “It is my pleasure to welcome our distinguished guest of honour, a philanthropist. We congratulate you on your birthday and 40th marriage anniversary. We pray for Allah to bless you for all that you have been doing and would continue to do.”

    Dr Mohammed Santuraki thanked the school’s benefactor, Mrs Alakija on behalf of the governing council and school’s management, staff and students. “She reaches out to widows and orphans through the Rose of Sharon Foundation, by providing them with scholarships and business grants. She is also a passionate supporter of education through the Folorunso  Alakija Scholarship Scheme (FASS). One of the most reliable scholarship schemes in Nigeria with thousands of beneficiaries annually.”

    This was followed by presentation of gifts in appreciation of the edifice and this was done by the chairman of the governing council, Dr. M.K. Santuraki. Books, certificates, a live turkey and other gifts were presented to the Alakijas.

     Hajia Fatimah Maiduju, the Commissioner of Education, who represented the state governor, Dr Sani Bello, took time to express the appreciation of the state government, the community and students.

    At 1.31 pm it was time to hear from the woman with a kind and generous heart. In her speech, Mrs Folorunso  Alakija informed that it was an honour to witness the special day. “It is with pleasure and pride that my family and I collaborate with this honourable institution, the Ibrahim Badamasi Babangida University, to improve the quality and standard of education in the lives of Nigeria’s youths. When we read the vision and mission statement of this university, we knew we had to contribute our quota in support of this vision because it also agrees with some of the core values that we believe in.”this vision because it also agrees with some of the core values that we believe in.”

    Alakija added: “I admire the university’s vision, which is to be a world-class centre of excellence driven by people, partnership and technology. It plans to produce top class graduates with the spirit of excellence through quality research, teaching and community service. In the words of Malcolm X, ‘Education is the passport to the future, for tomorrow belongs to those who prepare for it today.’

    Preparing for the future today, Alakija stressed, can be achieved by learning and studying. “It is for this reason that the IBB University is guided by its vision to develop the abilities of every student that passes through this institution of learning, to produce those world class graduates that will enhance a better future for our country, Nigeria.”

    She continued: “For those who don’t already know about my family and I, we stand for hard work and excellence. We strongly believe that these values should not be compromised in a bid to attain success. We are passionate in helping to expand opportunities for children and youths to develop their academic capacity for excellence.”

    The amazon went on to say that the support was in line with promoting Corporate Social Responsibilities “that we made a commitment to this university’s council to help achieve its vision and mission by assisting it with this lecture theatre for its students. On behalf of my husband, Mr. Modupe Alakija, and the rest of my family who are unavoidably absent, I am indeed pleased to be here ill contribute to the overall development of education in Nigeria.”today to inaugurate this beautiful edifice. We hope that this token from us to you will contribute to the overall development of education in Nigeria.”

    Alakija also informed that she was encouraged by the achievements of the university. “It successfully conducted research on hydro carbon availability in the Bida Basin, the report of which has been presented to the federal government. Academic staff have recorded significant successes in accessing research grants from external sources. Recently, the university won a grant of N21m from the National Research Fund of Tetfund to conduct research on smokeless fuel. This university has every reason to be proud of these achievements.”

    She then used the opportunity to call on other well-meaning individuals and organisations to join forces with institutions of learning in Nigeria. “We live in a competing era and competing on a global scale means staying on our toes and not relenting. With increased competition, we must look for ways to increase the skills of our people; the time to start is NOW, and now is while our children are in school. It is also by encouraging them to learn, study and read assiduously through the provision of conducive environments. One of such is this newly completed 350-seat capacity Modupe and Folorunso Alakija Lecture Theatre, which is being inaugurated today.”

    To the students, she left a few words of advice:

    “You should be determined to succeed as there is always a way where there seems to be no way. Only the persistent and diligent find it.”

    “Always remember that anything worth doing at all is worth doing well.”

    “And finally, that the sky is not your limit, but a stepping stone.”

    More applause by guests and students who were impressed the gesture, the words of encouragement and hope of a better future.

    By 1.43 pm it was time for the cutting of the tape and inspection of the lecture theatre by dignitaries and other guests. The 350-seat capacity lecture theatre was breath-taking and everyone just wanted to have a glimpse.

    The mission to Niger State ended with a courtesy call at the residence of the former Head of State, General Ibrahim Badamasi Babangida, who the university was named after. At his residence, Mrs Alakija presented copies of her six new books to the general, while the former president gave everybody a handshake, cracking jokes and praying for everyone.

    The convoy departed from his residence and the journey back to Lagos via Minna Airport began.