Category: Arts & Life

  • When art breaks boundaries for humanity

    When art breaks boundaries for humanity

    All through global history, art remains a very important form of expression for humanity. From cave paintings to modern artwork, legendary artists such as Vincent van Gogh and Pablo Picasso have been able to capture the beauty, emotion and history of their time through their art.

    For UK-based Nigerian multidisciplinary artist, Gbolahan Olanipekun, he is not only deliberate, but also determined to use his art to impact the society positively. At every platform and opportunity, he uses his art to break artistic boundaries while creating works that inspire and engage the society. In last year alone, he participated in three group exhibitions such as Circular art space in June/July, African cultural association exhibition in October and Spectrum group exhibition in November.

    Bolstered by his wealth of experience that spans over a decade, Olanipekun creates artworks that blend organic elements, human expression and nature to tell compelling visual narratives.

    Much of this touches on his heritage, struggles, womanhood, global peace and unity, freedom and equality among others.

    Sharing similar passion with the late Rembrandt van Rijn, a Dutch painting genius, Olanipekun has a strong passion for still-life portraits. He makes canvasses famous for their emotional content, making him stand out among his peers.

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    Rooted in his African cultural heritage and personal introspection, Olanipekun, who is the creative force behind OLAart Gallery, explores light and texture, all intertwined with storytelling to foster connection and reflection. Through his gallery, he continues to refine his artistic vision offering fine art prints, custom commissions and creative collaborations that celebrate culture, vulnerability and self-expression.

    His recent collection of artworks captures themes that resonate with art enthusiasts and collectors’ feelings across the globe on the need to sustain nature for humanity, acknowledge life’s intricacies, personal emotions and desires, using vibrant colours and movements. In artwork like Echoes of the Drum, the artist captures the energy of a young drummer and the accompanying rhythm of the beats. He also highlights the socio-cultural relevance of drum beyond being an instrument to being a voice, a heartbeat, a messenger of history and tradition. In line with African culture, the rhythmic beats of the drum carry the wisdom of ancestors, bridging the past and the present. It speaks in tones that transcend language, telling stories of joy, emotions, struggle, unity, and celebration.

    Every strike on the drumhead sends ripples through time as it calls communities together, guiding dancers in sacred rituals, marking moments of transition, and igniting the soul of a gathering. To hear the drum is to feel its pulse, to be drawn into its rhythm, and to become part of something greater than oneself.

    Like Vincent van Gogh (1853-1890), who was a remarkable painter, his grasp of colour relationships and unique brushwork distinguishes him among his peers. Olanipekun’s Nature’s Flow captures the harmony between human form, nature, and artistic expression. He creatively uses the organic colours to reflect the earth’s beauty, while fluid body movement embodies inner strength and connection to natural elements. This piece evokes a sense of balance, resilience, and the seamless interplay between art and the natural world.

    As an advocate of inclusivity and gender parity, the visual artist pays a deserving tribute to woman folks particularly for their strength and resilience. With Fierce Woman, Olanipekun captures the pride and determination of its subject, evoking admiration and introspection. The intensity of the woman’s gaze, combined with her commanding presence, serves as an ode to the women who have fought for change and continue to inspire others.

    Rooted in African cultural contexts, this piece resonates universally with its celebration of defiance, courage, and empowerment.

    Olanipekun, who studied at the Ekiti State University, Ado Ekiti, Nigeria, is a lover of nature and environment. Inspired by these, he presents a solitary fisherman paddling into the horizon in The Optimist. This artwork is imbued with layers of meaning, evoking solitude, introspection and hope. The interplay of isolation and optimism reflects the artist’s belief in the human spirit’s resilience. The artwork stands as a poignant reminder of the beauty of creation and the potential for growth even in challenging circumstances.

  • Lateef Adedimeji, Labosky host Maiden BTN Awards in Qatar

    Lateef Adedimeji, Labosky host Maiden BTN Awards in Qatar

    Qatar-based Nigerian artiste and hypeman, Olanrewaju Odumewu, popularly known as Labosky, added another feather to his cap as he co-hosted the maiden edition of the BTN Awards in Doha, Qatar, alongside celebrated Nollywood actor, Lateef Adedimeji.

    The star-studded event, which held recently in Doha, saw a display of African entertainment excellence and had top Nigerian movie stars such as Kunle Afod, Kemity, Itele, Ijebu, Damilola Oni, Billique, Taiwo Adeyemi, Adekaz . Mo Bimpe, Uzee Usman, Sanusi Izihaq a.k.a Apankufor in attendance. Many of the celebrities also received awards in recognition of their contribution to the Nigerian movie industry.

    Absentials who received awards includes Ali Nuhu, Odunlade Adekola, Mercy Aigbe, Ibrahim Chatta and Femi Adebayo

    Read Also: LATEEF ADEDIMEJI: Mo’ Bimpe is engine room of my success

    Labosky, who was also a member of the event’s organizing team, expressed immense pride in the success of the event and the opportunity to share the stage with Lateef Adedimeji. He described the moment as a defining one in his career as a hypeman and entertainer.

    “Hosting alongside a respected figure like Lateef Adedimeji was more than an honour for me—it was a dream come true,” Labosky said. “Bringing the Nigerian entertainment spirit to life in Qatar, while celebrating our stars, made the night magical. It’s proof that we can take our culture and talent anywhere in the world and be celebrated.”

    The event was spearheaded by Tunde Adedeji, popularly known as BobbyT, who serves as the President of BTN, alongside his partner, Ramon Lawal, also known as the Asiwaju of Qatar. The duo, both influential figures in the Nigerian community in Qatar, have been at the forefront of promoting African excellence and entertainment in the diaspora. Their vision for the BTN Awards is to create a global platform that honors talents and bridges the gap between local stars and their international audiences.

    “The BTN Awards was birthed from a deep desire to celebrate our own, no matter where they are in the world,” said BobbyT. “We believe our stars deserve global recognition, and Qatar is just the beginning.”

    Ramon Lawal added, “This is more than an event—it’s a movement. We’re showcasing the strength and beauty of African talent while building a legacy for future creatives in the diaspora.”

    The BTN Awards aims to celebrate African talents making waves both locally and in the diaspora, and its maiden edition in Qatar marks a remarkable step towards uniting creatives across borders.

  • Lucent reflects on loyalty in new single Pray

    Lucent reflects on loyalty in new single Pray

    Blakkroot Entertainment is proud to shine a spotlight on one of Nigeria’s most promising rising stars — Lucent, born Reggae Nuhu Cyrus, a native of Kaduna State whose sound is as rich and diverse as his story. With a voice that effortlessly glides between smooth melodies and deeply introspective lyrics, Lucent has emerged as a refreshing voice in the Nigerian music scene, bringing honesty, heart, and rhythm to everything he touches.

    From his early beginnings, Lucent has shown a natural ability to connect with listeners. His debut single with Blakkroot Entertainment, “So Fine,” introduced the world to his unique sound — a heartfelt tribute to feminine beauty and appreciation.

    The song captured attention not only for its catchy delivery but also for its genuine message, setting the tone for what fans could expect from this budding talent.
    Building on the momentum of “So Fine,” Lucent went on to release his first extended project, a 5-track EP titled “Love and Rhythm.” The project is a testament to his range and ability to blend emotions with infectious rhythms. Tracks like “No Dey Lie,” “Want You Back,” “Why,” “Closer,” and the EP’s lead single “So Fine” explore themes of love, vulnerability, truth, and longing — all wrapped in Afrobeat-inspired production that makes the songs equally suitable for introspection and the dancefloor.

    Now, Lucent steps into a new chapter with his
    latest single, “Pray,” a powerful, soul-stirring record that delves deep into his personal journey — not just as an artist, but as a young man navigating life, ambition, relationships, and the challenges that come with chasing a dream.

    “Pray” is more than a song — it’s a reflection. In it, Lucent opens up about moments of betrayal, the bittersweet nature of success, the people he lost along the way, and the ones who stood by him. It’s a moment of gratitude and also a plea for strength and protection as he continues to grow. His delivery is both vulnerable and confident, striking a balance between pain and hope — a rare quality that elevates the track beyond just another single.

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    The production of “Pray” is clean yet emotive, allowing Lucent’s vocals and message to take center stage. The record resonates not just with fans of Afrobeats but with anyone who’s ever faced adversity and still chose to keep pushing forward.

    With this release, Lucent further establishes himself as an artist who’s not afraid to share his truth. His music is personal, powerful, and intentional — the kind that not only entertains but speaks to the soul.

    “Pray” is now available on all major streaming platforms. As Lucent continues to grow his fanbase and make a name for himself across Nigeria and beyond, there’s no doubt that he is one of the artists to watch this yea

  • SPAN tackles drug abuse, depression with arts initiative

    SPAN tackles drug abuse, depression with arts initiative

    By Precious Godwin

    The Society for the Performing Arts in Nigeria (SPAN) plans to tackle drug abuse, youth distraction, and adult depression through its 2025 season tagged Raise the Bar, Your Light is On.

    The initiative, unveiled at a press briefing held recently at Alliance Française, Lagos, is part of activities marking SPAN’s 20th anniversary.

    Founder of SPAN, Sarah Boulos, who spoke via short documentary presented at the event, highlighted the organisation’s mission to nurture talent and use creativity as a tool for transformation.

    Chief Operating Officer of the SPAN Initiative, Mrs. Remi Jemitola, said the 2025 season would focus on helping children and youth battling drug addiction, overexposure to social media, and adults struggling with depression due to unmet needs.

    According to her, the organisation plans to run a three-week residential camp where participants will be trained in farming, recycling, arts and crafts, among other vocational and creative programmes.

    She noted that the season will also feature SPAN Care outreach projects to visit motherless homes, homes for persons with disabilities, and government rehabilitation centres. The goal, she said, is to help individuals recovering from drug addiction and depression to reintegrate into society with new skills and confidence.

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    “SPAN on the Move is also a major part of this initiative. We take our programmes into schools, and this camping model will allow us to work with youth closely over a three-week period,” she said.

    She appealed to sponsors, partners, and the media for support, stating that SPAN’s vision to provide consistent care and development for its students cannot be achieved without collaboration.

    “We cannot do it alone.  Our challenges are resources and consistency. We bring people from different part of Lagos State and help them. If we are not consistent in providing for them, they will not come,” she said.

    She expressed gratitude to past sponsors and supporters and urging new partners to join SPAN in sustaining its mission of using the performing arts to shape lives and society positively.

    Highlights of the event include a thrilling performance preview, showcasing what audiences should expect in the coming season.

    SPAN also acknowledged its long time partners including 7-Up Bottling Company, Eko Hotel & Suits, Indomie Nigeria, Cool 96.9 FM, Wazobia TV, STV, Leadway Assurance Plc, Panar Industries, ITB Nigeria Ltd, SCOA Nigeria Plc and JMG Ltd.

    Now in its third decade, SPAN said it remains focused on building an inclusive and globally competitive performing arts industry in Nigeria.

  • Ellen Stoecker’s feral cats bring powerful past to light

    Ellen Stoecker’s feral cats bring powerful past to light

    Author: Ellen Stoecker 

    Book Title: The Afrikan Feral Cats of Sullivan’s Island

    Pagination: 14

    Publisher: Covenant Books Inc

    Reviewer: Chinyere Okoroafor 

    Some stories stay with you long after you turn the last page. The Afrikan Feral Cats of Sullivan’s Island, a children’s book, is one of those books. Written by Ellen Stoecker, with heart and purpose, it takes readers on an unforgettable adventure through history, bravery, and survival.

    At its core, Stoecker’s book tells the tale of Tau, a wild cat in Sierra Leone, and his son, Abioye. They, along with their friend Kamaria, sneak onto a European ship looking for food. But what they discover changes everything, the ship is carrying enslaved African people in terrible conditions. This moment shifts the story from an adventurous escape to a deeper tale about kindness, courage, and hope.

    The author, who is a lifelong advocate for the humane treatment of all animals, tells a powerful story by letting animals be the ones to witness history. The wild cats in the book are not just ordinary animals, they see and feel the pain of the past, helping us understand a difficult story in a simple yet meaningful way.

    The book takes us back to the time of the transatlantic slave trade 

    in the early 16th century, around 1526, when millions of Africans were taken from their homeland and forced into slavery in the Americas. 

    One of the places they arrived was Sullivan’s Island, South Carolina, United States of America. Enslaved people from Sierra Leone were brought there, kept in pest houses and examined like objects. If they were strong enough, they were sent to Charleston in South Carolina to be sold. Historians say that nearly half of all African Americans today have ancestors who passed through this island.

    Charleston, considered to be a beautiful city, with well-preserved historic architecture, charming cobblestone streets, and picturesque waterfront views, but beneath its charm was a painful past. It was once a center for slavery, and later, a key battleground in the American Civil War, a war fought over the right to own human beings. Today, its streets still hold echoes of history, but little is done to honour the people whose lives were destroyed there.

    The book also takes us across the ocean to Africa, where the author found a sense of belonging. In an interview, Stoecker revealed that in Botswana, she cared for baby elephants that had been left behind, much like the people who were taken from Africa long ago. In this land of beauty and kindness, she felt healing in a way she had never known before.

    But history does not sleep. In 1989, Charleston faced a different kind of tragedy. Hurricane Hugo, a powerful storm, swept through the city, leaving many people homeless. The author lost everything but instead of giving up, she chose to move forward. That journey led her to write this book.

    Even today, the past is often forgotten. Sullivan’s Island, once a place of great suffering, now holds little to remind people of what happened there. In 1991, famous writer Toni Morrison, along with the Sierra Leone consulate, placed a small marker on the island as a reminder of its history. But since then, not much has changed. The island remains a place of luxury, while the painful stories of the past remain in the shadows.

    The story of Olumide is deeply connected to this history. While the author initially believed the name to be of Ghanaian origin, it is, in fact, a Nigeria Yoruba name . However, there is an intriguing historical link between the Yoruba people and the Ga people of Ghana’s Greater Accra Region. The Ga, a vibrant and resilient ethnic group, traces parts of their ancestry back to Yorubaland, reflecting the deep cultural exchanges and migrations that shaped West Africa. In this way, the name Olumide serves as a quiet yet powerful tribute to those who were taken from their homeland, carrying with them fragments of identity, language, and heritage across the Atlantic.

    When the book was finally published, it caught the attention of Kofi Annan, the former UN Secretary-General. He praised the author for her bravery in writing about such a difficult subject as a white woman. But she knew the truth, the true courage belonged to the Africans and African Americans who carried this history in their hearts, who fought to keep their ancestors’ stories alive.

    The book’s strength lies in its portrayal of emotions. When Kamaria finds the chained captives, she feels sorrow and confusion. Tau and Abioye, though wild animals, show compassion by secretly feeding the enslaved people through small cracks. This act of kindness, though small, carries great weight. It reminds us that even in the darkest times, acts of love and bravery can make a difference.

    Olumide, one of the captives, is another striking character. Despite his suffering, he helps Kamaria understand what is happening. His presence in the story adds a human voice that connects deeply with the reader. The bond between the cats and the captured people becomes a bridge between two worlds, one free, one in chains.

    The ship eventually reaches land, and the captives are taken away. This heartbreaking moment leaves the wild cats to find a new home on an island in South Carolina. This ending is both sad and hopeful. The people are lost, but the cats survive, carrying their memories with them. The author hints that their descendants still live there today, keeping the story alive.

    This part of the book also reflects the resilience of enslaved Africans during the Transatlantic trade, highlighting their strength, courage, and determination to survive despite the unimaginable hardships they faced. Through the bond between Kamaria and Olumide, the story captures the unbreakable spirit of those who endured captivity, their ability to find hope in small moments, and the quiet acts of resistance that kept their will to live alive. The cats’ efforts to help the enslaved people by providing food symbolize the importance of solidarity and kindness even in the darkest of times. Meanwhile, just like the cats, the people taken away from their homes never forgot where they came from. Their strength, culture, and memories lived on, shaping new generations.

    There are many books about slavery, but few tell the story in such a unique way. Using animals as narrators makes it easier for younger readers to understand history without feeling overwhelmed. At the same time, adult readers can appreciate the deeper themes of loss, survival, and silent resistance.

    The book also encourages important conversations. How do we remember painful history? How can we show kindness in difficult situations? What does it mean to witness injustice? These questions make The Afrikan Feral Cats of Sullivan’s Island more than just a story, it becomes an experience.

    The author’s writing is simple yet powerful. Every scene is vivid, allowing readers to feel the heat of the ship’s lower deck, the hunger of the captives, and the fear in the wild cats’ hearts. The descriptions bring the story to life, making it easy to imagine every moment.

    The pacing of the book is also well done. It starts as an exciting adventure but smoothly transitions into a serious and emotional journey. This balance keeps the reader engaged while delivering an important message.

    The Afrikan Feral Cats of Sullivan’s Island is more than just a book, it is a powerful and necessary story of courage, compassion, and survival. Through the eyes of wild cats, the author masterfully brings history to life, telling a painful yet essential tale in a way that is both deeply moving and unforgettable. Regardless of age, readers will find themselves immersed in a narrative that lingers long after the final page, serving as a poignant reminder of the importance of empathy and historical memory.

    The book is not merely a story but a bridge connecting the past to the present. It carries the weight of real events, making history accessible and meaningful for young readers. Within its pages, we witness suffering and resilience, loss and hope, as well as the profound connection between people and the lands they once called home. Through this beautifully crafted tale, the past is not just remembered, it is felt, understood, and honoured.

  • Kehinde Fafiyebi appointed ECOWAS youth ambassador

    Kehinde Fafiyebi appointed ECOWAS youth ambassador

    The ECOWAS Youth Council has appointed Engr. Dr. Kehinde Fafiyebi, CEO of Fafkay Integrated Services Company, as a Youth Ambassador in recognition of his contributions to economic growth, youth development, and entrepreneurial leadership in Nigeria.

    The appointment was conferred during an official ceremony in Lagos attended by top business leaders, youth advocates, and government officials. The Council lauded Fafiyebi’s efforts in job creation, mentorship, and regional impact through his multi-sector company and youth-focused initiatives.

    Reacting to the appointment, Fafiyebi expressed deep gratitude and reaffirmed his commitment to driving youth empowerment across the continent.

    “This honor is not just about me—it’s about the thousands of young Africans who are striving daily to change their narrative,” he said. “It’s a reminder that when young people are empowered with the right tools and opportunities, they can transform communities and drive economic growth.”

    “I dedicate this recognition to every young entrepreneur working through challenges, breaking barriers, and daring to dream beyond limits,” he added.

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    Through Fafkay Integrated Services, Fafiyebi has created employment opportunities for hundreds of young professionals across sectors such as tourism, logistics, real estate, IT, and consultancy. His foundation has also provided scholarships, mentorship, and skills training for underprivileged youth.

    As ECOWAS Youth Ambassador, he is expected to support policies that promote innovation, entrepreneurship, and regional collaboration among young people.

    “Africa’s greatest asset is its youth,” Fafiyebi emphasized. “My focus will be on ensuring they are not just seen, but heard, engaged, and empowered to lead.”

    The ECOWAS Youth Council, an arm of the Economic Community of West African States, appoints ambassadors who have demonstrated excellence, service, and positive impact in their fields.

    Plans are underway for a youth empowerment summit spearheaded by Fafiyebi’s foundation later this year, aimed at deepening dialogue and action on youth inclusion and development across the region.

  • Aura by NailSavvy: Nigeria’s first press-on nail shop debuts in Lagos

    Aura by NailSavvy: Nigeria’s first press-on nail shop debuts in Lagos

    Beauty enthusiasts now have an innovative alternative to traditional nail salon visits with the grand opening of Aura by NailSavvy, Nigeria’s first dedicated press-on nail shop.

    The launch marks a new era in nail beauty, making salon-quality manicures more accessible and allowing the modern woman to enjoy effortless elegance in minutes.

    Combining convenience, style, and durability, the brand offers a premium, hassle-free way to achieve salon-quality nails in minutes. Unlike conventional press-ons that can be flimsy and prone to breakage, its designs feature advanced three-layer technology, including a hard gel layer for superior strength and a flawless, long-lasting finish. Engineered for durability, these high-quality press-ons allow users to flaunt their nails with confidence.

    Aura by NailSavvy is redefining the manicure experience with expertly crafted press-on nails that deliver professional results without long wait times or high price tags. With a diverse collection of stylish designs, it ensures every customer finds the perfect set to match their personality and mood. Options include custom rhinestones, decals, nail gems, cat-eye gel polish, and stunning chrome finishes, offering an effortless way to achieve a high-end manicure look.

    The brand offers four size options including Extra Small, Small, Medium, and Large—alongside five trendy shapes: Square, Almond, Coffin, Round, and Stiletto. Available in short, medium, and long lengths, Aura’s nails cater to every beauty preference, from subtle elegance, bold and glamour.

  • Her360 concludes 3-Day wellness series with awards honouring women of impact

    Her360 concludes 3-Day wellness series with awards honouring women of impact

    A 3-day health and wellness empowerment programme organised by Her360 under the Amaryadotcom platform came to a grand close in Abuja over the weekend with a prestigious awards ceremony celebrating notable Nigerian women making remarkable contributions to society.

    The initiative, led by Amaryadotcom founder Rahma Adam Mohammed, brought together a cross-generational audience of women for a transformative experience themed around emotional healing, self-discovery, and empowerment. The final day featured an award presentation to three outstanding women—Dr. Amina Aminu Dorayi, Hon. Stella Okotete, and Fatima Askira—recognised for their leadership, humanitarian work, and advocacy for women empowerment.

    Describing the recipients as “living symbols of strength, compassion, and purpose,” Rahma Adam Mohammed praised their commitment to national development and the advancement of gender inclusion in their respective fields.

    Among the distinguished guests at the ceremony held in Maitama were Princess Jecoco, Maryam Augie, Madina Maishanu, and other women who continue to inspire across various sectors. The event was marked by an atmosphere of pride and elegance, reinforcing Her360’s mission to redefine beauty and wellness as a holistic journey for the Nigerian woman.

    Each day of the 3-day programme focused on a different demographic and set of wellness needs. Day One was tailored to teenage girls, with sessions on identity, confidence building, vision boarding, financial literacy, and mindfulness aimed at countering harmful online narratives and guiding young participants toward self-worth and positive values.

    Day Two catered to adult women with deeper therapeutic experiences, including guided yoga, Tai Chi, reflective meditation, and an introduction to Horse Therapy—a novel addition that promotes emotional healing through animal interaction.

    “Our theme was all about refilling one’s inner cup,” said Rahma. “Women are constantly pouring into others—family, society, the workplace. This programme reminded them to refill their own emotional and mental reservoirs.”

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    The final day’s award ceremony not only celebrated individual achievements but also highlighted the broader vision of creating safe and empowering spaces for women to thrive.

    “This recognition isn’t just about accomplishments—it is about courage,” Rahma stated. “These are women who stand tall in spaces where their voices are often overlooked. Today, we poured into their cups.”

    With the success of this edition, organisers have announced plans for a major Her360 wellness and beauty event scheduled for November 2025, promising to reshape the industry and empower more women across Nigeria.

    According to Rahma, “Beauty must be holistic—there must be an inner glow and an outer glow for it to be complete. That’s the Her360 way.”

  • Three Crowns launch “deeds beyond measure” Ramadan initiative 2025

    Three Crowns launch “deeds beyond measure” Ramadan initiative 2025

    Three Crowns, a leading Nigerian milk brand produced by FrieslandCampina WAMCO, has successfully launched its 2025 Ramadan initiative, tagged “Deeds Beyond Measure.” This initiative encouraged Muslims to embrace the spirit of Ramadan through acts of kindness, community service, and spiritual growth.

    The “Deeds Beyond Measure” initiative featured weekly challenges designed to encourage and show benevolence to communities. It commenced with participants memorizing and reciting Quranic verses and sharing 30-seconds videos of their recitations on social media. Additionally, participants were encouraged to share Iftar within their communities, fostering a spirit of generosity and unity.

    In its commitment to supporting Muslim communities during this sacred month, Three Crowns introduced an extensive Iftar program across key cities in Nigeria, offering nutritious meals to Muslim faithfuls. The initiative was carried out at Alausa Secretariat Central Mosque, Lagos, Bodija Central Mosque, Ibadan and the National Mosque in Abuja. The program continued with stops at Mararaba Central Mosque, Abuja, Oja Oba Central Mosque, Ibadan and Mowe Nasfat Central Mosque in Lagos. The brand also visited the Ansar-ud-Deen Central Mosque in Kano, Nasco Fibre Mosque, Jos and Ansar-ud-Deen Central Mosque in Ilorin, Kwara State further extending its reach and providing nourishing meals to more communities in the spirit of Ramadan.

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    Chioma Igwe, Marketing Manager Three Crowns, stated, “As a brand that truly cares we understand the essence of this sacred exercise by our Muslim communities, connecting with the Muslim faithfuls during Iftar and sharing nourishing meals to create joyful moments together was truly a beautiful time of gratitude and wellness.”

    To further support nutrition throughout Ramadan, Three Crowns partnered with a renowned chef to create a special “30 Days of Ramadan” recipe guide, featuring delicious and nutritious meals made with Three Crowns Milk. This initiative helped Muslim consumers maintain a balanced diet during fasting.

    Building on the success of last year’s Ramadan initiative which focused on the heart, health and wellness, this year’s initiative expanded its focus to include community service and spiritual well-being. “Ramadan is a time of reflection, gratitude, and giving back,” said Igwe. “Through our ‘Deeds Beyond Measure’ initiative, we inspired acts of kindness that nurtured both physical and spiritual wellness.”

  • When Nigeria’s dance troupe dazzled in India

    When Nigeria’s dance troupe dazzled in India

    The National Troupe of Nigeria is an agency of the Federal Ministry of Art, Culture, Creative Economy and Tourism.  Its official mandate is to promote and explore Nigeria’s rich cultural elements of dance and stage theatre to their highest height.  Recently the Troupe was in India for the 38th edition of the Surajkund International Craft Mela festival.  It was a festival where twenty-one different nations of the world were in attendance.  The Artistic Director of the Troupe, Hajja Kaltume Gana speaks to Edozie Udeze on the importance of the show.

    Ever since its establishment, the National Troupe of Nigeria has remained true and consistent to its calling.  And that calling is to always keep afloat Nigeria’s cultural dances and stage performances.  Now the Troupe which has almost become Nigeria’s greatest cultural export and ambassadors, which the world has come to appreciate, celebrate and identified with has done it again.  Some of the numerous cultural heritages of Nigeria have been made known to the world through the activities of the Troupe.

    Not too long ago, the Troupe was lucky to be one of the numerous dance troupes to be invited by the Indian government.  It was the 38th edition of the famous Surajkund International Craft Mela festival of 2025.  That show was one of the best shows where only world class dance troupes are meant to prove their greatest dexterity on stage.  Nigeria was duly invited because of the previous and continuous cultural and dance exploits of the National Troupe of Nigeria.  The festival which took place February in Faridabad in India showed how well Hajja Kaltume Gana, the Artistic Director of the Troup has gone to prepare her team for the big show.

    In a press statement Gana cleared air on why and how Nigeria became one of the 21 countries invited to the epoch-making event.  She said: “Yes, Nigeria was among other 21 countries invited to the festival.  The trip offered us the opportunity to be a part of the festival.  It was the 38th edition.  Indeed we were very happy to be at the festival”.  Moreover, it offered the Troupe the best moment to showcase their best dance and other cultural performances and artistry.  An elected Gana also commended the Federal Ministry of Art, Culture, Creative Economy and Tourism for the way and manner it helped to facilitate the trip.  “The arrangement was good”, she said simply. 

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    And the Troupe was at its best.  The standard of the crafts over there was commendable.  As usual, Nigerian artists, members of the National Troupe of Nigeria who have never disappointed the nation in all their trips both home and abroad were said to have outdone other nations that took part in the festival.  The ministry did well and so also the Indian embassy in Nigeria.  There was also a crafts team that joined the Troupe from Nigeria.  So, all together the team was compact, displaying most of the best artistry of Nigerian artists.  “So all in all, it was a delegation of twenty people including the troupe and myself and officials of the Ministry.  It was good to see the delegation and the Troupe showcase Nigeria’s rich cultural elements at their best”.

    So it can safely be said that  as a foremost platform for cultural exchange and economic opportunity, the Surajkund Craft Mela is one of the largest cultural fairs in the world, featuring over 1,000 craft stalls, including a dedicated Nigeria pavilion showcasing Nigerian products. The patronage of these products was overwhelming.

    Hajja Kaltume Bulama Gana’s direction brought to life a rich diversity of traditional dances from across Nigeria, highlighting the country’s cultural heritage. The well-choreographed performances mesmerized the international audience with performances from across the six geopolitical zones, including Ekombi/Nyok, Sango Bata, Maliki, Egwu Odun, Koroso, and Sharo Each day of the event showcased a unique blend of Nigerian dance, drama, and music, leaving the audience fascinated.

    The Nigerian contingent,  led by Hajia Zainab Ali-Biu, Director of the International Relations Department at the Federal Ministry of Art, Culture, Tourism, and Creative Economy, also included  some officials from UNESCO

    The Acting Nigerian High Commissioner to India, His Excellency Ubong Akpan Johnny, attended the event to support the Nigerian contingent and commended the Indian government for inviting Nigeria.

    In a related development, the NTN recently staged a thought-provoking play titled “Tafawa Balewa: The Golden Voice of Nigeria” in partnership with Artswax Communications. The play highlighted the importance of integrity, sacrifice, and leadership in nation-building.

    As Nigeria’s apex performing arts agency, the NTN’s participation in the Surajkund International Craft Mela 2025 reinforces its commitment to strengthening cultural diplomacy, promoting Nigeria’s image and interests abroad, and serving as a cultural ambassador for the country.

    The Surajkund International Craft Mela has set a promising precedent for Nigeria’s future endeavors in the global cultural and creative economy. As the nation continues to celebrate its heritage and forge international connections, the world can expect even greater contributions from the NTN on the global stage.