The Nation Newspaper

Category: Arts & Life

  • Alexander Emmanuel set to release his fifth book, ‘Edge of the Sun’

    Alexander Emmanuel set to release his fifth book, ‘Edge of the Sun’

    Renowned author, strategist and peace advocate, Squadron Leader Alexander Emmanuel, PhD, is set to release his highly anticipated fifth book, Edge of the Sun. Known for his powerful storytelling and deep exploration of human resilience, Alexander once again delivers a compelling narrative that is bound to captivate readers.

    Edge of the Sun is a coming-of-age novel set in the vibrant town of Bodo, South Southern Nigeria, along the serene banks of the Obunda River. The story follows the intertwined lives of Jaja and Sim—two headstrong youths whose misadventures and reckless choices lead them on an unexpected path of self-discovery, redemption, and the search for purpose. Through themes of growth, forgiveness, and the pull of one’s roots, the novel explores the challenges of escaping the shadows of the past while striving for a brighter future.

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    The book launch is scheduled for April 19th, 2025, at 10 AM, at the Banquet Hall, NAF Mess & Suites, Kado, Abuja. The event will also mark the official launch of We Are Us, a movement dedicated to building safe communities for boys.

    As a celebrated Chevening alumnus and winner of the 2018 USAID Hackathon on Counter Violent Extremism, Alexander brings his rich experiences from conflict zones and his passion for justice into his writing. His previous works, including Scarlet and Omo, have been widely adopted in secondary and tertiary institutions across Nigeria.

    With Edge of the Sun, Alexander Emmanuel continues to solidify his place as one of Nigeria’s most influential contemporary authors. Readers and literary enthusiasts are invited to be part of this landmark event as Edge of the Sun promises to be a story that resonates across generations.

  • Talking funding, cultural rights in honour of Anikulapo

    Talking funding, cultural rights in honour of Anikulapo

    For about four hours, Quintessence Gallery’s hall was filled to capacity by friends of the arts and other guests. In the famous Art Stampede manner, the gathering, while celebrating the former Editor, The Guardian On Sunday, Jahman Anikulapo’s recent UNESCO Defender of Cultural Rights Award 2024, spoke to issues of funding in culture sector in the light of the USAID ban by Trump administration, Assistant Editor (Arts) OZOLUA UHAKHEME reports

    It was an evening of celebration and conversation on Funding culture, defending cultural rights by friends of the arts who converged recently on Quintessence Gallery at Parkview Ikoyi, Lagos. The audience was a mix of artistes, collectors, creative entrepreneurs, publishers, music promoters, financial experts, culture advocates, journalists and enthusiasts. They included Pa Benson Idonije, Kayode Aderinokun, Muyiwa Majekodunmi, Joke Silva, Theo Lawson, Steve Ayorinde, Ayo Sadare, Molara Wood, Kenneth Uphopho, NseObong Okon-Ekong, Makin Soyinka among others.

    But, the gathering was organised by Quintessence and Friends of the Arts to honour the former Editor The Guardian On Sunday, Mr. Jahman Anikulapo who got global recognition of the UNESCO Defender of Cultural Rights Award 2024. The recognition was made by International Centre for the Promotion of Human Rights with the support and guidance of the United Nations Educational, Scientific and Cultural Organisation (UNESCO) at Buenos Aires, Argentina. The award was a forty-year devotion to advocacy and promoting the arts.

    The session, which was anchored by a close pal of Jahman, Mr Toyin Akinosho, kicked off with a poetry performance by Sage Hasson followed by an insight by the ‘Man of the Moment,’ Anikulapo who recalled how the award came to be, particularly the insistence of ace filmmaker Femi Odugbemi who convinced him to respond to calls of the Argentines. Leading the pack of speakers was Managing Director Co-creation Hub (CcHUB), Ojoma Ochai, who gave the keynote, Anwuli Ojogwu, Chike Maduegbuna of AfriNolly Creative Hub and Lanre Lawal, a music promoter.  

    Ojoma, a former staff of the British Council, who spoke on Funding culture, defending cultural rights, used her personal experiences to unmask the complexities and assumptions associated with funding in culture sector, saying that beyond internal sourcing, fundraising also comes from networks and people that are not necessarily in the culture sector.  She stated that there is a huge gap between cultural rights and it realization, which she said, is where the creative economy comes in.  

    “The problem with cultural rights is that there is a massive gap between having the rights and the realisation of those rights. And that gap is the creative economy.

    “The pathway through, which the singing I am doing in my bedroom or the writing and the scribbling I am doing in my house translate to an enterprise that somebody pays for, we find that there is a massive gap between the two. And that is where the funding problem comes in,” she added.

    •From left: Ojoma, Ojogwu, Lawal and Akinosho

    Ojoma stressed that ‘talent is a key resource, whether it’s artistic talent, technical talent, or business talent, or whether it’s support, infrastructure, access to audiences and access to markets. And the single thing that enables those things is money.’

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    According to her, funding means many things and not just bulk of money only, as many often think of funding as a massive, homogenous thing that is there and locked in a vault.

    Lanre Lawal, aka Consultant, who specialises in Talent Management, Music and Brand Development, Strategic Marketing, spoke on the growing new music and its opportunities for funding. He lamented that over the years, the development and growth of Nigerian music and musicians have largely depended on self-help, because there has never been funding or grants in the music sector.

    He disclosed that lots of musicians pay Alaba music marketers to pirate their works in order to distribute their music and make it popular. “They pay them to put their music on mix tapes back in the days. That way, they distribute those mix tapes which a lot of people buy. Till date, we still do not have funding and grants in music sector. I don’t know of any grant that comes to us,” he said.  

    He however described as worrisome the entitlement mentality of many Nigerians who don’t want to pay to watch a musical performance. This, he said, amounts to carnibalising of musical performances.

    “Now, the system in the sector is cannibalising. People are expected to pay to watch musicians perform. But, in Nigeria, not many people are willing to pay for such service. They are always expecting that works of art, particularly music, should be offered free,” he added. 

    Anwuli Ojogwu, a publisher, who spoke on financing issues in publishing industry, admitted regrettably, that pirates do more than publishers in terms of packaging pirated books, saying it is costly for publishers to undertake.  “So it’s free money for them because they haven’t invested in the production of the works,” she added.

    From left: Shadare, Anikulapo, Christina Oshunniyi, Uphopho and Okon-Ekong

    But, she said publishers are constantly fighting the pirates in partnership with the Nigerian Copyright Commission (NCC) to protect authors’ rights. However, the challenges of publishers are beyond piracy. According to her, financial publishing doesn’t exist in the industry, because banks think ‘we are too high risk.’ “Banks don’t see us as viable,” she added. 

    “Our inventory is what we can present as our collateral. But, the return is too slow and they don’t produce the kind of money that tech and oil produce,” Anwuli noted. 

    Reacting to why British Council allegedly removed publishing from its budget, she said there are sectors that are more visible and glamorous. “And once you succeed, the returns on investment (ROI) of such sectors are very great. Unlike publishing, you don’t get that. Culture takes more time to generate returns. And that is the same thing with publishing,” she said.

    In his remark, Managing Director, Quintessence Gallery, Mr Jude Oni-Okpaku said: “As cultural heritage and creative expression face increasing challenges, this gathering served as a call to action. It emphasised the need to prioritise funding, protect cultural spaces, and champion the rights of artists and cultural practitioners throughout Nigeria.

    “Quintessence remains dedicated to fostering collaboration among stakeholders and building a more inclusive and vibrant cultural landscape where creativity can flourish and cultural rights are protected.” The session went into the night as friends of Jahman continued to feast and interact while savouring the melodious tunes from Dee Multy, Adio Oyedeji.

  • AGAN honours Prince Odimayo at 75

    AGAN honours Prince Odimayo at 75

    Proprietor Treasure House Gallery, Prince Olasehinde Odimayo is a quiet and reserved gentlema n. He is not dispose to frivolities. Within the art circuit, he is perceived as a hard-task master who dares where many feared, but cherishes records keeping and details. With age, he is now more concerned with inner mind than physical. Little wonder, he now wears some bushes of white bears over his cheeks, which were hardly seen before.

    When he was honoured recently by Art Galleries Association of Nigeria (AGAN), on his 75th birthday, his simple dress code stood him out among the selected guests. Interestingly, the special lunch, which was also attended by friends and relations was held at the Radisson Hotels on Isaac John Street, Ikeja GRA, Lagos, twelve days after his birthday proper and was first time Odimayo will mark his birthday.

    The gathering was not the regular red carpet ball with the trappings of an ‘Owambe’. It was a purely a moment of reflection and reminiscences of fond memories particularly of some landmark events in the art scene in the last three decades. Odimayo turned 75 on December 2, 2024.  The celebration was attended by Omooba Bode Odimayo, Mr. Chuma Ikenze, Olasehinde Odimayo, Ms. Udochi Iheanacho, +-Mr. Moses Ohiomokhare, Pastor Olamakinde, Nana Asumah Sonoiki, Dr. Mudiare Onobrakpeya and Miss Kemi Aderinto.

    One of Nigeria’s leading curators Moses Ohiomokhare described the celebrator as a resourceful gallery proprietor and an icon who dedicated his life and career to elevating Nigerian art and culture. “He established himself as a force to reckon with. He inspired many younger generations with his tireless advocacy for creativity. He is a voice in the art industry influencing artists, curators and collectors,” he added.

    As he celebrated his 75th birthday Odimayo’s legacy stands as a beacon of cultural preservation and artistic excellence. His life’s work—spanning curatorial, mentorship and advocacy—continues to inspire new generations, ensuring that the story of Nigerian and African art remains vibrant and enduring. His journey, from the heart of Ondo State to the heights of the global art scene, is a testament to his vision, resilience, and unwavering belief in the power of art to bridge cultures and preserve heritage.

    Odimayo, a specialist of about three decades experience in the Nigerian art market recalled his journey in the art, especially gallery business, which birthed on the doggedness of a handful of pathfinders and risk bearers when art was less attractive to many.

    “I worked with late Ben Enwonwu from 1988 to 1991. It was a very turbulent relationship. I sold a pair of very large canvas of Enwonwu’s paintings @N500,000. It was the highest amount paid for artwork at that time,” he recalled. 

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    On 30 April 1982, the historic Treasure House salon took place on Victoria Island, Lagos when he and Folabi were briefly partners at that time. “The artists exhibited were Kolade Oshinowo, late Bisi Fakeye, Abiodun Olaku, Bunmi Babatunde, Felix Osieme, Tayo W Atigbi, Toni Okujeni, Olu Ajayi, Kehinde Sanwo, Jude Eseurhobo, late Erhabor Emokpae, Toyin Alade, Ishola Akande, Abayomi Barber, and Fred Akpomuje.  This was the very art show after the first generation of art galleries went moribund such as Affi Ekong’s Gallery, Gong Gallery owned by Mrs Emily Imoukhuede wife of Frank Imoukhuede Jiraj Gallery owned by late Olujimi Raji who was also art teacher at Yaba College of Technology. Total sales was N212,795.50 and total cost was N95,301.89 and net profit was N17,493.63; and as working capital Folabi contributed N6,245 and I contributed N7,171.87,” he said. 

    Odimayo also worked with Ben Osawe from 1990 to 2003. In 1990, he attended Sotheby’s educational studies for about three months. I was the first black African to study there. In April 1991, he staged first salon show for Ben Osawe and in September 1991, he staged Offerings From My Retreat for Ben Osawe and Wole Soyinka was guest of honour. He staged 30 years on the road for Prof. Solomon Irein Wangboje in 1998. In April 1994, the inaugural show was staged to open Treasure House Gallery, Ikeja.

    But in July 2006, Treasure House opened for business on Awolowo Road Ikoyi Lagos. Since 1982, he has been involved in the building of the collections of Sammy Olagbaju, the Chartered Bank, National Bank, Adedotun Sulaiman, John  Pepper and Ebun Clark, The Skye Bank, IBTC Bank, Oladele Odimayo, Mike Oduah, Yemisi Shyllon Art Foundation, Joe and Sandra and many other private and corporate art collections.

    He also consulted for the Omooba Yemisi Shyllon Art Foundation, The Omooba Oladele Odimayo Art Foundation collection, the Odunayo Olagundoye art collection, the John Pepper and Ebun Clark Art Collection, Arthouse Contemporary Gallery and Sotheby’s London.

    Odimayo completed his undergraduate studies in Languages, specializing in German, at the University of Ife (now Obafemi Awolowo University), demonstrating an early affinity for communication and cultural exploration. His academic foundation in languages gave him an appreciation for cross-cultural exchange, which became a hallmark of his future work in the arts.  

    To further refine his expertise, Odimayo attended the prestigious Art Business Programme at Sotheby’s Institute of Art, where he gained specialized knowledge in art valuation, curation and market dynamics. This diverse educational background—spanning language, fine arts, art history, and art business—equipped him with a unique perspective that would later define his approach to promoting African art and curating distinguished collections.

  • With jazz, soul Ola soars

    With jazz, soul Ola soars

    At a time when a good number of Nigerian musicians are increasingly going the way of Afrobeat, Austria based Nigerian act Ola Egbowon is very much at home with jazz and soul.

    Though he likes afrobeats and its apostles, but he believes that everyone shouldn’t be trapped by the allures of the contagious genre. He strongly believes other old venerable brands too need to be kept alive to satisfy people who still desire them and help younger talents to be able to diversify. 

    Ola as he is fondly called, made his entry into the Nigerian music scene last Valentine day at a concert attended by many music lovers. It was an event hosted by prominent businessman, Wale Tinubu, at the Pier Harbour Residences and Spa, Victoria Island, Lagos.

    Expectedly, Ola didn’t disappoint the selected audience at the Lagos show as he offered different jazz, soul and pop numbers that were well received. Arts buff and dignitaries at the performance included Ben Tomoloju, Seyi Law, Steve Ayorinde among others.

    This, in a way, may well define his essence in the trade. No doubt, he seems to have a lot to offer the corporate creed based on the artistic sophistication, diversity and finesse he exuded on stage.

    Ola disclosed that many of the songs he performed were written years ago, particularly during the COVID 19 pandemic when he composed between 75 and 100 songs.

     “During that time, I composed between 75 and 100 songs, each capturing different emotions, experiences, and perspectives. However, for this project, I carefully selected the ones that I felt would resonate most with the theme and audience. These songs reflect my artistic journey and the messages I want to share, making them a perfect fit for this programme,” he said on the sideline of the event.

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    He explained that Soul and Jazz provide a space for deep story telling, raw emotion and introspection.

    “ These genres allow me to express myself in ways that feel natural and meaningful. When I returned to Lagos after some time away, I realised that there was still an audience that appreciates Soul and Jazz. I saw an opportunity to carve out my own space, not by rejecting Afrobeats, but by expanding the conversation around what Nigerian music can be.

    “I also want to help shift the narrative that artists have to conform to one sound to be successful. There’s room for variety, and I believe that by staying true to my sound, I can contribute to a growing appreciation for alternative genres in Nigeria. At the end of the day, my goal is to create music that moves people—whether it’s through the depth of Soul, the rhythm of Afro-fusion, or a blend of both.”

    Notwithstanding his love for jazz and soul, Ola is a multifaceted artiste with a deep passion for music. He however said that soul music has been his strongest foundation for a while and it.allows him to express deep emotions and connect with listeners on a profound level.

    “However, as an evolving artist, I am constantly exploring new sounds and influences. Afro-fusion, in particular, is a direction I am excited to embrace, as it allows me to blend rich African rhythms with contemporary elements. My journey is one of continuous growth, and I look forward to expanding my musical horizons while staying true to my artistic essence,” he added.

    He acknowledged the pivotal role Afrobeat have played in binging Nigeria and Africa to global spotlight. This, he said,

    earned widespread recognition and appreciation.

    According to him, Afrobeat genre has evolved into a dominant force in the music industry, influencing international sounds, collaborations, and mainstream culture.

    For him, he does not see his love for jazz and soul as a departure from the norm.

    “I wouldn’t call it a departure; rather, it’s a deeper connection to my roots and the music that shaped me. Growing up in Lagos, I was heavily influenced by Soul music—it was the sound that resonated with me the most. While Afrobeats is undeniably the dominant genre in Nigeria, I’ve always believed that music should be an authentic reflection of who you are. Afrobeats wasn’t around till well after my departure of the country.”

    “The genre’s infectious rhythms, unique storytelling, and rich fusion of African and global influences have captivated audiences worldwide.

    “Beyond just music, Afrobeats has become a cultural movement, shining a light on Nigeria’s creative industry, from fashion and dance to film and entertainment. This global attention has not only amplified the voices of Nigerian artists but has also created opportunities for other aspects of the country’s rich culture and talent to thrive. I believe that this newfound recognition extends beyond entertainment, offering a positive narrative about Nigeria and showcasing the incredible potential and creativity that exist within the country,” Ola said..

    On his immediate plan, he hinted that he will release a few singles first, building momentum before embarking on a tour across Lagos. The tour, he noted, will serve as a platform to create awareness, connect with a wider audience, and showcase his music in a live setting. Through the performances, he aims to engage with fans, gain exposure, and establish a strong presence on the Lagos music scene.

  • Journey of kidney survival and challenges

    Journey of kidney survival and challenges

    As the world commemorates World Kidney Day 2025 on March 13th, themed Detect Early, Protect Kidney Health, stories of resilience and advocacy take center stage. One such story is that of Esohe Sarah Osageide ESO, a kidney transplant survivor and founder Eso Kidney Alive Foundation. Now residing in the UK, ESO has turned her survival journey into a mission to support kidney patients across Nigeria, advocating for early detection and better healthcare policies.

    The battle with kidney failure was one of the most challenging phases of her life. Diagnosed with chronic kidney disease while in Nigeria, she found herself in a desperate race against time. Without financial means for treatment, she relied on dialysis, a costly and emotionally draining process. However, through the generosity of well-wishers, she was able to travel to India in 2013 for a kidney transplant.

    Her mother selflessly donated one of her kidneys, giving ESO a second chance to life. But upon her return, she was met with heartbreaking news—the majority of her fellow dialysis patients in Nigeria had succumbed to the disease due to lack of funds and inadequate healthcare support. This realization fueled her passion to be a voice for those struggling with kidney disease.

     “I couldn’t ignore the trauma of losing so many people I had fought alongside in the dialysis centers. I knew I had to do something,” ESO shares. Recognizing that early detection could have saved many lives, she founded the Eso Kidney Alive Foundation to provide awareness, financial support, and advocacy for kidney health in Nigeria.

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    Her foundation actively engages in sensitization programs across schools, churches, marketplaces, and other public spaces, educating people on kidney disease prevention and early warning signs. Additionally, her foundation raises funds for kidney patients, provide free dialysis sessions, and donate medical equipment to renal departments in hospitals.

    “Over the years, we have bought wheelchairs, dialysis needles, erythropoietin injections and other essential medical supplies. We’ve also organized essay competitions on kidney health among secondary schools in Edo State, offering prizes to winners to encourage awareness among the younger generation,” she notes.

    ESO described kidney disease as a “silent killer,” emphasizing that many people overlook early symptoms. She urges the public to pay close attention to warning signs, including: High blood pressure and uncontrolled blood sugar levels, reduced urine output or changes in urine color and foaminess, swollen feet, persistent fatigue, and difficulty breathing and frequent dehydration and excessive water retention

    “These signs should never be ignored. People need to be proactive about their kidney health before it reaches an irreversible stage,” she warns.

    Government’s Role: More Needs to Be Done

    While she acknowledged  the efforts of NGOs in supporting kidney patients, ESO criticizes the lack of government support for kidney disease warriors and survivors.

    “When I returned from India after my transplant, there was no structured support system for survivors. Post-transplant care is just as critical as the surgery itself. Patients require lifelong medication, regular checkups abroad, and emotional and financial support to reintegrate into society. Unfortunately, Nigeria lacks these essential frameworks,” she laments.

    She called for comprehensive policies that include financial aid, post-transplant care, and psychological support for kidney patients and survivors. “The government needs to recognize kidney disease as a major public health issue and allocate resources accordingly. Every life is valuable, and no one should have to beg to stay alive.”

    A Message of Hope

    Despite the challenges, ESO remains hopeful. Through her foundation, she continues to advocate for early detection and better healthcare policies while supporting those in need.

    “I am proof that survival is possible. With early detection, proper medical care, and a strong support system, many lives can be saved. My mission is to ensure that no kidney patient in Nigeria feels alone in their fight,” she said with determination.

  • Women artists tackle inequality at IWD

    Women artists tackle inequality at IWD

    As the world commemorated the 2025 International Women’s Day (IWD) last Saturday, women artists, under the aegis of the Female Artists Association of Nigeria (FEAAN), are advocating for better lives for women and girls.

    They made the call while marking the IWD with an art exhibition organized by   FEAAN), in collaboration with Nike Art Gallery. Themed: For All Women and Girls: Right, Equality, Empowerment which held on March 7 to 9 at the Nike Art Gallery Abuja. The yearly art show, which featured a variety of artworks by 36 artists, explored different mediums and subject matter to produce exclusive art pieces to mark the day.

    While kicking against the inequality in the sector, they noted that women in the arts are largely under-representation in Nigeria’s contemporary art community. The art sector, according to Co-Founder/Coordinator FEAAN, CEO/Pet Art Gallery, Dr. Ngozi Rosemary Akande, is rich with talented women; however, there is need for increased support for the womenfolk.

    The IWD is dedicated by the United Nation to celebrate women’s right all over the globe with the affirmative actions for equality, power and opportunities for all and a feminist future where no one is left behind. This year’s celebration is unique, because it marks the 30 years anniversary of the 1995 Beijing convention.

    For the women artists, it was double celebration. Founded over 20 years ago, the artists were celebrating two decades of dedicated celebrations for support and promote women artists and their works, according to Dr. Akande, who curated the exhibition.

    Since its inception, FEAAN has grown significantly, now boasting over 200 members across Nigeria and beyond. The association, which initially comprised solely of Nigerian artists, she said, has expanded to include international members, such as Pakistani and Indian female artists, who actively participate in exhibitions.

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    “The works on display produced by over 30 women across Nigeria, represents what FEAAN stands for, from the North to the East and to the South, we came together to create friendship, unity and empowerment to tackle social challenges that women face every day. From the works of Talatu, titled, “Crown Her no 7”, that explores the faith and empowerment of the women in Northern Nigeria with her aesthetic representation of forms and design using various media, to Chinwendu’s work titled “My Strength Source” explores the inner strength of a Nigerian woman, using lines to create forms in contrasting colours of black, white and brown, and Adedoyin’s work with the titled, “If Eyes Could Speak 11” who explores the drip and embroidery technique. The painting depicts a young girl in a pensive mode using acrylic on textured canvas. Her use of green, white, pink, and yellow ochre on a black background creates good harmony,” said Akande who inaugurated the new FEAAN president, Maryam Maigida.”

    For the Southwest Coordinator and Vice President of FEAAN, Mrs Chinyere Ibenye,   the association’s primary goal is to empower and encourage young, upcoming female artists by providing them with a platform to showcase their talents. “We want to give them a voice and an opportunity to shine,” she said.

    It featured the works of Adedoyin Adelani, Adiwu Alatu Onkala, Agu Pamela, Aisha Idrisu, Akande Ngozi Resemary, Annastasia Micheal, Bamikole Adeola Blessing, Chidera Confidence Uzoma, Chinwendu Silas, Chinyere Comfort Ejimaja, Vivian Ajodo, Ekene May, Eucharia S.A. Mbashall, Fatima Giwa, Fatima Masaya, Funmibi lyanda, Hafsah Mujeli, Judith Yahaya, Julieth Chinasa Vite and Katurag Chinyio. Others are Khadijah Adeboye, Lillian Chizoba Pilaku, Maryam Maigida, Miracle Ome, Naomi Oyeniyi, Nelly Idagba, Regina Patrick, Sadiq Abimbola Rukayat, Sinda Kwairanga and Zainab Magaji.

  • Diageo names Abolade, Anajemba as directors for West & Central Africa

    Diageo names Abolade, Anajemba as directors for West & Central Africa

    Diageo has announced the appointments of Tajudeen Abolade as Finance Director and Izuchukwu John Anajemba as Business Effectiveness Director for West & Central Africa. 

    These strategic leadership changes reflect the company’s commitment to financial excellence, operational efficiency, and market expansion in the region.

    With Nigeria being a key market, these appointments signal a strong focus on governance, cost optimisation, sales execution, and business transformation to drive long-term success.

    Abolade will focus on optimising financial performance, governance, and cost management, while Anajemba will drive sales execution, distributor capabilities, and commercial effectiveness. Their expertise positions Diageo for sustained growth and resilience in a key market.

    With over 20 years of experience in finance, budgeting, cost management, tax planning, and financial analysis, Abolade has built a strong reputation as a results-driven leader. He is recognized for his ability to enhance operational efficiency, mitigate financial risks, and drive cost-saving initiatives, ensuring sustainable growth and profitability.

    Before stepping into his current role, Abolade served as Finance Director at Guinness Nigeria Plc, where he delivered £76 million in productivity savings over three years.

    Besides, he led the reduction of Slow-Moving and Obsolete Stock (SLOBS) by over 90%, improving inventory efficiency.

    He also optimised cost-to-serve processes, enabling margin enhancement and outperforming inflation and acted as Head of Commercial Finance during a critical transition period, ensuring stability and leadership continuity.

    As Finance Director, West & Central Africa, Abolade is responsible for leading Diageo’s financial strategy across the region by optimising financial planning and analysis to improve decision-making and profitability.

     He will also enhance governance and compliance frameworks to ensure strong financial controls and regulatory adherence.

    He is also expected to implement risk management strategies to drive sustainable financial performance thus strengthening cost and performance management systems to enhance business efficiency and market resilience.

    With a broad industry expertise and capability building, Abolade brings a wealth of experience from supply chain finance, treasury operations, and commercial decision support.

    His leadership has been instrumental in driving SAP system integration for enhanced inventory and accounting processes.

    Beyond financial management, Abolade is passionate about mentoring future finance leaders and fostering a high-performance culture. He has successfully led capability-building initiatives, ensuring that Diageo’s finance teams are equipped with cutting-edge analytical and strategic skills to support business growth.

    Upbeat about his appointment, Abolade says he thrilled to step into the role of Finance Director for West & Central Africa at Diageo. “My priority is to drive financial excellence, optimize cost structures, and implement world-class governance frameworks that align with our long-term business objectives. I look forward to collaborating with our exceptional teams to strengthen Diageo’s market leadership in the region.”

    With Abolade’s expertise in financial planning, risk management, and business transformation, Diageo is poised for a new chapter of financial resilience, operational efficiency, and strategic expansion across West & Central Africa.

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    On his part, Anajemba, also steps in as Business Effectiveness Director for West and Central Africa, reinforcing the company’s commitment to operational excellence, innovation, and market share growth. His appointment, effective October 2024, highlights Diageo’s strategic focus on optimizing sales execution, enhancing distributor capabilities, and transforming our route-to-market to drive commercial success.

    With a proven track record in commercial excellence combined with over 13 years of experience in sales strategy, commercial operations, retail execution excellence, and distributor management, Anajemba has built a reputation as a transformational leader within Diageo.

    In his previous role as Head of Sales Operations & EDGE execution lead in Guinness Nigeria, he played a pivotal role in leading the commercial digitisation journey which resulted in the automation of some key business processes which attracted global and regional recognitions.

    He led EDGE DMS & Diageo One embedment in Nigeria which unlocked a record NSV of $327 million in F24, reducing distributor’s cost-to-serve by 10% and driving increased efficiency across the commercial landscape.

    Passionate about execution, Izu as he is fondly called, has led multiple projects within Guinness Nigeria notably The “Fantastic Four” empties return drive which resulted in significant RTI improvement for the business and supported business continuity.

    He also drove automation of commercial fleet management via the deployment of a Fleet Management System. This provided visibility into vehicle repairs cost, fuel usage, tire replacements & paper renewals all at a glance, delivering a 25% productivity savings to Guinness Nigeria.

     Led Brightmile deployment and embedding in market which delivered NGN350m on insurance cost avoidance with an additional USD33.1k cost savings on vehicle maintenance.

    As Business Effectiveness Director, Izuchukwu is tasked with delivering market share growth, enhanced sales execution, and efficiency improvements for Diageo’s field sales teams. His leadership will focus on optimising Route-to-Consumer Strategies to ensure competitive market positioning and execution excellence.

    Besides, he is expected to drive the EDGE365 transformation to enhance retail performance and streamline operations, as well as embed high-performance sales culture, ensuring that the sales organisation operates with precision and discipline.

    He is also required to strengthen distributor and partner capabilities, building a world-class commercial capability roadmap.

    Diageo’s West and Central Africa region, with Nigeria as its largest market, represents a significant growth frontier for the business. Anajemba’s strategic vision and execution expertise will be instrumental in advancing Diageo’s leadership position in the region, leveraging technology and process excellence to unlock new growth opportunities.

    An advocate for talent development and high-performance culture, he has mentored and coached top commercial talents, fostering a diverse and inclusive work environment. His leadership philosophy is deeply rooted in data-driven decision-making, commercial transformation, and value creation, ensuring sustainable business success.

    Speaking on his new role, Anajemba stated matter-of-factly: “I am honored to lead the Business Effectiveness agenda for Diageo West and Central Africa. This is an exciting time for our business, and I am committed to driving execution excellence, innovation, and operational efficiency that will propel our brands and teams to new heights. Together, we will build a commercial organisation that is future-fit and primed for sustained growth.”

    As the beverage industry in Nigeria and the region continues to evolve, Anajemba’s expertise in sales execution, digital transformation, and commercial efficiency will be key in Diageo’s growth strategy. His leadership will undoubtedly strengthen the company’s presence, ensuring that Diageo remains at the forefront of Nigeria’s dynamic spirits market.

    With Abolade driving financial strategy and Anajemba leading business effectiveness, Diageo is set for a transformative phase in West and Central Africa. Their combined expertise will enhance financial resilience, operational efficiency, and market leadership, ensuring the company’s continued dominance in the region’s beverage industry.

  • The evolution of Nigerian media: A deep dive into New Telegraph Newspaper

    The evolution of Nigerian media: A deep dive into New Telegraph Newspaper

    In today’s digital age, the media landscape is constantly evolving. With the rise of social media platforms and online news outlets, traditional newspapers face increasing competition. However, amidst this shift, publications like New Telegraph  have successfully navigated the changing tides, maintaining their position as a trusted source of news and information for millions of readers in Nigeria and beyond.

    The Legacy of New Telegraph

    Founded in 2014, New Telegraph has a long-standing history of delivering quality journalism to its audience. Over the years, it has built a reputation for providing in-depth coverage of a wide range of topics, including politics, business, entertainment, health, and sports. The newspaper has consistently been at the forefront of reporting on national and international issues, offering readers a comprehensive perspective on the events shaping Nigeria.

    As one of Nigeria’s leading newspapers, New Telegraph has always aimed to inform, educate, and entertain its audience. Its editorial team works tirelessly to ensure that each article upholds the standards of accuracy, integrity, and fairness.

    Bridging the Gap: Traditional Media Meets Digital

    With the rise of online news consumption, New Telegraph has adapted to the times by expanding its digital presence. The newspaper’s website offers readers easy access to breaking news, opinion pieces, and detailed analyses on key issues. Whether you’re at home, in the office, or on the go, New Telegraph ensures you’re never far from the latest updates.

    By embracing digital tools and platforms, New Telegraph has successfully engaged a younger, tech-savvy audience while maintaining its loyal base of print readers. This seamless integration of print and digital media has allowed the newspaper to stay relevant in a fast-paced media environment.

    By embracing digital tools and platforms, New Telegraph has successfully engaged a younger, tech-savvy audience while maintaining its loyal base of print readers. This seamless integration of print and digital media has allowed the newspaper to stay relevant in a fast-paced media environment.

    What Makes New Telegraph Stand Out?

    One of the standout features of New Telegraph is its commitment to providing well-rounded, fact-based news. The newspaper’s coverage spans a variety of topics that are often overlooked by other media outlets, giving its readers a richer and more diverse perspective on the news.

    In particular, New Telegraph is known for its detailed political reporting. The newspaper keeps readers informed on local and international political events, offering critical insights and analysis on the actions and policies of government officials, lawmakers, and other political figures.

    The newspaper also places a strong emphasis on business and economic news. In a country like Nigeria, where economic challenges and opportunities are constantly evolving, having a reliable source of information on the latest business trends and market dynamics is invaluable. New Telegraph’s business section helps readers stay informed and make educated decisions in an ever-changing economic landscape.

    Staying Ahead of the Curve

    As Nigeria continues to develop and face new challenges, New Telegraph remains dedicated to informing the public, ensuring its readers are well-prepared to navigate the complexities of modern life. Whether it’s covering the latest in entertainment, sports, or global events, New Telegraph remains a reliable source of information in an increasingly noisy world.

    For those interested in staying up to date on the latest news and developments, check out their website at New Telegraph Newspaper.

  • Lagos begins reconstruction of Oregun theatre 

    Lagos begins reconstruction of Oregun theatre 

    The Lagos state government has commenced the reconstruction of the Oregun Theatre, reaffirming its commitment to fostering youth development and boosting the creative industry through strategic investments in tourism and entertainment infrastructure. 

    Speaking at the groundbreaking ceremony on Monday, Commissioner for Tourism, Arts and Culture, Toke Benson-Awoyinka emphasised the government’s dedication to creating accessible creative spaces for young innovators. 

    She noted that the state’s youth demographic accounts for an estimated 60 to 70 per cent of the population, necessitating projects that cater to their unconventional thinking and artistic potential. 

    “We have seen that the creative industry is where our youths are currently centred. This project, which will house a theatre, cinema, and other amenities, will provide a multi-functional creative hub for the Ikeja community and alleviate congestion in nearby commercial hubs, particularly during festive seasons,” 

    Benson-Awoyinka highlighted past challenges, including the vandalism of the previous structure during the EndSARS protests in October 2020, and assured the public that the new theatre would be an upgrade from its predecessor. 

    Read Also: Bamboo Theatre debuts with theatre show

    She further pledged that the Oregun Theatre would be completed before the end of the current administration.

    In addition to the Oregun project, the commissioner disclosed that the state government plans to replicate similar theatres in Ikorodu, complementing existing facilities in Epe, Badagry, and Igando. 

    Expressing appreciation for the project, Permanent Secretary of the Ministry of Transportation, Wale Musa, represented by Deputy Director, Babatunde Yakub, acknowledged the significance of the reconstruction effort. 

    “It is quite funny that when the place got burnt, we thought we wouldn’t get something like that again, but what we are having now is even adding value to what was destroyed,” he remarked.

  • IWD: Reveal Communications celebrates Johnson, Ogbe, Etim-Effiong, three women shaping PR industry

    IWD: Reveal Communications celebrates Johnson, Ogbe, Etim-Effiong, three women shaping PR industry

    In celebration of International Women’s Day, Reveal Communications recognizes the remarkable women driving innovation and excellence in Public Relations and Communications. These trailblazers are not only shaping narratives but also elevating brands, fostering industry growth, and inspiring the next generation.

    Today, we shine a spotlight on three outstanding women whose contributions continue to redefine PR and media strategy in Nigeria and beyond.

    Omawumi Ogbe – Award-Winning PR Leader and Reputation Manager

    A force in Public Relations and Corporate Communications, Omawumi Ogbe is the Managing Partner of GLG Communications, one of Nigeria’s top PR and reputation management firms. Under her leadership, the firm has earned multiple awards, including the Best Innovation in PR at the 2022 LaPRIGA Awards.

    With a postgraduate degree in Media and Communication from Pan-Atlantic University, Omawumi’s expertise spans brand strategy, media relations, and leadership training. Her impact extends beyond PR—she is the first female president of the Life Coaches Association of Nigeria (LCAN) and has received numerous accolades, including the 2023 Outstanding PR Personality of the Year by Marketing Edge.

    Through her work, Omawumi continues to elevate brand perception, corporate storytelling, and personal development, making her a standout figure in PR.

    Ifeoluwa Oluwatosin Johnson – Strategic Storyteller and Media Expert

    With a career that spans Arise News and Souq News, Ifeoluwa Oluwatosin Johnson has made her mark as a leader in media relations, strategic communication, and content production. Her expertise in high-profile productions, audience engagement, and digital storytelling has helped brands and organizations connect with their audiences in meaningful ways.

    As the founder of RJM Company, Ifeoluwa continues to craft compelling narratives and execute strategic communication plans, ensuring her clients maintain a strong presence in the ever-evolving media landscape. Her dedication to advocacy, brand positioning, and PR excellence makes her a key player in the industry.

    Toyosi Etim-Effiong – Media Entrepreneur and Talent Strategist

    A visionary in media entrepreneurship and talent representation, Toyosi Etim-Effiong is the founder of That Good Media, a company that bridges Nollywood and the global film industry, ensuring Nigerian creatives receive global recognition and equitable opportunities.

    With a background in Economics (Bowen University), Economic Development (University of Nottingham), and Broadcast Journalism & Producing (New York Film Academy), Toyosi combines business strategy with creative storytelling. Her company has facilitated multi-million-naira deals for talents, expanding Nollywood’s reach to international markets.

    Beyond her work in media strategy, Toyosi is passionate about women empowerment and mentorship. She has served as an FCMB SheVentures Mentor and played a key role on the board of the Green Girl Company, organizers of the Raising Girls Summit and Miss Nigeria pageant.

    Reveal Communications Honors Women in PR

    At Reveal Communications, we celebrate women breaking barriers, shaping industries, and leading innovation in PR, media, and communications. These three incredible women—Ifeoluwa Oluwatosin Johnson, Omawumi Ogbe, and Toyosi Etim-Effiong—embody excellence, resilience, and leadership, inspiring others to pursue greatness in the world of public relations.

    On this International Women’s Day, we applaud their achievements and the contributions of countless women driving change in PR and beyond. Here’s to more women leading, thriving, and transforming the industry!