Category: Arts & Life

  • A lust over love

    Title: Lust in storms

    Author: Ena’ Rose Igbuwe

    Number of pages: 340

    Publishers: D. Dewdrops

    Year of publication: 2010

    Reviewer: Joe Agbro Jr.

    Growing up as a child can be fun and sheltered for many girls, but as the teenage years approach, some realities set in. But the realities detailed in Lust In Storms, a novel written by Ena’ Rose Igbuwe, are peculiar to quite a number of girls; however in varying degrees.

    For Lillian, the protagonist in the book, despite having good grades from secondary school, finance was a barrier to furthering her education. Finding herself with a docile mum, and an ogling step-father, Lagos offered better prospects than her dreary hometown in Edo State. It was an opportunity which she would grab but which would not be as smooth as envisaged.

    With no one to cater for her in Lagos upon arrival, Lillian found solace in a church. And the kind-hearted pastor seconded her to live with Mercy, a sister who worshipped in the church. Ensconced in Mercy’s one-room apartment in the Ebutte-Metta part of the state, Lillian began her foray in Lagos.

    Being a beautiful girl, Lillian attracted male attention. But while she resisted much, a young man, Yemi, despite Mercy’s disapproval, eventually captured her heart. And it started by Yemi’s offer of a job. But, Mercy’s advice was, ‘You are a Christian and he (Yemi) is not. In Bible language, you are light and he is darkness.” But young Lillian was already in love. And her boss seemed to reciprocate this love.

    And spending much time with Yemi reduced Lillian’s commitment to church activities, a situation which did not please Mercy or her pastor very much. But, not too long after this, news of Lillian’s mother’s ill health would destabilise her. However, Yemi came to her rescue with money for the treatment. Armed with money to treat her mother, she went home to her village where she met with an admixture welcome. While some praised her for caring for her mother, others sniggered on how she could only have been prostituting to come by such money. But apart from her mother’s illness, the disappearance of Steve, her brother, also worried her.

    However, feeling grateful for Yemi’s assistance, Lillian easily succumbed to him on her return from the village and they made love, against her better judgment. Another chapter also opened whereby she moved out of Mercy’s one-room apartment to one rented by Yemi for her. After a series of trysts, she discovered Yemi had a wife and daughter in Europe. She also discovered she was pregnant. And while a sad Lillian was morose on breaking the news to Yemi, Yemi, on the other hand was ecstatic and immediately asked to marry her. He travelled with Lillian home to begin the rites.

    But the troubles began – Yemi’s friend, Kola, wanted to harm her. And only a chance meeting with Steve, her brother, saved her. Brother and sister and husband by a stroke of fate, each suffering, were however destined to meet again, but in a hospital.

    While Igbuwe’s tale is peculiarly Nigerian, it nevertheless focuses on some of the travails which might befall the girl-child. In the course of living, the sexual innuendoes thrown at females are a reality. And for those that reject such overtures, the journey to success could be made harder. And in the course of the book, the author also played up the need for Christian virtues.

  • A lust over love

    A lust over love

    Growing up as a child can be fun and sheltered for many girls, but as the teenage years approach, some realities set in. But the realities detailed in Lust In Storms, a novel written by Ena’ Rose Igbuwe, are peculiar to quite a number of girls; however in varying degrees.

    For Lillian, the protagonist in the book, despite having good grades from secondary school, finance was a barrier to furthering her education. Finding herself with a docile mum, and an ogling step-father, Lagos offered better prospects than her dreary hometown in Edo State. It was an opportunity which she would grab but which would not be as smooth as envisaged.

    With no one to cater for her in Lagos upon arrival, Lillian found solace in a church. And the kind-hearted pastor seconded her to live with Mercy, a sister who worshipped in the church. Ensconced in Mercy’s one-room apartment in the Ebutte-Metta part of the state, Lillian began her foray in Lagos.

    Being a beautiful girl, Lillian attracted male attention. But while she resisted much, a young man, Yemi, despite Mercy’s disapproval, eventually captured her heart. And it started by Yemi’s offer of a job. But, Mercy’s advice was, ‘You are a Christian and he (Yemi) is not. In Bible language, you are light and he is darkness.” But young Lillian was already in love. And her boss seemed to reciprocate this love.

    And spending much time with Yemi reduced Lillian’s commitment to church activities, a situation which did not please Mercy or her pastor very much. But, not too long after this, news of Lillian’s mother’s ill health would destabilise her. However, Yemi came to her rescue with money for the treatment. Armed with money to treat her mother, she went home to her village where she met with an admixture welcome. While some praised her for caring for her mother, others sniggered on how she could only have been prostituting to come by such money. But apart from her mother’s illness, the disappearance of Steve, her brother, also worried her.

    However, feeling grateful for Yemi’s assistance, Lillian easily succumbed to him on her return from the village and they made love, against her better judgment. Another chapter also opened whereby she moved out of Mercy’s one-room apartment to one rented by Yemi for her. After a series of trysts, she discovered Yemi had a wife and daughter in Europe. She also discovered she was pregnant. And while a sad Lillian was morose on breaking the news to Yemi, Yemi, on the other hand was ecstatic and immediately asked to marry her. He travelled with Lillian home to begin the rites.

    But the troubles began – Yemi’s friend, Kola, wanted to harm her. And only a chance meeting with Steve, her brother, saved her. Brother and sister and husband by a stroke of fate, each suffering, were however destined to meet again, but in a hospital.

    While Igbuwe’s tale is peculiarly Nigerian, it nevertheless focuses on some of the travails which might befall the girl-child. In the course of living, the sexual innuendoes thrown at females are a reality. And for those that reject such overtures, the journey to success could be made harder. And in the course of the book, the author also played up the need for Christian virtues.

  • Igbangaladi: A director’s play

    Igbangaladi: A director’s play

    Author: Femi Onileagbon
    Title: Igbangaladi – the enemy within
    Publishers:Onileagbon Sight and Sound, Lagos.
    Year of Publication: 2012
    Reviewer: Edozie Udeze

    Three children, ages ranging from six to twelve, are at the centre of the stage, playing a game of who is in the garden. A few feet away sit three men playing a game of ayo. At stage left are three women. The eldest of them plaits the hair of the youngest while the other one chats animatedly.

    “As the various groups engage in their activities, two elderly men come on stage. They are accompanied by three health workers. Seeing the elderly men, the young men leave their game and rush to greet the two men. The little ones however hang back, apparently frightened by the white overalls worn by the health workers.

    The first elderly man charms them with sweets and soon they are busy running around the stage. The second man, Baba Ibeji, introduced the health workers and tells the people of their mission. This creates uproar as the family members are not willing to accept the health workers. They move to stage left. The health workers remain on stage right while the elderly men are in the middle. Then Baba Ibeji tries to appeal to his family.”

    This is the dramatic personification of Igbangaladi – the enemy within, a play written by Femi Onileagbon, dissecting the face–off between villagers and health workers sent by government to go either to inoculate or teach people how to live healthy lives. It is interesting that the playwright could invent all sorts of arguments on both sides to give the play a kind of phenomenonal intricacy that can be strangely dramatised on stage. The head and leader of the villagers found himself in a difficult position to convince the people to yield to the health workers.

    “You see,” the elder informed them in a fatherly sequence: “They are not here to give you injection. They are here for a different reason, a different task,” he tried to remonstrate with them. The health workers are not always around to give injections. At times they go out to educate the populace on certain salient issues concerning their health.

    But Taiye, another strange character in the play, did not want to hear that. He queried Baba Ibeji thus, “Baba mi, we are tired of all these troubles. We do not care to know why they are here. Let them just go. Today injection, tomorrow vaccination, next tomorrow immunisation. Even next tomorrow, inoculation. Who knows may be next next tomorrow, they will bring eradication.”

    The argument went on for a long time to situate the scenes in their proper perspectives. But interestingly, the playwright was able to add drama to the sequences in such a way that you can feel the scenes as you read along. The playwright understands that the main gravity of a play lies in its ability to generate actions both in your mind when you read it or on stage when it is dramatised.

    The central theme is the irony of Nigeria where inoculations are wrongly done or where it is conceived for ulterior political motive. This driving force in Igbangaladi, a play hinged on the socio-political tendencies of a nation and its teeming people, is what the playwright has been able to do.

    From there, it gradually moved to the story of two set of people who were sworn enemies within the context of Nigeria. People pleaded for there to be peace. But even then that seemed to be the peace of the grave yard. How could this be?

    Too many characters came to contribute to this peace. However, the more the people the more diverse and complicated the situation became. The playwright employed the wisdom of a village leader to resolve the issue in order to save the people from anarchy. But then has anarchy been really prevented? This is the personification of Nigeria, a place where ceaseless squabbles keep people at daggers drawn. It is the irony of a society, with many strange and incurable diseases which set brother against brother, and sister against sister.

    More often, ignorance of what to expect or what to believe stunt people’s intellectual input in the matter. The health workers were prepared to help, but the already formed opinion by the people disturbed whatever role they needed to play.

    In the end wisdom prevailed. Kehinde, one of the characters said, “I will help too. I think I will like to work with you as a test person and help to educate people on HIVand AIDS. Then the lights go off, but it is now apparent that the public has more information concerning the HIV and AIDS and lots more.

    It is the playwright’s ability to bring drama into this that makes it worthwhile. There is drama right from the beginning to the end. However, it is still a director’s play.

  • Weird world of ‘Jewish’ Nigerians

    Weird world of ‘Jewish’ Nigerians

    They keep the Sabbath and the Torah (Law) and live their lives by the strict code of Jewish religious rituals. Their synagogues are scattered around Lagos metropolis.  Seun Akioye joined them to celebrate the feast of Shavuot (Pentecost) and reports on the peculiarities of their religion.

    Wilton House on Apapa Road, Ebuta Metta, like the other houses in the neighbourhood does not call attention to itself. A three- storey building, the first floor serves as residence while the middle floor houses the “Star Clinic” which is owned by the person living on the last floor.

    On May 19, 2013, the inhabitants of the upper floor began preparations for a very important event. The living room has been rearranged to cater for the extra chairs which had been ordered. A worship song played quietly in the background. Adeolu Olusodo, a medical doctor and owner of Star Clinic, made last minute preparations before the beginning of the service. It was the feast of Shavuot, a Jewish religious festival which is sometimes called the Feast of Pentecost.

    At 10:30 am, Olusodo called the worshippers, comprising mainly his family members to worship. A prayer was said and the worship began with songs of praises. It was mainly Christian songs but the parts where Jesus or Lord appears, the word ‘Yahweh’ has been cleverly inserted in a way that the song despite the minor surgery still made perfect melody. Then there was a chant and some Bible readings and then more chants. Olusodo acting as the ‘Pastor’ led the order of proceedings and explained from the Bible the importance of Shavuot.

    Call them Jews or better still ‘Nigerian Israelites’ and you will be in perfect order. Not many Nigerians have heard of this peculiar set of people who have wholly accepted the religion and ways of life of the Israelites. Their religion is called ‘Nazarenes Israel faith’. It is a combination of the original Judaism and some Christian beliefs.

    For instance, while the Jews do not believe Jesus is the Messiah, the Nazarenes believe that He is and accepting His spirit leads to salvation. The Nazarenes therefore practise Judaism in its purest form but also believe in Jesus as saviour, a situation which puts them at cross roads with the Jews. But the Nazarenes claimed their religion was the one practised by the early apostles of Jesus.

    As the service progressed, many more worshippers came in. The first part of the Shavuot festival took two hours to perform. At the end, there was the ‘waving of the loaf’. Two loafs of bread laid on the table and Olusodo took one, made some recitations and waved it in the air. Chants over, he took the second and performed the same ritual. Then he announced that the second part of the Shavuot would be in-depth Bible study. The gathering moved to another room where tables have been set in a classroom manner. Olusodo took his seat and began to explain the doctrines of the faith.

    Origin in Nigeria

    Globally, the Nazarenes are still largely overshadowed by those who practice Judaism and in Israel they remain the neglected minority. The origin of the faith in Nigeria is still a subject of speculation. There are said to be more than 40 synagogues in Nigeria, the majority of which are located in the East. There is a myth that the Igbo are Ethiopian Jews and this belief made the Jewish faith attractive to many people. But according to the sect, the foundation of the Nazarenes was laid by an Israeli Rabbi in Idimu, a Lagos suburb. Rabbi Yoana was said to have preached the gospel of “Yahweh and Yeshua” to a certain brother Alade in 1985. The new convert, who became the first Rabbi, went about converting others to the new faith. Today, the sect is said to have more than 1,000 members in Lagos alone.

    Olusodo is one of the prominent practitioners of the Nazarene faith. Until 2010, he was an ordained Anglican priest following a family tradition of strict Anglican faith. In his Apapa Road neighbourhood, he is known as a philanthropist. His Star Clinic offers free services to the indigent in the area and he has helped provide social amenities to various slums and public schools in Ebute Metta.

    On Saturdays, Olusodo observes the Shabbat in its purest form as he only attends to emergency cases in his clinic. Since his conversion, he has immersed himself in the teaching and learning of the Nazarenes making him one of the most knowledgeable Nazarenes in Nigeria. His physical appearance has changed too. He now wears his beard heavy, does not cut his hair and most of the times he wears a Jewish skull cap, almost permanently.

    Olusodo calls his conversion a matter of “going higher”, a kind of shifting of grounds. He believes the Spirit of the Messiah has guided him to the true faith. Some of the theories he propounds are in sharp contrast to the Christian faith. “It started when I was doing a study on marriage and found that polygamy is biblical. In fact, it was present in the days of the Messiah but there was no record of a condemnation of the practice. I later found that it was in the 4th century the Church made it a sin.

    “So I researched the Church and found that the dominant Roman Church wasn’t that led by the Apostles in the first century. From one new truth to another, it became clear that there had been a falling away from the truth by the church. I had to search for the true faith handed to the saints once and for all,” Olusodo said.

    Since then he has not looked back, according to him. He immersed himself in his new faith and became one of its leading spokespersons. He also took a second wife in accordance with the practice of the faith.

    Doctrine

    The Nazarenes follow a complex set of religious rituals which emanated from the Torah. The base of their religion is found in the laws in the biblical books of Genesis to Deuteronomy. To them, the law is the ultimate. Here, they come in conflict with Christianity which believes the laws of Moses have been nailed to the cross by Jesus Christ.

    Olusodo said Jesus has not abolished any law but walked the Torah through. Grace, which many Pentecostals hide under, cannot replace the Torah. The Nazarenes believe the knowledge of the law brings sin so if we sin it means we have erred against the Law (Torah). This is a simple logic difficult to fault. And Olusodo is a compelling speaker, he explained the scriptures in a way that would leave many Pentecostal pastors envious, moving through his iPad and Bible to show the Torah is still valid today. He used real imagery to convey his message sending his audience into a trance. He insisted the Torah was not the Law of Moses but that of Yahweh and backed it up using historical and apocryphal references. Quoting from the Bible he said, “In Ephesians 2-14, what Jesus removed was not the Torah but the portion serving as barrier for Gentiles from coming to Yahweh. People only take what appeals to them like the tithes and dressing and the rest they claim have been nailed to the cross,” he said.

    Another area of disagreement with Christianity is the use of names. The Nazarenes frown at the use of Lord and God which is the favoured name for Pentecostals in reference to the Almighty. “We use the sacred names, the names God and Lord are titles. The word Lord found mostly in the New Testament is translated master, the proper name is Yahweh and Yeshua for Jesus,” Olusodo also argued.

    Perhaps the greatest point of disagreement is on the issue of polygamy which the Nazarenes believe is Biblical. Many of the adherents of the faith are practising polygamists, including Olusodo. “The stance of the Church that polygamy is a sin is not premised on what the scripture says. This was confirmed by Augustine who is one of the church fathers in the 4th century. He said the church forbid polygamy not because it is against the Bible but because the law of the land did not permit it. Also, Martin Luther stated that polygamy is biblical during the reformation years,” he said.

    The Nazarene believes most of the current Christian doctrines were inserted by the Romans to suit their peculiar situation after Christianity was declared the official religion of the Roman Empire. These additions are what they are determined to route out and practised the faith like Yahweh instructed in the Torah. The overall faith of the Nazarenes is based on the following: Believe in the oneness of Yahweh, the messiah ship of Yeshua and the validity of the Torah.

    Enter Rabbi Ogunjobi

    As Olusodo continued to espouse on the scriptures to his audience, Rabbi David Ogunjobi made a grand entry with his entourage consisting of two women and a man. Ogunjobi’s entrance drew unusual attention from the worshippers. He was a man of about 50 years and has been converted by Rabbi Alade in 1985 from the Christ Apostolic Church. He wore a yellow gown and hid his enormous dreadlocks under a big yellow cap, which had some Hebrew inscriptions at the front. His bushy beard has hidden his tribal marks and his moustache had formed a forest of hair round the rings of his mouth.

    Olusodo halted the service to introduce the Rabbi who pastors the Har Bayth Yahweh Heychal synagogue in Kirikiri town. Everyone acknowledged this great man of Yahweh, wisdom seemed to ooze through his beards. Ogunjobi is an uncommon Rabbi, though he has never been to Israel, he speaks Hebrew fluently. As Olusodo read from the English Bible, he corroborated it with his Hebrew Torah. “I have never been to Israel, but Yahweh says in Psalm 32:8 (quoting in Hebrew) I will instruct you and teach you the way you should go. So Yahweh has been teaching me the language. I got to know that the Hebrew alphabets have a lot in common with Yoruba,” Ogunjobi said.

    His interpretation of the faith differs a little from Olusodo’s. “I practice pure Judaism,” he said. Therefore his belief in Yeshua is a little different too. Ogunjobi views Yeshua as the prophet in whom there was the anointing.

    “What people call Messiah is the power of the anointing. Yeshua is also one of the anointed ones. I do not believe in the New Testament like people do. It is a historical book that is why we have differences in the gospels. The Romans have twisted the New Testament, not allowing the people see the original writings about Yeshua. For instance the resurrection was not from Friday to Sunday. He said three days and three nights, that is not Friday to Sunday. There are so many controversial points. But as a Jew, we know better. We don’t deny He is Messiah, because He has the anointing,” he said.

    Surprisingly, Ogunjobi has just one wife but he is not stopping there. “According to the laws of Jew, there is no limit to the wives you can have, I have one now but as Yahweh lives I will still have seven more wives. Abraham married Keturrah and he had children in old age.”

    Keeping the Torah in Nigeria

    None of the leaders of the Nazarene faith fooled themselves into thinking keeping the Torah would be a walk over in Nigeria. Olusodo acknowledges this fact. Though as a business owner, he has tried his best to keep to it, there are difficulties with some of the animal rituals. A large section of the Shavuot rituals was left out due to logistics. But Ogunjobi has found a way around this ‘little detail’. “It is very easy, to bring the sacrifice in the knowledge of Yahweh, the sacrifice Yahweh does not want but a contrite heart, He is not interested in the eating of the meat, but you can bring freewill burnt offering when you sin,” he said.

    Being a Nazarene in a country like Nigeria has its limitations. Ogunjobi alluded that he has been called several names and mocked because of his faith. “There is no name they have not called me and that is how it should be; the book of Deuteronomy 28:10 says it. The Torah has to be fulfilled. If you call us occult yes, we are occult people; occult means something that is not normal. We have to know what we are.”

    Ogunjobi has not cut his beard in 10 years. “Sometimes people run away from me when I am in a public transport. They think I am mad.” He is not alone, according to Olusodo: “The issue is not even the society but how family and close friends react. I can only say it takes time for people to accept you leaving one faith to another. Many are not even aware of this faith.”

    Another member who has paid dearly for his faith is Oladimeji Aluko-Olokun a gymnastic teacher at the Indian language school in Ilupeju. He was converted to the Nazarene faith in the late eighties through his mother and though has not achieved the height of the other Rabbis; he has kept to the doctrines faithfully.

    “I was ashamed to tell my friends about the faith. Later, I got to understand the faith; I accepted the name, the rules, the dressing and looks. It’s a gradual process. I believe I survived because I am called. I still learn every day, accepting all the tenets and instructions not been easy.”

    Socially, he has struggled with acceptance in the society. “When you are filling a form and they put religion such as Islam/Christianity, and I don’t belong to any of them. When you tell people about being an Israelite, they think you are mad, but I give glory to the Most High Father Yahweh. I feel shy sometimes, you are the only person. In my school I was singled out. Sometimes on Shabbat days I have to go to work, it’s a burden and I am crying within myself, if my faith had been socially accepted, I would be able to ask for certain things and speak out, I thank Yahweh for the Holy Spirit. When you wear your robes, people will run, but my character speaks for me and I try to explain to the people,” Aluko-Olokun said.

    The Shavuot drew a number of visitors to Wilton House. Most of them are orthodox Christians who have come to see the wonders of the ‘Nigerian Israelites’; others came for the feast while a Muslim said he came for more knowledge.

    After four hours the meeting ended and the feast began. But do not be deceived by the thought of the elaborate Jewish feasts as prescribed in the Torah, complete with large altar and a ram simmering over the fire while everyone would take their pick and fill. That is logically impossible in Nigeria. Olusodo apologised for the shortcomings, wine was served, rice and Moinmoin soon followed. And in the place of the burnt meat offering, Olusodo offered something close to it: Turkey.

    You think this is an anti-climax? Hmmm

  • Bulawayo: Stooping to conquer

    Bulawayo: Stooping to conquer

    Noviolet Bulawayo stunned the world when in 2011 her short story, entitled Hitting Budapest, won the Caine Prize for African writing.  That story had funny and strange characterisation that somewhat proved difficult to analyse or place properly within the context of an everyday story.Bulawayo has also made this year’s  longlist for the Booker Prize.  The title of her latest novel is We Need New Names, a captivating story of gangsters in her home country, Zimbabwe.  Edozie Udeze takes a closer look at her work and why she has devised her own imageries for proper effect and literary excellence

    We need new names.

    “The guava season is getting ready to end. So now, we prowl Budapest like we’re hunting animals. We carefully comb and comb the streets, eyes trained on the trees so hard our necks could strain. We don’t really talk about it but I know all of us are thinking of the end of the season, when Budapest will have nothing for us anymore, of the long boring months before the next season starts.

    “May be we should start hitting inside, Bastard says, speaking real slow and thoughtful-like. No, we’re not thugs, Godknows says, and almost claps for him for talking sense for a change. Yes, we are not those kind of people, Sbho says, his face all screwed up with seriousness.”

    With these simple, classical and captivating literary narration, Noviolet Bulawayo started her new novel entitled We Need New Names. The most striking thing, however, is that this young Zimbabwean has made the longlist for the fifty thousand pound – Booker Prize for literature for this year. The book as it opens does not sound her out as a new comer or an amateur writer but an emerging strong female voice from Africa. The stunning effects of her sashay literary acumen and punchy recourse to classical episodes in her life had opened her to the international arena – an arena where strong voices, able to recount sordid issues that touch humanity are better appreciated. Bulawayo has walked her way into that league where story telling is the norm.

    The most interesting aspect of this year’s Broker prize long list which was announced last week in England, is that Bulawayo is the first ever time novelist from Africa with her debut work to make the list. It is so amazing because her work has been singled out for commendation by the panel of judges. Hers is compelling, glimpsing back into time.

    Ella Wakatama described this work as one of the most powerful and resonate work of fiction to come out of Zimbabwe in recent years. Beyond that, and as a literary masterpiece, the book is a clear-eyed indictment of an anachronistic government whose policies, in the decades since independence, have left many of its citizens destitute.

    What makes Bulawayo a quintessential novelist is that her short story entitled Hitting Budapest won the Caine Short story for African writing in 2011. In reworking the story to fuse it into a longer fierce tale of a gang group in Zimbabwe, she was inventive enough to retain all the funny characters in Hitting Budapest. This is why we have such frightening and absurd names like Bastard, Chipo, Godknows, Sbho and Stina, all operating in down town shanty location called Paradise.

    What judges said.

    The judges made it clear that these characterizations alone could put a reader in such a wonderful suspenseful mood to want to go into the core values of the people. Booker is one literary prize that has not been easily won by Africans over the years.

    Founded in 1969 to cater for British, Irish and all Commonwealth citizens, it has been discovered that most often writers from Africa never went beyond the preliminary stage of the selection. Even though the late Professor Chinua Achebe and Nigeria’s London-based writer, Ben Okri, have won it before, most Nigerian writers are still far from reaching the top. This is why it is proper to see Bulawayo’s work as it really is – a celebration of African societies in a way that the world sees them as they really are; not mincing words or dislocating the scenes.

    Part of her narrative style shows two distinct voices. She begins it like a kid story-teller and a voyage into life. Gradually, she matures in her style, in her approach and make-up to zero into the world of gangsters who made life dangerous and unlivable for others. Hear her: “You’re filthy; do you think you can just come here and desecrate the place as you see fit? Do you know I can perform a citizen’s arrest on you right now and ferry your despicable personage to jail?”

    She breaks the statement to penetrate into the inner being of readers when she cautions again. “You really wish to see the inside of a cell, don’t you, big head? You are begging for it, huh? You want me to take you there? the guard says. Now, he is walking towards Bastard, motioning with his baton stick all menacing-like as if he is going to use it…”

    Bulawayo’s deliberate approach is to help the larger world perceive the people as they truly are. She has no pretences about her usage of expressions or the application of the norms of the people. The story is all – engrossing in its simplicity and efficacy, appealing to people’s senses. She makes use of attacks and reprisal attacks to showcase pungent and turbulent issues that beset diverse African societies. When governments do not do what is proper to elevate the situation of the people; when all that people hear and witness in Africa are problems of unfulfilled promises and people winning elections fraudulently, Bulawayo uses her creative ingenuity to bring them to the fore.

    The judges, in a statement, revealed the long list was drawn from works with diverse ideas and issues. Bulawayo’s work received special attention and mention due to her revelation of lots of intrigues and political and social issues in her home country, Zimbabwe. That’s why the titles of her short story, Hitting Budapest, and her novel, We Need New Names, are prophetic and all-engrossing. The titles are suggestive enough to encourage one to look into the issues she raised. These issues, as disturbing as they are and set in Zimbabwe, equally describe life in all the societies of Africa. This is the core essence and beauty of this book that the judges said: “This is one of the most diverse selections we’ve made ever since the Booker prize began. It is representative of the geography and location of the people concerned. These 13 outstanding novels that made the longlist range from the traditional to the experimental, from the first century AD to the present day, from 100pages to 1000 and from Shanghai to Hendon.”

    Bulawayo is also a Stegner fellow at Stanford University, USA. She was born and raised in Zimbabwe where she attended Njube High School, After that, she proceeded to Mzilikazi High School for her advanced level. However, she completed her degree at Kalamazoo Valley Community College, USA. From there, she moved to the Texas A and M University-commerce where she took her first and second degrees in English Language

    She also did a Master’s degree in Fine Arts and Creative writing at the Cornell University in America. She was born in 1981 as Elizabeth Ishele, a name she later dumped for Bulawayo.

    The shortlist will be announced on September 10, while the final winner on October 15.

  • ‘Why we make artistes out of children’

    ‘Why we make artistes out of children’

    Alhaji Teju Kareem is the proprietor of Z-Mirage, a world-class set, stage and lighting design outfit that has set an enviable standard in the theatre industry in Nigeria.  A graduate of Theatre Arts from the University of Ibadan, Oyo State, Kareem has been involved in the Wole Soyinka Project and the International Cultural Exchange Programme designed primarily to empower kid artistes in the past four years.  In this interview with Edozie Udeze, he bares his mind on the state of stage, designs, costumes, props and other salient elements that give beauty to the stage.  He also dwells on the reason why they make school children to be involved in the arts early enough and lots more

    You have been doing this Wole Soyinka Project since the past four years. What has the experience been like?

    Yes, I am the producer of the Project W S and the co-producer of the International-Cultural Exchange Programme. All of these two are the events on the bowel of our open door series. Open door series is meant to be a forum where artistic endeavours are explored. It is a place where artistes also can use the medium for the advancement of the art, setting agenda in a way to give back to the society.

    We started it four years ago. And the inspiration was mooted just over a dinner when I was doing a residency at Southern Illinois University in the United States of America. That was on the invitation of Professor Segun Ojewuyi who before then had the intention of bringing to Nigeria some students under an international cultural exchange programme. It then also occurred to me that we could do drama. This was to help increase and raise the bar of theatrical performance. It could be better too if we could use this medium to do productions. It could be double-edged.

    Our endeavour was meant not only to improve on the practice, but to also educate, set agenda, sow seed; seed to change our value system and then target the children. This is so because we have been formed in our ways – the children are yet to be formed; in their opinions, in their ways and their thinking.

    And if what the children do nowadays as adults and if going by what our leaders are doing and you leave that unchallenged, by intellectual input, by systematic engagement of the youths; of the unformed youths, we stand the risk of carrying over the coming generation our value system that may not be good for them. From what has happened in the Rivers State House of Assembly in the last few days you could see the reason why we need to begin on time to show good conduct to the younger ones. That is one of the points we needed to make by starting the international cultural exchange, tying it somewhat to the Wole Soyinka Project.

    As long as the system does not have a mechanism to purge itself – a sort of inbuilt mechanism to check the excesses of our leaders – we will continue to have this sort of mess. But theatre is one way to indoctrinate the children; teach them the right way to go and to choose a profession of their choice from the word go. Coincidentally, our icon, Professor Wole Soyinka, has taken his time to focus attention on the youths, believing that we can start now to inculcate value system in them to avoid the mess we are in today. He sees the youths as the hope for the future and if we continue to develop them, show them how to go, we will certainly develop a new generation of Nigerians for all of us.

    From the series of performances by the children so far, do you think the project is catching on?

    You are very correct and apt too. I’ll put it this way: We are beginning, and not the children, to now know the capacity and capability of the children. They are vibrant, they are energetic and ever willing to be taught. They are ready to learn their cultural values if you teach them well.

    They have always been having it. We also had it when we were kids. The leaders had it when they were kids. But these talents were not brought to the fore, or helped to blossom. That sincerity, that Jesus-like purity that is associated with kids, we did not carry it over to our middle age or so, is what is killing us.

    There was a truncation; there has always been a truncation of that purity of social development, political development, cultural development and so on which have been truncated by our so-called leaders and also truncated by you and I too. So, we must help the children by imbibing that Jesus-like purity where the love for one another is totally embedded in us, in whatever we’ve chosen to do.

    We therefore need to do that to allow that child who has the goodness in his or her to develop along his political, social, moral or religious bent. It is we adults that are beginning to lend the kids that listening ear. Unless the kid speaks we do not know what he wants. Therefore we need to listen to them; we need to allow them speak to let us know what they want, what they want to be. And how do we do that? Give them the stage to perform, give them biros to write; give them books to read. Allow them to be who they are as we guide and guard them along the way.

    Our leaders should listen to them to be able to form policies of what our future should be. Rather than us enforcing ideas on them, thinking that we know, we need to watch them do their own thing to be who they are. This is one of the things we set out to change so that we as parents can guide them aright.

    And with this essay they are writing for Wole Soyinka’s 79th birthday, you’ll be shocked the kind of deep ideas they display.

    And they are writing under camera and not being guided by any one. The way they put it crystal clear, no ambiguity or colouration. They say it the way it is for you to know. The theme is Memoirs for our future and it is so timely and thematic for the kids to explore and exploit.

    So, we’ve discovered all these talents right from the beginning of the project till today. It is growing and we are happy that every year the kids are growing in their own ability to set the agenda. Let them be the prophets; enough of going to the mosques, enough of going to the churches. Let those who own tomorrow prophesy about the tomorrow which is their own tomorrow.

    As the foremost set design expert in Nigeria, how do you assess the level of stage designs in the Nigerian theatre?

    Over the years, credit goes to my forebears; the Agboolas, the Marinhos, the Nasirus, and some of them who are also in the television. But one thing is obvious, one thing I make bold to say is that our colleagues in the artistic spheres of the practice have excelled so much. However, all of us, not some of us in the technical aspect of the art and the technology of the art, including the stage, the light, the costume and so on, are still lagging seriously behind. Therefore, we have through this made art very dull, dry and uninteresting. In some cases, we have made it ugly. What is our job? Our job as a set designer, a sound designer, a costume designer and make up and props man, cameraman and so on, is to magnify the beauty in the art. The publisher, his job is to magnify the work of a writer by putting it on pages, by laying it and arranging it to be published.

    The stage designer is meant to create an enabling environment for the stage. In other words, we flesh the bone of a writer; the writer is the bone maker. We give the flesh to the bone. We clothe it and give life to it. But we have not been doing that.

    We have as much relegated the art to past time practice. How? If we have not been able to clothe the art and for the eyes to go for it, then the same eyes reject it, we have not done well. So, this is what we have been able to do in our own little way – by giving life to theatre through the activities of Z-Mirage.

    Currently, on what level is the Nigerian theatre? Sick?

    Yes, sick. Theatre has too many diverse interested parents. Soyinka is a typical example. So also are the Osofisans, Bode Sowandes, Niyi Osundares of this world. Also the Bayo Oduneyes, Dapo Adelugbas, Ahmed Yerimas, the Niyi Akannis of our time, the Israel Ebohs, the Fred Agbeyegbes, and the Ben Tomolojus. Even the Jahman Anikulapos; they have all been so distracted by the unconcerned grand parent who is the government. So, the forebears that I’ve mentioned, who are their parents?

    So they have been so distracted; Soyinka by being a world citizen and by being activist and so on, some by being academics and being locked up there. Jahman, for his ability to be prolific and multi-talented and so on. All these have affected the serious practice of the art by those who know it all.

    In addition, the government has not provided the necessary security and so on. So, what we have today is sick offspring in the theatre. Today, the theatre is being catered for by quack doctors, by those who do not originally belong to the theatre. We have quack doctors in the area of directing, in the area of stage management, in the area of stage lighting, in the area of stage design and so on.

    This is what we need to correct now to give life back to the stage and make the best out of it. We need artistes who went through the proper tutelage to give us total and professional theatre. And that is what I’ve always believed in.

  • AAF begins festival

    AAF begins festival

    With the theme, The Megacity and non-city, the African Artists’ Foundation (AAF) has begun the 2013 edition of the Lagos Photo Festival. At the press conference organised at the Eko Hotel & Suites announcing the start of this year’s activities, Brand Director, LagosPhoto Foundation, Wunikan Mukan, said the theme intends to look at both the development of urban centres in Africa and the influences of technology, through the Internet, digital revolution, and examine how they have transformed photography and our sense of place in a globally connected world.

    She also disclosed a new partnership with World Press Photo, a preeminent international competition and exhibition that features the best of photojournalism worldwide, which will bring its annual exhibition to Lagos, sponsored by Etisalat and to be showcased alongside the festival from October 18th to November 7th 2013.

    Chief Executive Officer, Etisalat Nigeria, Mr. Steven Evans, said the company was delighted to be part of the Lagos Photo Festival as it has increasingly become a major event Lagosians, Nigerians and indeed art aficianados around the world look forward to every year. On the company’s involvement in the Festival, Mr. Evans said both Lagos Photo Festival and Etisalat share intrinsic attributes, one of which is to provide a platform to communicate ideas, innovate, nurture talent and promote passions.

    “Etisalat is passionate about giving a voice to the growing art community. We believe photography is a veritable tool used in telling great stories that address social issues in and around the world, as well as shaping public perceptions about Nigeria and Africa at large. That is why we organise the Etisalat Photography Competition as part of the festival’s activities to encourage and reward upcoming photographers in the country,” he said.

    On the theme for this year, Head of High Value Events and Sponsorships, Ebi Awodi, announced the launch of the Official LagosPhoto App. “We partnered with LagosPhoto to build the official festival app – the first of its kind in Africa. The app will serve as an ultimate guide to the festival, exhibition locations and most importantly a showcase of entries for the Etisalat Photography Competition. Etisalat will also work together with LagosPhoto to include innovative digital installations which demonstrate the importance of social media and digital content in our lives today,” she said.

    Launched in 2010, Lagos Photo is the first and only international arts festival of photography in Nigeria. In a month long programme, events include exhibitions, workshops, artist presentations, and large scale outdoor prints displayed throughout the city with the aim of reclaiming public spaces and engaging the general public with multifaceted stories of Africa. LagosPhoto also features the Etisalat Photography Competition; interested emerging photographers are required this year to capture the “mega city” in their own unique visual language.

    This year’s edition will open with a fundraiser themed ‘Observation No Be Crime’ on the 13th of July at Eko Hotel & Suites, Victoria Island, after which the official exhibition and grand opening ceremony will take place on the 26th of October. Call for entries for The Etisalat Photography Competition will begin from the 5th of July and end on the 31st of August.

  • Death of a goal merchant

    Death of a goal merchant

    Title: Rashidi Yekini – The life and times of Nigeria’s goal king…

    Author: Jibril Mohammed Olanrewaju

    Publishers: Reality, Ibadan

    No. of Pages: 186

    Reviewer: Edozie Udeze

    The story of the life and times of the late Rashidi Yekini, Nigeria’s former goal merchant, fondly called gangling Yekini, is full of ironies of life. In a biography entitled Rashidi Yekini – The life and times of Nigeria’s goal king…, Jibril Mohammed Olanrewaju, his lawyer for many years, tells the funny, gory, irritating and turbulent life of someone who passed through so much torture and fury to be who he was in his life time.

    It is a story of sorrow; a story which shows that a man’s life is often determined and shaped by the decisions he has taken for himself and for his destiny. Yekini chose the path of fame strewn with agony to reach the peak of his career. Or it seemed the gods wanted to lavish fame on him, but never gave him time to savour his glorious rise to stardom in peace and tranquility. His was a unique life in many diverse ways.

    Having been Yekini’s personal lawyer for over fifteen years, Olanrewaju was able to trace his story back to the north where he was born. From there, he moved to Ibadan in 1983 where he began his professional football career. From that humble beginning, Yekini rose steadily to limelight, playing for many world-class football clubs.

    Within ten years he had proved to be Nigeria’s best goal-scorer that, at the 1994 World Cup, he proved to be the cynosure of all eyes. This rise to stardom came with a mixture of curses and blessings for this gifted footballer who dropped out of primary school to be who he was.

    On his way to the top, he encountered a number of women. It wasn’t really clear whether Yekini was not meant for women or that women were not meant for him. On the whole, he married over four women but none could stay with him. Perhaps the gods ordained it to be so. So with this, his travails came in multiple dimensions and intensity.

    He was haunted both by the women who couldn’t hold him together and his relations who wanted to strip him of his wealth, for he was really wealthy. The biography is deep in a way that you can see Yekini in the book. He lived a life of voluntary solitude in which he preferred to be alone. By this, his people considered him to be insane, including his mother who continually pestered that he be taken to a mental home. After several attempts by his relations to hound him failed, he was finally caged last year, and eventually bundled to an undisclosed location.

    Three weeks after the torture that followed, Yekini was declared dead. It is a pathetic story, so moving that you’d shed tears. Why would he be so inhumanly treated by his own people, people he had done so much for to better their lives?

    In a simple narrative style, the biographer tells the story of barbarism at its worst. It is only in a place like Nigeria that such an incident would happen to such a big star and no one bothers to ask questions. Why would Yekini, a man who gave his all to his native land be so treated by mere village people? It is so disheartening that not even his neighbours could rise to help him when his abductors mowed him down, chained and clubbed him to submission.

    Not even his cry of agony could elucidate attention from the people. Even in life, Yekini fought many battles but none was like that day when he saw his house last. After chaining him, they bundled him into a waiting 505 car which took him to his Golgotha.

    In life, Yekini dedicated his whole life to football. This is a passion he followed rigidly even in retirement. To those who knew him, he was too good to be true.

    The book which the author said was produced within a short period of time has plenty of errors in the areas of editing and typography. Yet it does not in any way distract from that fact that Rashidi Yekini was unceremoniously slaughtered and no one is saying a thing about it. It is so unfortunate.

    When will the sanity of the society be restored? When will relations begin to allow their people to choose how to live their own lives? The story of Yekini is truly an eye-opener to those whose relations pester them too often.

  • Meet Nigeria’s queen of  Mathematics

    Meet Nigeria’s queen of Mathematics

    Prof Olabisi Ugbebor is the first woman to be a Professor of Mathematics from the University of Ibadan, her alma mater.  Born in Lagos and educated at Queen’s College, she gained admission to study Mathematics in 1969 at the University of Ibadan. The university later sponsored her to the University of London for a PhD, which she got in 1976 at the age of 25. In this interview with Kofoworola Belo-Osagie, she speaks about how the three institutions prepared her to compete in a male-dominated field and how Mathematics can be made attractive to both teachers and students. 

    How come you love mathematics as a woman?

    When I was in school, there was a policy. The government was very wise that if you were equally good at the Arts and at the Sciences you must take the sciences because we needed science and technology to develop. They were really looking at a development plan that would take Nigeria far. I got A1 in French, A1 in CRK, beautiful grades in the Arts, beautiful grades in the Sciences; but because of that policy of the then minister of education, which I think was wise because if we are going to develop technologically, we must give a quota. You know some states were given a quota to catch up. To catch up with the Western world, everything is important. But whatever they used to make it, we have to give it a special quota.

    I wasn’t bitter; but my teachers were. My French teacher was bitter. She said, ‘you must come and do A Level French’. But I still speak French today; I can read research papers in French, so her work is not lost. So, automatically if you were equally good you went to the sciences. But I loved mathematics – from primary to secondary school. In my primary school I used to get everything.

    Moreover, why did I choose to teach mathematics? Many of my classmates who could not understand geometry and things like that, after school hours – because Queen’s College is a boarding school – they would come; they were humble. They would ask ‘how did you see all those lines and graphs because we didn’t see anything?’ So I would stand at the board after school hours and explain it to them.

    At the University of London, when I took my PhD, they called all of us, they said, ‘how many of you are going back to the university level to teach?’ I raised my hand. So, there was a special workshop that was arranged. They said which is the driest subject that people find difficult to understand at that level? That is Algebra. So they assembled some random people who hated algebra to the core and said I should teach them the concept. They all passed, so they said I can teach at all levels; not only the university, that I must teach at all levels since I have the gift of imparting knowledge.

    When I came to UI, I was the only female student in my class of seven.

    But there is still the challenge of teaching mathematics in schools today

    Do you know why there is a challenge? We use letters, figures, diagrams, graphs, and these things look strange to many people. They don’t make it exciting; that is why. They make it like rote learning. When you give the background, you make it exciting. You give room for questions – you explain it over and over again, then you see that mathematics is a lively subject which everybody should do up to a particular level because we all use it directly and indirectly.

    If they are not properly introduced to what these symbols are, it is like we are in a secret society. But it is not that difficult. (Mathematics) is abstract; that is why people run away from it. Before going to the abstract, you start from the concrete.

    You settled for university education, have you taught at other levels?

    Informally, I have been called to all kinds of places to motivate their teachers. There was a school that asked me to motivate their teachers recently. They hate hearing matrices. I started with oranges and bananas before I went into matrices. They started running to the board to find inverse. They said we didn’t know matrices was our friend. You know when you go there you write row and column and start multiplying in a funny way. Then they say, “e gba mi” (wow!); but I started with oranges and bananas. We did some simple ones. Then, I showed them why if we were using that simple method for a larger collection, we would be there all day. So, I showed them how the matrices are now their friend to help them jump over (the long process). They loved it. People who know me that I have a gift and talent, they invite me to motivate their teachers. And all my students usually say I am going to use mama’s method when I return. They have all changed their method of teaching mathematics because they saw the impact on their lives.

    Another thing is, I don’t lecture; I teach. The first rule in my class is you must not laugh at any question. This is so that they can ask questions that are burning in their hearts. To you, it may be stupid but to him if he does not cross that hurdle, I have lost him. If you are absent from my class once, you feel it because every question that was asked is part of your knowledge.

    When you are not well prepared that is when you are afraid to answer questions. When you are well prepared and you have your students’ welfare at heart, any question means any question and nobody must laugh or say why are you asking such a stupid question? I will never say that since I have forbidden them from saying that.

    Mathematics is such an important subject. But we still have challenges with it. Do you think there should be a special programme in place to groom mathematics teachers?

    There was some research that was done recently – an inter-departmental research – and one of the findings was that many girls lost interest in mathematics by primary four. Is that not a disaster? One of the problems is that if you have a class teacher teaching all subjects, she is not a specialist in mathematics, she probably hates mathematics, she will regurgitate the way it was taught her without explanation and they will lose interest. So, I am suggesting that mathematics majors should teach mathematics from primary school. The reason is if you choose mathematics as a subject you love, you are enthusiastic about it. And we need that enthusiasm. Mathematics can be abstract but let a mathematics major teach from primary school level so that he or she can fire their imagination. But once you lose them from primary four, just forget it. You need someone who can go to the board and show them why, not just how. Why is this? When students ask why, you should be able to explain to them. Then they would want to know more. I believe that using a general subject for all subject teachers would not help to solve that problem.

    Not all mathematics teachers are as enthusiastic as you are or know enough. What kind of measures can be made to fill in the gap in their knowledge?

    First of all, there should be incentives. When I was a student, mathematics teachers and science teachers were not paid the same as other teachers. Because you have to discriminate positively, they have to do more. It is hard. It is not that you are discriminating against some subjects but you know that you have a problem in this area.

    I believe that the era of a commissioner for education or minister of education setting up panels is over. If I were the minister of education, I would go there and show them how to do it. I believe that we should teach by example. Many of these teachers are not motivated because they too were not properly taught.

    In other climes you do research and solve your problems. There are people who are gifted. Look at the late Prof Ayodele Awojobi; when he was teaching at UNILAG, he was teaching my husband at CMS Grammar School. Many of them went to UNILAG to study engineering and they are some of the greatest engineers today. Let me tell you, I never met Prof Awojobi, but when I was doing my research at the University of London, I was having problems with my research work and I went to the University of London library. I just saw Lagos, Nigeria. I ran to the showcase: Prof Awojobi, the youngest DSC London. Why? The research work that his supervisor gave him when he came over as a PhD student that they had abandoned for many decades, he did research on it; wrote papers on it and after he left that to go and do something else, nobody could add to it until he came back. They said this is worthy of a DSC. I am telling you Iwuri wa (there is inspiration). I never met him; my husband met him and said, ‘bring anything, he will sit down and teach you.’ He was always reading. But he was cut short.

    How can we encourage girls to enjoy mathematics? Boys seem to dominate.

    It is not only at that level. Even in the United Kingdom, only about six per cent of professors of mathematics are women. That is very bad; and it is the same story all over the world. Do you know why? There are stereotypes. When I entered the UI, I was the only girl in class. And the lecturer said, ‘who can solve this?’ I went to the board and solved it. The boys said: “We are here, how dare you?” I said, ‘Look, I came from Queen’s College, we used to compete among ourselves so, you have to change your dirty and negative orientation. You cannot stop me.” What if it was somebody who could be intimidated? That would have been the end. I told them, “I am not used to that kind of thinking because where I come from we are all equals. And we all compete on top of the table, no cheating, so don’t come and cheat me.” They took me for who I was and respected me. So you have to encourage people by first of all putting down that stereotype.

    One of the ways of putting down the stereotype is to bring women who have done it. If you say this thing can be done but they have never seen anyone who has done it, it is in the realm of theory. But when they see that somebody has done it, they say, I am going to do it.

    Secondly, there is something that used to be in our culture. That if you were too poor to train all your children, you should train the boys because the girl is going to be in the kitchen and you will lose your name. My parents did not pay any fees for me even though they were able to from primary one to PhD. I had scholarships throughout. I started with the Awolowo school, which was free. It was the year I entered Queen’s College that the foreign firm my father was a manager at instituted a scholarship among the children of staff. I was the only girl among three, and I came first. They paid my fees at Queen’s College. It was supposed to be up to O Level. So, after O Level, when they saw my result, they extended it for me only up to HSC. The government can help women or girls by saying any girl that wants to go further and is talented, we are ready to fund. So that old thing about if you (parents) have to choose, let the government take up the girls so we don’t leave them behind; because you can’t change culture easily. But you can circumvent it. If the scholarship is there, and you are good, who is there to stop you? Nobody! So, we can also circumvent that.

    Another reason is that many people cannot combine marriage and career, being the woman. To be equal, to be at the same level with the men, you have to work twice as hard. I thank God that my parents were hard working and they taught me hard work. Work is good.

    Another thing is we have advantages in Africa we should not throw away. We should not allow people to ride roughshod on the culture. There are certain bad aspects of the culture. But one good aspect is that the entire extended families raise the children. It is not me, my wife and three children. So that if for instance, when I was doing my PhD in London, my first two sons were born there. Suddenly, they reacted to the weather. And my mother said “send them home.” I could have lost them. In many cultures you can’t do that.

    Many girls have their education truncated because they get themselves into trouble. Again, the African culture comes into play. It is only nowadays that they are doing otherwise, copying terrible things from abroad. Even if a girl gets into trouble, there is usually a member of the extended family that says, ‘you have done wrong.’ They can even slap her or beat her or talk to her, take the baby and say, ‘Okay, go back to school. You know what has happened to you so you have to work harder.’ That way, her life is not truncated because she made a mistake or something bad happened to her. Sometimes it is not even the fault of the girl. We are saying let’s garner all that is good in us to push women forward.

    Another thing is having a stable home. I have been married for over 40 years. And by the grace of God we are still together. So, women should be given enough maternity leave, at least one year, first to recuperate – with full pay – and then to get back to your subject. You are washing nappies, you are breastfeeding; they say we should be doing baby friendly. It is good, but it takes your time – waking up at night and so on. Even after people can carry the baby for you, you still have to get back inside that research; you have to run after them because the thing is moving at a high speed.

    This next (point) is being implemented already: there should be crèche, playgroup, close to where women are. You should be able to pop in and see your child; to see how he/she is doing impromptu so that you know whether they are treating that child well when you are not there and you have peace of mind to do your work. So things like these can be done to help women. And then conferences, seminars, workshops, they should have full sponsorship to such places.

    You have produced many teachers

    Yes, I have produced professors and one of them is now a deputy vice chancellor in a middle belt university, Prof Steven Ona. Then the late Prof. Okoroafor. They never knew about my field before they came to UI. But to the glory of God, they have gone far. I have co-supervised some other people who are lecturers now. I have reproduced myself several times. Even the Deputy Vice-Chancellor (Academics), Prof Ayoola, told me I taught him. Even the director of works told me I taught him, the former deputy director general of the National Mathematical Centre said I taught him. They are the ones coming to me. I taught the Head of Department of the Federal University of Technology, Minna. I mentored him to write mathematics books for our students when the foreign exchange during some of these military regimes, they couldn’t afford textbooks. So I called them together; let’s do something. We wrote textbooks. We senior people cooperated with younger people, mentored them and we co-authored. And those books are standing till today. It is very difficult to write a book if you are going to do it properly. It is very time-consuming. You know, I thank God; I don’t like boasting about these things. My husband says I am too modest.

    What is the current focus of your research?

    Initially, I started with Measure Theory; that is analysis, very dry, very hard. Then, I applied it to some motions. I have done dry maths but I have also done applications. I have applied my mathematics to foreign exchange. You remember that I said our students could not afford textbooks. They have parents too and their parents could not afford it. So let’s find out what is happening with the foreign exchange. And we did research; I presented a paper at the University of Cape Town on that research in South Africa, and I was made a member of the African Economic Society after presenting that paper.

    We discovered that the Federal Government was demonising the people at Sabo (Yaba) that they are bringing down the value of the naira, whereas they had the correct value of the naira. And that is why it is still subsisting till today. The naira was being made artificially strong so that the authorities would buy it cheap from the bank and go to Sabo to become millionaires. It was wicked. You are demonising someone that they don’t have the correct value of the naira. But when we did the calculation we saw that that was the actual strength of the naira. But they were playing the devil in that they would go and set up an artificial small currency equivalent, then they would go there, buy it and go and sell at the correct rate and become millionaires. So their own was artificial. It was just arbitrary, a military order. They did not go to the market. They did not do any research.

    I did research on voting. My husband and I lived in England. Voting used to take place on a particular Thursday of the month. When you were going to work you would vote; by the time you are coming back the results were out. Are we animals? People will queue and queue but in the end everything will scatter. So, one of my postgraduate students doing a PhD with me who ran back from Holland, we published together. I sent him – we don’t cook figures because we publish it abroad. And they would want to know who you are because they know some people cook figures. When they saw who we were, they immediately published it because they know our standard in UI. We have standard in the Mathematics Department, which is known all over the world.

    We did the research – we had to do extra work. If you know any research about queuing theory, the queue starts from time zero. If voting starts at 8am, they will start counting the queue at 8. Nobody had ever done research about people queuing at 4am. That is pre-queue. There is no queuing theory on pre-queue. There is already a queue before time zero. We had to do a research into that. Many challenges we had; but the beautiful thing is we translated it in such a way that somebody who is not a mathematician can just pick the result and improve our voting system.

    Fortunately, one senator, I hinted him that the paper was out on the internet and he got hold of it. He said he took it to Prof Attahiru Jega that this is the type of research that can move us forward. I don’t know whether Prof Jega is interested in using it. There is no need for Nigerians to queue and queue and everything will scatter at the end of the day. We have done research on that. We put it in this way: if you do this and you do this, they will be out in so many hours. I hope they will use it.

    Right now I am interested in population. The average rate at which our population is growing is alarming to the whole world; and a Nigerian has to do the research. I am on it now. I have done hard maths; I have also applied maths to current problems because what is the use of research if you cannot use part of it?

    I am excited about using mathematics; we can use it to solve many problems. Do you know why I feel I must do it? If a European should come and say, look your population is rising, we will say they don’t want us to be many. The thing is sensitive; many people have run away from this research but I feel I should do it as a mother because when problems come, it is the mother who is left with the children at the end of the day.

    We have to look at this thing and let me tell you, if we don’t do anything about growth rate, a time will come when there will not be enough water in this country to drink. Are we going to annex Chad and drink their water? India was told many decades ago that their population will so boom that they would all start eating one another. They went into science and technology; that is what saved them.

    I am seeing things I do not like. Look at people who are kidnapping others. When caught, some of them say they are graduates of 10 years standing and have no jobs; no industry and yet the GDP is rising. What is the meaning of GDP to such people? Any GDP that doesn’t affect the average person is nonsense.

    In this nation, there is no safety on the road, there is no electricity, there is no steady water supply. How do we attract all the millions of Nigerians who are helping them go to the moon back to Nigeria when there is no security; when 50 per cent of the revenue goes into paying one per cent and the rest of us have to share the rest? It is not done like that anywhere in the world. We must do something about population, controversial or not.

  • Going in vain

    Going in vain

    Title: Ghana Must Go

    Author: Taiye Selasi

    Year of Publication: 2013

    Reviewer: Agbeyeke Deborah

    Ghana must go”, written by Taiye Selasi, focuses on the fast moving story of a family’s fortune and an ecstatic exploration of the inner lives of its members. The general subject matter of the book is on love, abandonment, aspiration and migration.

    The author’s main purpose of the book is to relate the importance of family and the existence of love in such families. The piece of art is written from the author’s perspective of how a family can grow. For a family to grow there must exist understanding, a deep bond and of course some certain pitfalls that will help the family grow stronger. The author explains her views using certain words that are not too complex which makes readers’ communication a lot easier. The book is a fiction prose with no specific target audience. The author adopts a formal style of writing while also trying to expose her talent and the true importance of the book. Taiye wants her readers to flow well with her story, so she makes use of clear, accurate and original dictions. The author does a great job in achieving the purpose and goals she has set out for the book.

    The theme of this volume is drawn from love and family. The thesis of the book is therefore the importance of love and the meaning of family in our societies today. Taiye takes the readers on a journey of some of the traits existent in today’s modern family. The use of narration by the author to explain each character in the book brings life to the book and the characters as well. The book adopts series of flashbacks that seem to help the reader understand better the pictures being painted by the author.

    The author, Taiye Selasi, was born in London, England, the elder of twin daughters. Taiye means first twin in her mother’s native Yoruba. Selasi graduated summa cum laude with a BA in American Studies from Yale and with an MPhil in International Relations from Nuffield College, Oxford. In 2005 The LIP Magazine published “Bye-Bye, Babar (Or: What is an Afropolitan?)”, Selasi’s seminal text on Afropolitans. The same year Selasi met Professor Toni Morrison at Oxford. In 2012 Selasi launched “2030 Twelve,” a four-part documentary about African millennials in North, South, East, and West Africa. In 2013 she was selected as one of Granta’s 20 Best Young British Writers. She resides in Rome

    A stunning novel, Ghana Must Go by rising star Taiye Selasi is centred on family. The book opens with the death of Kweku Sai who is a renowned surgeon, failed husband and a Ghanaian. Before he succumbs to the cold hands of death we are introduced to a new world through a series of flashbacks, where Kweku recalls his life, actions and decisions: both good and bad. The author uses this as an opportunity to introduce the other characters of the book; the children and his ex-wife, Fola, who have been hurt in a way by their father’s abandonment. Selasi renews our sense of the African novel. The setting of the book spans through from West Africa to New England, London, New York and back again. The characters are certainly interesting to the reader.

    For a debut novelist, Selasi does an excellent job in introducing herself to the world as a new but talented writer. The story is beautifully written and the plot is well communicated. The book rates 4 out of 5. It is a debut novel of blazing originality and highly recommended for anyone who loves a good novel on family drama and forgiveness.