Category: Arts & Life

  • Taking medicine to the community

    Taking medicine to the community

    Since 1978, when the first baby was born through in-vitro fertilisation (IVF), a form of assisted reproduction technique (ART) more than one million babies have been born through it. Oyeyemi Gbenga-Mustapha writes on an ART centre in Otukpo, Benue State.

    Couples who want children will go to great lengths to have them, and there are providers to make services available to those who can pay for them. It is already more than 25 years since the first human baby resulting from in vitro fertilization (IVF) was born. Since then, IVF has become routine and widely accepted, and is now only one of a number of potential treatments for infertility.

    In addition to the personal grief and suffering infertility causes, the inability to have children, especially in poor communities can create broader problems, particularly for the woman in terms of social stigma, economic hardship, social isolation and even violence.

    Dr Emmanuel Audu Obe, who now runs his late father’s hospital, Salem Hospital, Otukpo, decided to introduce ART to help fight the troubles. His father, the late Dr Edwin Idoko Obe, Odejor of Owukpa Oso’Nyeta 1 of Idoma land, was the first indigenous doctor from Benue State. He established the hospital in March 1968.

    Social and public health issue

    According to Obe, “Various studies have found that childless women in developing countries like Nigeria are often abandoned by their husbands, subjected to violence or treated as servants by the husbands’ families. In our clime, motherhood is the only way for women to improve their status within the family and the communities. On a practical level, many families in developing countries depend on children for economic survival.

    “While many people therefore would not consider infertility a disease in itself; it can certainly be said to be a social and public health issue as well as an individual problem. It is not surprising therefore that there is a growing demand for services that can help infertile couples to conceive. The fact that these services are expensive and controversial has not prevented their appearance in developing countries like Nigeria. And why would my people and those in this environ (Benue) travel miles to also benefit from services like that?”

    According to him, most of the infertility in developing countries is attributable to damage caused by infections of the reproductive tract, notably by gonorrhoea and Chlamydia infection.

    He said, “My experience since 2004 working with various centres across the country has entrenched in me the fact that ART is good. And Benue infertility challenged people and those in the states around us don’t have to travel far again to get assisted to conceive. It is left for the people concerned to present early. This is because infertility is caused by sundry reasons.”

    Explaining this, he said late presentation of cases has made it difficult to rectify fertility problems. He advised couples to visit a centre once they have unprotected sex for six consecutive months and without pregnancy. “Fibroid is a major challenge to conception. Fibroids disturb implantation and can also cause miscarriage. A lot of fibroids in Nigerian women are not the type that should be operated yet. The cause is yet unknown but it has been established that a womb that does not experience conception early tends to develop it. Hence it is jokingly said –babies are for bad girls while fibroids are for good girls. Everybody has what it takes to develop fibroid. Some infections are not from the opposite sex but self induced. For instance, in the process of cleaning up, a lady can wipe the butts from the back frontally and automatically, some organisms from the faecal materials would migrate to her upper region and start disturbing the balanced flora and cause trouble. These are the most dangerous type of infection and if left undetected and untreated, trouble ensures.”

    On affordability of ART, Obe said, “In the last two years, we have tried to work out on low cost ART treatment. Low cost IVF for instance can be possible if you have a pool of many clients. Part of the fuelling factors for the misconceived perception on high cost of IVF is that almost everything being used is imported. And there is no recycling of anything. They are mostly disposables.”

    He clarified some areas on IVF, saying it is largely misunderstood. “It is just one of the many options in assisted reproductive technique. So IVF may be seen as being expensive but should not be capitalized on as reason why ART won’t be exploited. Clients would be surprised that they may not really need IVF, for that is the last option perhaps.”

    On following in his father’s footsteps, Obe said “He (his father) had done so much in medicine, especially in Otukpo that we cannot allow his legacies to fade out. He set up Salem Hospital when it was difficult for people here to access the General Hospitals because they were taken over by the military and only those from the war front were given attention. We are set to take the hospital to greater heights. We now have better techniques and equipments. We want to carry on with the legacy of treating the poorest of the poor, which was his cardinal working point.”

  • Controversy over death of albino

    Controversy over death of albino

    Niyi Adewole, a tailor and Radio presenter, is crying foul over the death of his son, Simiu, an albino whose body was brought from University of Benin Teaching Hospital, with a knife and what is suspected to be juju on his hand. He alleged that some parts of the body were missing. Taiwo Abiodun investigates

    What influence does a dream have on reality or could a dream manifest into reality?

    This is what the family of the late Simiu Adewole, 21, an albino, have been trying to unravel. According to the father, Niyi Adewole (aka Enudunjuyo), “Few days to his untimely death, my son, Simiu, told me that he dreamt that a vehicle knocked him down, and from there his body parts were removed for rituals.”

    Not quite five days after his dream, Simiu, who was a barber by profession, went out on the fateful morning of July 22. A wine-coloured Tundra Jeep with an Ondo State Government registration number knocked him down. He was said to have sustained a severe head injury. Some days after, he died.

    In tears, his father narrated his story: “When the deceased had the fatal accident he was rushed to the General Hospital Owo, but since they could not handle it, he was referred to Federal Medical Centre but again he was rejected and was referred to the University Teaching Hospital, Benin.”

    He added, “I am a radio broadcaster cum tailor, and since I did not have enough money to foot the medical expenses I had to contact Mrs. Bolaji Suara, owner of the Tundra Jeep who is also Special Assistant on Special Projects with the Ondo State Government). She was kind enough as she sent some money. But I made her to realise that it was her vehicle that hit the boy. The boy was in coma for five days. When I visited him on the fifth day he was getting better. I again gave him water to sip. And I left there leaving the deceased’s aunties: Kudi Kosoro and Kehinde Kosoro to be at his bedside.”

    And the boy died

    However, a few days after observing his son recuperating, he was preparing to go for a function when his phone rang. On picking the call the devastating news was broken to him that his son was dead. “I wept like a baby. The boy (Simiu) was very good and responsible. He lost his mother some years ago and had been struggling.”

    Accepting his fate that his son was dead, Adewole dug a grave in his compound in preparation for the burial. According to him: “An ambulance was provided by Mrs Suara to bring the corpse from Benin. We waited for days and began to wonder what could have caused the delay from Benin to Owo which is one hour – drive.” On the third day when the body arrived in Owo, the rhythm changed.

    Strange objects

    To receive the corpse some youths had gathered in the family house in Owo to give one of them their last respects, According to Adewole, they (the youths) were sad over the delay in conveying the corpse back. That aroused their suspicion. They believed that the late albino must have been a victim of ritual killing, especially since the father had narrated his deceased’s dream to them. Their suspicion was strengthened by the belief that albino are usually victims of ritual killers because they are believed to be very efficacious when used.

    According to Adewole, one of the aunties of the late albino, Mrs Kudi Kosoro, and some young boys whom Mrs. Suara sent along with the ambulance to bring the corpse rejected the already dug grave and said they would bury the corpse in one of the rooms. The father resisted and insisted that it should be buried in the compound.

    His refusal led to series of arguments, he stated. “I didn’t want them to bury him in one of the rooms in the house. While we were arguing over this, the corpse was unwrapped for the victim’s friends and family members to have the last look.” What they saw was confounding. According to him, “Lo and behold, I saw the body and it had been opened, while strange objects like a native knife and leather juju tied with strings were put in his hand and incisions were inscribed on his two hands. That was not all, his tongue was missing. We raised an alarm. Then the household shouted and attacked those who brought the corpse while the driver of the ambulance fled.”

    A Muslim cleric, Alhaji Moshood Basaru, who was already there to pray for the soul of the deceased said he was shocked when some people demanded that the corpse should be taken round the town., “Even the driver of the ambulance ran away when he saw the annoyance written on them all. We were later told that they had tampered with the corpse. The police later came, then the corpse was taken to the hospital. What baffles me is that the false accusation that my step -sister, Mrs. Suara, sent me to Benin to collect the parts. They were saying all kinds of things. But I was there as an Alfa to pray for the soul of the dead.”

    Who dun nit?

    While the father is pointing fingers at the deceased’s auntie, Mrs Kosoro, and those who accompanied the corpse to Owo that she had allegedly colluded with some people to remove parts of his son’s body for rituals. He said, All these while sympathizers said they were going to burn down Suara’s mother’s house.”

    While Adewole described the case as painful and unbelievable, he said the body of his son was butchered and his internal organs dismembered. He claimed the nefarious act must have been done while they were conveying the corpse home from Benin. In tears, he said, “They ‘butchered my son like a ram. I don’t know what they did with the body parts. They placed juju in his hands. They did not give me the autopsy report given by the hospital but claimed it is with the police.”

    A member of the family, Kola (aka Deputy), said “I was there when the accident happened. The vehicle hit his head.” He alleged that “an Alfa went to Benin with them, and we heard that they said a politician sent them. They said his auntie (the deceased’s auntie) was given money. The late boy had no problem with anybody. His body is at the Federal Medical Centre now; they have removed all the internal organs. His body was tied like a cocoa sack. We learnt they are now begging the father to take money and not raise any dust. His father could not be convinced that it was the University Teaching Hospital that did a post mortem on the body of the deceased. The body was sewn like a sack of cloth. I believe somebody somewhere has used parts of the body.”

    Police called to avert crisis

    As the crisis brewed, Dr. Demola Obanoyen invited the police, “It was my ambulance that they used to go and collect the corpse. But they were delayed because the Teaching Hospital would not release the corpse without doing an autopsy. They also went to court in Benin before the corpse could be released. They came around 7pm and my driver called me on phone that the family of the deceased were molesting them. As a community leader, I had to call the police to go there. Earlier on, they had threatened to take the corpse to Suara’s mother due to the rumour they were fed with. The police was invited and they were dispersed while the corpse was deposited at the FMC, Owo for another autopsy.

    The second autopsy

    Mrs Kudi Kosoro was detained at the police station but later released. She later admitted that she was the one that placed a native knife and juju in the hands of the corpse saying the dead albino would revenge his death because she believed his death was not natural. She told The Nation “I did not kill or take any parts of the corpse but because of the mysterious way the boy died that was why I went traditional for him to revenge his own death. I took care of the boy when alive. I was the one taking care of him, now his father is accusing me of taking his parts. It is only God that will judge.”

    However, according to Dr Obanoyen, another post-mortem was carried out by the FMC to verify whether the claim that some parts of the body were missing. According to him, “Normally, if you do an autopsy the whole body has to be opened including the skull. We want to know the cause of the death that will help the managing of any subsequent cases, that is the essence of autopsy. The FMC re-opened the body, the tongue was protruding because of the increase of inter-cranial pressure. The pressure of the brain was increasing and because of that the tongue was protruding. Doctors at UNIBENTH wanted to know what happened to the tongue, after studying it, they could not be taken back to the mouth, then they had to keep it inside the tummy of the patient and close it again.”

    He continued “The second autopsy was partly done just to confirm or deny the allegation of some people who were accused that they had removed parts of the body for sale, so when they opened they found the tongue buried in the tummy. It was closed up and the police told them to go and bury their corpse.”

    Obanoyen said Mrs. Kusoro perhaps placed juju and native knife in the hand of the dead because “that is the belief we have in Yoruba land that the dead could be empowered to fight for himself!”

    It was later learnt that a man called Akasa went with those who went to convey the corpse from Benin to Owo. He was said to have assisted in empowering the corpse with the native knife and juju that were placed in his hand and it was the same Akasa who went ahead to reveal it to the father of the deceased!

    All efforts to speak to Mrs. Suara failed as she was said not to be in town. However, her mother, Mrs Fehintola Famulagun, who is in her 90s, said, “My daughter is not fetish. In fact, she is a good Christian and could not have done that. I know they are looking for avenue to make money but this is wrong. Is it a sin to be a politician? “ the nonagenarian queried ,sobbing. “I heard that they were coming down to burn me and my household alive.”

    Prince Olanrewaju Abegunde, the Olunaun of Owo, described the attitude of Adewole as uncouth and irrational. He said, “the father of the deceased has been ungrateful. Suara has been assisting by sending money to the father for his upkeep and the deceased’s medical expenses. We all know that any patient that dieds in the hospital must be subjected to autopsy. Suara is a great woman we are all looking up to and it will be too bad to drag her name in the mud. I am still going to fight it in the law court,” he vowed.

    Morenike Falagun, an older sister to Mrs. Suara, said her sister was not the one that drove the vehicle, then why should she be made a scapegoat? If my sister does not go to court I am going to sue Adewole for defamation and character assassination. They had gathered to burn down my mother’s house. Our mother is over 90 and it is bad, too bad.

    When The Nation visited the police station, the story was confirmed. They said policemen were quickly deployed to Suara’s family house to avert violence.

    However, the police said the corpse has undergone another post-mortem examination and everything was found intact but the corpse is still at the FMC.

    Albino living in fear

    According to Adewole, when his son was alive he used to tell him that he was always afraid of going out at night since he was at the risk of being used for ritual.”When he was young I used to keep him away from the public and from keeping late outside. When we go to the barbing salon we would bring home his cut hair always for the fear of ritualists, when we learnt that they are hot cake. In fact, he used to ask me whether he was safe, for he would say eyes were on him and was afraid not to be used .He was very careful in going to places. When he completed his secondary education in order not to be idle he started to barb to keep body and soul together. I know his death is not by chance, it was planned. These politicians are something else, ritualists are all over the place, I cannot trust anybody. In his lifetime, he told me shortly before his death that he had a dream that he was knocked down by a vehicle in order to have access to his body parts. He does not go out at night .We are in trouble in this country o.”

  • The gods are not to blame

    The gods are not to blame

    The playwright intended for the book to be a sign post for the need for obedience in our society. The story is a well-grounded literary piece on an unfortunate man named Odewale, the king of Kutuje. This man left his hometown and in the process stumbled upon the people of Kutuje at a time when they were weak and down-trodden reeking of defeat. Odewale empathetic to their plight mobilizes them to action against the people Ikolu, the town responsible for the invasion and subsequent defeat of the Kutuje people. The people of Kutuje respond to his call and follow him to war against Ikolu. They are successful and in appreciation the people of Kutuje make Odewale their king. As custom demands he takes Queen Ojuola, the wife of the now late King Adetusa, as his wife and she bear his four children. Eleven years after a peaceful and joyous rule as King of Kutuje, trouble begins.

    An epidemic in the town resulting in the death of the towns people in their numbers sets in motion the series of unfortunate events brewing up. These deaths cause the Odewale to send Aderopo, the son of Ojuola’s former husband, King Adetusa, to Ile-Ife to inquire from Orunmila the cause of the present epidemic. Aderopo returns with an answer that a curse on a full-grown man, who killed the former King Adetusa, was the cause of all the trouble. Odewale sentences the man right there and then to a slow painful death and again sends Aderopo to Oyo to call Baba Fakunle, an old Ifa priest, considered to “see all” and “know all”, to unveil the identity of the man. When the priest arrives he gets frantic on seeing Odewale and accuses him of being the murderer that was being spoken of. He labels him the cause of all the present problems in the land and a bedsharer. Odewale is upset by this assessment and orders for the priest to be detained. Seething, Odewale comes to the conclusion that there is conspiracy against him spareheaded by Aderopo and as a result, after a confrontation with Aderopo on the issue, banishes him from the land.

    More determined than ever to find the culprint, Odewale swears to do so before the end of that day and is about to set out to begin his search when his wife delays him with her questions on what happened between him and her son. He answers and it is from this conversation that the truth about the origin of Odewale is revealed. It is discovered in the end that Odewale is the first child born to King Adetusa and Queen Ojuola. When he was born divination was carried out and his destructive destiny was uncovered. He was going to end up killing his father and marrying his mother. To avoid this, the priest at that time Baba Fakunle, ordered for the boy to be killed. This was to be done by a palace guard called Gbonka. Gbonka took the child to forest but decided to spare the life of the child. Instead he gives the child to a hunter and his aide that he met in the forest. The hunter Ogundele accepts the child and raises him as his own. When Odewale is full-grown, he also visits the oracle for divination to be carried out to find out his destiny. It is here he discovers that cruel hand fate has dealt him. Against the advice of the priest to simply stay where he was, he decided to run far away from home and not come back until both his parents were dead. In the process of running, he, in anger, killed a man later revealed to be King Adetusa for speaking disrespectfully against his tribe. It was while fleeing that he came across the people of Kutuje and helped them. As Ojuola discovers the horrible truth, that she has indeed married, slept with and had children for her son, she goes into her chambers and drives a knife into her own stomach. Odewale, realising that the weight of what had been done, goes in after Ojuola and seeing her dead, pulls the knife out of her stomach and uses the same knife to remove his eyes from their sockets. In his self-imposed darkness, Odewale requests for Aderopo to be called back to the land. He (Odewale) apologizes to Aderopo for accusing him wrongly when Aderopo eventually arrives and then asks as a final request for his wife and mother, Ojuola, to be given a burial of honour. Odewale proceeds to banish himself along with his children from the land, fulfilling his earlier vow. On this tragic note, the play ends with Odewale sorrowful and full of regret, his children confused and sealed to a wretched fate and the people of Kutuje mourning for the loss of their beloved king.

    The book is written in drama form in acts and scenes with dialogue. With a well-handled plot, the fluid movement of the plot from start to finish gave the story an enthralling rhythm that did well to engage the attention of the audience. The employment of the narrative technique in fractions of the play conveyed a better understanding of plot and did well as an element of mystery and suspense. Literary devices like flashback were employed to expound on the plot, evoke the interest of the reader and give life to the story.

    The quality of the playwright’s style was high. One feature to highlight here is the sheer simplicity of the play which left a sweet taste on my tongue. The originality of this piece is commendable. The idea to “Africanise” an originally European literary piece (Oedipus rex) was daring enough but then the playwright not only succeeded in this but ended up delivering a work of art rich with African content and flavour. The plot is well framed with an excellent construction and dramatic power. Dramatic irony is effectively used and the tense mood of the story is lightened through the application of literary devices like irony which contributed to the emotional quality of the writing. An example of this is seen in Act 3 Scene 2 where Odewale says

    Odewale: Of course. You all mean no evil against me. You all love me. We are all close friends. [Sneering] Like he-goats and cocoyams!

    [Here Odewale already suspects that there is a conspiracy against him]

    In terms of theme, the major theme is the price of disobedience. This is a traditional and familiar theme that is especially popular in religious settings. The archives of history are replete with stories of people/ communities/ nations that have been destroyed for acts of disobedience, an example is the Israelites. The theme, didatic in purpose, developed as the plot developed and was emphasized at the climax of the story where all the clothes were hung out to dry. If only the bodyguard had obeyed, then if only Odewale had obeyed and remained where he was. If only, if only… The three-dimensional characters also carried the story well. Odewale, for example, was a complicated man, the kind of man you would not want to die, one you would love but also the kind you would want to shake hard for lacking wisdom and common sense, not to mention taking unnecessarily rash actions. There wasn’t one interpretation to him.

    I would recommend this book to as many people as possible. It is a magnum opus, a work of art with much to teach and even more to offer. I’ll give it a 10.

     

  • All set for Akata Cultural Festival

    Beginning from Tuesday, June 25, cultural enthusiasts are expected to converge in Benue for the 2013 edition of the Akata Fishing and Cultural Festival. Known as a forum for the Tiv people, both at home and in the Diaspora, to express solidarity in their collective quest for economic empowerment, organisers say that this year’s event promises to be unique because it is coming against the backdrop of a heightened cultural consciousness among the Tiv people.

    According to Rosemary Duamlong, principal consultant of Gren Business Dimensions, organisers of the three- day festival, Benue has a long history of fishing and cultural festival. She stressed that they have expanded the festival to include Business Conference, Made in Benue Expo, Cultural and Award Night, Wrestling, Power bike racing, Traditional dances, Boat racing, Beauty pageant and Arrow shooting.

    “The government and people of Benue State are leaving no stone unturned to ensure that this year’s festival will be a memorable one. Steps have been taken to ensure that visitors from within and outside the country have a secure and conducive atmosphere within which to assess the economic opportunities of the state,” Rosemary promised.

    Already, she said, there are feelers that top business men in Nigeria, members of the diplomatic corps and key actors in government across the country are looking forward to converging on Benue. “They are excited by the prospect of experiencing the hospitality for which the government and good people of Benue are known,” she said.

     

  • Between champagne and beer

    Both the rich and poor in Nigeria are united by an obsession, drinks. Hannah Ojo writes about how taste distinguishes and defines class. 

    Down town in Lagos is Merriment Bar on Alves Street in Lawanson area of Lagos. It is a cathedral of sort for men who stroll in one after the other after the day’s work to, in the words of the poet John Fletcher, “Drink today and drown all sorrows.” Music booms from the loudspeakers, reverberating with sounds from current hip-hops songs. Once in a while, the new rhyme is put on hold for the euphoric beat of the inimitable Fela Anikulapo Kuti. This usually ushers in a new lease of life as the bar comes alive with older men echoing the refrain and responses after the music legend. On each table, the number of beer bottles far outnumber the glass cups. The long stretches of chairs and tables arranged on both ends of the street and another set leading inwards to a crescent gives the scene away as an Owambe gathering, a common feature of Lagos weekend life. Although the reporter visited on a Monday evening; it appears evening at the bar feels like a weekend outing.

    Columbus Ndukamma is one of the men manning the bar; he waded through scores of merriment seekers puffing cigarettes in the company of their female companions who are gently sipping from bowls of pepper soup to answer the question posed to him. When asked the number of drinks sold on a daily basis, he gave the average as 30 crates. “The number increases on weekends and public holidays”, he added. According to him, the number of bottles in a crate differs from each other as they come in varieties of 12, 18 and 24. When put together statistically, this amounted to a total of 520 bottles consumed in a single day. All in a single bar and just on one street! The total cost of this will amount to N10,400 when multiplied by N200, the amount most beer brands are sold in this kind of location.

    At a different level

    At another part of town, the highbrow area of Victoria Island, a N10,4000 worth of drink consumed by over a 100 people is less than the price of Cristal Champagne which a ‘big man’ places on a table in a typical upscale Lagos Night Club. For instance, at the Troy Restaurant and Club on Victoria Island where this reporter visited, Cristal, a variety of wine is sold for N125, 000. Palme D’or Rose another brand of champagne goes for N85, 000. The cheapest of the brands such as Mort Rose (small) and Moet& Chandon Brut sell at N18, 000. There is also a new entrant in the Nigerian market called Montaudon promoted by Jide Adenuga, a business man which sells for N750, 000.

    The prize for a bottle of champagne can go from the most expensive to the most ludicrous. Such is the tale of the world’s most expensive champagne ‘Taste of Diamonds’ which costs £1,200,000 created by Luxury designer Alexander Amosu, a US born Nigerian noted for creating custom-made items like suite, Blackberry and iphone which is recorded in the Guinness Book of World Records as most expensive. The custom made drink which design, according to Amosu is inspired by the superman style signature is hand crafted from an 18ct solid white gold weighing approximately 48gsm of solid gold centred by a single flawless deep cut white diamond weighing 19cts. The label which is engraved with the client’s name is also handmade in 18ct solid gold and weighs approximately 36gsm.

    Champagne, a sparkling wine which originates from France is a drink that the taste buds of most wealthy Nigerians crave for. It is sometimes referred to as ‘bubbly’ as it possesses a sparkling quality caused by the bubbles it creates when poured in a flute glass, with which it is often served. Whether at birthday parties, weddings, dinners, picnic and other events, the number of champagnes available for guests to latch on to is considered a statement in the wealth status of the host.

    Champagne is an elite obsession in Nigeria. According to Spiros Malandrakis, a senior analysts at Euromonitor, the research organisation which broke the news of Nigeria being the second fastest champagne market in the world, “ It’s not even about the middle class, it’s about the elite. People may find it surprising that Nigeria came second in the rankings, but it has an extremely extravagant elite, with Nollywood and the oil industry”, he said.

    Confirming this claim, a worker at the Oriental Hotel, a high class luxurious hangout for the super-rich on Victoria Island told this reporter that Nigerians are the highest consumers of champagne at the hotel which also attracts a sizeable number of expatriates. “While the Chinese would prefer their Chinese tea, Indians usually go for Vodkas but Nigerians are the champagne consumers.” The source also confirms the class of Nigerian clienteles to be mostly oil workers from Chevron, Shell and other big oil companies. Also listed are politicians of different cadres, even local government chairmen.

    As the rich pine after champagne for its vivacious effervescence, so are the poor and some members of the middle class obsessed with beer. However, the poor’s hankering for brewed liquor appears to be a consolatory drink to escape depression caused by hardship. One of the drinkers at Merriment Bar, Lawanson who identifies himself as Ayo said; “it is depression arising from disappointment that force men to drink”. Ndukamma, a bar man also testifies to the fact that most of his customers at the bar hardly stop at one bottle as some could go for four or more. “When a man has difficulties, beer gives him freedom and satisfaction.” He supported the fact that even paupers who hardly make enough to feed the many mouths on their waiting list still find money to drink. “Drinking makes you forget your sorrows,” he said. As if sensing the amusement in the reporter’s demeanour he promptly asked; “do you drink?,” perhaps to emphasize his point.

    The Nigerian beer industry is reputed to be the second largest beer market in Africa. There is an ironical twist to the event that as beer consumption in developed countries dwindles owing to the economic downturn; that of Nigeria is expanding. This is manifested in the increase in beer parlours or ‘people’s cathedral’ in most streets in various part of the country, except for the north where there is a restriction, yet people still invent ways to quench their thirst for liquor.

    According to analysts the surge in the beer market can also be attributed to a growing middle class and a large number of young people drinking most of who are also finding succour in the escapism of beer bottles to ease the tension of unemployment. Mr Nicolaas Vervelde, MD/CEO of Nigerian Breweries Plc attested to this in an interview in a brand magazine where he said: “a young population, a big population, growing middle class, growing organization, per capita, all fundamentals in that sense are indicating a very exciting growing beer market.”

    The inclusion of women into the drinking class is fast fuelling the trend also. Mrs. Bolanle Ogun, a distributor of a popular brand of beer in Ibadan once said that she used to hide the fact that she drinks beer because people in the society frown at the sight of a woman drinking. Like other western culture which found their way into the Nigerian system; the sight of a woman drinking beer appears to be becoming accepted as they too are not free from depression.

    In a couple of years, the country is expected to take the number one slot, findings according to Euromonitor International reveals. The beer turn over in Nigeria is said to be growing faster than the economy itself. “ At the moment, beer consumption is about 19.5 million hectolitres (a metric unit of capacity equal to 100 litres) in 2012 and growing at about 8-9 per cent per annum”, said Esili Eigbe, an analyst with Stanbic IBTC. Also, there is a forecast that champagne consumption in the country will reach 1.1 million litres by 2017. 2011 consumption was pegged at N8b naira.

    What implication does this spell for a fragile economy? Mr. Temitayo Odeyemi, a social scientist from the department of Political Science, Obafemi Awolowo University said the trend translates to a disadvantage in terms of foreign exchange. “We spend more, give more that we release which creates an unfavourable balance in both trade and payment,” he submitted.

    Does champagne consumption really surpass that of beer in the country? In the words of Chinua Achebe; “The death that will kill a man begins as an appetite.”

     

  • Baby’s body parts  disappear from hospital

    Baby’s body parts disappear from hospital

    For Mr. and Mrs Obinna Oleh, the fact that their son Kingsley is dead is a reality that is hard to live with. But they were further tormented by the discovery that his body was mutilated, with some parts missing. According to the couple, nurses at the hospital blamed the mysterious incident on “Spiritual arrow”, while the doctor claimed that rats feasted on the body Taiwo Abiodun investigates

     

    Obinna Oleh, a motor spare parts dealer and his wife Success, a school teacher, had gone to the hospital to collect the remains of their 13 month old baby who had died in the hospital. However, when they got there they were confronted with the greatest shock of their lives. The body of their dead son released to them had many of its vital organs missing.

    According to Oleh, Babawale Joshua, a medical doctor and Medical Director of Ajike Medical Centre located at 11, Adeyemi Street, Saka- Abule Iroko, Sango, Ogun State claimed that rats ate up the baby’s missing parts while nurses in the hospital said it was a ‘spiritual arrow’ that was responsible for the disappearance of the parts!

    The question on the lips of the Kingsley’s parents and the rest of the community is: where are the missing vital organs? The missing organs from the dead body that was handed over to the distraught parents are: two testicles, the tip of the baby’s private part, his two eyes, fingernails, lower and upper lips, his two ears and some veins in his arms.

    On that fateful morning when the Olehs were presented with the mutilated remains of their son, their protest attracted neighbours who converged on the hospital and almost lynched the doctor and set the two storey building housing the hospital ablaze.

    The journey to the ‘butcher’s’ table

    It all started on June 7 when Kingsley Oleh fell ill. His parents living on Adeyemi Street, Saka – Abule Iroko decided to take him to Ajike Medical Centre located on the street where they live.

    According to the father, “I had patronised the hospital about four years ago. But since then I’ve always used Ikeja General Hospital (Lagos University Teaching Hospital), but since the baby was only coughing and feverish which was minor, I decided to take him to Ajike Medical Centre.” The mother added, “However, when the baby was admitted at 5:30am, I discovered that the doctor was not treating him well, I challenged him the second day on his nonchalant attitude. On Saturday, when I did not see any improvement I called my husband who had gone to Ladipo where he is selling spare parts and asked him to come. My husband came, and when he saw the way the doctor was behaving he was not happy. The doctor seeing our countenance relocated us into another private room and then gave the baby an injection. Some minutes after he injected the baby he (the baby) became uncomfortable with his stomach swollen. I again challenged him but he said nothing was wrong with the baby.”

    In tears she continued, “Well, in the evening of that Saturday the baby died. When we went there to take the corpse the nurse on duty did not allow saying we can’t take it until the doctor is around. When Dr Babatunde Joshua, the owner of the hospital came to issue a death certificate we were not allowed to take the corpse. They asked us to go and bring money to settle the medical expenses.”

    A twist in the tale

    However, when the couple returned on Sunday, prepared to pay the hospital bills, one of the nurses told them that the dead baby had been attacked by some ‘spiritual arrow’. They were taken to where the dead baby was kept, “When the nurse opened the room where the baby was kept we were shocked! The wall was full of blood, the floor of the room was stained with blood! We discovered that the upper and lower lips of the baby had been cut, the two ears were gone, the two eyes were gone while cotton wool were inserted in the two eye sockets. Not only this, they had removed the tongue, finger nails and removed some of his veins from his hands. They had also removed his seeds (testis) and cut the tip of his private part. When we saw this we screamed but the doctor ran to us and said it was rat that ate up the parts. We then grabbed him to explain what happened to the baby, the two nurses and the security man fled. While the doctor was pleading and begging, I went to Sango Police Station to report and a police officer came along with me. The doctor then made frantic calls to the police to come and rescue him and that he would give them any amount. A police patrol team came and started shooting to scare the people that gathered away.”

    Upon arrival at the Police station, Mr Oleh continued, “The Divisional Police Officer (DPO) started harassing me and said I was harassing the doctor and that a call was put through by the Baale of the community that I was vandalizing the hospital. The DPO threatened to shoot me. He said he would kill me and bury the case and nothing would happen. I told him he dare not because I came to report a case and that he was defending a suspect. I was beaten and put behind the counter and the DPO threatened to put me in cell! I heard the doctor saying he has connection and that he would also spend money to make sure the case will not continue. When we were allowed to go home, I was told that the police had come to harass the woman who was taking care of our children. The police broke into our house and upturned everything. I learnt that they were looking for the medical certificate the doctor issued to us.”

    Afraid that they might be attacked the couple and their children have relocated to another place over the fear that the police have taken sides with the suspect. According to Mrs Oleh, “We are hiding somewhere now because the doctor has bribed the police and they are after us.”

    To buttress their suspicion that their son might have been a victim of ritual, they showed the reporter the death certificate that was earlier issued to them by the suspect. “This is the death certificate the doctor issued, and we know that is what he is after. The doctor said it was rat that ate up this baby and removed its parts while the nurses said the baby was attacked by spiritual arrow, yet they keep pursuing us.”

    According to the father of the deceased, the police are not cooperating as he believes that since the doctor has been spending money for them they wanted to cover up the crime. He said “On Monday (last week) at the Eleweran Police Station the policemen said they would detain me on the ground that the doctor petitioned the police and accused me of malicious damage on his hospital, this shocked me. The police have been bribed, they are trying to upturn the case. They want to twist it and they are begging me not to go to the press and that Inspector General of Police must not hear of the case. But see what they are doing to us. The mutilated corpse is now in the mortuary at Ifo General Hospital.”

    Other revelations

    When the family was asked if they know anything about the past activities of the suspect, they said no. However, the wife said, “You know when things happen like this one would then start to hear a lot of stories. We heard that babies and expectant mothers had been dying in the hospital. In fact, the beds here (in the hospital) are not up to 10. Imagine the two storey building he called hospital there are no patients, it is all empty offices. When the police came they were even shocked to have seen such a big hospital without beddings.”

    According to Madam Oleh, a night after their son reportedly died in the hospital around 2am while sympathizers were mourning with the family over the loss of their baby, they were all outside their house when they saw a black Jeep on the street asking for where the doctor’ s hospital was located. “We became suspicious and wondered what the occupants of the Jeep could be doing and looking for the doctor at that wee hours of the night for. On the second day, that was on Sunday morning when we discovered that they had mutilated the body of our baby that all these things started recurring. The doctor should be interrogated.”

    Last Tuesday Police form the Homicide section of Eleweran in Ogun State visited the street. It was learnt that when they came they did not go into the hospital building to inspect what was reported. One of the police officers who went there said they only visited the street to investigate the veracity of the story. But funny enough they only went to the Baale’s’ palace, spoke with him and left.

    In search of justice and safety

    Meanwhile, the parents of the deceased have sent appeals to Nigerians to save them from further harassment as the police had allegedly become partisan. “Our son was killed and his body mutilated yet the police keep on threatening us.We know they want to humiliate us, oppress us and want us to withdraw the case but we would not. That is not the way to do it. What I want now is justice! Imagine, they did not give us the autopsy report from the hospital, why didn’t they give we the parents of the baby the result of the autopsy?” Mrs Oleh asked.

    Although the story of the couple was confirmed by the police, they insisted that the suspect is still in their custody. However, rumours are making the rounds that the suspect had been released.

    Keeping mum

    A visit to the street and the hospital premises show that many residents of the area have decided not to talk about the incident for fear of being molested. In fact, many of them believe strongly that the hospital was only a facade for committing crimes. For instance, a woman who begged for anonymity said “I live in this area but nobody has been patronising the hospital. Many children and pregnant women have died there . I believe it is nemesis that has caught up with the doctor over the death and mutilation of this boy.”

    When contacted, the Baale of Saka, Jubril Owolabi who was accused of calling the police when the mob tried to vandalise the hospital over the death of the boy, he said “I am the head of this community and I cannot see people vandalising such edifice and keep quiet.” He added that he simply played the role of a community leader by calling in the police.

    Asked if he patronises the hospital which is located near his residence, the community leader said he is a believer in traditional medicine.

    Meanwhile, the hospital has been sealed off while its head office in Amje area still offers skeletal services. A worker there confirmed to the reporter that his boss was still with the police at Eleweran, Abeokuta.

    Many are waiting with bated breath and keen interest to see how this case goes.

     

     

  • Romantic reminiscences

    Romantic reminiscences

    Yetunde Fashina-Arebi has in this work which centres entirely on human health and anatomy presented a compendium that is of immense value to humanity. Youth, Sex and Wellbeing is a book meant to help educate the society on the need to know and understand the whole essence of human relationships – relationships that border on how to create friends, how to enter into sexual life style, the implications and so on.

    With her over 20 years experience as a journalist whose human angle column has set a standard on the first person narrative style, the information in the book are not only real and practicable, they go a long way in opening people’s eyes to the issue of man-woman relationships and the attendant consequences. The stories are not just emotional and down-to-earth, they touch on the fabric of a society and its people who have come to see sex as a normal way of life.

    Yet, Arebi says that sex is more than that. In his view, sex is beyond mere man-woman relationship. Sex is life; it is knowledge, it directs people to being real human beings and so it has to be treated with absolute caution, respect, dignity and decorum. It is ordained by God primarily for pro-creation. And beyond that knowledge which propels man to indulge in or abuse sex to that level of debasement, there are lots and lots of headaches that follow it when it is wrongly applied.

    That is why sex education, in the reckoning of Arebi, is necessary in order for people to begin on time to know what sex implies. This will help people to acquire information about sex and know, therefore, when and how to form the appropriate attitudes, beliefs, intimacies and the like, necessary to lead healthy sexual life.

    Unfortunately, no one seems to teach teenagers when the time comes what to do or what not to do. This has led to too many sexual diseases that have today permeated the society. The author advocates for abstinence, if necessary, or for people to have self-control. But the acquisition of knowledge based on comprehensive information will invariably help to sort people out so that people will begin to have the appropriate value for sex.

    Arebi’s book is deeper in terms of knowledge-base because she took her time to research her sources. With people telling their stories, how they began their first outing, their traumatic experiences and so on, the author has succeeded in giving the world an outstanding book on sex education from people’s confessions. It is easy to see a people totally steeped in sexual orgy and drama.

    People begin quite early in life to practice sexual experimentation, most of which eventually land them in trouble. This is what Arebi tries to do; to encourage parents and adults to stand up to defend; to let the world know that sex is being abused in the country and more diseases are being spread to the detriment of people’s wellbeing, people’s future and more.

    Sex is sacred to human existence, yet it is a natural urge which cannot be wished away. Then what must man do to use it properly for the good of the society. This is why the book is an encyclopedia on those issues. There is the need for man to learn to acquire habits for a healthy relationship. The author harps on this when she says on page 91 that “God’s stand against sex out of the marital bed may be further buttressed by the many Sexually Transmitted Diseases (STDS), abortion, and unplanned and unwanted pregnancies plaguing our society…Ironically, science, having concluded and agreed with the Creator that only marital sex as recommended by God,’ that is, sex between a man and a woman who are faithful to one another is the only ideal form of sexual relationship’ if one wants to remain free of STDs….”

    With the rate at which sexually-transmitted diseases spread these days, no one is safe. It is so alarming that the book opens people’s senses to some of the serious issues associated with it. The author is indeed meticulous in this regard, harping on the rapid spread and what needs to be done to curtail it.

    Divided into sections, the book is easy to read and comprehend. It has a style that is unique where you read and follow with examples. To her, the examples will help readers to avoid other people’s mistakes; mistakes that have ruined many souls and rendered people’s sexual lives irreparable. And now that we know there are millions of ways to show people that we love them without sex, let us try to copy and practice those ways. You can only grasp these ideals by going through the book and also making the lesson you learn from it part of your life.

    Even though more has to be done to make sex education a part of school programmes in the society, Arebi has done her part. The rest should be the clarion call of both parents and government at all levels. Every practical step needs to be taken now to ensure the safety of the people; abortion has to be discouraged and the youths guided in the right path to be of good good behaviour sexually.

    With the cover showing a man and a woman in a romantic posture, Arebi has equally set the tone for a romantic and academic excursion into her world.

     

  • A new boost for African Literature

    A new boost for African Literature

    As the Etisalat telecom firm adds another literature prize to the array of the existing ones for African literature, Edozie Udeze speaks with Nigerian writers on this development

     

    The voices were somewhat discordant. “The good times are here for African literature.” “No, it is not yet uhuru.”

    But in a way, they all were excited to welcome this latest development to lift African literature to a higher level.

    The attention seems to be focused more on prose fiction and short stories, when poetry and drama are being left out.” It was indeed with mixed feelings that Nigerian writers welcomed an additional literature prize which was announced by the Etisalat telecom company last week in Lagos.

    Even though many writers have described the literature prize as quite ambitious and value-driven, aimed totally at giving African prose writers the opportunity to win and grow their trade, the emphasis, in the contention of most writers, is that literature should be allowed to breath on its own. African literature should be given the space to dictate to its readers in such a way that the stories told by Africans have to be seen to be the true representation of African scenes, African events, African affairs, African stories and indeed what the people believe and stand for.

    Etisalat Literature prize.

    While launching the prize last week, Ebi Atawodi of Etisalat, said the prize was being set up, among other salient issues, “to support African writing which is going through an era of great impetus.” She adde: “Now with new writers emerging each year and the popularity of African literature clearly on display at international awards it’s proper to give more attention to literature presently.”

    She went on: “These examples can be seen in the Caine Prize, the Man Booker Prize and the Women’s Prize for Fiction. So, the best in African literature may yet be ahead. It is now time to create a pan-African homegrown platform that promotes and celebrates emerging talents, especially in fiction.”

    Etsalat made it clear that the prize was conceived and instituted as an essentially pan-African award to look into the literary elements that constitute the African peoples where ever they are. This is why it is structured to be awarded to purely those whose works are fresh and appearing for the first time. These works have to be written by authors of African origin and descent and solely from the point of view of African values, both in terms of content and subject matter. The prize winner will get a £15,000 cash prize and a one-year residence in a university in the Middle-East, among other prizes.

    Is the prize real?

    While the institution of more prizes speak good of the level of literary firmament in Africa, a lot of writers still express some reservations about the motive, the conditions and reasons for these prizes. Denja Abdullahi, the Vice President of the Association of Nigerian Authors (ANA), in his own reaction welcomed “this addition to the array of prizes we have for writers to aspire to.” He, however, observed: “But like I always say, I do not believe any award or prize confers any excellence on a prize of writing. It only acknowledges the presence of merit in a given writing based on the criteria governing such an award or prize.”

    Abdullahi’s argument is that no award for literature should be set up with the primary aim to correct anything or for the panel to start influencing what is written. He gave example with the Caine Prize which many have criticised in recent times for making Africans write for neo-colonial sentiments. “The Caine Prize has a lot of neo-colonial or is it post- colonial pretentions. What we are saying is that an award should be simply set up to promote good writing, encourage reading and the labour of love of writing and nothing more.” Abdullahi is an ANA award-winning poet.

    In the same vain, Arnold Udoka, a renowned chorographer, playwright and poet, observed that “the Etisalat literature prize for African fiction must be considered in the context of existing literature prizes in Africa – ANA and NLNG.” He however, asked: But then, what is informing the philosophy behind the prize? It must be seen to go beyond literature prize being trendy globally or for Etisalat’s brand visibility through the arts or a UAE expression in literary capitalism.”

    Udoka whose poetry collection, I am the Woman, adorns most bookshelves all over the world, noted, however, that “from the outset, the prize promises to be more than the presentations of the award, brush the dust from our backsides, walk away and wait for next year’s award. It is clear that the Etisalat African fiction award intends to fill the literary impact lacuna created by existing awards which fail to promote the book or the writer.”

    “Let’s therefore hope,” Udoka said “that by this gesture, Etisalat is taking the African writer to the market space/place.” This, to him, should be the guiding spirit behind the prize which he equally pointed out should not be allowed to deviate from the principle of making African stories be wholly African.

    Neglecting other genres?

    Apart from the Nigerian LNG prize for literature which rotates its prize among the four genres of literature, the Caine, the Etisalat and some others have no room for drama and poetry. Many Nigerian writers have frowned at this utter neglect, saying that it does not speak well of literature. “Is this supposed to dampen the creative drive of writers in these two genres?” was how Daggar Tola, chairman of the Lagos State Chapter of the Association of Nigerian Authors (ANA) reacted to the issue. Yet to him, “the more prizes for literature, the merrier, for it will encourage writers who labour hard to write.”

    Abdullahi’s regret also is that no one even tries to look in the way of poetry and drama so as to keep those fortes in the eye of the people. He said: “Oh, my worry about all these explosion of literary prizes is that no one remembers the poet and the playwright when instituting such. Are we now saying that those who write those genres are not worthy of acclaim or that the genres themselves have no contemporary relevance?” This is what the literary clan in Nigeria and Africa have to note and bring to the attention of the public for literary discourse.

    As for Udoka, this unfortunate development, as it were, calls for worry and concern. He said: “My little objection is on the emphasis on fiction and the limitation to prose only. This might in the end, limit the sphere of literary expression and discourse. But then, the prize, to me, creates an opportunity to excite, encourage, explore, exploit, promote and project the creative dexterity and vibrancy of the writers of the mother continent.”

    Uniqueness

    The core content of the Etisalat prize lies in the fact that more attention will be focused on the writer and his work. While other literary prizes in Africa may be for the good of the prize money and what the author can do with it, Atawodi of Etisalat declared otherwise. She said: “We are de-emphasising the money issue and focusing more on value for the writer and his craft.”

    She equally drew attention to the fact that the winner will be mentored and guided by Giles Foden, the world-acclaimed author of The Last King of Scotland. And in addition, 1,000 copies of the book will be distributed to choice schools throughout Africa. The intention is to make the book known and also encourage the author to be of more relevance to literature.

    Also, the winner will be taken on a four-nation tour where proper attention will be paid to his work. Apart from that, the writer will be allowed an all-expenses writers’ residence in a choice university in the Middle-East. All these, to Atawodi, are to enable the winner gain more exposure, have enough time to think and write more so that literature will continue to grow, thrive and ferment.

    Generally, writers noted that the panel of judges should no longer be an exclusive affair of university professors who view literature from an elitist angle. According to Abdullahi, “we leave out the ordinary reader in the assessment of what is good literature and yet we cry that people are not reading. Therefore, members of the writers’ clan should be on the panel. That way, the views will be balanced and totally representative.”

     

  • Art museum for Abuja

    Art museum for Abuja

    Dr. Abdul Muku is the Director-General of the National Gallery of Art (NGA), a parastatal of the Federal Ministry of Culture responsible for the promotion of visual art in Nigeria. In this chat with Edozie Udeze, he touches on a number of issues that affect the sector and what NGA has been doing to fulfill its statutory mandate, including plans for an art museum in Abuja

     

     

    What do you think is the contribution of the distinguished public lecture series organised by the Society of Nigerian Artists (SNA) to the growth of the art?

    Oh, the lecture itself is very important to us and to the National Gallery of Art (NGA) in many respects. It is gradually creating the necessary awareness in the visual art sector in Nigeria. This is why we have always said we should encourage any group of artists who want to do a programme to help move the sector to the next level.

    So, this lecture is very important to us and that is why we are fully involved in it. The lecture, giving the caliber of the lecturer and the theme he handled, you could see how it gingered on the audience. Artists have to learn from it, so also we at the NGA.

    The topic raised a lot of issues, one of which is that African artists should not be in a hurry to sell off their works. What is your take on this?

    Yes, that is correct. Artists should wait a while for their works to breath, or, if you like, mature. That is why we at the NGA are trying to get this embellishment of the art. In other words, a certain percentage of the art will be set aside for this embellishment. That means that there will be plenty of money for us to pick from, to promote, preserve and project the art.

    In the end, the works cannot get out of the shores of this country. We really need to pursue the enabling law vigorously in order to set things right.

    We do not have any museum of the art in Nigeria and yet we have the largest art market in Africa. What is the thinking of government in this regard?

    Thank you very much. That was what I was telling the SNA president, Oliver Enwonwu, few minutes ago. He has thrown a challenge to us. Even the SNA wrote a letter to us to start the construction of a museum or a big art gallery office in Abuja. We are doing a memo on that. In fact once I get back to Abuja today, we will complete the memo in that regard, then send it to Mr. President for his approval. Once this is done, we are going to provide the best art gallery for the sector.

    When this is done what sort of art work will you keep there?

    All media works – all the works that have been completed and the committee in-charge feels they are good enough. The selection committee will be in charge of that responsibility. Already we have some works in the national gallery and those ones will be there too. We have over three thousand works in our custody as at today. Besides that, any one we pick that can go through the committee will be included in the gallery.

    What was the idea of actually establishing the NGA?

    It is primarily to promote the visual art. The statutory law establishing it points out its responsibility as solely promoting and encouraging the visual art in Nigeria. It is to also co-ordinate the activities of the sector and see how government can assist in the development of the sector.

    But is NGA truly doing all that?

    Yes, we are doing the best we can to promote the sector. A while ago, I said it that we have a lot of association in the art, which is not bad anyway. This is so because they assist either to address specialisation for quick results or they all line up behind SNA to achieve the desired goal. But in all, there has been better co-ordination in the sector. Then, we have been doing that ever since we came on board.

    However, if all artists line up behind the SNA, the co-ordination will be better and everybody will appreciate better what government is doing in the sector. Once that is done, it will create more wealth in the visual art sector.

    You have been asked to vacate the premises of National Theatre. What is your reaction to this?

    Ehm… Sincerely, I think the truth is that from what government is saying what is happening around National Theatre is not too good. This is particularly with the water logged areas and so on which are eyesore when it rains. So, they want to see how those places can be repaired. In other words, they want to make the place look good and come up to international standard.

    The Theatre will remain as it is. The only thing is that they will fix it in a way that it becomes completely functional. They want to follow the initial design of having a five-star hotel around it. Government has agreed that some of the parastatals that are going out now will be recalled when the job is completed. We want to move out for the place to be sanitised. For now, government has prepared an alternative office space for us. It is a temporary place pending when the renovation is done.

    Is this affecting the functions of the NGA in any way?

    No. It does not. The only thing I want to say is that when the job is finished, it will increase activities in and around the Theatre.

     

  • Giving meaning to ‘madness’

    Poetry is subjective, a romance the poet engages with himself. But, when 18 undergraduates with diverse backgrounds and just a unifying thread amongst them come together to express the innermost thoughts in a poetry anthology, then such collection can only be eclectic. Such were my thoughts as I read Our Legacy Of Madness, an anthology produced by The Weavers Club of the University of Lagos.

    As the most personal form of literature, poetry becomes the first romance burgeoning literature enthusiasts engage in. The book is expressive of the dreams, desires, and life which the youth, future leaders of tomorrow, find themselves. And with no central theme, poems in the book range from cherry dispositions to melancholy, from city hustles to the rural inclines of nature, these poets bare their minds, offering a plethora of vistas to life, nay Nigerian life.

    For instance, it is easy to visualise Nigeria and Nigerians in Olumide Ayodele’s poem, Our United-Dividedness. He writes: In the past/ Many mouths tasted much meat from many hands/ And many bellies smiled in unison/ Whistling me/ Whistling us/ Whistling us/ At present/ A thousand tongues are scarred/ By the skin of soured grapes/ Their bellies testified to the festering worms within/ Screaming me/ Skimming you/ Goat-footedly apart. Also, Chinaza Amaeze Okoli, expresses oneness with nature in his poem, On The Niger Bridge, with lines like I long to watch you spurt/And leap above my eyes. However, in another poem entitled, Name In The Rear, he bears a forlorn frustration at his country, and encapsulates how the pains of citizenship is made light with jokes.

    And reflecting on man’s life on earth, Yemisi Onanuga’s poem, Choice, simply evokes a sense of humanity’s freedom. Onanuga writes that ‘one thing is constant and that is choice.’ The poet then contends that, ‘And even choosing not to choose is a choice of decision.’

    So diverse are the expressed themes in the anthology, as multifarious as life itself, that finding a poem to connect to, is not too difficult. And being young people, there is also of touch of adventure, perception of history and the reality of living the present. These are perhaps the main ingredients that make the book tick. No doubt, we live in maddening times and the potpourri of voices in Our Legacy of Madness perhaps confirm one thing – this is a season of ‘madness.’