Category: Entertainment

  • Babatunde Aderinoye: I don’t exploit fans’ admiration

    Babatunde Aderinoye: I don’t exploit fans’ admiration

    From the world of broadcasting to movie scripts, Babatunde Aderinoye has walked an intriguing path—one that saw him switch dreams of being Nigeria’s top broadcaster for the bright lights of Nollywood. Known for his calm charisma and articulate delivery, Aderinoye has grown a large fan base and earned a place as the sweetheart of Yoruba movie lovers. In this engaging interview with ADENIYI ADEWOYIN, the Abeokuta-born actor opens up about training under Odunlade Adekola, navigating career doubts, his thoughts on constructive criticism in filmmaking, and how he handles attention from female fans in the industry.

    How would you describe your journey to Nollywood?

    Nothing is easy. There are always ups and downs, and challenges here and there. I think the fact that one can ensure that you do not let the challenges overwhelm you to the point that it keeps you down, there is a need for resilience and I think that is the hallmark of every success because there will always be challenges and I think challenges will serve as motivation and if you have challenge you should know that the end is usually success at the end of the day. It’s not been easy, but I thank God for where I started, for where I am today and for where he is taking me.

    Did you at any point train in any drama school to become an actor?

    To be candid, I feel that there is no successful person in any field today who did not undergo a form of refining. When I started I saw myself as a raw material that needed to be refined and the next thing for me was to look for where I would be refined I did not just want to go anywhere, I had certain qualities that I was looking out for, certain beliefs and I did not want anything to taint those principles.

    So, I sat down and looked out for where I could align, and I eventually saw Odunlade Adekola as a very good actor, not just as an actor, I saw him as someone who has discipline and personal principles as well, and I realized that this is the person to go to, to learn from. One thing that I told him when he asked me why I came to join his movie was that I saw myself as raw material that needed to become a finished product, and he was the best person to help me.

    What year did you join the industry?

    2017.

    What were you doing before joining the movie industry?

    Before now, my dream was to become the best broadcaster in Nigeria. I’ve got a couple of experiences here and there. I’ve worked with Diamond FM in Ibadan, Oyo State. I’ve worked with Rock City FM in Abeokuta, Ogun State. I’ve worked with OGBC in Abeokuta. I’ve worked with OSBC on both TV and Radio in Osun State. Eventually, man proposes, and God disposes; I think God had something different for me. But then, I really enjoyed my time in broadcasting, and that was what brought me here. There are certain things I’m able to do easily because of the experience that I have in broadcasting. It doesn’t mean that part of me is gone; I still have it, and there are certain plans that I still have to ensure that part of me is still there.

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    Was there ever a time you wanted to give up on acting and go back to broadcasting?

    Plenty of times! The thing is, when you’re passionate about something, it’s usually like a spirit, when you see someone doing it and is doing it well, you get motivated. So, there were several moments like that, but then, where I am currently, I am enjoying it. There is time for everything and I feel that where I am right now is sufficient enough for me… for now.

    Why did you choose the Yoruba sector of Nollywood and not the English-speaking part considering your fluency?

    I think it was the closest to me at that time. I was born in Abeokuta and had my primary and secondary school there, except for my university education, which was at the University of Ibadan, where I studied Psychology. So, the closest to me was Odunlade Adekola Film Production (OAFP), and to me, it was the best.

    Did you at any time use your influence as a broadcaster at that time to gain access to the movie world?  

    He (Odunlade) didn’t know me, so it wasn’t a matter of influence or connection. I had done a couple of articles and other jobs for film organizations, too and helped them review movies before I came into the movie industry.

    Talking about movie reviews, some of your colleagues frown at reviews that are not completely in their favour. What do you have to say about that as a film reviewer yourself?

    In life, you need to be criticized. There is a need for criticism. Where some people get it wrong when they are not constructive with their criticism. I cannot just tell you your mistake without telling you where to improve. So, it’s not just about telling people their mistakes, but also telling them what to do to get better. I think that’s where some of my colleagues don’t embrace certain criticism.

    You are obviously a good-looking man. Do you also get sexual advancement from female folks?

    Well, it’s good to be acknowledged, it’s a privilege, and so far, God has been faithful when it comes to that. Every man gets attention, but then I really do not like a situation where you exploit negatively because you are a celebrity. Some people just love you unconditionally, and you wonder where the love is coming from but it doesn’t mean you have to exploit it and misuse it. Why don’t you think about impacting the person that loves you? It’s not just about receiving love but I’m also in the position to give love.

  • Celebrating African Cinema: AMVCA’s growing influence in global entertainment

    Celebrating African Cinema: AMVCA’s growing influence in global entertainment

    The Africa Magic Viewers’ Choice Awards (AMVCA), often compared to the Oscars, has evolved beyond a simple awards ceremony into an influential platform boosting African cinema’s global visibility. As the 11th edition approaches, the AMVCA continues to highlight African filmmakers’ work, helping to position Africa’s cinematic output as a significant force in international entertainment.

    Initially established to showcase Africa’s diverse storytelling traditions, the AMVCA has grown from a regional event into one of the most anticipated events on the global film calendar. This increased prominence reflects the growing recognition of Africa’s cinematic quality and originality. The AMVCA brings together a wide range of African filmmaking talents, enhancing the event’s global recognition. As African content expands on streaming platforms like Showmax, the awards provide filmmakers with access to broader international audiences.

    While the comparison to the Oscars speaks to its prestige, the AMVCA’s true value lies in showcasing authentic African stories and talent. Celebrating both established and emerging creative voices creates a space where African filmmakers receive recognition for their contributions to global cinema. This is particularly important as African stories gain traction on the international stage.

    Recognition from the AMVCA extends beyond trophies, opening doors to new opportunities and global collaborations. Past winners have seen their careers blossom through international film festival invitations, co-productions, and global distribution deals. The award serves as a validation that elevates African filmmakers’ work to the international stage.

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    A key strength of the AMVCA is its recognition of the full spectrum of industry talent. The awards highlight not only actors and directors but also the technical experts- cinematographers, editors, sound engineers, costume designers, and music composers- emphasising African cinema’s diverse talent pool. The addition of the best music score category further acknowledges how original compositions enhance storytelling and emotional impact in African films.

    As African films increasingly appear on global platforms and receive critical acclaim, the AMVCA has become an industry cornerstone. With its 11th edition approaching, the awards’ role in recognising and celebrating African cinema remains vital. By recognizing excellence across all filmmaking aspects, from visual storytelling to musical composition, the AMVCA provides a comprehensive platform for honouring the complete artistic vision behind each production.

    The global entertainment industry is paying attention, and the AMVCA ensures that African cinema is not just part of the conversation but actively shapes it. This evolution from a regional awards show to a globally recognized institution demonstrates the growing influence of African cinema and the diverse talent emerging from the continent. Through categories like Best Music Score, the AMVCA continues to elevate all components that make African storytelling unique and compelling on the world stage.

  • Drama as Real Housewives of Lagos Season 3 returns

    Drama as Real Housewives of Lagos Season 3 returns

    The much-anticipated reunion of The Real Housewives of Lagos Season 3 delivered glitz, glamour, and explosive drama as the housewives gathered to confront unresolved tensions and celebrate their season.

    The reunion was hosted by Uti Nwachukwu, and it had cast members for a night of revelations that kept viewers on the edge of their seats.

    The evening began with glamorous entrances that set the tone for the reunion.

    Carolyna Hutchings was the first to arrive, followed by Dabota Lawson and Adeola Adeyemi. Sophia Momodu stunned in a gold gown, greeting her co-stars with enthusiasm, while Mariam Timmer dazzled in a purple corset dress.

    As the reunion unfolded, tensions quickly rose as unresolved conflicts from the season were revisited.

    Flashbacks highlighted the clash between Sophia Momodu and Dabota Lawson over boat arrangements earlier in the season. Both women aired their grievances, with Dabota apologizing for her comments and Sophia reciprocating, signalling a moment of reconciliation.

    Adeola Adeyemi expressed frustration over being kept waiting by other housewives during filming, citing family obligations. Carolyna Hutchings admitted her communication with Dabota had been unclear regarding plans, sparking further debate among the group.

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    The spotlight soon shifted to Carolyna Hutchings and Adeola Adeyemi’s strained dynamic.

    Uti revisited Carolyna’s cutting remarks about Adeola during previous episodes, including accusations of an ‘inferiority complex’ and being ‘easily controlled.’

    When pressed, Carolyna claimed her issues stemmed from tensions at the beach house. Adeola firmly countered these claims, refusing to be drawn into Carolyna’s narrative.

    The drama escalated further when clips showcased friction between Mariam Timmer and Adeola Adeyemi, with accusations of bullying taking center stage. Mariam defended her actions as attempts to resolve conflicts but refused to apologize for crossing boundaries. Despite initial resistance, both women eventually exchanged heartfelt apologies, signaling a hopeful resolution to their differences.

    The second part of the reunion is billed to air on Sunday, April 20.

  • Kemity condemns price inflation for celebrities

    Kemity condemns price inflation for celebrities

    Nollywood actress and producer Ariyo Oluwakemisola Apesin, aka Kemity, has called out traders who inflate prices simply because they are selling to celebrities.

    The actress described the act as a form of corruption.

    During a recent chat with The Nation, the film star expressed concern over the unfair treatment public figures often receive in the marketplace and urged Nigerians to be more sincere in their dealings.

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    “We can do better as Nigerians. Traders must stop inflating prices because they are selling to celebrities. That’s part of corruption,” she said.

    Kemity, known for her down-to-earth personality and impactful roles on screen, stressed the need for collective responsibility in tackling everyday issues that contribute to the nation’s challenges.

    “If you’re selling something for one hundred Naira and you sell it to a celebrity for one thousand Naira, that’s corruption. We can only help ourselves by doing better,” she added.

  • Nkan EP set for release on April 21

    Nkan EP set for release on April 21

    California-Based Nigerian artiste Kemi Otekaiye-Colloraffi, aka Nkan Eledua (NKAN), is set to release another EP entitled ‘Surulere.’

    The music project is set for release on Monday, April 21, 2025.

    NKAN, a performing artist whose Afrocentric sound and captivating stage presence had already made her a rising star in Nigeria before moving to the US some years back, is ready to take her place in the African Diaspora space globally.

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    When asked about the inspiration and the motivation behind the four-track EP, the Afrocentric artiste said, ” My husband’s support and a patient’s words of encouragement sparked this project. Life experiences and stories from loved ones also influenced the EP’s themes.

    This wasn’t just another music release; it felt like a cultural moment, a vibrant tapestry woven from ancestral rhythms and contemporary Afropop melodies, ready to be unfurled onto the world stage. So, I urge you to tag along.

    “Surulere” is a vibrant 4-track EP packed with infectious rhythms and melodies. Each song is short, sweet, and uniquely flavoured, blending inspiration, unity, love, celebration, and dance. The EP features four captivating tracks: Pepepe, Jangbala, Surulere, and Tipatipa,” she proudly concluded.

    A listening party is scheduled for Easter Sunday, April 20, 2025. NKAN is an African Culture activist, an actress, and a partner with TheatreMania Africa Festival (TAF).

  • Lateef Adedimeji, Mo Bimpe secure fresh ambassadorial roles

    Lateef Adedimeji, Mo Bimpe secure fresh ambassadorial roles

    Nollywood couple, Lateef Adedimeji and Adebimpe Oyebade Adedimeji have sealed fresh lucrative endorsement deals.

    The couple has been appointed brand ambassadors by KON Group, a Doha, Qatar-based international consulting firm.

    The appointment comes in recognition of their rising popularity and impressive contributions to the Nigerian film industry.

    In a personally signed statement announcing the partnership, Lateef said: “My wife and I are beyond thrilled to announce that we’ve signed a mega deal as ambassadors for KON Group Qatar, an international consulting firm based in Doha, which specializes in business management, cultural consultancy, and global partnerships.”

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    As the faces of KON Group in Nigeria and across Africa, the couple is expected to play a pivotal role in empowering entrepreneurs, businesses, and industries.

    Their work will span a broad range of sectors, including Project Planning and Management, Business Development, Communication Strategies, Public-Private Partnerships, Medical Tourism (featuring innovative, surgery-free solutions), Business Consulting, Digital Life Coaching, as well as Cultural Consultancy and Artistic Diplomacy.

    Lateef further expressed his excitement about the development, saying: “With this honour, my wife and I are inspired to do even more to enhance Nigeria’s image on the global stage. We are committed to showcasing the best of Nigeria and proving to the world that great things are happening in our country.”

  • Nigerian Idol Season 10 premieres Sunday

    Nigerian Idol Season 10 premieres Sunday

    Nigerian Idol returns for its 10th season on Sunday, April 20, 2025, at 7 promising a thrilling showcase of talent, inspiring stories, and unforgettable performances.

    This season’s theme, ‘Your Voice, Your Victory,’ celebrates resilience, passion, and the the transformative power of music.

    Guiding viewers through every twist and turn is the charismatic IK Osakioduwa, who reprises his role as the show’s host.

    Season 10 brings an exciting mix of expertise and fresh perspectives to the judging panel. Returning judges Omawumi Megbele and Ric Hassani will be joined by Afropop sensation Iyanya Mbuk.

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    Speaking about the show, Dr. Busola Tejumola, Executive Head, Content and Channels, West Africa, MultiChoice Nigeria, stated, “Nigerian Idol is more than just a competition; it is a platform that transforms lives. Over the years, we have seen aspiring artists step onto that stage and emerge as stars. With the line-up of judges this season, fans can expect passion, commitment, and insightful feedback that will enrich the overall experience of the show.”

    It was also announced that fans across Africa can catch all the action live on Showmax, ensuring a front-row seat to the drama and excitement.

  • Tana Adelana’s ‘Tender Hedges’ hits YouTube

    Tana Adelana’s ‘Tender Hedges’ hits YouTube

    Nollywood actress and filmmaker Tana Adelana has released her acclaimed movie, ‘Tender Edges,’ on YouTube, expanding access to a broader audience after a successful festival run.

    Tender Edges, which was directed by Great-Valentine Edochie, had its moment of glory on the global stage, earning 11 nominations at the Toronto International Nollywood Film Festival (TINFF) and 3 nominations at the Abuja International Film Festival (AIFF). It was also officially selected for screening at the African Cultural Film Festival.

    The film clinched two prestigious awards: Best Female Filmmaker at TINFF and Best Actress at AIFF, affirming Tana Adelana’s range not only as an actress but also as a visionary storyteller.

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    Tender Edges explores the emotional complexities of love, loss, hurt and personal growth through layered storytelling and compelling performances. The film stars Tana Adelana alongside Wole Ojo, Angel Unigwe, and veteran actress Rita Edochie.

    Speaking on the release, Adelana said the move to stream the film for free was a way of connecting more intimately with her fans and promoting authentic African narratives on a global scale.

  • Dammy Krane’s album ‘5ive’ to drop same date as Davido’s album

    Dammy Krane’s album ‘5ive’ to drop same date as Davido’s album

    Singer Dammy Krane has announced that his upcoming album, titled 5ive, will be released on April 18 — the same title and release date as Davido’s much-anticipated album.

    The announcement has stirred speculation among fans, especially considering the strained relationship between the two artists. 

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    Once friends, their bond fractured after Dammy Krane publicly accused Davido of withholding royalties from a past collaboration.

    While Davido had previously shared the inspiration behind his 5ive album, Dammy Krane’s choice of an identical title and launch date is being seen by many as a calculated move.

    Observers believe the decision may be a continuation of their long-running feud, with Dammy Krane possibly seeking to reignite attention by aligning his release with Davido’s.

  • I don’t listen to Yinka Alaseyori’s songs because of Tope Alabi – Lizzy Anjorin

    I don’t listen to Yinka Alaseyori’s songs because of Tope Alabi – Lizzy Anjorin

    Actress Lizzy Anjorin has opened up about her unwavering admiration for gospel singer Tope Alabi, revealing it as the reason she distanced herself from fellow artist Yinka Alaseyori.

    In a recent video, Lizzy disclosed that she declined an invitation to an award event in Canada simply because Yinka, and not Tope, was scheduled to perform.

    She also shared that she played Tope Alabi’s songs in solidarity during the singer’s recent online controversy, even though her team advised against it.

    However, Lizzy expressed disappointment over Tope Alabi’s silence following a surprise birthday celebration she had hoped would be acknowledged by the gospel star, especially since she felt the gesture was made in Tope’s honour.

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    She said: “This is the evidence that the person who planned the birthday surprise for me mentioned my name in the email that was sent to Sis Tope Alabi’s team on Jan 26. My fans deliberately called Tope because they know how much I love her. It’s because of Sis Tope that I never played Yinka Alaseyori’s songs on my page. I don’t h@te Yinka but I was just being loyal to Sis Tope. 

    “I was invited to an award ceremony in Canada, and Yinka was to sing there; I didn’t go because it was not Sis Tope who would sing. When Sis Tope was being dragged recently for not allowing the father of her daughter to be at her wedding, I played my song to support her even though my team told me not to.”