He expressed disappointment in those who can recount Biblical histories but remain unaware of their own cultural background.
Edochie wrote, “If you’re an African, and you know all about Peter, Paul, Joseph in the Bible and the people of Israel, and yet you know nothing about your village, your ancestors, your lineage, the exploits of your great grandfathers and grandmothers, you should be ashamed of yourself. You’re lost”.
Media personality Enioluwa Adeoluwa has voiced his displeasure over comparisons between Nigerian actress Funke Akindele and Hollywood star Taraji P. Henson.
While expressing admiration for Taraji, Adeoluwa stressed the importance of recognizing Funke Akindele’s unique achievements.
He argued that constant comparisons to Western figures diminish the individuality and accomplishments of Nigerian icons.
Adeoluwa praised Akindele as a trailblazer, highlighting her unmatched success as a box office record-breaker in Nollywood.
Adeoluwa wrote: “I really don’t like seeing comments calling Aunty Funke the “Nigerian version of Taraji P. Henson.” As much as I love Taraji and admire her work, I don’t understand the constant need to compare our icons to Western figures.
“Funke Akindele is The Funke Akindele—an unstoppable box office record breaker. She’s not a version of anyone but herself”.
Tech innovator, entrepreneur, and founder of Aiflix360, Dr. Ope Banwo, has recorded a groundbreaking achievement for the African cinema and music industries with the completion of the continent’s first ever fully AI-generated feature film and soundtrack album.
Titled The OmegaMax Conspiracy, the fully AI-generated feature film, accompanied by a 14-track AI-produced soundtrack album entitled Omegapro Scandemic, is based on the controversial Omegapro scam that rocked the globe not too long ago.
Announcing the landmark achievement via a self-signed statement released from his base in Omaha, Nebraska, USA, on Tuesday, February 25, Banwo described the movie as a masterpiece and a deviation from the norm, adding that it will usher in a new era for African filmmakers, musicians, and tech-driven storytellers.
Speaking about the movie, Banwo said, “This isn’t just about making a movie or an album. It’s about proving that AI can revolutionize content creation in ways we never imagined.
“From scriptwriting to character animation, voiceovers, and now even music production, AI handled every aspect of the creative process. This is the future, and Africa is at the forefront.
“This innovation doesn’t replace human creativity—it expands it, allowing storytellers and artists to create projects they once thought impossible. The future of film and music is digital, and AI is the key,” Banwo asserted.
By leveraging advanced AI tools for scriptwriting, digital character creation, voice synthesis, music production, and post-production, Banwo has shattered traditional creative barriers, offering a bold new vision for filmmakers and musicians across Africa and the world.
With AI-driven filmmaking and music production, Banwo has also eliminated typical Nollywood constraints such as budget, logistical hurdles, and limited resources, opening a new door for African storytellers and artists to create high-quality productions without the need for expensive sets, actors, recording studios, or instruments.
Also, Banwo’s pioneering work challenges traditional notions of storytelling and music composition, paving the way for new possibilities in content creation.
As discussions around AI’s role in creative industries continue, The OmegaMax Conspiracy and the Omegapro Scandemic album spark important conversations about the ethical, artistic, and economic impact of AI in filmmaking and music production while also confirming Banwo’s position in Africa as a digital trailblazer.
Veteran actors Norbert Young and Gloria have shared their experience of struggling with childlessness for seven years.
Speaking in an interview on Love Notes with Tope, Gloria opened up about the emotional toll it took on her, while Norbert revealed that he never saw it as a challenge.
Norbert recalled how his sister faced a similar situation, waiting 16 years for a child, and praised her husband for standing by her. He emphasized that their struggle with childlessness never threatened their marriage.
When asked about the challenges in their relationship, Gloria simply responded, *“I was childless for seven years, Norbert.”
Norbert said: “I didn’t see it as a challenge, you see, because I kept telling her, ‘What are you worried about? What is it? Be calming down.
“How can I see it as a challenge? I had a sister who was married for 16 years without a child, and on the 17th year, she had a child.
“Her husband never told her to leave. That child today is a medical doctor—a big man too. So what’s the big deal? It didn’t threaten our union at all.”
Gloria said: “He never did. But I was the one feeling it, and I was the one seeing things. And he was the one telling me, ‘What is it? Stop worrying about such things.’”
Norbert confirmed her anxiety, saying, “She was anxious about it—being childless for that long. Like I said, it wasn’t a challenge for me, but it was for her. As a couple, it was challenging, but personally, I didn’t see it that way.”
Gloria, however, shared her anxiety and the societal pressure she faced, particularly from relatives who would stare at her stomach during family gatherings, silently inquiring about her childlessness.
“I would go to my own family gatherings, and not asking per se, but imagine you’re walking into the room, and one aunty looks at you—makes sure that you know she’s looking at you—then her eyes go down to your stomach.
“And as you walk away, her eyes are still there. What is she telling you? Like, ‘How far na? E don tey oh! E don pass one, two, three…’ Without saying a word. Oh, I had that kind of auntie.”
Media personality Florence Otedola, popularly known as DJ Cuppy, has opened up about her background and the realities of privilege.
As the daughter of Nigerian billionaire Femi Otedola, DJ Cuppy admitted that she grew up in a financially secure environment and, at the time, didn’t fully grasp the extent of her privilege.
In a post on her X handle, she shared her newfound awareness of life’s disparities, stating, “Growing up, I didn’t fully realise just how privileged I was. I never had to worry about anything.”
Angie Stone, the legendary singer and pivotal member of the pioneering hip hop trio The Sequence, has tragically passed away at the age of 63.
Her representative, Deborah R. Champagne, confirmed that Angie was involved in a fatal car accident early Saturday morning, shortly after performing in Montgomery, Alabama.
When the incident occurred, she was on her way to another gig at the CIAA basketball tournament in Baltimore.
Specific details surrounding the crash remain unclear, and authorities have been contacted for further information.
Deborah expressed her heartbreak over the loss, noting that she had spoken with Angie just the night before. She highlighted the shock and devastation felt by her family and friends.
Angie Stone gained recognition as part of The Sequence, the first all-female group ever signed to the iconic Sugar Hill Records.
From 1979 to 1985, the trio released three albums, best known for their hit “Funk You Up,” which has been sampled by numerous prominent artists, most notably Bruno Mars in “Uptown Funk” and Dr. Dre in “Keep Their Heads Ringin’.”
In the late 1990s, Angie embarked on a successful solo career. Her debut album, Black Diamond, achieved gold status in the United States.
The 2001 hit “Wish I Didn’t Miss You” became one of her signature songs and showcased her ability to connect deeply with audiences.
Beyond music, Angie Stone also explored acting, appearing in films such as The Hot Chick and the Kevin Hart comedy Ride Along.
In a 2018 interview, she emphasised the importance of younger artists honoring those who laid the groundwork for their success, reinforcing her commitment to the music industry’s legacy.
Angie is survived by her son Michael, daughter Diamond, and two grandchildren.
Talent manager Tunji Balogun, popularly known as Teebillz, has publicly apologized to media personality Toke Makinwa after criticizing her remarks on the divorce saga between 2Baba and Annie Idibia.
Makinwa was among the first to react to 2Baba’s January 26, 2025, announcement of his separation from Annie, expressing her strong disapproval of his decision.
Her stance drew backlash from Teebillz, who warned her against commenting on other people’s family matters, suggesting she lacked the perspective of a mother in similar situations.
His remarks sparked widespread social media debate, with many questioning how this would affect his relationship with Makinwa, especially given her close friendship with his estranged wife, Tiwa Savage.
However, in a recent Instagram post, Teebillz extended an apology to Makinwa, admitting he had overreacted.
He explained that his emotional response was fueled by his deep respect for both 2Baba and Annie, acknowledging that his initial reaction was influenced by outdated perspectives and a limited understanding of the situation.
Teebillz wrote, “My sincere apologies to TM [Toke Makinwa]. I jumped the gun and goofed. I honestly acted out of character bcos of the unconditional love I have for Annie and King 2. My action was based on expired knowledge and lack of understanding of the current occurrences.
“I hope you spare my ignorance. Hopefully I get the chance to privately apologise to sort our differences. My action was exactly what I accused you of. Hope you forgive my emotional incompetence pls @tokemakinwa”.
Gospel singer Testimony Jaga has shared a harrowing experience from his past, highlighting the importance of a mother’s prayers in protecting her children.
Speaking on the Honest Bunch podcast, Jaga recalled his desperate pursuit of success in the music industry, which led him to associate with a powerful figure who was later revealed to be involved in criminal activities.
Hoping to advance his career, Jaga stayed at the man’s house and performed menial tasks like washing his car, unaware of the danger surrounding him.
However, his world turned upside down when he discovered a gun inside a bag in his room, triggering a chaotic and life-threatening confrontation.
Gunshots rang out, and Jaga found himself in a terrifying situation, struggling to escape while facing accusations of being part of the criminal operation.
He repeatedly asserted his innocence, insisting he was a musician, not a thief.
Jaga also mentioned that his father had given him protective charms to wear, but they proved ineffective during the crisis, reinforcing his belief in the power of prayer over superstitions.
“Every mother keep praying for your kids. I was ready to do anything to blow. E get one guy wey promise to help us. I con go dey sleep him house, wash him car. Very influential guy. I don think say the guy go help my life, I no know say na armed robber dem be. So I dey live for the man house, dem con put one bag for my room, I no know say na gun dey there.
“As they began shooting, I no know when I wan run go. If I go run wey dey fire me for back. I dey hear open the gate now or we kill you. I dey hear the voice and the voice no be one. And that time SARS dey hot. Dem dey tell me say the man don confess say na me and ham dey thief.
“I keep saying what i’m saying ‘I no be thief, na musician I be’. All the things they gave me to tie on my waist fell off without having any effect it was supposed to have. My dad gave me to put it around my waist when I was coming to Lagos”, he said.
Young Nigerian actress, Gbemisola Scarlet Gomez was born Gbemisola Scarlet Shotade before meeting her husband in a music studio. She’s one young woman, who has been on the Nigerian entertainment scene for a while. Though she’s widely known for her lead role in the Showmax Original telenovela series Wura, she got her first acting role by accident. She spoke with ASSISTANT ENTERTAINMENT EDITOR GBENGA BADA on how she made her first millions at age 15 modelling and contesting at pageants.
How did the name Scarlet come about, is it just a stage name?
A lot of people think Scarlet is a stage name, but it’s not. It was mother-given. I always like to say that I think my mom was trying to show off that she read English and wanted people to know by giving me an English name. But I thank God she gave me the name because it’s cute, and I didn’t have to look for a stage name.
You started with beauty pageants, then music videos, and now film, how did that transition happen?
I wanted to be a newscaster or a presenter, but everything else was just a means to an end for me. It was me as a young Nigerian youth looking at life and thinking, “It’s just me and my brother left.” We lost our dad when I was eight, and we didn’t want the entire burden to be on my mom, seeing how she was struggling. I asked myself, “What can I bring to the table?” That was how I got into modelling, pageants, and then acting. But once I stumbled into acting, I fell in love with it.
How exactly did you get into modelling?
I was just walking down the street one day when a man approached me. I was skinny and you could tell my height from afar. This man was just passing by my street when he saw me from the other side, crossed over, and said, “Fine girl, would you like to be a model?”
I thought models needed training and everything, and I knew nothing about it, but he said, “No, we can train you.”
I told him, “First off, if you can talk to my mom and she says yes, no problem.” And he was like, “Where’s your mom?” I said, “She’s upstairs.” He said, “Can I go and see her now?” I said, “Peace of the Lord be with you.”
So he went upstairs. I was expecting to hear an argument, but I heard nothing. I thought, “What’s going on?” I went upstairs, and my mom just looked at me. In my mind, I thought, “When this man leaves, this woman is going to beat the hell out of me.”
But when he left, she didn’t say anything. She just asked, “So what time is the audition tomorrow?” I was amazed. He told her about an audition the next day, and she was fine with it. I was shocked because I had always thought my mom was super strict and only wanted me to do what she approved of. But that moment made me realise that maybe if I was vocal enough to tell her what I wanted, she would let me do it.
That was how the journey started. I went for the audition and won. I became the first Face of Spice Television. That’s how I got into modelling, and I enjoyed it. Growing up with boys, it was fascinating to suddenly be around girls; seeing how they fought, spoke, and had catfights was intriguing. That reeled me in, and from there, I started going for auditions. I did MBGN (Most Beautiful Girl in Nigeria), and I attended almost 10 pageants.
Did your mom know you were attending those pageants?
Yes, she did. She saw the prize money I was bringing home, and it was helping us. She always knew where I was going and what I was doing. I made my first million at 15.
What did you do with your first million?
I gave everything to my mom. I kept giving her all my earnings because that was the whole point, I wanted to help. I lacked nothing as a child. If I wanted something, my mom would try her best to provide it. And if she couldn’t, we knew it was because she genuinely couldn’t afford it. We were raised with contentment. My dad always said, “If you have just two pairs of jeans and your neighbour has ten, wear yours well, and they will still envy you.” So, I grew up with that mentality. Until I was about 21 or 22, I gave everything I earned to my mom because I felt like she needed it more. If I needed anything, I knew I could always go to her.
How did you get into movies?
It was by mistake. I had a friend who was into acting, and I knew that was another way of making money that I hadn’t tapped into. My now-husband had friends who knew about Africa Magic auditions, so they told us about one happening. I didn’t go to an audition; I just wanted to see her off and observe the process until I found my ground and the confidence to walk into the audition room. I told my mom where I was going. I don’t know about others, but for my mother, by 3:30 pm, she must see you knocking on the door, and by 4 o’clock, you must be inside the house. So I told her I would be back by 4, and she said okay. The audition was in Maryland. When we got there, I saw over a thousand people, and I thought, “Is there a fire?” My friend said no, that’s the audition. They gave her the number 600. I said I couldn’t wait, but she said we should see how it goes, maybe they have a way to speed it up. I couldn’t enter with her since she was the one auditioning, so I kept her bag and waited outside under a canopy. By 3:30, I knew I was already in trouble. I turned off my phone because I didn’t want my mom to call me.
I tried to enter the audition space, but they said I couldn’t unless I was auditioning, so I wrote my name down thinking that by the time I got inside, my friend would probably be coming out.
I joined the line, which kept getting shorter, but my friend was nowhere to be found. Before I knew it, the girl before me opened the door, and my friend was coming out, and they were letting me in. I entered the audition room completely blank, I didn’t know what I had come to do. I will never forget that I saw Sanchez. He was right in front, with two other people. They asked, what do you have prepared for us? Do you have a monologue? I said, “Sir, what is a monologue?”
They asked again, do you want to act something? I said, I’ve never acted. They asked, “Then why are you here?” I did something, I don’t even remember what, but I knew it didn’t make sense.
I was not expecting to hear from them. I didn’t even want to see them again. I said thank you very much and left. I saw my friend outside and told her this was the end of our friendship because of the cane I thought I would receive because of her. I got home, and as usual, my mom yelled, and I explained what happened. A month later, I got a call from Africa Magic, and I thought they were trying to reach my friend. They said, no, you are the one we’re trying to reach, we have a role for you. I told my mom, “Hey, remember that audition I went for?” She said yes. She thought I was about to tell her I escorted my friend again. But I told her Africa Magic just called me and said they have a role for me. She thought it was a scam. “Are they kidnappers? Is there a number I can call?” She called them back, and they confirmed it was real. I went for it, thinking there would be another screening. Lo and behold, there was no screening. They just handed me my script. That’s how I got my first lead role. This was for Doll House in 2015.
Did your friend ever get into the industry?
She never did. Somewhere deep down inside of me, when I run into her, I kind of feel guilty, like I’m living her life.
Wura was a major career highlight for you, tell us about it.
I auditioned for _Wura_ seven times. It wasn’t the easiest audition. I got the general call for the audition and went. I walked into the space, and I saw veterans and already-established faces. In my mind, I was like, “I hope I didn’t come into the wrong space.”
That was the first time I was ever called for a closed audition. For us actors, closed auditions are the bigger type of auditions. I thought, “Okay, maybe it’s just a passing role. It can’t be that they want us all to read for the same role.” Then they handed me the script, and I saw a 47-year-old woman. This is me at 30. I looked at it like, “Definitely the wrong script. Let me just play along.” I asked the lady who handed me the script, “I’m sorry, I’m Scarlet. This role says the character is 47.” She said, “Yeah, that’s it.”
I started freaking out. “How in the world am I supposed to play a 47-year-old? This is me, a 30-year-old who has never given birth. I don’t even know what it means to have grown-up children.”
Then I went for the audition. I read my lines, and while I was reading, there was someone opposite the camera crying. That was the first time in my life I was getting a first-hand reaction. In my mind, I thought, “Maybe I’m doing something right or reading it the way they want me to.” So I just left it on the table.
While I was reading, Mr. Fred Amata walked in. He stayed for my audition. When I finished, they said,” Thank you very much, we’ll call you if anything.”
In my mind, as I was turning back, I told myself, “Baby, no. With all these faces I’m seeing here, it’s impossible.” As I was leaving, kind of dejected, Mr. Fred Amata ran out and came to me. He asked, “You were the one that just read?” I said, “Yes.” He said, “Oh, I just want to shake your hand.” I was wondering what was going on. He said, “Just in case I never get the chance to. I know when I’m in front of greatness.”
I had goosebumps. I just burst into tears because this is someone I grew up watching all my life. If anybody should be doing anything, it should be me appreciating him, not the other way around. I took that as a word of confirmation from God that I had done the right thing. Then they called the second time, and I auditioned again. They cut us down. Third time, fourth time. The fifth time, they told me to come for a chemistry test with fellow actors. I went. Then the sixth time, I was expecting to get a call saying, “Oh, you’ve been given the role.” Instead, I got a call saying, “Sorry, after all the consideration we’ve had today, we’re not going to give you the role because you’re way younger than the character.”
In my mind, I thought, “Oh, so now you know that I’m younger than the character? The first time, second time, third time, fourth time, fifth time, you didn’t realise it?”
I was dejected. I remember locking myself in the bathroom and just crying. For me, I felt like this was a big platform. If this wasn’t it, then when was I ever going to get my big break?
I cried. My husband kept knocking on the door, telling me to come out so he could talk to me. But I refused. Eventually, I just moved on, focusing on my work and leaving it in the past, thinking, “It’s not meant to be.” Then one day, on set, I got a call from Mr. Rogers Ofime. He said, “Scarlet, where are you? What are you doing?” I said, “I’m on set.” He said, “Can you come for another audition for _Wura_ ?” I said, “Mr. Rogers, with all due respect, sir, I am not doing it.” I said, “I don’t want to. I don’t care if it’s the owner of Showmax himself, I’m not coming. What you didn’t see the first time, second time, third time, fourth time, fifth time, and sixth time, you’re not going to see the seventh time. Why am I coming?” He said, “Let’s just try and age you a bit with makeup and see.” I said, “Mr. Rogers, out of respect for you, I’ll come. But you are the only reason I’m coming.” So I went. I know for a fact that I didn’t do my best because I wasn’t even trying to. I just wanted to respect Mr. Rogers. I sat in the chair while they did my makeup, completely uninterested. “Just do what you have to do so I can leave,” I thought.
They gave me the script, and I asked, “Is this it? They said, “Yes, read.” I read it. “Is that all?” They said “Yes”, so I said “Thank you.” and I left. Only for them to call me back and say I got the role.
I thought, “Okay, maybe God was just trying to play some pranks on me.” Then I got on set. I remember freaking out to my husband. “How am I going to play this role? This character is nothing like I’ve ever played before. She’s deep. She’s 47. She has three grown-up children. Her last child is very close to my age. How am I supposed to do this?” And he said, “Don’t worry. We’ll work through it together. Maybe watch some films with similar characters or just talk to me about it. I’ll tell you what I feel about the character.” Day by day, I bounced it around with my husband, praying to God every day, “God, don’t let me mess up.” It was hard because we kept getting constant calls from the showrunners, saying, “Oh, you’re not poised enough,” or “You’re not this enough.” And as the titular character, the entire project was riding on my back. If I messed up, I messed it up for everyone. I didn’t know if this was their one chance at getting it right, too. There was a lot of pressure on me that people didn’t see. I would cry myself to sleep and cry myself awake. As _Wura_, I did therapy.
It wasn’t easy getting into the character because I was in the compound for a year. I barely stepped out of the compound, maybe twice. Once was to go to Lagos for my regular health check. The second was when I got nominated for AMVCA. Every day, I was on set. I wake up at 7:30 AM; I’m in the makeup chair. Sometimes we shoot until 4:30 AM the next morning, and by 7:30 AM, I was back in the makeup chair. It was gruesome. But it was all hands on deck. Everybody did what they had to do, and thank God, I’m here today. It was tough.
How would you describe the impact that Wura_ has had on your career?*
I’m not even going to lie, I thank God for how much and how far _Wura_ has brought me. Yes, it has been the biggest project I’ve ever been on, and it has opened doors that I didn’t even think were possible to open. You know, people take me more seriously now. My face is there, you cannot ignore me. If you do not see me on your TV, you will see me on the posters. If you don’t see me on the posters, you will hear my voice on the radio. So, I’ve come to stay, and you guys don’t have any way to push me out.
A lot of actors run away from TV series because of the length of time they take to produce. Are you ever going to take on a job like this again?
I don’t believe there is any role that you should not be able or willing to play. As an actor, you are a blank canvas. You are left to the artiste, that’s the director, the writers, or whoever, to paint whatever they want on you. And as a paper, you can’t say, “Oh no, don’t draw on me. I only accept red paint, or I only accept purple paint.” You accept all types of paint. I love challenges. The scarier it is, the more adrenaline I get, and I start asking myself, “Can I do this?” There are very few roles that make us, as actors, feel that way.
I remember a scene in _Wura_ where we had to shoot like six times. That was the scene where I killed Pa Olu Kuti. The river had granite under it, and I kept kneeling on granite, cutting my knees, and bleeding. We had to do take one, take two, take three… and then we finally got it right. My knee was bruised, and we went back on set. Then the next day, they told me, “Oh, the shot wasn’t nice. You have to go and shoot it again.” Imagine kneeling on a wound that has started healing and having to do it all over again.
But guess what? I enjoyed it! Those are the kinds of things I look forward to in my job, things that seem almost impossible. If it’s easy, then anybody can do it. What makes people look at a performance and go, “Oh my God, you did amazingly well,” is knowing that if they were put in that same situation, they probably wouldn’t be able to do it as well.
And I just pray those kinds of roles will come and find me. Because yes, I am sitting and waiting for new roles. I’m tired of playing the boyfriend-snatching girlfriend, the wicked housemaid, and all of that. I’m also tired of playing wicked roles, that’s another thing. I’ve started turning down scripts now because I’ve noticed that in Nigeria, once they see that you play a character well, they start to typecast you and keep bringing the same type of roles to you. I am capable of so much more.
You mentioned your husband a couple of times. Is your husband also entertainment-inclined?
My husband is a lot more than just Laycon’s manager. Currently, he’s not even Laycon’s manager anymore. He is an A&R, Music A&R. He practically handles everything sound-related, from music to film scores and all of that. So yes, he is in the entertainment industry. Honestly, it makes things easier for me being with him as a partner because I don’t have to explain a lot of things or try to make him see my world. If I tell him something, he already understands. So, I don’t have the issues that people who are married to non-entertainment individuals would have, which I think is a blessing as well. I think the greatest consideration for my choice was the fact that he was my number one supporter. Beyond my mom, he is the only other person I have ever come across in my life who is willing to support me no matter what I say I want to do. If I wake up tomorrow and tell my husband, “I’m tired of acting; I want to become a stripper,” he would ask me, “Does it make you happy?” If I said yes, he would probably be the one to go and buy me the heels. That’s the kind of person I’m married to. So yes, I think I’m fortunate, and I’m thankful for that.
On Thursday, February 27, 2025, award-winning actress, instrumentalist, content creator and show host, Bukunmi Adeaga-Ilor aka KieKie unveiled her new feat, KieKie Unscripted Experience to the world.
The 35-year-old mother of one held a breathtaking premiere to usher in her creation, which is a blend of talent show and exciting game show.
After one year of hiatus due to major technical glitches, KieKie and her team launched the show with a dazzling event that had several industry heavyweights including Don Jazzy, Funke Akindele, Mercy Aigbe, Wunmi Toriola, Broda Shaggi, Lasisi Elenu, Nancy Isime, Mr Macaroni in attendance.
The entire property, housing the popular Filmhouse IMAX on Rock Drive inside Lekki Phase I, was a beehive of activities with various Nigerian celebrities and content creators gathering to celebrate with KieKie. With guests numbering over 150 in attendance, the event continued with the screening of the first episode of ‘KieKie Unscripted Experience’ before the cast and crew took a bow.
A 45-minute screening tells the audience about KieKie’s ingenuity in creating a show that married two separate themed shows in one.
“The show was my creation. It took me one whole night to write the show and when I showed it to my ever-supportive husband, he said it was different and ingenious. The concept was created from some of the things I had done in the past as well as giving back and giving a platform for entertainers in all forms,” she had said during the press parley to announce the show.
‘KieKie Unscripted Experience,’ opens with a montage that sees KieKie performing on the drums with a band before introducing her show to the audience. With different segments on the show comes the talent hunt, where young talents are allowed to express themselves and the live audience voting for the qualifiers to the next round. Then comes another segment that is bankrolled by Mikano Cars where talents, mostly singers, give a short performance following a beat blasting from the car. Celebrity friends and colleagues of KieKie are not left out as they also compete in different games on the show. Then comes the cook, drink and vibe segment where two chefs compete against each other with KieKie being the judge.
The show, which promises to reward talents, is an unusual one that has KieKie’s imprint all over it.
After the screening, the stage was now set for an after-party that lasted several hours with many of KieKie’s colleagues, family members and team in attendance.