As a growing child, her tomboy disposition inclined her to particular behavioral differences, she was certain; however of her Art, she knew Art was what she was born to do. Her visual art dismisses the basic aesthetic and instead appreciates the physical realities of the art matter. It embraces simple geometric shapes, flat color and objects in a modest arrangement, focusing on the most essential and elemental aspects to tell a story she considers relevant. In this interview with OMOLARA AKINTOYE, the artist of almost 30 years, Angela Amami Isiuwe, speaks about her challenges as a minimalist and how her persistence paved the way for acceptance and appreciation.
What does your work entail as an artist practicing minimalism?
I am a minimalist artist working mostly in linear forms i.e. I reduce forms to the barest interpretation, to the barest lines that interpret my story. Rather than elaborating on everything that the eye sees, I try to explore parts to form the whole. I work with the essential lines of my forms. Most of my works are expressed in acrylic; however, I work with water colors, oil, pastel and most recently on Ironrods.
Why did you decide to go into arts?
I personally believe that Art is intrinsic; it was the best way to express myself even as a child, people who knew me as a child can attest that I was different. I grew up on a university campus because my parents were academics. Again, I decided to go into the arts because it birthed my freedom, it was my easiest form of expression.
What is your definition of beauty?
Beauty is found within, and so the easiest way to describe that is to ascribe it to a feeling.
What piece of your artwork would you like to be remembered for?
I generally love most of my works; I want to be remembered for the ease of my artistic expression evident in my swift strokes and for the ability to touch people with the most minimal lines. I want to be remembered for all my works because it takes a lot of effort to break down a whole human form to simple lines and still evoke emotions.
What stories does your work portray?
My works are stories of my life, stories of those around me. I have works that speak on depression, feminism, female genital mutilation, pain, joy, companionship and even the languid curves that form a woman’s body
Any favourite painting or book that inspires you?
My books are pretty personal to me but I admit that I have read a number of books and researched at length in all my years and I am grateful for the impact. I must say that I am inspired by life itself. Artists such as Sam Ovraiti, Annie Vallotton, Duke Asidere and late Ben Osagie are also big influences.
What do you wish every child were taught?
I am very particular about a child’s behavior. Morals are still a big thing for me.
What are the challenges that you encounter as a female artist?
It is sad that women are asked this question at all. This is a challenge in itself. I want to be recognized as a great woman and a great artist.
For how long have you been an artist?
I left school in 1992, served in 1993 and ever since I’ve been a full-time studio artist.
It’s almost 30 years now, how has it been?
It’s a gradual process. Yes, it was tough at the beginning because Art wasn’t always celebrated. It is especially tough as a minimalist because not a lot of people are familiar with it, although it warms my heart that it is increasingly being appreciated.
What are some of your achievements?
I’ve had local exhibitions here in the country and international exhibitions in Europe, America, South Africa, Benin Republic, etc. There is a travelling exhibition on Female Genital Mutilation ongoing that I am also involved in. I’ve also done a lot of collaborations. In January this year, I had a solo exhibition in London with Art Tafeta, in 2018, I also had a solo exhibition at Constant Capital in Lagos, I have exhibited at ArtX Lagos twice, I was also in a joint exhibition at SMO contemporary art, Lagos in 2015 among others. I have also sold at Arthouse auctions.
Is there any favourite art gallery that you work with?
I am represented by Bloom Art Gallery.
How does it feel marrying an artist?
It is a wonderful thing. He has been very supportive although his criticism can be tough to swallow.
What else takes your time aside being an artist?
I am first a mother, so you can guess. I am also a professional dressmaker; style is a big part of my art.
What is your advice to young artists?
I believe that it is important to be persistent, to be hardworking, and to curate your worth perfectly. I may be a minimalist but I am also a good draughtsman; I draw very well. It is important that you are also humble, and make the right connections.
How do you think government can help the industry?
I believe in individuals building themselves, consistently pushing yourself. The government can, however, influence how art is appreciated, the museums in the country are amazing but it could be better. There is always room for improvement; our museums need more space, more visitors, more specially curated programs that address relevant issues.
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