Tag: cultural

  • Year of cultural renaissance, wealth creation

    Year of cultural renaissance, wealth creation

    No doubt about it.  The year 2026, has already started showing visible signs of robust events in the culture sector.  Some carry-over programmes cannot wait to commence.  Some artists have shown also that the enthusiasm of last year must be surpassed this year with dispatch.  Events around wealth creation are more in the offing.  Edozie Udeze writes.

    It is indisputable that since the creation of the Ministry of Creative Economy, the lull in the culture sector seems to have dissipated somewhat.  There is this aura and accelerated pull which the name Creative Economy has added to the creative zeal of stakeholders.  Together it is called the Federal Ministry of Culture, Art, Tourism and Creative Economy.  This rare recognition by the Federal Government by merging all the cultural ideals that propel the creative forces has indeed given artists a huge sense of belonging.

    This year, 2026 looks hopeful.  It is a year of new ideals, year of the execution of big projects.  Already artists, authors, event planners, culture enthusiasts and technocrats have set out programmes to keep the sector alive all year round.

    Come the first or second week of January 2026, Senator Shehu Sani, will present about seven books at the Mpape, Abuja, headquarters of the Association Nigerian Authors (ANA).  Sani is a prolific writer, human rights activist, politician and a formidable member of ANA.  This book presentation will certainly refocus attention on the renewed ideals of the Mamman Vatsa writers village Abuja where authors hibernate.

    There is also the Yusuf Alli (SAN) yearly largesse of monetary donation to ANA to continue its literary campaigns in the state chapters of the association.  Already expectations are high about the money and the grassroots works ANA leaders will do with it.  Over the years, the donation which has become sacrosanct has been very helpful in reaching out to schools in different parts of Nigeria to reawaken students interest in literature and literary matters. Alli always feels obliged to indulge in this kind gesture.

    Art Miabo Enyadike is on her way to Nigeria from South Africa.  A visual artist who resorts to using wastes to create wealth and who has indoctrinated many other artists into this vocation will have her usual yearly art exhibition/festival in Lagos.  Her attention this year will be focused primarily on tertiary institutions from where young artists will be invited to form the bulk of the show.  It’s for her to begin on time to let them into seriousness and secrets of art value, art for art sake and using art to create wealth speedily.

    From the government parastatal of the National Gallery of Art (NGA) will come all their usual yearly shows.  But most of all one of their topical events which involves the stakeholders will surely hold.  This programme attracts all the creative artists in the visual art, both home and abroad to brainstorm on the way forward for the sector.  Ever since he assumed office, the Director, Ahmed Sodangi has not reneged on this.  Also the NGA will hold its annual distinguished lecture during which a timely theme will be chosen to address burning issues in modern and contemporary art.

    As for the National Troupe of Nigeria, its training of young artistes, drummers, costumiers, dancers, actors, and all, will happen.  This time around, it will take place in Lagos and Abuja.  Since the Troupe is operated to cater for all artists, most times its programmes are spread across to reflect its national outlook.  Hajja Bulama Gana, its Artistic Director is often conscious of the programmes that breed togetherness.  So, this year the Troupe will do more to prosper stage dance and performances generally.

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    As for the National Films and Videos Census Board, the issue of controlling and supervising contents and titles to suit a proper Nigerian cultural ethics will continue unabated.  Films convey a societal consciousness and Nigeria is wired to use it to tell positive ideals for all.  Its Director Husseini Shaibu is ever prepared to inject new lease into the sensitivity of the sector for the good of all.  And 2026 is the year when good stories, proper conduct and sound morals must be the watchword of those who control this sector.

    In terms of performances, the Troupe will take on one of the foremost female epic stage shows.  This is Queen Amina, the Zauzau heroine who lived for her people.  The stage performance will also take place in Abuja to show the symbolism of the person of Amina, one of the bravest women leaders in Nigerian history.  Based on its tradition, the Troupe will carry all the necessary people along.

    Again, the late Moses Adejumo alias Baba Sala, ace comedian will be remembered.  This time, the stage performances will revolve within his works, life time and achievements.  It will be tagged laftaism and will happen to commemorate his birthday on May 17.  The Baba Sala Dynasty is not relenting in keeping his legacies alive in the lives and minds of thespians and others.

    The Osun Osogbo carnival sort of street festival will also happen.  A UNESCO recognized event and one of those that attracts tourists to Nigeria, the festival is a big symbolism of a nation on the crest of cultural renaissance.  Already the date and month are sacrosanct.  This time it is hoped a more invigorated young vigin will be found to shoulder the huge cultural responsibility for others.  Osun-Osogbo is a symbol of using culture at its very peak to remake a nation, generate wealth for artisans and for all and for the state.

    The Eyo festival came back again in 2025 after eight years of interregnum to reignite social life in Lagos.  The idea is that it will be more robust this 2026.  It is hoped however that the population of the participating masquerades will be trimmed to a manageable size.  That will surely restore its prestige and compactness.  The beauty and colourfulness of Eyo is never in question. The attraction it has for those who fancy tradition and the beauty of history cannot be controverted.

    So, Eyo, with the assistance of the Lagos State government and the approval of the Oba of Lagos is going to be bigger and more result-oriented this year.  It is hoped that more tourists will arrive.  More Nigerians in Diaspora will return.  But the timetable has to be set well ahead of time to help for logistics.

    In the main, plans are underway to finally create some office accommodation for theatre workers at the Wole Soyinka Centre (National Theatre) Iganmu, Lagos.  For over five years, they have been operating from makeshift spaces, often hanging under trees and shrubs to do their official duties.  Feelers from the Theatre Board says that provisions are underway to accommodate them.  But then, the Theatre management has to do more to ensure that it begins to have popular programmes that make theatre a grassroots affair.

    Based on these, we will witness a sector that is in a process of renewed renaissance.  A sector that believes that wealth is hidden within the confines of culture.  The programmes cannot wait to commence in earnest.

  • Cultural Renaissance makes its debut

    Cultural Renaissance makes its debut

    An eight-page in-house e-magazine and newsletter, Cultural Renaissance made its debut on Monday. Published by the Ministry of Art, Culture and Creative Economy, under the supervision of the National Institute for Cultural Orientation (NICO), a parastatal in the ministry, the publication will be out every forth night.

    According to the Editor In Chief of the magazine, Otunba Biodun Ajiboye, it was instructive to note that the maiden edition of the publication coincides with the one-year anniversary of President Bola Ahmed Tinubu’s administration. The magazine, which has as its Editor-in-Chief, Otunba Biodun Ajiboye, the Executive Secretary and CEO of NICO, and Caleb Nor as Editor, boasts of tested hands in journalism that include Abimbola Tooki, Olusegun Oruame, Ade Majek Odunowo (Graphics) Ekundayo Asaju, Adedayo Sowemimo and Ozolua Uhakheme as editorial advisers.

    The thrust of the publication, Ajiboye said, was among others, to serve the audience reports that will expose ‘our esteemed readers to the nuances and values of Nigeria’s diverse cultures through incisive reportage of events and activities in the sector.’

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    Ajiboye reasoned that “we, in the culture sector should write our narrative by ourselves at this time. We need to promote and present our culture to the world; we must have adequate reportage of the industry as robust as it is”.

    “The culture and creative sector can now buttress its prime intent of redirecting the defective and mistaken orientational understanding of culture by the general public. This magazine is intended to be the voice for the culture sector which is expected to cover the totality of cultural news reports and information throughout the country,” added the Executive Secretary of NICO.

  • ‘Promote cultural values to stem immorality’

    ‘Promote cultural values to stem immorality’

    Government at all levels should promote cultural values to  address moral decadence among youths.

    This was the position of Proprietress of Forcen Schools in Asese area of Ogun State, Mrs. Ngozi Ejenavi and parents at the  school’s  Cultural Day celebration.

    The Proprietress noted that culture is gradually losing its values as young people no longer care about cultural heritage of the  country. She urged youths to stop indecent dressing.

    “We are losing our cultural values already. Young people no longer respect their elders. They behaves just the way they like. They dictate dress sense to their parents and elders in the name of modern civilisation. They want to imbibe the culture of Western countries where young people are given rights to do whatever they like.

    “The government can actually communicate the Nigerian cultural values to our children more. Parents cannot do it alone because they won’t follow their children out all the time. From local to the federal government, something should be done,” she  said.

    One of the parents in attendance,  Mrs. Blessing Ator Daniel noted that culture upholds moral standard of  people, adding that it has helped to  shape the society in the past.

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    “Going by the ways and manners of young generation today, our culture can help control decadence if parents and particularly the government continue to  emphasise the importance of culture as the bedrock of education.

     The government should checkmate how schools teach culture because no one can teach culture better than the owners. This way, younger people will understand and appreciate the way of life of our society as well as cohabit with one another,” she said.

    Another parent, Mrs. Gbadamosi Adebukola said  cultural values bind people together which makes them strong and united to pave way for  social harmony and  economic development.

  • Apomu day: A celebration of cultural heritage

    Apomu day: A celebration of cultural heritage

    The people of Apomu in Nigeria and in Diaspora  came together to celebrate Apomu Day on February 10. Apomu day showcases the rich cultural heritage and investment opportunities in the town.

    The event was organised by  Apomu Descendants Union (ADU) in Nigeria and Diaspora.

    ADU President Bashorun Abass Soliu said the ancient Kingdom is investment-friendly and very receptive  to investors  and tourists

    .” The Kingdom boasts of the oldest ancient market, the Owode market, which we want to develop to international standard,”  he said, adding  one of the  purposes of 2024 Apomu Day was to raise N250 million for the completion of the ultra- modern palace and other high-profile projects.

    The Alapomu of Apomu Oba Kayode Afolabi, thanked Apomu indigenes for their unprecedented support since he became the 14th Alapomu of Apomu four years ago. 

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    He said their tremendous support has been the driving force of his achievements so far. 

    Senator Olalere Oyewumi, Deputy Senate Minority  Leader Senator Olalere Oyewumi, who represents  Osun West, commended Oba Afolabi for championing the preservation and promotion of Yoruba culture and heritage.

    He noted the significant contribution the Monarch has made to the progress and development  of Apomu.

    Hon Lanre Oladebo,  the first person from Apomu to be in National Assembly since 1960, commended Oba Afolabi in his efforts in promoting cohesion peace and progress in the community.

    Oladebo, who represents Ayedaade/ Irewole/Isokan Federal Constituency, said the celebration of Apomu Day is a unifying force that strengthens the cultural history, unity and development of Apomu.

  • Ag. VC advocates intensified cultural export to grow GDP

    Ag. VC advocates intensified cultural export to grow GDP

    Acting Vice-Chancellor of the University of Africa Toru-Orua (UAT), Bayelsa, Prof. Barclays Ayakoroma, has advocated innovative approach to branding Nigeria’s arts and culture products for increased export.

    In a statement by his media aide,  Mr. Tonye Yemolegha, the  acting VC said increased export of such products would shore up earnings and  gross domestic product.

    Ayakoroma said the increase  could be achieved through cultural rejuvenation and deliberate generational transfer of cultural talents.

    According to him, the increase could also be achieved through adequate investment by governments to fully harness abundant  cultural tourism potential. He added that the Annang Festival of Arts and Culture (AFAC), recently held in the state, along with similar programmes,  needed holistic transformation for global competitiveness.

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    Ayakoroma noted that reinventing culture as a gateway to national development also entailed introduction of entrepreneurial components that would drive dependency for sustenance and expansion of the culture and arts sector.

    He said the cultural policy of any country would remain a strong binding factor that would enhance nationalism and unity.

     He called for continuous review of Nigeria’s cultural policy, which he noted, was signed in August 1988 by the then Gen. Ibrahim Babangida.

    “Culture is a vital component of national development as it is a tool for driving economic growth, social cohesion, peaceful-co-existence as well as political stability.

    “We must, therefore, explore every channel to tap from it,” Ayakoroma said.

  • ‘Cultural movies should be encouraged’

    ‘Cultural movies should be encouraged’

    Actor and filmmaker Odunlade Adekola has canvassed more  support and increased production of cultural movies to propel African culture.

     Odunlade told The Nation that it was important for real Nigerian stories to be told by Nigerians, but it needed encouragement from the people.

     He emphasised that the love and viewership of his blockbuster movie, Orisa, serveed as a testament to the genre’s appreciation by fans, while also calling on investors to invest in cultural movies.

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     “I think our cultural movies should be encouraged more, we should continue doing it because people want to see it. Like you said “my blockbuster movie”, that means they appreciate it and that is why a lot of people came out to see the movie. We should encourage people to venture and invest more in our cultural story lines,” said Odunlade.

     He is one of Nigeria’s prolific actors who have starred in in various chat-topping films. He is also the founder and chief executive officer of Odunlade Adekola Film Production (OAFP).

  • Cultural pariah

    Cultural pariah

    Obasanjo craves honour and respect, but routinely scorns

    others.  His Iseyin affront climaxed life-long lack of grace.

    In his book, Not My Will, written as former Head of State and retired army General, Olusegun Obasanjo mocked revered sage, the late Chief Obafemi Awolowo. He said the federal power Awo craved all his rich, long life, he — Obasanjo — got effortlessly gifted!  He just got off at the time on the high as the first Nigerian soldier to hand over power to civil order in 1979. He crowed, derring-do, with the bluff and bluster of a callow youth dazed by his own rather self-surprising feats.

    In 2023 (September 5, to be precise) at his “departure lounge” — to use Obasanjo’s own favourite quip for deep old age — the former two-term elected president, at Iseyin, Oyo State, spewed bristling sacrilege. He ordered traditional rulers, fully robed in their royal attires, to “stand up!” and “sit down!” with military brusqueness and rudeness.  It was the worst abomination a Yoruba-born could ever commit!

    Did he still speak with the frothy folly of extended youth?  Or with mental dissonance: that creeping debility that comes with old age?

    With such shocking, reckless life-long conduct, Obasanjo risks a dire epigram on his tombstone: ‘Here lies the man who craved respect and honour, yet traduced everyone in his path, and thereby hugged utter disgrace at the end.’ That would be a dire after-life testimony. Yet, hardly unfair — except, of course, he eats crow in public, in the same full glare he disgraced the royal fathers — by showing remorse via a public apology.  But will he?  The odds are high!

    The odds are high because Obasanjo, perhaps pleading his rough and gruff military temper, has all his life been impunity personified — and unrepentantly so. Indeed, that penchant to stand on his dignity, that self-gifted democratic licence to insult others and crow its finest of regnant conducts, is the most recurring behavioral toxin in Obasanjo’s public life.  Perhaps his private life is different?

    Take all his autobiographies, fired by thumping narcissism and preening megalomania: My Command, Not My Will, My Watch. In all, Obasanjo projects himself as the superhero before whom everyone must bow and tremble, or otherwise get savagely bruised by the author’s tumbling and scathing adjectives.

    In My Command, he ridiculed the late Brigadier Benjamin Adekunle as a near-incompetent war commander. Yet, everyone knew that Adekunle, with his 3rd Marine Commando division, did most of the gruelling war tasks before Gen. Yakubu Gowon, as commander-in-chief, decided to hand Obasanjo that command, at the tail end, when the Civil War (1967-1970) was nearly won and lost.

    In Not My Will, aside from ridiculing Awolowo – Awo who in death is more revered than living Obasanjo would ever be — the Balogun of Owu dragged Gowon, his old commander-in-chief, in scurrilous mud. For unproven allegations that Gowon was involved in the coup attempt that killed Gen. Murtala Muhammed on 13 February 1976, Obasanjo claimed he had stripped Gen. Gowon of his military title, dismissed him with “ignominy” and sentenced “Mr. Gowon” to trial (read the hangman) any time he set foot in Nigeria! 

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    But piquant irony: the one that stripped Gowon of his military title in 1976 is being entirely stripped of his entire Yoruba chieftaincy titles for glaring disrespect to Yoruba culture and the traditional institution that conferred on him such honours.  The Igbimo Apapo Yoruba Agbaye (Yoruba Council Worldwide) just made that proclamation. Another irony: similar phantom allegations would later rope Obasanjo and his former No. 2, Major-Gen. Shehu Musa Yar’Adua, into an alleged coup attempt under Gen. Sani Abacha in 1995. Obasanjo was lucky to escape with his life. Yar’Adua, not so.  He died in that gulag.  Sad comeuppance — from implacable karma — for the Gowon slight?

    Indeed, had the British government yielded to the Obasanjo junta’s hysteria for Gowon’s deportation, he probably would have been railroaded onto the executioner’s stake.  Yet, Gen. Gowon today lives in quiet dignity befitting of a quintessential officer and gentleman, as distinct from the rude species that Obasanjo often projects.

    In My Watch, Obasanjo characteristically descended on others, except his few poodles, painting Vice-President Atiku Abubakar with the tar Obasanjo could himself be fairly and legitimately painted with.  Both went for personal glory while the country in their care decayed.

    But away from peer gracelessness, Obasanjo’s Iseyin outrage — a cultural heresy driven by blind impunity — wasn’t his first fragrant slap, smack in the face of Yoruba traditional institutions.  His rotten charity had indeed began at home! In 2004, as Nigeria’s sitting President but Balogun of Owu and co-kingmaker with five others, Obasanjo not only shredded the majority choice among the kingmakers, he set security agents after three of them, just to impose his will, no matter how skewed or crude.  That created quite a stir but Obasanjo in the end had his way.

    Ironically though, the point Obasanjo made in Iseyin was spot on: in temporal matters, the President or Governor or even the local government chairman holds authority over traditional rulers in their domain.  That is correct but trite — hardly deserving of any rude lecture.

    However, in the cultural milieu, that all-powerful temporal boss is happy and eager subject of his local royal father.  That is why Obasanjo, and the so-called modern elite, would cheerfully bow before traditional rulers for local chieftaincies.

    His personal tragedy, by that Iseyin abomination, is being insensitive to that delicate cohabitation between temporal and spiritual powers in Nigeria’s public space.  It’s the first lesson any public official learns, particularly in Yorubaland where the kings are rated only next to the gods in spirituality, under the supreme guidance of Olodumare.

    It’s not as if the Balogun of Owu, himself a courtier in that proud tradition, is ignorant of that practice.  It is more likely his inherent rascality bobbed up at the wrong time!  It was a joke taken too far, which ramifications he cannot even start to decipher. The same Obasanjo that ridiculed the bevy of royals at Iseyin had publicly prostrated before his own Olowu of Owu-Egba.  He did so too before Oba Enitan Ogunwusi, the reigning Ooni of Ife, the Yoruba spiritual fount.  Why?  He even knelt — publicly — before the young Ogiame Tsola Emiko, Ogiame Atuwatse III, the reigning Olu of Warri.

    Don’t be deceived though: these ringing contrasts, swinging from utter rudeness to exaggerated politeness, nestle side-by-side in Obasanjo’s queer world of showy hypocrisy.  It’s the dissonant psychology of a one-sided mind that craves reverence, is incapable of according others basic of respect, yet is surprised that what he reaps is near-eternal scorn. 

    Let Obasanjo beg for pardon over his public folly at Iseyin.  Otherwise, let him ready himself for whatever sanctions to follow — the making of the Yoruba pariah scorned by all. 

    Only the tragically deluded declares himself lord and master over his culture — and essence.  That is hubris that only comes before the big crash.

    “Let Obasanjo beg for his public folly at Iseyin.  Otherwise, let him ready himself for whatever sanctions to follow — the making of the Yoruba pariah scorned by all.”

  • ‘Cultural interaction can foster unity’

    The National Youths Service Corps (NYSC) in Anambra yesterday said knowledge and respect for the culture of the various ethnic groups in the country can foster greater unity among Nigerians.

    Its Coordinator, Mr Kehinde Aremu, said this at the cultural festival of the 2018 Batch B Stream One Corps members in Anambra at the Umunya Temporary Orientation Site.

    Aremu said the NYSC had fostered national unity through the posting of young graduates to various parts of the country by making them appreciate the beauty of their respective cultures.

    According to him, the essence of the cultural festival is to get the youth to appreciate the Nigerian culture.

    He said: “We found out that most of our educated young people have lost touch with the Nigerian culture which binds us together. The NYSC thought it wise to introduce culture in its programme as part of efforts to get Nigerians together, because that is our mandate.

    “We assigned a particular culture to each platoon, made up of people from diverse cultural backgrounds. We made then to research into cultures assigned to them and make presentations on it. So, you see these corps members studying many cultures at the same time in this camp. There are so much prejudices which they take with them to their places of primary assignment. You hear some people telling their children that when they go to some parts of this country that they will eat them, other say they will be killed because they are strangers.

    “But cultural interaction such as this in camp will make them to understand that these prejudices that they have been fed with by their parents and older generations are non-existent. That is how these fears are destroyed and national unity fostered all over.”

    The coordinator said the corps members have been given adequate orientation to enable them to go to the communities of Anambra and contribute to development without any fear of integration problems.

    “The job has been done, the local government chairmen, traditional rulers have come to welcome them, direct employers have made their request and are awaiting them, so these Corp members are ready to go into Anambra with so much confidence,” he said.

    Traditional Ruler of Nteje in Oyi Igwe Roland Odegbo,  gave his royal blessing to the corps members and assured them of happy stay where ever they found themselves for primary assignment.

  • ‘Ondo, Ekiti political,cultural ties remain solid’

    The cultural and political affinity between Ondo and Ekiti states will always be fortified. The Ondo State Chairman of the All Progressives Congress (APC )Ade Adetimehin, made the observation at the weekend when he received a delegation of APC leaders from Ekiti State, who were on a thank-you visit, led by the State Chairman, Chief  Jide Awe.

    According to a statement by the party’s spokesman, Alex Kalejaye , the chairman noted that the support and efforts of Ondo State APC in Ekiti, during the campaigns, were informed by what the state chapter benefited from Ekiti, particularly, the governor-elect, Dr. Kayode Fayemi, in the past. “In 2012,  Fayemi was at the forefront of our governorship campaigns here in Ondo State. Though we lost that election, he was not deterred. Again in 2016, he showed himself a pillar to lean on till we emerged victorious,” Adetimehin said.

    Speaking earlier, Chief Awe thanked leaders and all organs of the party in Ondo State for what he termed as their massive support and encouragement given to Ekiti APC during the electioneering campaigns.  Awe said that though the Ekiti office was still basking in the euphoria of the electoral victory, the leaders considered it expedient to offer timely appreciation.

    “We are full of appreciation to the leaders and every member of APC in Ondo State for their support and encouragement. It is difficult to go to individuals for this, we are therefore using this corporate office as a means of contact to all members. It will be needless counting the number of ways through which you rendered assistance for us to get victory at the just concluded gubernatorial polls in our State,” Awe said.

     

  • A cultural festival to nurture family ties

    A cultural festival to nurture family ties

    A few weeks ago, the premises of Saint Brigid Catholic Church, Ijesatedo, Surulere, Lagos, was agog with deep cultural displays by different ethnic groups.  It was a cultural festival organised to deepen family ties and cohesion.  The Parish Priest, Reverend Father Alphonsus Ania explains the reason for the show in this interview with Edozie Udeze

    Reverend Father Alphonsus Ania, is the parish priest of Saint Brigid Catholic Church, Ijesatedo, Surulere, Lagos.  He is a passionate lover and promoter of culture, a habit he has brought to bear in his day-to-day handling of the affairs of his congregation and parishioners.  A few weeks ago, he organised a cultural festival at his parish to cement love and togetherness.  For him, cultural festivals form an integral part of the church, a way to diffuse apathy and allow people from different locations and ethnic groups to display their cultures for the sole aim of deepening a sense of affection for one another.

    In an interview, Father Ania made it clear that the Catholic Church approves of having festivals from time to time for the sake of the growth of the church.  He said, “The Catholic Church in Vatican II Document encourages the promotion and celebration of our cultures.  For us here at Saint Brigid, therefore, I thought it fit for us to identify with our cultures.  We can’t run away from who we are.  Our cultures represent our total entity and bearing.  Indeed our culture represents our backgrounds, our heritages and therefore we have to see the difference between our cultures and traditions and religions.  You know there is this tendency for people to think that once you mention your culture it portends paganism.  No, this is not so. It is not true, for culture is the total embodiment of a people and what they represent”.

    It is basically for this reason and more that the Vatican harps on the urgent need to look into these valuable cultural elements to promote peace, love and cohesion in the church.  Ania said further, “So we need to constantly remind the people that beauty of who they are lies in their knowing where they are coming from.  You can see that we have 14 basic Christian communities here in this parish.  So what we did was to put two together as one group.  Before we arrived at this, we had a referendum on the number of groups we needed.  In the end, the whole parish agreed on seven.  Now, we merged two Christian communities to have one.  But then the cultural elements they were to display were chosen by the individual groups”.

    No group was forced to do a particular show.  But the shows were meant to deepen cultural values of the people, based on the areas they represent.  “In the process we now have the Yoruba, Igbo, ECOWAS, Tiv, Hausa, Niger Delta and Efik, all in the bid to represent the larger society.  This is why the theme for the festival is marriage and family life.  It is meant to look closely at the values of family life and how to allow love to continue to permeate the society.  So whatever topic we have today as part of this cultural festival has to be on the values of marriage and family life”.

    To Ania, it is time to bring back those salient issues that make love topical in the homes.  “It is also to help highlight the joys of different families.  This is so because the general theme in the parish this year is complete restoration of the families.  This is the mission statement for 2018 and whatever we can do to preach and propagate it is good for parishioners.  It is to indeed deepen the love of families.  And moreover, it is about the celebration of the feast of Saint Brigid which is on first day of February every year.  So, for us it is like a dual celebration.  And because our people are just coming back from Christmas and New Year trip, we needed to shift it and have it on the last Sunday before the lent.  It is like socialisation of sorts.  you need also to know that part of the research done on the secrets of longevity says that socialisation helps to prolong people’s lives.  Family relationship also helps to prolong life.  But the biggest is social integration”.

    Based on this and more the seven groups were allowed to do march pass, dressed in their local costumes and regalia.  They were equally allowed to cook and display some of their local menus.  In the end they danced to the beating of the drums, singing in their local dialects.  The atmosphere was agog indeed.  Both big and small, old and young were dressed in their local and native dresses of different makes and colours.  At a point the arena of the church appeared so solemn, colourful, depicting an atmosphere of carnival and street display of cultural values.

    Dressed in his native Niger Delta attire, Father Ania showed the way.  He promised that this will remain an annual show to keep people on their toes concerning their cultural values and norms.  Indeed the glimmer of love and hope on the faces of parishioners showed how deeply they appreciated the festival.  When the results were announced those who won and those who lost, did not display outright arrogance or downright loss of faith in the process.  Truly, it was a total family affair imbued with love and integration.  The display of rich cultural elements of different ethnic groups in Nigeria and West Africa brought to the fore the need to constantly rub it in that we should not allow what we have to decay or frizzle away.