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Tag: cultural

  • Ambode’s cultural leap

    Ambode’s cultural leap

    By signing into law on February 8 a legislation known as the Yoruba Language Preservation and Promotion Law, Lagos State Governor Akinwunmi Ambode demonstrated exemplary cultural consciousness and cultural conviction. The beauty of this new law is that it puts indigenous language on the front burner.

    By this move, the Ambode administration has shown that it is in tune with current international thinking on indigenous languages. The United Nations Educational, Scientific and Cultural Organisation (UNESCO) observes: “Languages are the most powerful instruments of preserving and developing our tangible and intangible heritage. All moves to promote the dissemination of mother tongues will serve not only to encourage linguistic diversity and multilingual education but also to develop fuller awareness of linguistic and cultural traditions throughout the world and to inspire solidarity based on understanding, tolerance and dialogue.”

    The Lagos State House of Assembly had passed the bill in October 2017, after a process that involved input by stakeholders. The law is therefore a product of agreement between the legislative and executive arms of government on what should be done to preserve and promote Yoruba language, which is the main language in the state. It is believed that “in present-day Nigeria there are over 40 million Yoruba primary and secondary language speakers as well as several other millions of speakers outside Nigeria.”

    It was a notable coincidence that the law arrived when an influential populariser of Yoruba culture was preparing to depart. It is noteworthy that Prof. Akinwunmi Isola who died on February 17, aged 78, participated in the process that resulted in the language policy.

    In a paper by Isola at the Yoruba Summit organised by the Lagos State House of Assembly in June 2016, he shared his thoughts on the subject, ‘Making the Teaching of Yoruba Compulsory in Public and Private Schools in Lagos State.’ Isola, who was represented by Professor Duro Adeleke of the University of Ibadan, had argued:  “We should speak Yoruba in our institutions. Yoruba is one of the languages recommended to be taught in our schools to promote unity and it occupies a prominent position among languages in the world. If you lose your language, you will lose your culture. The language of a people has to do with their culture, dresses, hairstyle and some other things.”

    Oyo State Governor Abiola Ajimobi noted in a tribute:  “Prof. Isola was an unabashed believer in the promotion of the Yoruba language, which he once demonstrated by being the first person to deliver a university convocation lecture in Yoruba at the Adekunle Ajasin University, Akungba-Akoko, Ondo State, which was very unconventional.”

    Another striking coincidence: The Yoruba Language Preservation and Promotion Law arrived in the same month that the world celebrated   International Mother Language Day 2018 on February 21. This special day has been observed “every year since February 2000 to promote linguistic and cultural diversity and multilingualism.” The theme this year was “Linguistic diversity and multilingualism count for sustainable development.”

    Commissioner for Information and Strategy Kehinde Bamigbetan shed light on the law, saying Yoruba language “has become mandatory for all candidates seeking admission into our tertiary institutions.”  According to a report, “He said anyone seeking admission into the Lagos State University, Lagos State Polytechnic, Michael Otedola College of Primary Education, Adeniran Ogunsanya College of Education, Lagos State School of Nursing and Lagos State College of Health Technology, among others must have credit in Yoruba language.”  The law makes it compulsory for all primary and secondary schools – private or public – in the state to teach Yoruba Language as a core subject at all levels.

    Furthermore, the law stipulates that “all state-owned tertiary institutions are to incorporate the use of Yoruba Language in their General Studies (GNS) courses.”  Other highlights: The language will be an acceptable means of communication in business and government, and all laws will be translated into Yoruba language.

    There is no doubt that there will be problems to be solved as the law takes effect. It is important to focus on the advantages. UNESCO notes: “To foster sustainable development, learners must have access to education in their mother tongue and in other languages. It is through the mastery of the first language or mother tongue that the basic skills of reading, writing and numeracy are acquired. Local languages, especially minority and indigenous, transmit cultures, values and traditional knowledge, thus play an important role in promoting sustainable futures.”

    The UN specialised agency is expected to know what it is talking about. UNESCO’s position supports the Yoruba Language Law. The organisation says:  “Languages, with their complex implications for identity, communication, social integration, education and development, are of strategic importance for people and planet. Yet, due to globalisation processes, they are increasingly under threat, or disappearing altogether. When languages fade, so does the world’s rich tapestry of cultural diversity. Opportunities, traditions, memory, unique modes of thinking and expression — valuable resources for ensuring a better future — are also lost.”

    The organisation also states: “At least 43% of the estimated 6000 languages spoken in the world are endangered. Only a few hundred languages have genuinely been given a place in education systems and the public domain, and less than a hundred are used in the digital world.”

    It takes a thinking political administrator to grasp the cultural dimension of the pursuit of socio-economic development. By paying attention to the preservation and promotion of Yoruba language, Ambode has shown a holistic approach to governance.

    Cultural governance is usually overlooked by leaders, which is why Ambode’s critical cultural interventions in less than three years at the helm deserve to be properly situated.  It takes a culture-friendly mind to think culturally. Ambode’s cultural focus shows that his understanding of “needs in the society” is not narrow and simplistic.

    Now that Lagos has shown the way, despite its pronounced cultural diversity, it is expected that other states in the country’s southwest where Yoruba is the main language will emulate the language policy. It is clear that the Yoruba have a duty to preserve and promote their language.

    Indeed, every indigenous language deserves to be preserved and promoted. The question is: Where are the preservers and promoters?

  • Brand blunders due to cultural differences

    In 2003, MTN came up with a TV Commercial in which a man announced the birth of his child: “Mama na boy!” and a whole village went into electric dances in celebration. The ad came off as sexist and pro-gender equality groups protested against it and the ad was pulled down.

    “Gerber came to Africa to sell baby foods using the same packaging they were using in the USA. Later they found that in Africa companies routinely put pictures on the label of what is inside the package, since most people cannot read.

    “Coca-Cola’s retailers in China tried to name the product something that when pronounced, sounded like, “Cola-Cola”. The only problem was that the characters used meant “Bite the Wax Tadpole”. When they learned of their blunder, they later changed to a set of characters that mean “Happiness in the Mouth”.

    “Vicks was introducing its cough drops in the German market, when they learned that the German pronunciation of “v” is “f” which in Germany is the guttural equivalent of “sexual penetration”.

    “When Puffs tissues tried to introduce its product, they were quick to learn that “Puff” in German is a colloquial term for a whorehouse. The CMO behind that brand must have been sleeping.

    “Pepsi Cola lost its dominant market share to Coke in South East Asia when Pepsi changed the color of its vending machines and coolers from deep “Regal” blue to light “Ice” blue as light blue is associated with death and mourning in their region.

    “The American slogan for Salem cigarettes, “Salem – Feeling Free,” was translated in the Japanese market as “When smoking Salem, you will feel so refreshed that your mind seems to be free and empty.”

  • Anioma cultural festival glitters with royalty

    Anioma cultural festival glitters with royalty

    Our past includes valuable culture that other people would appreciate if we preserve and promote it.

    Over 30 traditional rulers were among the huge gathering of Anioma people that were thrilled at this year’s Anioma Cultural Festival, the 14th edition, held on Easter Monday, April 17, 2017, at the Anglican Girls Grammar School, Asaba.

    Organised by the Organisation for the Advancement of Anioma Culture (OFAAC), the culture umbrella body of Anioma people, this year’s fiesta lived up to its billing as the biggest festival in Delta State. From as early as 8.00am the venue reverberated with singing, drumming, dancing and cheering with about 117 musical, dance and drama troupes from all over the nine local government areas that make up Delta North Senatorial District otherwise known as Anioma nation.

    This year’s fiesta, with the theme: Let’s Celebrate Our Culture, was not only a carnival, as has been the tradition; it was also a championship for the active promotion of Anioma culture. The performances of the competing troupes were adjudged under seven categories and each group winner, runner up and second runner-up went home with mouthwatering prizes. OFAAC also awards big money prizes for three overall best performers from the various categories. This year, the heavyweight performers did not disappoint. Defending champions, Ayolo Troupe, an eclectic, mixed, youth dance troupe from Igbuzo retained the best overall performing group. Otu Chukwu Anyi Ri Mma, the well-costumed, energetic women’s dance ensemble, from Agbor-Obi were first runners-up while Onu Anioma, the war dance group from Owa Alero bagged the prize for the third overall best performers.

    There were also non-competing groups, such as the Otu Odu Enyi of Asaba led by Barr. Giwa Amu. The large number of performers included community and school-based troupes, church-affiliated bands, as well as amateur and semi-professional collectives. There were as well traditional wrestling and exhibition of arts and crafts of Anioma people.

    Speaking in his welcome address at the fiesta, president of OFAAC, Arc. Kester Ifeadi, showered praises on Delta State Government for its cooperation and support to the efforts of his organisation, “to promote and protect the rich culture of the Anioma people.” OFAAC has supported its cultural promotion activities with community development initiatives. Giving further kudos to the state governor, Dr. Ifeanyi  Okowa who Ifeadi described as a long-time supporter of OFAAC and who was unavoidably absent due to an engagement outside the state, Ifeadi informed the gathering that “Only recently, we took delivery of two tractors which were given to us by the Delta State Government to boost agrarian efforts of our people.”

    To the royal fathers who came in large numbers, the OFAAC president stated that if not for their encouragement and support, the efforts of OFAAC would have been in vain. He thanked them immensely for their fatherly support and solicited continued cooperation.

    In his remarks at the occasion, the governor, who was represented by his chief of staff, Hon. Tam Brisbie, stated that, “We cannot have a future without a past. Our past includes valuable culture that other people would appreciate if we preserve and promote it. “We have a rich cultural history in Delta State that can bring people from other states and even abroad to Delta State.”

    He therefore urged OFAAC “not to relent in their promotion of our rich cultural heritage.”

    The long list of royal fathers whose presence and regalia added majesty to the fiesta included  Obi Obuenwe Ekpechi Ulu, the Ezemu of Emu Kingdom; Obi Vincent Nmor, the Obi of Ugiliamai; Obi Kikachukwu, the Obi Of Ubulu-Unor; Obi Samuel Otiegede III, the Obi Of Idumu-Ogo; Obi Martha Dunkwu, the Omu Of Anioma; Obi Emmanuel Offor, the Obi Of Adonte; Obi Theresa .U. Mgbo, the Omu Of Onicha –Uku; Obi Ayo Isinyemeze I, the Obi of Ugbodu; Obi Nezteh Marvin, the Obi of Akuku-Uno; Obi Onwelikwu Ogboli, the Obi of Ejeme-Aniogor.

    More of the monarchs whose royal presence spiced up the fiesta included the youngest monarch of Oligbo kingdom, Obi Nduka Ezeagauna II JP, the Obi of Issele-Uku; Obi Godwin Onyenweuwa, the Obi of Ewulu; Obi Sunday Olisenekwu, the Obi of Ogodor; Obi Emmanuel Offor, the Obi of Adonte. Also on the list of royalty were, Obi Mohanyem I, the Obi of Ezi; Obi Charlse Anyasi, Obi of Idumuju-Unor, Akor Engr. Osita Onwuka, the Akorr of Oko; Obi Victor Chukwumaleze, the Obi of Onicha-Ugbo among others.

    Other special guests and prominent sons of the state who were present at the festival were, Delta State commissioner for information, culture and tourism, Mr. Patrick Ukah; Engr. G.N. Konwea JP, who represented Obi Prof. Chike Edozien, the Asagba of Asaba; a strong delegation of Onu Ika led by Dan Osifo, Chief Dan Okenyi, among several dignitaries from both the public and private sectors.

    Through the years, Anioma Cultural Festival has attracted the attention and support of key national brands and products. This year, Zenith Bank, Union Bank, Seaman’s Schnapps, Cakasa Nigeria, and NorthWest Petroleum keyed in as event sponsors.

     

  • ‘We will do more cultural festivals in Lagos’

    ‘We will do more cultural festivals in Lagos’

    As the year comes to an end, Nike Okundaye of the Nike Art Gallery and Organisation reveals what she has in stock for 2018 and her role in prospering the art sector through festivals and building more galleries.  Edozie Udeze reports

    With the close of the year 2017, a few events took place in the culture sector that were really remarkable.  One of the events was the end of the year party by the Nike Art Gallery, Lekki, Lagos.  The event offered Nike Okundaye, owner and proprietress of Nike Art Gallery and her husband Reuben, the opportunity to address the press on their new programmes for 2018.  Not only that the Gallery organized awards for those who have done their best to promote arts in the past years, it was also an ample moment to let the world know what the Gallery has done over the years to keep the adire and batik traditions ever alive and vibrant.

    In this regard, Reuben Okundaye, said, “the award is for those who have shown tremendous interest in the art.  This also includes art collectors, artists, and so on.  Some of them are Lucky Negete, Bruce Onobrakpeya, Peju Alatise, Nelson Okoh, Adeleke Akeem.  Others are Sam Ovraiti, Ndidi Dike, Ngozi Akande, Peju Layiwola, Nyemike Onwuka and more.  Most of these people have come out to assist and openly identify with this gallery in very positive ways”, he said.

    With this recognition accorded them, it would be a sort of motivation for them to do more as the year begins to unfold.  Okundaye stated further:  “We are also working in collaboration with Sisi Oge Organisation and Pageant to promote arts and culture the more as time goes on.  In this project, our intention is to encourage the promotion and preservation of cultural heritages.  A lot of them are dying and we will come in quickly to help salvage our culture so that the younger ones will stop derailing”.

    For the future, the gallery hopes to expand its frontiers to include the organisation of tourism, festivals, the establishment of an art museum in Abuja and more.  “We will be having series of workshops”, Okundaye clarified.  “In other words, our foundation will be involved in the area of taking the arts to the rural people.  These are the people who have really tasted poverty in Nigeria and it is time for us to teach them some new crafts about tie and dye – how to make adire and other materials so that they will have their means of earning a living.  We have done this in the past and we hope to repeat it.  We will equally reach out to as many people as possible”.

    The workshop series will take place in Lago, Osogbo, Abuja and in Kogi State where Nike comes from.  Particularly meant to keep the art sector alive, the workshops will no doubt help to refocus attention on the importance of adire and other related materials and fabrics.  It is to equally alleviate poverty in the society, for over the years Nike Arts had been fully involved in series of activities to encourage young people to take to the art as a way of life.  “It is for us to provide skill to those who don’t have skill”, Okundaye reiterated.

    In order to expand the art base in Nike Arts, the organisation is moving to Abuja where it intends to develop its site for an expanded art Museum.  Okundaye made it clear when he said: “The Federal government gave us that piece of land a long time ago.  But we have been paying for it bit by bit.  By the first quarter of next year we will advertise for partners who will collaborate with us to develop the place.  It is going to be a multi-art centre and village where you’ll have variety of programmes to better the lot of cultural materials.  The gallery we intend to have will be bigger than the one we have at Lekki.  In fact, it will be a six-storied outfit whereas the one we have here is only a 4 storey building”.

    The gallery will be provided with an amphitheatre with all the modern gadgets to help it serve the public satisfactorily.  In addition, it will be an avenue for people to showcase their talents.  There will be a public library where provisions will be made for intensive researches on the tradition of adire.  So much will be put in place in this regard so that those who use the library will benefit tremendously from it.

    “Yes, the main focus of the library will be on African arts”, Okundaye disclosed “There will be, in addition, a textile museum.  Here we have over 2000 pieces of Art.  And it will be an opportunity to decongest the gallery.  Nike had collected a lot of textiles over the years and she had stored them up here.  This is the time to properly distribute them in other galleries of ours here and there.  This is one of the uses of the Abuja museum – all these textiles will be moved to the place.  We will have a training facility within the place to enable us handle that aspect of the project better”.

    Part of the goals of this expansion by Nike Art Organisation is to encourage tourism.  A lot of foreigners who come into Nigeria take delight in visiting art centres in Nigeria.  With over 2,000 art pieces of different shades, types and modes, a centre of this nature will attract more tourists to the city of Abuja.  No doubt, Nike Art Gallery is a sight to behold.  The glamorous and aesthetic ambiance of the interior and the exterior leave you yearning to love the art.  This is what will be replicated in Abuja with more modern gadgets to suit the level of art that will appeal to more people.  “Tourism has not been elevated in this country”, Okundaye bemoaned.  “If we go into that sector, we will help to create more jobs, more jobs for the youths, more jobs for tour guides, for those who really love to invest in the sector.”

    At this juncture, Nike herself came in to elaborate on other issues that will occupy their time come 2018.  She said, “We have also begun programmes on turning trash to treasure.  Also we want to create more festivals in Lagos.  This will help us have festivals all year round.  Every month, there will be one festival or the other in the city of Lagos”.  Nike said more: “You cannot exhaust these cultures.  So the festival will include different aspects.  The people of Epe will be made to do fish festival, while those from Badagry will display coconut festival”.

    To achieve these laudable objectives, Nike hopes to partner with the Lagos State government and other relevant agencies.

  • Alaafin seeks cultural rebirth for economic development

    Alaafin seeks cultural rebirth for economic development

    Modern lifestyles and technological advancement have combined to undermine the sense of identity that people had in the past. The need to be identified with one form of culture or the other has continued to propel many who feel “lost” or “rootless” to engage in a search for their ancestral heritage. BODE DUROJAIYE reports that the Alaafin of Oyo, Oba Lamidi Olayiwola Adeyemi 111, at this year’s Aje Festival in Badagry, Lagos State, stressed the need for government to evolve policies that would enhance cultural rebirth for economic development.

    Culture gatekeepers have said that if individuals and communities are to flourish, they must have a sense of identity and of their history. These are what their culture could give them.

    But sadly, it seems that the way the world is developing deprives individuals and nations of their culture, their roots.

    In the industrialised countries, modern lifestyle has continued to undermine the sense of identity that people had in the past. More and more people are feeling lost or rootless. The search for cultural and historical roots has recently become something of a trend in some developed and developing countries; but the need is a genuine one.

    It was on the basis of this that the Alaafin of Oyo, Oba Lamidi Olayiwola Adeyemi 111, has called on the three tiers of government to evolve policies and programmes that would enhance cultural rebirth to enable it to play fundamental role in the country’s economic development.

    Describing culture as a way of life or total behavioural patterns and beliefs of a people which are communicated from generation to generation, the monarch also stressed the need for people to identify with their respective cultures. He urged government to recognise specific contributions that culture could make towards the nation’s overall development, saying that contributions of culture as a sub-sector of the economy could be either tangible or intangible; which comprises heritage, cultural and creative industries as well as cultural infrastructure. These, Oba Adeyemi 111, said, have helped in achieving sustainable economic developments such as poverty alleviation, social inclusion and environmental sustainability.

    Oba Adeyemi spoke at this year’s Aje Festival held in Badagry, Lagos State.

    This year’s festival was in commemoration of the International Day for the Remembrance of the Infamous Trans-Atlantic Slave Trade and its Abolition.

    He said: “The tourism sector has become one of the world’s fastest growing economic sectors. Gross worldwide tourism receipts grew at an average rate of 7 per cent from 1998 to 2008, with 12 per cent for the least developed countries for the same period.

    “Cultural tourism-that relies on tangible and intangible cultural assets-accounts for 40 per cent of world’s tourism revenues. Investment in culture and creativity has proven an excellent means of revitalising the economy of cities.

    “Today, many cities use cultural heritage and cultural events and institutions to improve their image, stimulate urban development and attract visitors as well as investments.”

    “Most middle-income countries,” Alaafin continued, “are developing vibrant culture sectors and initiatives and request assistance in this area. Culture-led development also includes a range of non-monetised benefits, such as greater social inclusiveness and rootedness, resilience, innovation, creativity and entrepreneurship for individuals and communities and the use of local resources, skills, and knowledge.

    “Respecting and supporting cultural expressions contribute to strengthening the social capital of a community and fosters trust in public institutions. Cultural factors also influence lifestyles, individual behaviour, consumption patterns, values related to environmental stewardship and our interaction with the natural environment.

    “Local and indigenous knowledge systems and environmental management practices provide valuable insight and tools for tackling ecological challenges, preventing biodiversity loss, reducing land degradation and mitigating the effects of climate change.”

    Alaafin further said that cultural and creative industries represent one of the most rapidly expanding sectors in the global economy with a growth rate of 17.6 per cent in the Middle East, 13.9 per cent in Africa, 11.9 per cent in South America, 9.7 per cent in Asia, 6.9 per cent in Oceania and 4.3 per cent in North and Central America.

    “Promoting this sector requires limited capital investment, involves low entry barriers and can have a direct impact on vulnerable populations, including women.

  • UBA sponsors cultural competition

    The United Bank for Africa (UBA) Plc is bringing over 30 primary and secondary schools together to compete in dance, music, theatre and drama in Abuja and Lagos on May 18 and 26.

    The annual FCT Inter-school Performing Arts Competition (FIPAC) is holding in Lagos for the first time and is aimed at promoting performing arts and extracurricular activities in Nigerian schools.

    Judges from renowned cultural organisations will select 12 winning schools in both cities. Renowned actor and theatrical star, Gideon Okeke is a guest judge.

    Winners will get up to N2,000,000 in cash prizes, trophies and much more.

    Speaking on UBA’s involvement in bankrolling the competition through its Corporate Social Responsibility (CSR) arm, Charles Aigbe, Divisional Head, Marketing and Corporate Relations, UBA Plc, said the bank is happy to identify with the competition because of its unique value of promoting Nigerian cultural heritage and artistry.

    “We take unique pride in being an African bank and promoting everything that is unique about the continent. FIPAC is set to promote our unique cultural heritage to primary and secondary school pupils. This goes a long way in ensuring our children build their sense of cultural identity and heritage which becomes part of their unique identity as adults,” he said.

     

  • Corps members dazzle at cultural carnival

    Corps members dazzle at cultural carnival

    The Batch B members of the National Youths Service Corps (NYSC) in Bende Local Government Area of Abia State have made quite a splash. Dressed up in various cultural attires depicting the tribal spread of the country, they impressed their audience with dance steps as well as effort to remind everyone that there is strength in diversity.

    A member of the House of Representatives, Hon Sam Onuigbo who represents Ikwuano/Umuahia organised the cultural carnival.

    The event took place at the Umunna Camp in Bende council where they Corps members received the lawmaker who has been of much help to them.

    Platoon Four, the Fulani group, came first, winning N50,000 for their effort. Platoon Five representing Ibibio, took second, winning N30,000. Platoon Eight which represented the Benin, won N20,000 while N10,000 went to each of the seven platoons at the event.

    Speaking at the ceremony, Onuigbo made a case for culture, saying that a people without it are lost.

    He said, “When the culture of the people is sustained there will be unity as it could lead to several uniting factors like marriages and everlasting friendships, and when such exists, there will be no need for war and bickering among us.”

    He urged the corps members who were participating to compete with zest and free mind so as to have a healthy competition, stressing that the cultural competition will help them to promote peace, unity and oneness, “So that the unity of the country will continue to grow”.

    The federal lawmaker noted that NYSC has contributed in no small way to the unity of the country, “As most of the electoral workers during general elections have been mostly corps members and they have also been involved in the teaching of the children in their primary

    assignments and heath care delivery, among others”.

    Onuigbo reminded them on the need to take seriously the skill acquisition which they are being taught at the orientation camp, stressing that the era when government provide jobs for graduates is fast fading away, as time has come for the youths of the country to move from being job seekers to employers of labour.

    He said that NYSC scheme is one which he is passionate about since he did his own during 1983/84 session in Kaduna state, “It was a great experience which shall remain indelible in my life and mind as I still reminiscence of them every day of my life”.

    In his welcome speech the state coordinator of Abia NYSC, Omotayo Adewoye called on well spirited people in the state to emulate Onuigbo who he said has never relented in offering help to corps members posted to the state for many years by coming to the help of the scheme.

    Adewoye recalled that Onuigbo has been sending vehicles to carry corps members posted to his village Obuohia Obi-Ibere in Ikwuano local government area of the state from the NYSC camp at Umunna and feeds them for a week until they are properly settled in their places of primary assignment.

    Onuigbo also sends off departing Corps members with all manner of gifts.

    The Abia State NYSC coordinator appealed to Onuigbo and others like him to come to their aid in the maintenance of camp facilities, saying that government alone cannot bear the burden.

     

  • Cultural splendour at Igbo New Yam Festival

    Cultural splendour at Igbo New Yam Festival

    The rich cultural heritage of the Igbo was on display on October 10 as Igbo community in Lagos celebrated this year’s New Yam Festival. CHINAKA OKORO was there.

     

    For several hours on Saturday, October 10, guests from far and near joined Ndigbo in Lagos to celebrate this year’s New Yam Festival.

    The Nwachukwu Drive, venue of the event, was literally shut as huge crowd made their way to the Lagos State Igbo Community Centre to behold a cultural spectacle and catch some fun usually experienced once in a year.

    There was heavy drumming, singing, trumpeting and breathtaking dance steps by cultural dancers who thrilled guests who had seated before the arrival of the dignitaries.

    It was all glamour and show of opulence, as an estimated crowd of 10,000 that included members of Ndigbo in Lagos, friends, well-wishers and some prominent indigenes of Lagos State, participated in the  celebration of the long-standing cultural carnival for which the Igbo are known. The weather was clement as the sun shone brightly out of the azure sky.

    As early as noon that day, the spacious Igbo Community Centre which was built primarily for the festival and where Eze  Christian Uchechukwu Nwachukwu hold-sway had begun to witness massive influx of spectators.

    There was a spontaneous jubilation and a loud ovation rent the air as Eze Ndigbo Gburugburu and leader of the Movement for the Actualisation  of the Sovereign State of Biafra (MASSOB), Chief Ralph Uwazuruike made his way into the arena with a retinue of his unarmed security men who wore all-black attire.

    The roomy Igbo Centre was largely suffused with beautifully coloured masquerades and traditional dancers who  entertained the people. Gaily dressed Igbo women known for their panache and active social lifestyle were a marvel to behold. The men equally in their beautiful Igbo attire swirled to the suiting rhythm of drums and other musical instruments in that somewhat balmy afternoon. It was a gathering of who is who in Igbo land.

    Commenting on the significance of the day and the place of yam in Igbo culture and tradition, the chairman on the occasion, His Excellency Cliff Nzeruem went down memory lane on how the festival began.

    Chief Nzeruem, who is the Managing Director and Chief Executive of Hotel Ibis Royale, said: “An old Igbo myth records that during a severe famine, Igbo (from whom the tribe takes its name) was told that he must sacrifice his son, Ahiajoku, and his daughter, Ada, in order to save his other children.  Obeying the instruction, he sacrificed his first son (Opara) and his first daughter (Ada).

    “After they were killed, their flesh was cut into pieces and buried in several  different mounds. A few days later, yams sprouted from the flesh of Ahiajoku, while coco yams sprouted from the flesh of Ada. Igbo and his other children survived the famine by eating them. Since then, the spirit of Ahiajoku became the god of yam.

    The myth of Ahiajoku is re-enacted during the New Yam Festival each year. Each household places four or eight new yams on the ground near a shrine. After saying some prayers, he cuts small portions off from each end of the yams to symbolise the sacrifice of Ahiajoku.

    “The yams are then cooked with palm oil, water, and chicken to make a dish that symbolises the body and blood of Ahiajoku. The Igbo people consider the yam to be so sacred that at one time, anyone caught stealing it would be put to death. Today, such thieves are banished.”

    Continuing, he said: “We are here today to give thanks to God for giving us a bountiful harvest this year. The harvest is not only in terms of farm yields, but also in terms of life, good health and progress. As we gather to celebrate today, peace and celebration of good things will be the portion of Ndigbo in particular and Nigerians in general.

    Congratulating the Igbo community in Lagos on the event of their New Yam Festival, Senator Oluremi Tinubu said she will always identify with the Igbo because of their industry.

    Represented by the Executive Secretary of Lagos Mainland Local Government Area, Mrs. Omolola Essien, Senator Tinubu said the celebration of new yam festival by the Igbo in Lagos indicates that they are rooted in the culture and tradition of their society.

    She noted that the Igbo exhibit the spirit of oneness and unity which Nigeria needs by making anywhere they find themselves their homes and contribute immensely to the socio-economic and political development of their host communities. She enjoined every Nigerian to embrace unity for peace and harmony to reign in our country.

    This, she said, will engender the much-needed united Nigeria in which everywhere is home for all despite where one comes from.

    Senator Tinubu, who holds the traditional title of Ezinne Ndigbo, urged all Nigerians to pray for President Muhammadu Buhari and Governor Akinwunmi Ambode to succeed in giving Nigerians and Lagosians good governance.

    Speaker after speaker described Senator Tinubu as a detribalised Nigerian who loves Ndigbo and renders assistance to them when necessary. Chief Nzeruem narrated how Senator Tinubu was of assistance to stranded air travellers at Abuja Airport whose flights were cancelled. “She”, he said, “walked into the Departure Hall and invited those going to Lagos to join her in her private jet; without minding who you are or where you come from. It takes a mother and a humble person to do that.”

    In his speech, Dim Chief Ralph Uwazuruike, the Ijele Ndigbo and Eze Igbo Gburugburu expressed his happiness identifying with his people. He said celebration of new yam was a tradition handed over to us by our forefathers. It is a festival that unites all Igbo.

    Urging Ndigbo not to be afraid wherever they are, he said they should ensure they are law-abiding and respect constituted authority of their host communities.

    Differing from Chief Nzeruem’s position that an Igbo appointed into the cabinet of any government outside Igbo land is a privilege and not a right, the MASSOB leader noted that “the Constitution of the Federal Republic of Nigeria does not recognise indigeneship. Every Nigerian has a right wherever he or she resides. That is what is in the constitution.”

    He urged Ndigbo to strive to be at peace with their neighbours wherever they reside, adding that they should not be afraid of anybody as far as they are law-abiding citizens of Nigeria.

    He said: “I love to come and identify with you in order to give you courage, the confidence that nothing will happen to you. Nigeria cannot do without the Igbo. In each state of Nigeria, the Igbo are the second largest group in every city.

    “It may not be possible for the Igbo to speak with one voice because they are from a great tribe, what matters is the voice of the majority.”

    Earlier, Eze Ndigbo of Lagos State and Co-ordinator/Igbo Mobilise in APC, Eze Christian Uchechukwu Nwachukwu said the new yam festival or Iri ji is one of the significant cultural events in Igbo land. He added that the event provides the Igbo  man the opportunity to thank God for bumper harvest in yam and other farm varieties.

    “In Igbo land, men plant yam while women plant cassava and cocoa-yam and so on. As man is the head of the family, so is yam the head of everything in the farm in Igbo land.

    “For the Igbo man, the new yam festival day is symbolic in the sense that it is a day of enjoyment after the cultivation season, and the plenty is shared with friends and well-wishers. A variety of festivities mark the eating of new yam. Folk dances, masquerades, parades and parties create some joyful experiences for the participants,” he said.

    High point of the event was the cutting and eating of tubers of roasted yam by participants.

    •Representative of Senator Tinubu, Mrs Omolola Essien, eats the new yam.
    •Representative of Senator Tinubu, Mrs Omolola Essien, eats the new yam.

    Dignitaries at the event were Executive Secretary of Isolo Local Council Development Area, Alhaji Segun Jubril; the Ideh of Ite-Owerri, Prince A. W. Lams Nwizu; Chief Cliff Nzeruem; MASSOB leader, Chief Ralph Uwazuruike; ministerial nomiee Dr Ogbonnaya Onu, who was represented by Hon. Chief Ajayi Nicholas; Apostle Chris Ezegbu; Chairman Igbo Community Oshodi/Isolo Local Government, Hon. Tony Ofoegbu; Chief Anslem Udoka; Pastor Ndubuisi Nwachukwu; Peter Osuji; First President Ohanaeze Ndigbo Lagos State, Chief John Uche; National Coordinator Greenfield Traders of Nigeria, Mrs Evelyn Okere; President-General Market women and men Association of Nigeria, Chief (Mrs) Folashade Tinubu-Ojo who was represented by a group of Iyalojas and the Executive Secretary, Lagos Mainland Local Government Area Mrs Omolola Essien who represented Senator (Mrs) Tinubu.

     

     

  • Yoruba take cultural renaissance to Ghana, Togo, Cote d’Ivoire

    Yoruba take cultural renaissance to Ghana, Togo, Cote d’Ivoire

    Major cities in Ghana, Togo, Cote d ‘Ivoire and other cities in the West African coast recently had a full dose of Yoruba culture and tradition when several culture enthusiasts and monarchs stormed the cities as part of a 32-man strong team for the launch of the Oodua Progressives Union (OPU), a pan-Yoruba group for Yoruba people in the Diaspora.

    On the team were four traditional rulers from Yoruba land- Oba Joseph Adeoye Adewole, the Owa Ajero of Ijero kingdom, Oba Yisa Olanipekun, the Zaki of Arigidi, Ondo State, Oba Walidu Sanni, the  Onigedegede of Igedegede, Ondo State and Oba  Lasisi Olawuyi, the Asagangan of Igangan, Oyo State.

    Other dignitaries on the team included Otunba Gani Adams, National Coordinator of the Oodua People’s Congress (OPC) and convener of the OPU; Captain Adetokunbo Adesina; Yoruba actor, Yomi Fash–Lanso; MC kirikiri and other notable members of the OPC.

    In each of these cities, the Yoruba joyfully received the team with the wonderful display of cultural dance, drumming, chants which enchanted and attracted the citizens of the countries to the venues

    The cultural evangelization kicked off on Friday,  September 11  in  the city of Abidjan, Cote D’Ivoire , a country where Yoruba constitute 2.5 million of the population. Otunba Adams led the delegates to the warm embrace of the Nigerian Ambassador , Mrs. Ifeoma Jacinite Akabogu – Chinwuba,  who,  together with members of the embassy, held a red carpet reception for the visiting Yoruba cultural revivalists.

    Otunba Adams explained the mission of his delegates to the ambassador. “We are not here for political reason. Far from it. We are neither here for self – determination tendencies, but we are here to stoke and re- kindle the dying embers of the pristine Yoruba cultural values and heritage which are tending towards extinction, particularly among the Yoruba  in the Diaspora, “he said.

    He continued: “We realise that Cote D ‘Ivoire harbours a substantial percentage of Yoruba, some of who  cannot  speak their mother’s language or exhibit their cultural values.  Some here have lost contact with history, culture and norms of their ancestors. This is why we are here in accordance with the mission bestowed on us by Oduduwa  and the necessity of saving members of the Yoruba race  from cultural extinction.“

    Adams explained the difference between the OPC and OPU. “The OPC is a self-determination group solely  to protect the territorial integrity of Yoruba within the political geography of Nigeria  and within Nigeria, while the  OPU  is a socio – cultural organisation saddled with the responsibility of re- awakening and resuscitating the dying embers of pristine Yoruba culture among the Yoruba in the Diaspora. It is non- political and non –militant, “he said.

    Oba Adewole also gave an insight into the cultural revival  mission of the OPU. He said: “ This association is to save our race from cultural doom. It is an association which has received the backing  and blessing of the oba and chiefs in Yoruba land. Thus, we are here  with Otunba Adams  in support and in alliance with his stride to revive and sustain the cultural heritage and value of our race.”

    Ambassador Akabogu – Chinwuba,  in her response, commended Otunba Adams for “ coming out at this time to wake up his people from cultural slumber.   I  have read the mission statement of the association and I believe Otunba Adams is on the right path of history. “

    The ambassador  gave her blessing to the  inauguration of the union.  “I am sure and confident that the OPU as an association will not only help in cultural revival of the Yoruba value, but also serve as a coordinating platform for members of the race and an institution of behavioural adherence“

    Ambassador Akabogu – Chinwuba, who presented a plaque of honour to Otunba Adams and other four traditional rulers, declared her support for the union. “We are here at the embassy for the protection and welfare of Nigerians here. We cannot and shall not shy away from this responsibility. We assure the OPU of our support and assistance now and always as our doors are opened for progressive associations and unions which strive to add value and shore up the image of Nigeria. I welcome you to Cote D ‘ivoire and wish you a successful inauguration of the OPU in Abidjan,“she said.

    Welcoming the Oodua cultural revivalists to Sport  De Treichville, Abidjan, where a mass of gaily-dressed Yoruba and their friends had gathered for the inauguration of the OPU, Mr kareem Nasir  Adeolu, Coordinator, OPU and President Yoruba Community in Cote D’ivore, declared that: “This is one of our finest moments in the life of over 2.5 million Yoruba in Cote D ‘Ivoire. This is the first time in the history of our sojourning here when a Yoruba son will lead eminent Yoruba obas and dignitaries to address us not for political reason, but solely on cultural heritage and values . We are most grateful for this and we delightfully welcome Otunba Adams , his entourage and the OPU  wholeheartedly to our midst.”

    He commended Otunba Adams for “bringing to us a cultural association which will further cement and fasten the chord of brotherhood amongst the Yoruba in Cote D ‘Ivoire.”

    Otunba Adams, while inaugurating the OPU Cote D ‘Ivoire  on Saturday,  September 12, pointed out that: “This is a clarion call upon all of  you to remember, embrace, perpetuate and display  your cultural antecedent and value and ensured its passage to the next generations,  so that generations unborn will not lose their identity to foreigners.“

    He charged members of the OPU to “always keep in mind that you are the image of Yoruba. You are the light of the race and cultural ambassadors of Yoruba  whatever your conduct and traits here.”

    Mr Olumuyiwa Ogundeme, Consular  Officer ,Nigerian Embassy, Cote D ‘Ivoire, who  represented  Ambassador   Akabogu – Chinwuba,  while commending Otunba Adams said  that “ I am glad Otunba Adam is going all over  the world, singing it loud and clear to the ears of Yoruba people the need to  embrace  and revive their cultural values which constitute their identity at the comity of nations. I am also assuring you that the embassy is willing to support the OPU in its activities and others positive acts which will bring honour to the race and Nigeria.“

    The story was the same in Ghana where the team was warmly received by the Yoruba community with pomp and pageantry. The President of the Yoruba community in Ghana, Chief Musa Baba, hosted the group in his posh house in Accra to a memorable dinner.

    Chief Baba pointed out that: “We have also read a lot about the OPU and quite appreciate and understand what it stands for. You are the cultural messiah that the Yoruba has been waiting for. Like you did with the OPC, we are sure you will do more and you have started doing more than enough with the OPU. We are more than ready for this wonderful race-saving association.“

    Chief Baba, on behalf of the Yoruba community in Ghana, later presented a plaque to Otunba Adams.

    At the formal launch of the group, the Hall 2 of the National Arts Theatre, Liberia Road which was filled to capacity on Friday, September 18.

    Ghana-based Nigerian lecturer, Professor Raheem Kolawole, who teaches at the Winneba University, Ghana, was on hand to add colour to the show.

    The acting Co-ordinator of the OPU in Ghana, Mr Kayode Siyanbola, was full of praises for the visiting team. He said: “I thank you all, especially Otunba Adams, giving us the courage and the necessary support in bringing out the strength in us to promote our culture and heritage and in hosting you today. “

    In Togo, the Yoruba community refused to be outshined by their kinsmen in Ghana. And so, they turned out in large numbers at the beautifully-decorated hall at the Palaise De Congress De Lome, Republic of Togo, on Sunday, September 20 for the inauguration.

    The inauguration of the OPU in Togo was spearheaded by His Royal Majesty, Oba Alhaji Kareem Afolabi, Amoloko 1 of Togo, who is the paramount oba of Yoruba in Togo.

    The Nigerian ambassador in Togo, Mr Gilbert Nnaji, added colour to the inauguration and commended Adams for upholding and promoting the culture and tradition of Yoruba.

    Ambassador Nnaji, who was visibly elated by the inauguration of the OPU , said: “I am opportune to share the same table with  Otunba Adams, a great Nigerian and a Yoruba icon.”

    He congratulated the Yoruba community in Togo. “I congratulate you for having a purposeful union which is set to stoke the dying embers of the pristine Yoruba culture and tradition which  the race is not only identified, but which stands them out in any community.“

    Six-year-old Akinpelu  Seinat stole the show when she recited a popular poem to the admiration of the crowd.

    Otunba Adams, in his speech, pointed out that, “this  chapter makes the number of the OPU chapters 61._ I must commend you for your brilliance at planning and wonderful implementation which should be the benchmark for the OPU in Togo.“

  • Cultural splendour at Imo carnival

    Cultural splendour at Imo carnival

    Mindful of the dwindling fortunes of the nation’s economy, every state is making frantic efforts to prevent its economy from total collapse. This they do by diversifying sub-sectors of their economy and revitalising ailing sectors in a bid to improve internally generated revenue that will help them meet the needs of the people.

    Having realised the danger in depending on monthly allocations from the Federation Account, each state is looking inwards on how to improve its economy. Gleefully, most states and the Federal Government have realised that the tourism sector is a potential revenue earner than oil if well developed.

    In the circumstances, therefore, many states are developing their tourism sector through encouragement of the hospitality industry. Cross River State is foremost in the area of tourism sector development. Other states have keyed into it, the latest being Imo State that had just held its maiden carnival tagged “you aren’t seen nothing yet” which the Deputy Governor, Prince Eze Madumere is the originator.

    As the theme indicates, the Imo State maiden carnival, left tourists and observers who converged on the state asking for more. It was an undiluted display of the rich cultural heritage and hospitality that the Eastern Heartland state is reputed for.

    The colourful costumes and artistic displays by various cultural dance groups and carnival floats added colour to the event.

    As early as 8:00 a.m., Owerri the capital city, had come alive in a blaze of colours as beautifully decorated men and women took to the streets dancing gracefully to the rhythm of cultural music provided by skilful dance troupes.

    Vehicular and human movements were grounded while the road show, which started from Dan Anyiam Stadium and ended at the Owerri City School, venue of the grand finale, lasted. The aged, unwell and disabled defied their challenges to participate in the much-anticipated event.

    Although the turnout was not as much as expected, the rich cultural display was a confirmation that Imo State is one of the states that boast rich tourism potential that are yet to be harnessed.

    In the weeks that preceded the carnival that was earlier scheduled to hold in May, this year but was put on hold as a result of the abduction of the over 200 girls from Government Girls’ Secondary School, Chibok in Borno State, the capital city and its adjourning communities were given immense facelift.

    Contractors battled day and night to upgrade existing infrastructure, while ongoing ones were given full attention to ensure that they were completed on time for the carnival.

    Apart from infrastructure upgrade, other preparations ranging from security, traffic management and accommodation had also been stepped up to ensure that those coming from outside the state to witness the carnival were given the best in terms of hospitality and entertainment.

    According to the Chairman of the Local Organising Committee and Special Assistant to the Governor on Culture, Mr. Paddy Obinna, the state is ready to host the world.

    “We are ready. The facilities are already in place to play host to the entire world and showcase the rich cultural heritage of our great state,” he said.

    Mr Obinna noted that the carnival was conceived to expose the rich human, material and tourism potential of the state to the world, which will, in turn, attract direct foreign investments.

    “We want the whole world to come to Imo State and take part in the week-long festivity where they will be treated to the uncommon hospitality and entertainment Imo State is known for,” he said.

    He revealed that all the states governed by the All Progressives Congress (APC) will be fully participating in the event.

    According to him, some of the side attractions will include Igbo poetry/talk show, comedies ‘Ada and Opara Imo’ parade, new masquerade band, traditional and contemporary music performance and Governor’s band, among other activities lined up for the carnival.

    He said: “The first day parade will go on through the night. We have over 3, 000 schools that are taking part in the parade, even as we have over 100 people taking part in the parade. The parade will last from dusk to dawn and security network is on the upbeat.

    “The chaperons are also going to be on ground to guard the children against loitering so that they will be properly paraded.

    “We have musical splash which is going to involve a lot of known and unknown artistes. It will be a night of wonders for music lovers and people who love artistry.”

    Assuring visitors of their safety and comfort, the Chairman of the Committee said the state has a lot to showcase, especially with the infrastructure transformation of the state in the past two years under the ‘Rescue Mission’ administration.

    He said: “Everything is ready for the carnival. Security arrangements are in place, the state capital is aglow with unique paintings and other artistic works, the carnival village is a sight to behold. We are inviting the whole world to come and see the rescued Imo State.”

    Mr Obinna further disclosed that in order to prevent breach of security, all performing masquerades would be accredited and given code of conduct.

    Obinna urged Imo citizens to take advantage of the carnival to galvanise the economy and appreciate the growth in infrastructure, education and health.

    “Every year, we stream to Calabar for the carnival. Why can’t people also come here and participate in our own carnival? Let us make Imo a point of reference in this carnival,” he said.

    Speaking with our correspondent, one of the tourists who didn’t want his name mentioned, praised the efforts of the organisers, noting that the carnival, as in every other place, will continue to improve with every edition.

    He said: “I think the organisers have done well in knowing that this is the first edition of the carnival. Subsequent editions will certainly be better because the state indeed has rich cultural endowment and if properly harnessed, Imo will be the next tourism destination in the country.”

    At the venue of the grand finale, the spectators and participants didn’t want the incident to end as the participating floats fought to outdo one another. Young men were held spellbound by the beauty of the young ladies enhanced by their fantastic costumes.

    It was not just dancing and fun; there were also beautiful prizes to be won by the groups. According the organisers, the best group will go home with a brand new bus and N2 million, while the first and second runners up will get N1.5 million and N500,000 and a brand new bus respectively.