Tag: festival

  • Ehizoya set for Nollywood festival in Germany

    German-based entertainment outfit, Ehizoya Golden Entertainment e.V culture, has presented this year’s Nollywood Film Festival Germany (NFFG) and Nollywood Europe Gala Awards (NEGA) awards projects to His Excellency, Mr D. O. Falowo, Nigeria’s new Consular General in Frankfurt, Germany.

    The President of Ehizoya Golden Entertainment, Mr. Isaac Izoya, said NFFG and NEGA, both scheduled to hold on September 8 and 9, 2017, are meant to promote Nigeria in Europe via Nollywood movies produced in Germany.

    Responding, Falowo said “I can’t wait to witness the event because I heard so much about it when I was still in United States of America before coming to Germany. I was aware when Her Excellency Senator Danzilla James from Atlanta Georgia and Dr. Queen Blessing Itua came to receive their awards respectively some years back. They came back to United States then singing praises of the event generally.

    “You could then imagine how I felt when I was posted down to Frankfurt. We are here to support viable projects of this magnitude which is very good for our country’s image.”

    Expected to attend are Nollywood stakeholders and Diplomatic Corps, VIPs from Abuja, Ghana, UK, USA.

    The Nollywood Events (NFFG & NEGA) are organised by Ehizoya Golden Entertainment e.V, in alliance with Consulate General of the Federal Republic of Nigeria in Frankfurt Am Main, Germany. Stadt Frankfurt Kulturamt (Ministry of Art/Culture – Frankfurt), Hessen State Filmforum Höchst VHS-Frankfurt Am Main, The Office for Multicultural Affairs (Amt für multi culturelle Angelegenheiten – AmkA), Ethiopian Airlines and the Nigeria community e.V, Frankfurt, Germany.

    Two movies – Diplomatic Strings and Strings will premiere on the opening night while Candle in the Wind by Abdul Salam Mumuni and shot in Ghana is also among movies that will be screened at the festival. Diplomatic Strings, produced by Izoya was shot in Frankfurt and Lagos and produced by Isaac Izoya.

    On September 9, Deranged, which was produced by Nadia Buari and shot in Ghana will also be premiered. Later, the NEGA gala night will hold at Friesstrass 20 60388 Frankfurt Am MMain and Nigerian comedian Kenny Blaq and Hip hop star Zeez and local-based artists Tu-Brain and Shaba will entertain guests.

  • Olubadan cautions against violence during Egungun festival

    As the yearly Egungun Festival begins today in Ibadan, the Oyo State capital, the Olubadan of Ibadan land, Oba Saliu Akanmu Adetunji, Aje Ogungunniso I, has called for peaceful conduct among masquerades and their followers during the three-week long festival.

    The monarch said the annual festival is a celebration of Ibadan custom and tradition, warneding that it should not be turned into an avenue for unleashing terror and violence on the people.

    Oba Adetunji said law enforcement agents had assured the residents of their readiness to maintain law and order by arresting and prosecuting those who cause mayhem during the festival.

    He said: “As a monarch, my appeal to our people is to celebrate the festival within the ambit of the law. Also, I will like to persuade our people to avoid the use of weapons, such as guns, daggers, machetes and broken bottles, not only during the Egungun Festival but also after it. The long arm of the law would not spare any merchant of violence.”

    Last year, 18 vehicles were destroyed at Akuro and Igbonna in Ibadan when some masqueraders engaged street urchins in a free-for-all, leaving the residents to tell tales of woes.

     

  • Nollywood Travel Festival to hold during TIFF 2017

    Nollywood Travel Festival to hold during TIFF 2017

    •As organisers unveil nominees at Lagos Meet & Greet party

    The maiden edition of Nollywood Travel Film Festival is scheduled to take place from September 12 to 16 in Toronto, during the annual Toronto International Film Festival (TIFF) holding in Canada from September 7 to 17, 2017.

    The need to situate works of Nigerian motion picture practitioners within the prestigious TIFF was conceived last year, when eight Nollywood films were showcased in the city-to-city focus section of the North American film festival.

    Founder of Nollywood Travel Film Festival, Mykel Parish said the unprecedented acceptance of Nigerian films by non-Africans at the 2016 edition of TIFF, was an evidence of breath of fresh air for the movie lovers, hence the need to feed the thirst of other continents with Nollywood contents.

    According to Parish who is also President of African Film Consortium (AFC), since TIFF’s city-to-city programme has been rested after Nollywood’s outing in Toronto last year, the initiative paves the way for a suitable alternative.

    As part of the build-up to the TIFF sub-festival this September, organisers of  ‘Nollywood Travel Festival’ held a Meet & Greet event on June 23, 2017 at The Waterside, Ikoyi, Lagos, where nominees where officially unveiled and celebrated with pomp.

    Hosted by veteran Nollywood actor Richard Mofe-Damijo, celebrities at the event include Osas Ighodaro Ajibade, IK Ogbonna, Alexx Ekubo, Tope Oshin, Mykel Parish, Zakky Adze, Pretty Okafor, Andy Boyo, Sound Sultan, Oghenekaro Itene and Kingsley Omoefe among others.

    Nominated short films to be screened at the film festival include The Encounter by Tolulope Ajayi; Ireti by Tope Oshin;Meet My Parents by Lonzo Nzekwe; Silence by Tolulope Ajayi and No Good Turn by Udoka Oyeka.

    The feature length films are Kada River, 10 Days in Sun City, Catch.er, Lotanna, Lost in London, Excess Luggage,Esohe, Mansoor, Oloibi ri, Unveil, Slow Country, and Alter Ego.

    Unveiling the nominees at the glamorous event, Parish said he and his team are excited and proud to showcase Nollywood films to the world.

    He said although the festival is making debut in Toronto, other host cities include New York, London, Helsinki, Dubai, Tokyo, and Dublin.

    “The Nollywood Travel Film Festival celebrates the best of Nigerian cinema and will be hosted in major cities around the world. It will be a weekend of special indoor and outdoor screenings, inspiring discussions, meeting, parties and awards,” said Parish, adding that “the initiative seeks to promote films by Nigerians living all over the world to new and existing global audiences with the aim of creating new market places for Nigerian cinema.”

  • Ambode and Diaspora festival

    On Wednesday May 3, Lagos State governor, Akinwunmi Ambode was host to the committee on Diaspora Festival, Badagry, 2017 led by Hon. Abike Dabiri-Erewa, the Senior Special Assistant to the President on Diaspora and Foreign Affairs. It was the first time a governor of the state would demonstrate overt commitment and interest in a festival whose content, context and concept have demonstrated so much potentials to open up the state to outbound tourists via the ancient city of Badagry close to two decades now. In his response to the presentation earlier made by Hon. Abike Dabiri and this writer on the need for the state to blaze the trail in harnessing the benefits associated with Diaspora engagement and reintegration into the state’s socio-economic make-up and how international tourism would flourish with the festival, the governor declared that Lagos remains the capital of the black states in the world and that Diaspora Festival will do well to position the state for diaspora reconnection and eventual return. Governor Ambode further declared  the festival as an elongated programme of the 50th anniversary of Lagos State which he stated, shall continue until the end of the year and that the Diaspora Festival, Badagry 2017 would form a cardinal part of the events commemorating the creation of Lagos State.

    The governor unequivocally expressed government’s commitment to recreating and developing potentials in Badagry and advised that a framework for its sustainability on annual basis should be put in place. The governor concluded saying ‘We’ll support everything that is Badagry’.

    One cannot but applaud the governor’s uncanny ability and insight to decipher potentials and opportunities for growth and development where it seems none to others. Diaspora festival is a peculiar kind of festival that is a common phenomenon that has become a force in driving international tourism along the coastal states of West Africa. In Ghana it is referred to as Pan African Festival (PANAFEST); in Gambia it is called Homecoming Roots Festival, in Senegal it is Goree Diaspora Festival, and in the Republic of Benin it is referred to as Voodoo Pilgrimage Festival, to mention just few. These festivals have been designed to attract the historic African Diaspora back to their cultural and ancestral roots. The importance attached to the festival by these countries is reflected in the fact that the presidency of the respective countries is involved in its organization. This is premised on the history of enormous socio-economic opportunities and potentials the diaspora has come to symbolize for many countries across the globe. Many of these countries have created ministries of diaspora and tourism for the purposes of diaspora engagement and building their economies through cultural connections.

    The formation of the diaspora is generally premised on dispersals of people into spaces which could either be voluntary or forceful. In mapping the history of African Diaspora, three historical dimensions can simply be configured: the people of African descent that had migrated from Africa in the pre-historical period about 6 – 7 million years ago to populate other parts of the world (based on the proven hypothesis that Africa is the birthplace of humanity); second is those that were the consequence of forceful dispersals as a result of the Trans-Atlantic Slave trade starting from the 15th century; thirdly, those Africans that found their ways in foreign lands as a result of failure of social, economic and political order in their respective countries  and the economic pull of the global North. As a fall out of these historical trajectories, people of African descents are to be found today in all continents of the world.

    It is however to be noted that these groups of African ‘emigrants’ have evolved and developed into economic, technological, intellectual and social capital in their countries of residence. But inherent in the complexion of the diaspora is the fundamental issue of vestigial discrimination culminating in constant nostalgia to link up with the primordial or ancestral homeland as the ideal final home of return, hence there is always the element of personal or vicarious relations to the homeland development in an ethno-communal consciousness, though not all diaspora share this ideology.

    Therefore, beyond sending remittances and other indirect investment through stocks, bonds, and deposits accounts and the growth of specific sectors such as tourism or information technology through means other than direct investment which have been very instrumental to economic recovery and development of many countries all over the world, the diaspora can also promote trade and foreign direct investment, create businesses and spur entrepreneurship, and transfer new knowledge and skills. In the contemporary African socio-economic world  that labours under lack of investment and international business acumen, lack of professional and technical skills, isolation from global networks of knowledge, and exclusion from global supply chains, proper and coherent  diaspora engagement policy can fill this vacuum and reposition Africa for global reckoning. The reason therefore is not far-fetched why the African Union in 2005 declared African Diaspora as the ‘sixth region’ of the continent. But much still needs to be done in this respect.   

    The Diaspora festival is in itself a global tourism product which has been described as a ‘nostalgic tourism’. It celebrates the identity, culture, history, heritage and tradition of a given people in a given destination usually in the primordial homeland at a given period. In other words, the festival aggregates both the tangible and intangible cultural resources as expressed in the history, artefacts, monuments, places of memory, religion, topographical attraction and the rustic environmental ambiance of the homeland as instigator for homeland nostalgia or pull factors for the diaspora temporal or permanent return. The festival is usually weaved around the tragic history of Trans-Atlantic Slave Trade as occasion to celebrate African history, freedom and achievement of the Black race.

    The adoption of the Diaspora festival by Governor Ambode with the symbolic Door of Return ceremony as against Point of No Return, a vestige of the gory slave trade history in Badagry is awesomely historic. The state will go down in history as the first in Africa to symbolically open its door to diaspora return and engagement. In developing tourism, the state needs such a mega event as Diaspora festival or  Diaspora tourism to drive and achieve its tourism development target as contained in the Lagos State Development Plan 2012 – 20125 of attracting 150 million annual tourists arrival and that tourism revenue to contribute 10% to the State’s GDP. The state remains the most endowed in terms of tourism resources and if fully harnessed and developed will catapult the state from its present fifth position to first economy in Africa in no distant future.

    Diaspora festival as a nostalgic form of tourism has the potentials to turn around the history of tourism in Lagos State. California is a state in the United States of America whose economy is dependent virtually on tourism. Today California is the 6th largest economy in the world. As a matter of fact the economy of the global North is hinged 70% on tourism. Tourism has become an integral part of the global economy that cannot be ignored. Lagos is well positioned for fantastic tourism development and a huge potential to become a major tourists destination in Africa with its socio-economic performance indicators of being host to over 2,000 industrial establishments, 10,000 commercial ventures, 22 industrial estates, responsible for 30% of the nation’s GDP, and accounts for 80% of national aviation traffic, 70% of national maritime cargo freight, 50% of national energy consumption.

    What is more, with a population that hits 20 million in 2015 according to the UN making it the third largest city in the world and the socio-economic indices and demographic details enumerated above, and monumental efforts of the present administration towards infrastructural development, reclamation of marinas, security and the erection of world class statues in strategic centres in the state are steps consciously taken by the governor to prepare the ground for thriving tourism business in Lagos State.

     

    • Olaide-Mesewaku writes from Badagry, Lagos State.
  • Drums Festival: Anu D Lady Ekwe wins award

    Drums Festival: Anu D Lady Ekwe wins award

    The  Ekwe lady drummer, dancer and songstress of international repute, Anu D Lady Ekwe, put on a class art at the just held African Drums Festival to clinch the award for the Most Outstanding Performer in the Individual Category. Cultural fiesta, which debuted last year, was organised by the Ogun State Government at Abeokuta, the state capital.

    Anu, who is Nigeria’s only female Ekwe percussionist, gave a breathtaking performance, displaying her dexterity with the musical instrument, deft stage performance and compelling command of voice sound to the admiration of the packed audience.

    The songstress, who was recently conferred with the title of the African Ambassador of Music by the leading music school in Nigeria, Tenstrings Music Institute, mesmerised and tantalise the crowd with her  choreographed dance steps and electrifying drum beats, all benefits of her tutelage from the stable of Atunda Entertainment, where creative African youths are groomed and transformed into world-class arts.

    She was at the end of the three-day event adjudged by the organisers as the best individual performer and rewarded with a prize of one million naira (1million).

    The Permanent Secretary, Ogun State Ministry of Culture and Tourism, Mrs. Salmot Olapeju Ottun, while presenting her with the award and cheque, commended her for her endearing and lovely performance at the event and said she is a great inspiration to teeming youths all over Africa who are seeking veritable platforms to express their talents in order to become formidable entertainers like her.

    The music ambassador expressed thanks to the state government and the organisers of the event for a job well done and also for the recognition and award bestowed on her, which she said is a great honour and boost to her career.

    She promised not to rest on her oars and that she would continue to be a role model for youths, not only in Africa, but for youths all over the world.

    It would be recalled that Anu and Atunda Entertainment also featured in last year’s event with Anu winning the admiration and recognition of the state governor, Senator Ibikunle Amosun, who rewarded her for her talents.

    The event was attended by eminent personalities from all walks of life, including royal fathers, governors, and the diplomatic community with over a hundred participants from Nigeria, many African countries and also the Diaspora.

  • Ogun hosts 20 countries to Drums Festival

    Ogun hosts 20 countries to Drums Festival

    The Ogun State government, today, begins the 2017 edition of African Drums Festival. The show which is touted as an expanded version of the 2016 maiden edition, tagged, the Nigerian Drums Festival continues till Saturday, April 22, 2017.

    The Ogun state government, had during the 2016 edition, unveiled the world’s tallest drum.

    Speaking at a World Press Conference to unveil the official logo for this year’s festival on Tuesday, Governor Ibikunle Amosun, who was represented by his Deputy, Chief (Mrs.) Yetunde Onanuga, said over 20 African countries had indicated interest to participate during the festival.

    This, he added, is in addition to the over 12 states of the federation that had confirmed their attendance.

    The governor said that the festival, with the theme, “Reviving Our Culture in Drums,” would reveal the richness and depth of Ogun, Nigeria, and by extension, African culture, to the world.

    Amosun, while emphasising the preservation of African cultural heritage, said “the 2017 African Drums Festival would afford us the opportunity to learn from our cultural values and diversity and promote African unity.”

    Also speaking, Chairman of the 2017 African Drums Festival Local Organising Committee and Secretary to the State Government, Barr. Taiwo Adeoluwa, said the event would enhance the economic value of the citizens by showcasing talents and the cultural heritage.

    In his welcome address, Ogun State Commissioner for Culture and Tourism, Barr. Muyiwa Oladipo said the festival would foster development, growth and unity, not only in Nigeria, but also in Africa.

  • Festival to highlight Femi Odugbemi’s work

    Festival to highlight Femi Odugbemi’s work

    The Program of African Studies’ Nollywood Working Group has partnered Northwestern University’s Block Museum of Art to sponsor a Nollywood Film Festival.
    Set to run from October 26–27, 2017, the event will highlight the work of acclaimed filmmaker, Femi Odugbemi.
    Long recognized as a film industry leader in Nigeria and beyond, Odugbemi has served as president of the Independent Television Producers Association of Nigeria, ITPAN (2002 to 2006). He also chaired the Lagos International Forum on Cinema, Motion Picture, and Video in Africa.
    He has been an Emmy Awards juror and served on film festival boards and juries in South Africa, Uganda, and Ghana.
    Born in Lagos in 1963, Odugbemi traveled to the United States in 1979 to study film and television production at Montana State University. After receiving his BS in 1984, he worked as a producer at a local TV station but grew increasingly uncomfortable with the derogatory representations of Africa and African culture that he saw in US media.
    Determined to counter these misrepresentations, Odugbemi returned to Nigeria, convinced that he must “live [the African] experience, not just carry its identity.”
    After his mandatory year in the National Youth Service Corporation, Odugbemi joined the staff of the Nigerian Television Authority, gaining experience in producing and directing a wide variety of programs.
    Since 1999 he has worked as an independent producer and director, and in 2008 he co-founded and co-produced Tinsel, a long-running Nigerian TV drama that remains one of sub-Saharan Africa’s most popular programs.
    He has also produced commercials and noteworthy Nollywood films, including Maroko (2006) and Gidi Blues (2016).

  • Ogundaisi partners Oyo State on Egungun festival

    Ogundaisi partners Oyo State on Egungun festival

    In his bid to make the grossly misunderstood Egungun (Masquerade) festival largely endearing, veteran artiste and culture promoter, Yinka Ogundaisi, is partnering the Oyo State Government to position the event as a harmless and major global cultural tourism in Nigeria.

    Spearheaded by his Universal Films and Communications company and the Oyo State Ministry of Information, Culture and Tourism, Ogundaisi the festival will be revamped to form part of the educational activities of students in the state to deepen their cultural understanding.

    He said the event which holds traditionally from May to September annually, will have the students observe the festival and, “in the post festival’s schools competition at the communy and local government levels, they will mimic without masques, the songs, music and dances of Egungun of their choices.”

    Ogundaisi traced the history of the festival to the 16th century, urging the people to embrace it as a cultural event worthy of celebration.

    “Consider the sheer ingenuity of keeping the masquerades in the same forms they started with more than 600 years ago till date. If it were in any of the advanced countries, the masquerades would have by now been housed in a special museum with people from all over the globe, including especially Nigerians trooping out to see them and regaling us of their trips as a status symbol. Now just because the events are in our rural areas and because we have been oriented to see whatever is ours as backward and inferior, most people see the festivals in negative light. But we are set to correct this erroneous impression about one of the major cultural legacies and re-present the festivals as worthy cultural celebrations.”

    He said the various masquerades are classified into three major groups. “The first and the most dreaded were those of wars and royal duties. They led their people into wars and carried out royal assignments for the monarchy, like information disseminations, chasing away from the towns, the unwanted and the banished, and carrying out executions of condemned criminals.

    It is these types of Egunguns that majority confused with the mainstream masquerades, which is not so. Second group were the Alarinjo or travelling masquerades moving from a community to the other, entertaining the people.

    They were the forerunners of our famous travelling Theatres and the kinds now bastardised on the streets of our metropolis, with lace clothes and the hoods to harass people and generally making a nuisance of themselves. The third are the mainstream Egunguns that from their inception in the sixteen century till today are celebrated annually from May to September; the festivals are made to coincide with the new fresh corn harvests, because the main foods of the ancestors are derivatives of corn.

    These Egunguns are not idols worshipped with the fetish stuff of blood, cowries and cold pap but celebrated as earthly spiritual representatives with modern foods and drinks which the celebrants after evoking the spirits of the departed ancestors, like the modern prayers will themselves consume. Anyone; Yoruba or whatever tribe who believes that his or her starting point are the ancestors, and that one day, he or she will also join those ancestors must begin to see the Egunguns positively and warmly embrace them.”

    He said it is unfortunate that historical distortions have made many to distance themselves from the mainstream Egunguns, in the erroneous belief that embracing them would compromise modern religions.

    The transformed festival, he assured, will be devoid of all the objectionable traditional practices that people believe can impinge on their religious piety, adding that it is also structured to be financially self-supporting by creating sustainable sources of income for the state.

  • USP plans Nigeria’s first animation festival

    USP plans Nigeria’s first animation festival

    Poised to inspire animation film culture in the country, a Nigerian company, USP Communications is putting together the first animation festival in the country.

    Called the Lagos International Festival of Animation (LIFANIMA), the event is scheduled to hold on Friday, June 30 and Saturday, July 1, 2017 at Freedom Park, Lagos.

    “The Animation industry is just beginning to blossom in Nigeria and indeed across Africa and there are a lot of young animators, hugely talented but without a common platform to sell their skills. LIFANIMA will therefore provide a platform for animators to interact with other stakeholders for optimum value creation and rapid growth of the animation industry,” said Muyiwa Kayode, CEO at USP and creator, Turtle Taido animation series.

    Kayode said the festival is expected to promote the rapid development of the animation industry in Nigeria and across Africa; improve the movie industry through increased inclusion of animation content; provide a platform for the promotion of local animators and development of the quality of animation and expose animators to the latest technologies in animation hardware and software.

    He said that apart from the screening of selected works, the festival will feature award presentations, networking and lots of entertainment

    Expected at the two-day event are local and foreign animators, filmmakers, investors, financial institutions, advertising agencies, musical video producers, media practitioners, digital marketing professionals, government agencies, Information Technology companies/manufacturers, and the general public.

    Interested animators and producers are encouraged to submit their works in various categories on or before April 30, 2017, while selected entries will be announced on or before May 30. 2017.

    Kayode said submission forms can be requested for via mails@uspbrands.com

  • NOLLYWOOD TRAVEL FESTIVAL MAKES DEBUT WITH TORONTO SHOWCASE

    FOLLOWING the reception given eight Nigerian films by foreign delegates at the last Toronto International Film Festival (TIFF), Canada, an idea of a Nollywood Travel Festival was born, with a broader aim of promoting Nigerian films, music and tourism as a pack.

    The idea is the brainchild of President of the African Film Consortium (AFC), Mykel Parish and CEO of Native Media, Rogers Ofime.

    Shedding more light on the initiative at a press conference which held at the Ojez Restaurant, National Theatre, last Tuesday, co-founder of the festival, Parish, noted that the time is now to make more fans and money by taking the country’s film and tourism around the world.

    According to him, “Nollywood Travel Festivals is an initiative that seeks to promote films by Nigerians living all over the world to new and existing global audiences with the aim of creating new market places for Nigerian cinema. We will Showcase the best films ever made in Nigeria and create an adventure for filmmakers, while opening platforms and markets for filmmakers, Nigerian music, comedy and tourism.”

    Parish who added that the Nigerian movie sector was one that practitioners should be proud of and showcase everywhere in the world, said; “Nollywood is the bedrock of films in Africa. But more people need to know what we are doing. Many of our films are already exposed by pirates.  In Canada, some people said they watched Nollywood more than they did Hollywood. So, this festival will strengthen this position and help producers to sell more films across the globe.”

    He disclosed that the maiden edition of the Nollywood Travel Festival will hold in Toronto, Canada, from May 5-7, 2017.

    In the words of Parish’s partner, Ofime, the Festival’s vision is to become a platform for the advancement of Nollywood and the realization of commercially viable entertainment industry for Nigeria. “The Nollywood Travel Festival celebrates the best of Nigerian cinema and will be hosted in major cities around the world. It will be a weekend of special indoor and outdoor screenings, inspiring discussions, meeting, parties and awards,” he said.

    The unveiling ceremony of the festival was attended by notable industry stakeholders like filmmaker Andy Boyo, PMAN’s Pretty Okafor, Association of Movie Producer’s Chinasa Onychere and culture journalist and film critic, Shaibu Husseini.

    According to Husseini, there were few travel festivals in the world, thus, the Nollywood Travel Festival is a welcome development.

    He expressed optimism that the initiative will properly internationalise Nollywood. “It will change the perspectives that Nollywood is about quantity and not quality as it will expose very good works from Nigeria, unlike the cheap ones that many would have seen. When we take our best films out, the perspective will definitely change. Of course, the festival will also give our filmmakers more opportunity to travel,” he said.

    Meanwhile, organisers have announced that entries are opened to filmmakers who desire to showcase their works at the festival. The films, which must have been released in 2016, must be shot in Nigeria or Canada by a Nigerian director with plot relating to Nigeria or Nigeria in Canada.

    The said deadline to receive film via online or DVD(along with posters design, synopsis, director’s bio and photo) is Jan 16, 2017, while selected films will be announced on January 20, 2017.