Tag: Odumodublvck

  • FULL LIST: Odumodublvck, Mohbad lead 2024 Headies Award nominations

    FULL LIST: Odumodublvck, Mohbad lead 2024 Headies Award nominations

    Nigeria’s most prestigious music award show, Headies has released the highly anticipated nominations list for its 17th edition.

    According to the list, which was made public on Wednesday, Odumodublvck, whose real name is Tochukwu Ojogwu, leads the pack with an impressive eight nominations.

    Ayra Starr and Shallipopi trailed closely behind with three nominations each, while the late Mohbad, who passed away on September 12, 2023, also bagged three nominations.

    The nominations list features a diverse range of local and international artists who have made significant contributions to the music scene in the past year.

    Some of the notable categories and nominees include Best Recording of the Year, Songwriter of the Year, Best R&B Singles, and Best Collaboration.

    Read Also; FG to launch national scorecard to track states’ progress on open defecation-free goal

    The 17th Headies Awards is scheduled to take place on April 5, 2025, in Lagos, Nigeria.

    Full List of nominees:

    Music Video of the Year

    Charm – Rema, Oerlinks and Folarin Oludare

    Metaverse – Jyde Ajala

    Like Ice Spice – Perlinks and Emeka Shine Shine

    Ojapiano – Mattmax

    Egwu – Director Pink

    Showa – TG Omori

    Na Money – Dammy Twitch

    Best Vocal Performance (Female)

    Ayra Starr – Last Heartbreak Song

    Niniola – Level

    Simi – Stranger

    Liya – I’m Done

    Yemi Alade – Tomorrow

    Best Rap Single

    Cast – Odumodu Blvck and Shallipopi

    Blood on the dance floor – Bloody Civilian, Wale and Odumodu Blvck

    Hallelujah – Ladipoe, Rozzz, and Morello

    Canada – Magnito

    Ije Nwoke – Jeriq

    Rookie of the year

    Zerry DL

    Taves

    Kaestyles

    Llona

    Best R&B single

    Qing Madi – Vision

    Johnny Drille – For You

    Simi – Stranger

    Tems – Burning

    Ayra Star – Last Heartbreak Song ft Giveon

    Songwriter of the year

    Simisola Kosoko – Stranger (Simi)

    Chimamanda Pearl Chukwuma – Vision (Qing Madi)

    Michael Ajuma Attah – Can’t Breathe (Llona)

    Emoseh Khamofu – Family Meeting (Bloody Civilian)

    Fuayefika Maxwell – Stages of Life (Wizard Chan)

    Producer of the year

    Sarz – Happiness

    London – Ozeba

    Magicsticks – Basquiat

    Rema/Producer X/Cubeats/Deatz/Klimperboy – Hehehe

    Dibs – Different Pattern

    Best Recording of the year

    Tems – Burning

    Seyi Vibez – Different Pattern

    Burna Boy – Higher

    Ayra Star and Giveon – Last Heartbreak Song

    Sarz and Lojay – Billions

    Best Collaboration

    Emotions – Tiwa Savage ft Asa

    Blood on the dance floor – Odumodu Blvck, Bloody Civilian, and Wale

    Cast – Shallipopi ft Odumodu Blvck

    Egwu – Chike ft Mohbad

    Ole – Qing Madi ft Bnxn

    Twe Twe remix – Kizz Daniel ft Davido

    IDK – Wizkid ft Zlatan

    Best Street-hop artiste

    Seyi Vibez – Different Patterns

    Ayo Maff – Dealer ft (Fire Boy)

    Shallipopi – Cast ft (Odumodu Blvck)

    Zhus Jdo – Johnbull

    Mohbad – Ask About me

    Afrobeats Single of the Year

    Big Big Things – Young John ft Kizz Daniel and Seyi Vibez

    Twe Twe remix – Kizz Daniel ft Davido

    Egwu – Chike ft Mohbad

    Remember – Asake

    Ogechi remix – Hyce, Boypee and Brown Joel ft Davido

    Big Baller – Flavour

    Best Inspirational Single

    Gratitude – Anendlessocean

    Worthy of my praise – Dunsin Oyekan ft. Lawrence Oyor

    Good God 2 – Limoblaze ft. Naomi Raine

    particularly – Gaise Baba ft. Tope Alabi

    You Do This One – Mercy Chinwo

    Lyricist on the Roll

    Mogadishu – A-Q

    Chocolate City Cypher – M.I Abaga

    Chocolate City Cypher – Blaqbonez

    Hallelujah – Ladipoe

    Efeleme – Alpha Ojini

    Headies’ Viewers’ Choice

    Big Big Things ft. Kizz Daniel and Seyi Vibez – Young Jonn

    Ogechi remix ft. Davido – Hyce, Boypee, and Brown Joel

    Egwu – Chike & Mohbad

    Showa – Kizz Daniel

    Different Pattern – Seyi Vibez

    Ozeba – Rema

    Love Me Jeje – Tems

    Cast ft. Odumodublvck – Shallipopi

    Dealer ft. Fireboy DML- Ayo Maff

    Big Baller – Flavour 

    West African Artiste of the Year

    Black Sherif (Ghana)

    King Promise (Ghana)

    Himra (Ivory Coast)

    Josey (Ivory Coast)

    Toofan (Togo)

    Best East African Artiste of the Year

    Bien (Kenya)

    Diamond Platnumz (Tanzania)

    Juma Jux (Tanzania)

    Bruce Melody (Rwanda)

    Azawi (Uganda)

    Best North African Artiste of the Year

    Mohamed Ramadan (Egypt)

    ElGrande Toto (Morocco)

    Soolking (Algeria)

    Balti (Tunisia)

    Abu (Egypt)

    Best Southern African Artiste of the Year

    Titom (South Africa)​

    Yuppe (South Africa)

    Tyla (South Africa)

    Kelly Kay (Malawi)

    Plutonio (Mozambique)

    Zee Nxumalo (South Africa)

    Best Rap Album

    Sideh Kai – Illbliss

    Eziokwu – Odumodublvck

    Alaye Toh Se Gogo Vol. 1 – Reminisce

    Family Time – Erigga

    Shiny Object Syndro​me – Modenine

    Full Time Job – Phyno

    ​Soundtrack of the Year

    Eledumare – Teledalese (Anikulapo: Rise of the Spectre)

    Lose to Gain – Kaline (Breath of Life)

    Kill Boro – Native Filmworks & Wizard Chan (Kill Boro)

    Orisa – Beriolla (Orisa)

    “Emotions” – Tiwa Savage & Asa (Water and Garri)

    “Tribe Called Judah Soundtrack” – TCJ & Abbey Wonder (A Tribe Called Judah)

    Best Central African Artiste of the Year

    Innoss’B (DRC)

    Gaz Mawete (DRC)

    Emma’A (Gabon)

    Ebokolo (Gabon)

    Singulila (Central African Republic)

    Koceé (Cameroon)

    Next Rated

    Qing Madi

    Shallipopi

    Odumodublvck

    Ayo Maff

    Nasboi

    Afrobeat Album of the Year

    Stubborn – Victony

    Work of Art – Asake

    The Year I Turn 21 – Ayra Starr

    Heis – Rema

    Jiggy Forever – Young Jonn

    Best Performer (Live)

    Rema – Ravage Uprising: Rema Live from The O2, London

    Omah Lay – Live at L’Olympia Paris

    Flavour – Celebrating You 2023

    Wizard Chan – Live in Concert Port Harcourt

    Burna Boy – African Giant Live from London

    Femi Kuti & The Positive Force – Nuits de Fourvière (ARTE Concert)

    Song of the Year

    Showa – Kizz Daniel

    Commas – Ayra Starr

    Egwu – Chike and Mohbad

    Lonely at the Top – Asake

    Ozeba – Rema

    Big Baller – Flavour

    Album of the Year

    Born in the Wild – Tems

    Heis – Rema

    The Year I Turned 21 – Ayra Starr

    Stubborn – Victony

    Work of Art – Asake

    International Artiste of the Year

    Wale – Blood on the Dance Floor (Odumodublvck)

    Skepta – Tony Montana (ft. Portable)

    Chris Brown – Hmmm (ft. Davido)

    Travis Scott – Active (Asake)

    Chloe Bailey – Vision Remix (Qing Madi)

    Artiste of the Year

    Davido

    Ayra Starr

    Asake

    Rema

    Tems

    Burna Boy

    Digital Artiste of the Year

    Ayra Starr

    Rema

    Shallipopi

    Tems

    Davido

    Kizz Daniel

    Asake

    Best Vocal Performance (Male)

    Lojay – Billions

    Omah Lay – Moving

    AnendlessOcean – Gratitude

    Johnny Drille – For You

    Timi Dakolo – Ke Na Ke So



  • My friendship with Seyi Tinubu not political – Odumodublvck

    My friendship with Seyi Tinubu not political – Odumodublvck

    Rapper Odumodublvck has shed light on his relationships with several notable figures, including Seyi Tinubu, Rema, and Burna Boy

    Speaking on a recent episode of the Afrobeats Podcast, he described Seyi Tinubu, son of President Bola Tinubu, as a close friend.

    He clarified that their bond is based on a shared love for music rather than political support, revealing that Seyi once invited him to dinner purely out of admiration for his craft. 

    Odumodublvck also confirmed his friendship with fellow artist Rema, stating that he sees no reason to hide their relationship.

    He also recounted a vivid dream in which he shared a meal of pounded yam with Burna Boy, whom he affectionately calls his “spirit animal.” 

    The rapper emphasized the importance of authentic friendships, insisting that he refuses to let public opinions dictate who he associates with.

    Read Also: Odumodublvck: Davido, Wizkid played key roles in my rise to fame

    He said: “Rema is my friend. Seyi Tinubu is also my friend. Regardless of his father being the president and people throwing stones at him, he’s my friend. When he invited me to his home for dinner, he didn’t do it for me to support his dad. He did it because he loves my music. I’m a street boy. Seyi has nothing to gain from me. He’s my friend. Forget whatever society is saying.

    “The same goes for Rema. Why I no go famz Rema? Who I wan go famz? Adele? Speed Darlington? Akpi is not my friend, him and Burna Boy are my spirit animal—Skepta too. Before I met Burna Boy, I saw him in my dream, and we were eating pounded yam. Burna Boy told me that the day I saw him was the first time he had eaten pounded yam in two years. This thing is not a joke. They think I just cap. They think I talk about Jesus because I’m a fanatic. I’m a big fan of Jesus. Anything I say, I bound here on earth and in heaven, as long as it aligns with the will of God.”

  • I’m a covenant child, says Odumodublvck

    I’m a covenant child, says Odumodublvck

    Rapper Odumodublvck, born Tochukwu Gbubemi Ojogwu, has shared the extraordinary circumstances surrounding his birth.

    The acclaimed “Industry Machine” claimed to be a “covenant child,” born to his mother at 39.

    Odumodublvck declared himself one of the most confident artists in music history.

    He attributed his unwavering self-assurance to upbringing in the church, which he credits as the foundation of his music.

    Read Also: Odumodublvck: Davido, Wizkid played key roles in my rise to fame

    He said: “I am the only child of my mom. She gave birth to me when she was 39. I’m a covenant child. That’s what people don’t understand. I don’t just come out and say things. They are not fallacies. I grew up in the church. That’s the foundation of my music.

    “I am one of the most confident artistes in the history of music… I am just a vessel.”

  • Odumodublvck: Davido, Wizkid played key roles in my rise to fame

    Odumodublvck: Davido, Wizkid played key roles in my rise to fame

    Rapper Odumodublvck has revealed in an interview on the Afrobeats Podcast,  the significant roles Davido and Wizkid played in his rise to stardom.

    According to Odumodublvck, Wizkid was the first major Nigerian artist to share his music, posting his song “Picanto” and later “Declan Rice”, which became an instant hit.

    Wizkid’s endorsement drove mass attention to Odumodublvck’s music, propelling him from relative obscurity to fame.

    Read Also; Edo poll dispute: PDP, APC chairmen hopeful of positive outcome

    “In Nigeria, Wizkid was the first major artist to post my music. He posted picanto…Then after I dropped ‘Declan Rice’, he posted the song and there’s also a video of him vibing to the song”, he said.

    Odumodublvck also expressed his gratitude to Davido, who chose to help him when he didn’t have to.

    The rapper praised Davido’s kindness and generosity, stating that he will always appreciate his support.

    “David (Davido) is someone who helped me when he didn’t need to. So there’s no way I will say anything bad about him even if I have the chance to”, he said.

  • Odumodublvck defends Nigerian hip-hop and afrobeat against critics

    Odumodublvck defends Nigerian hip-hop and afrobeat against critics

    Nigerian rapper Odumodublvck has responded to critics who argue that Nigerian hip-hop and Afrobeat artists are not “real” hip-hop musicians. 

    During a recent interview, Odumodublvck asserted that Nigerian artists are redefining the genres, blending hip-hop and Afrobeat to create a unique sound that is gaining global recognition. 

    He emphasized that Nigerian hip-hop and Afrobeat are distinct in their own right and deserve respect and acknowledgment.

    According to him, critics who undermine these genres cannot often create similar music themselves. 

    Addressing concerns about authenticity, Odumodublvck stated that Nigerian artists are not imitating American or European hip-hop styles but are instead developing their sound that resonates with audiences worldwide.

    He highlighted the strong connection young women, in particular, have with Nigerian music, proving its widespread appeal. 

    Read Also: Kaduna to become grape-farming hub in Nigeria

    The rapper encouraged his fellow Nigerian artists to keep pushing creative boundaries despite external criticism.

    He stressed the importance of staying true to one’s art and not allowing others to define their worth or authenticity. 

    Odumodublvck’s remarks reinforce the growing influence of Nigerian music on the global stage and the need for continued innovation within the industry.

    Odumodublvck said: “I studied the game because they cannot rap exactly the way we rap, they say we’re rapping rubbish, they say it’s not hip-hop, some say we’re just Afrobeat artistes, Yhh, of course, we’re afrobeat artistes but we do hip-hop also.

    “The melodies are ancestral, go and check in the history of the world, singers will always blow more than rappers because singing is sweet, now because we sing our hooks by ourselves,21 songs, I sang it,21 hooks, Joey I didn’t call Fireboy, I didn’t call Oxlade, I didn’t call David, I didn’t call Wiz, somebody says “Kala”.

    “So because I sang those hooks, they’re trying to tell me I cannot rap, that I’m not doing hip-hop, that he’s not doing hip-hop because he’s not rapping the way they’re rapping, the same way that guy wants to bring that girl down, they want to bring us to their level.  Oya come do Egungun, do Azaman, do March am, make I see you, you say the boy is doing rubbish, run am.

    “The boy came, changed the game, Rema shouted out Chosen One, you know, he changed the game it’s there, the proof is in putting. And you see these people come out saying, you’re the best rapper in Africa, you’re the best rapper in this, if you’re the best rapper in Africa, your album should be the best hip-hop album in the country, but it’s not. We’ve passed the era of chochocho, show working. Say you’re the biggest Afrobeat artist, you’re not WizKid, you’re not David, you’re not Burna, who are you deceiving?

    “As a Barcelona fan, I’ll still say that Real Madrid is the biggest club in the world. You must say the truth, you must say the truth, you understand what I’m saying, what we’re doing is real hip-hop, girls are connecting in Atlanta, in Washington DC, everywhere I went to in America, girls are dancing asses off in ‘Adamabeke, Picnato, Kubolo’, these are verses that have never been wrapped in the history of Nigeria music industry. Instead of being appreciative, they’re trying to tear it down because they cannot do it, we won’t stand for that.

    “That’s why this Afrobeat intelligence, we’re here to teach all of you whatever you’re doing that is different, don’t let them tear it down, keep riding that part. Skepta told me ‘the fact they don’t understand it, good, good, good. And the only reason why they’ll talk about us is because when they talk about them nobody would listen.”

  • Odumodublvck shares insights on challenges faced by female artists

    Odumodublvck shares insights on challenges faced by female artists

    Nigerian rapper Odumodublvck has spoken out about the challenges female artists face in the music industry, emphasising that their struggles extend beyond music to include spiritual and emotional battles. 

    In a recent statement, he highlighted the experiences of renowned Nigerian artists Tems and Ayra Starr, acknowledging their impressive success despite the numerous hurdles they encountered. 

    Odumodublvck pointed out that female artists often have to deal with unwanted advances and pressures from producers, managers, and other industry professionals.

    He noted that these challenges can be overwhelming and may hinder their ability to focus on their craft. 

    The rapper urged women in the creative industry to remain steadfast in their faith and values, stressing that staying grounded would help them navigate the industry’s complexities and stay focused on their goals. 

    He also warned against the temptation to compromise personal values and integrity for short-term success or fame, emphasizing the importance of patience, perseverance, and staying true to oneself to achieve lasting success. 

    Read Also: I contracted sepsis while on movie set – Omowunmi Dada

    Odumodublvck’s remarks have sparked conversations about the unique challenges female artists face and the need for a supportive and respectful industry environment.

    “Even down to the girls, the girls that are artistes, I was saying one thing one time that Tems and Ayra Star, that what they’ve done has outlived what Burna and Wizkid, they were saying that I was capping, I’m not talking about the music, this P is spiritual.

    “Tems has to wear big clothes to go to the studio because everyone wants to fuck her, Ayra Star the same thing. This person is meant to make a hit record and she’s thinking about how she would not make the producer not like her so that he can just focus on what he’s doing as a girl.

    “That alone guy is enough for a babe not to blow, I can’t imagine me as a guy entering a studio, and there are five babes there all of them want to knack me, wetin I wan write.

    “Then you expect the girls to go there and see guys say, ‘Ohh you want to sit here, do you smoke? And the girl is just thinking like, ‘ Yooo can you guys play the the fucking beat, let me just record and leave this place. Oya send Tems na, producer will say come to my house let’s go over the mix together, even her manager sef fit wan knack am, even the radio guy wey wan play her song, even the DJ, even the show promoter, how many people??

    “So you girls, you hold on to God, even babes in the creative space not just music, hold onto God cause, Niggas are monsters dog eat dog baby, so when you hold on to God, all these things they cannot move you, all of them that work against you, they’ll na start working for you, they’ll say ‘That girl no dey gree make anybody toast am, me I just help ‘. But you sha help am.

    “But there are so many of those girls that agree, that if Don Jazzy kiss me I don blow, how? Who told you Don Jazzy wants to see you, then you’ll na go and an open leg for one idiot that will use you, take away your destiny, take away your star, just cause of a couple of bucks, because you’re not patient, you don’t want to do your time.”

  • Odumodublvck: Why record labels aren’t always to blame for disputes with artists

    Odumodublvck: Why record labels aren’t always to blame for disputes with artists

    Rapper Odumodublvck has offered his perspective on the ongoing conflicts between artists and their record labels, stating that the common narrative of artists being victims is not always accurate.

    In a recent interview with Hip TV, he pointed out that disputes often arise from personal differences between artists and label executives rather than systemic issues within the industry. 

    He stressed that business relationships are influenced by human traits, which can sometimes lead to misunderstandings and conflicts.

    Odumodublvck cautioned against portraying record labels as villains, noting that some artists make unreasonable demands and become difficult to manage after gaining fame. 

    He reminded artists to recognize the investments and efforts made by their labels in shaping their careers.

    While highlighting the challenges posed by artists, the rapper also acknowledged that record labels are not without fault, calling for a fair and balanced approach in addressing industry disputes.

    Read Also; FG plans 10,000 housing units for medical workers

    “”Everybody must be accountable. It’s not a record labels are bad situation…There are things artists don’t come out to say during this conflict”, he said in part. 

    OdumoduBlvck’s comments come amidst the recent controversy between Dapper Music and its former signees, Shallipopi and Muyeeez, who terminated their contracts citing lack of financial transparency and unfair business practices. 

    The label has since denied these allegations.

  • Jaywon slams Odumodublvck over diss comment

    Jaywon slams Odumodublvck over diss comment

    Singer Jaywon has responded to Odumodublvck’s recent interview where the latter mocked his hit song “This Year.”

    Jaywon accused Odumodublvck of mentioning his name in interviews to stay relevant.

    Jaywon clarified that his previous comments about Odumodublvck’s abilities were factual, not a form of beef.

    Read Also: Jaywon addresses fallout with Ayra Starr

    He advised Odumodublvck to focus on his career instead of constantly referencing him.

    Jaywon’s tweets read: “Odumodu will always mention my name in his interviews because that’s the only way he stays relevant. Even he admits that none of his other beefs trend because they’re not Jaywon. When I said he’s not all that, it wasn’t beef it was just facts. Enjoy yourself, boy.” “I can’t stand the fact that Odumodu thinks I’m beefing with him. Yo, get over it and focus on your career, bro. Or is it that you just can’t handle the fact that I’ll always be relevant because of that one single you keep coming for?”

  • Fame not my primary goal in music-Odumodublvck

    Fame not my primary goal in music-Odumodublvck

    Rapper Odumodublvck has claimed fame isn’t his top priority in the music industry in a recent interview on Hip TV’s Trending.

    He shared that he never sought fame but focused on creating impactful music.

    According to Odumodublvck, his goal has always been to make a positive difference through his art, with riches and fame being secondary considerations.

    He emphasised the idea of promoting himself is distinct from the conventional notion of fame.

    Read Also: Odumodublvck breaks silence on Nativeland festival stage collapse

    Odumodublvck gained widespread recognition in 2022 with his hit single “Picanto” and later released “Declan Rice” in March 2023.

    His song “Declan Rice” was featured by Arsenal Football Club in their announcement of signing Declan Rice in July 2023.

  • Odumodublvck breaks silence on Nativeland festival stage collapse

    Odumodublvck breaks silence on Nativeland festival stage collapse

    Rapper Odumodublvck has broken silence on the shocking stage collapse incident that occurred during his performance at the Nativeland Festival on December 21, 2024.

    In an interview with HIPTV, Odumodublvck revealed that he remained calm throughout the ordeal, attributing the composure to his strong faith.

    The rapper also shed light on the complexities of organising large-scale events, emphasising that mishaps like the stage collapse should not be blamed on a single entity. 

    He noted that the event host, Native, has launched an investigation into the incident.

    Odumodublvck highlighted the multiple teams involved in event planning, including production, lighting, sound, and security. 

    He stressed that it is unfair to point fingers at one person or group for a single mistake.

    Fortunately, the incident did not result in any fatalities, and Odumodublvck expressed gratitude that the casualties received proper care.

    He said: “For some reason, I wasn’t scared and I didn’t panic because God is always in me and for some reason, I didn’t panic at all.

    “Situations like that can be avoided, and I think the company that hosted the show, which is Native, released a statement that they’re carrying out investigations with the stage and production company.

    “People don’t know things like this. When they say come and do shows, there’s a production company, light people, sound people and security.

    “People think it’s just one person, but it’s good to educate people that there are different factions of this thing to put up a show.

    “You can’t really point fingers at one person or everyone for one person’s mistake. All in all, we thank God nobody died, and the casualties have been taken care of to the best of my knowledge.”