Category: Arts & Life

  • Ralph Leonard wins Yessiey award for best author and commentator

    Ralph Leonard wins Yessiey award for best author and commentator

    Ralph Leonard, a renowned British-Nigerian writer, author, and commentator, has been awarded the prestigious Yessiey Award for Best Author and Commentator in 2024.

    This accolade reflects his exceptional talent and dedication to his craft, reaching audiences worldwide.

    The Yessiey Awards, organised by Yessiey Magazine, celebrate significant achievements across various fields, recognising the extraordinary dedication and work of individuals and groups.

    These awards highlight remarkable breakthroughs, showcase young role models, and honour outstanding innovators of the future. By spotlighting a wide range of arts — including writing, acting, humanitarian work, art, entrepreneurship, and journalism — the Yessiey Awards acknowledge both veteran celebrities and emerging talents.

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    Leonard’s work has been pivotal in fostering discussions on international politics, religion, culture, and humanism. His opinion pieces have appeared in leading publications such as The New Statesman, Unheard, The Mail, The Evening Standard, and The Atlantic.

    Born to Mabel Oboh, a Nigerian broadcaster, actress, film producer, and politician, and Gary Leonard, a former British diplomat, Leonard’s upbringing provided a solid foundation for his pursuits. His Nigerian heritage, combined with his British-Nigerian background, uniquely positions him to address global issues with empathy, nuance, and depth.

    One of his notable essays, “Israel: A Settler Colonial State, A clarification,” published in Sublation Magazine in 2023, delves into the complexities of the Israeli-Palestinian conflict, offering profound insights that challenge prevailing narratives.

    Upon receiving news of the Yessiey Award, Leonard stated, “The prize isn’t just about personal honour for me; it belongs to the voices that shape how the world perceives its surroundings. I am humbled that my voice allows me to facilitate such essential conversations.”

    Leonard’s work continues to inspire, educate, and challenge readers, providing deeper insights into some of the most complex issues shaping our world today. The literary and intellectual community eagerly anticipates his future works as he progresses in his career.

  • Re-considering the countryside

    Re-considering the countryside

    Book titled: Up from the countryside

    Author: Bayo Adebowal

    Reviewer: Ebika Anthony

    An autobiographical novel written in the style of facts and fiction, ‘Up from the Countryside’ by Bayo Adebowale, began with the author’s mysterious birth story after a sojourn of eleven months in his mother’s womb. His first earthly cry was heard in a mud room in the village of Adeyipo. This was on the sixth day of June 1944, signalling the arrival of peace for the unification of warriors in the land.

    The joy of the author’s eventful birth gripped Ayanlade, his father, who in the company of some drummers, beat his talking drum so dramatically that women danced “the blissful dance of the butterfly sucking the nectars of yellow daffodils in the garden”. Men also danced. They danced “the fleet-footed dance of the antelope, gliding over the low twigs of the guinea savannah”.

    In growing up at the countryside, Bayo Adebowale presented us with a very large canvas containing soul refreshing pictures. He painted a picture of poverty wrestling with villagers and instigating them to celebrate lack and want. And then he painted a picture of the rascality of village children who gave their elders soured dishes of tough times to consume. In their horrible styles, the author wrote, “we kids had become hot like embers inside a furnace”. Interestingly, their rascally behaviours were curtailed as teachers at Saint Andrew’s School, Bamgbola, treated them with strokes of canes.

    ‘Up from the Countryside’ is a meticulous recount of Bayo Adebowale’s experiences of rural community existence, academic battles, adjustments and transformation of life. His is the captivating story of morning’s barren dews of hunger’s torments, to the flourishing grace of Noon’s blessings, and to the beauteous shows of afternoon’s offerings.

    With the fineness of education, civility descended on the once rascally Adebowale in the character of Gbadegesin in the novel, as he journeyed through the roads of Teachers’ College and University where he had the opportunity of eating prawn crackers, ice cream, and eating with fork and knife. By the kind of sweet educational training he enjoyed, his rural behavioural pattern and level of English language changed, and he became a pride of the countryside people.

    At the University of Ibadan, Ibadan, as one of  the thirty-four 1971 class disciples in the Department of English, the author acknowledged, “being properly groomed for three full sessions before being finally released into the world to prove our mettle”. Having gone through the strong hands of academic and literary giants, the author excelled as a thoroughbred teacher of English and literary studies at tertiary levels of College of Education, Polytechnic and University.

    In travelling through the smooth roads of Bayo Adebowale’s ‘Up from the Countryside’, I noticed a rich blood of creative dexterity flowing in the veins and arteries of his powerful artistry. This in fact, makes the novel to talk prose, sing poetry and dance the dance of poetic prose with creative elegance.

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    On the large canvas of this autobiographical novel, Adebowale painted several pictures. He also painted a picture of keeping the fire of creative writing aglow while he was teaching and moulding characters to be useful people in the society. Voracious reading made him to take creative writing as his ‘first and always dependable wife’. His marriage to creative writing gave birth to beautiful prose children like ‘The Virgin’, ‘Out of His Mind’, ‘A new Life’, ‘Lonely Days’ and now ‘Up from the Countryside’.

    A beautiful child, ‘The Virgin’ was adapted into a film titled ‘Narrow Path’ by Mainframe Organization. ‘Lonely Days’ was a recommended Literature in English text by the West African Examinations Council (WAEC). Adebowale’s fruitful marriage to his ‘first wife’ also gave birth to laudable children of poetry such as ‘Village Harvest’, ‘A Night of Incantations’, ‘African Melody’ and ‘Oriki’.

    As the journey of the novel advanced, the author passed through the doorsteps of his parents. About his mother, he noted, “Mama was a deeply religious woman. Her abstractions   had always penetrated into the celestial. She frequently had walked on the path of righteousness and trodden the corridor of conscientiousness”. While for his father who drummed dramatically during his birth ceremony, the author noted, “Papa was my first teacher who had taught me early in my childhood days, how to wriggle to the delightful rhythm of the talking drum, and how to enthusiastically dance away my sorrow. He had taught me how to raise a smile on my lips to appreciate the message of the talking drum, and how to transfer into my brain the skill to decipher the drum’s coded language”.

    Obviously, there is so much exacting of creative energy in making ‘Up from the Countryside’ attain a high level of poetic beauty. Truly, the novel stands as a poetic prose purely refreshing to the soul. From chapter to chapter, poetry keeps peeping into the house of prose, making prose more robust, more exciting and creatively elegant to dazzle the literary terrain.

    In the journey from the garage of trials through the bus stop of travails and to the terminus of triumphs as evident in ‘Up from the Countryside’, the author, Bayo Adebowale in a state of victory concluded: “Now I grinned happily in victory!  Whatever will be will be! And Doris Day’s all time lyric of Que Sera Sera began to sip through my system, bringing cheerful relief to my soul and serenading me now with rhythm of a sweet lullaby”.

    This is a novel of twelve chapters about a typical childhood experiences at the countryside, to adulthood in the city centre. It follows the path of mature language use, it takes the smooth expressway of poetic expression and stands out as a novel with nice narrations.

  • Creativity and culture

    Creativity and culture

    At the beginning of the year when a new set of administrators and directors took over in the Federal Ministry of Culture, Arts and Creative Economy, the zeal to hit the road running was uppermost in their minds. Now, seven months on, some of the agencies and departments are yet to feel the presence and impact of some of the directors. Some of the appointees are still waiting to see what programmes to put in place to ensure that the sector is busy.

    Even though some have started organizing a few programmes, it is still a far cry from what needs to be done to ginger on a busy culture sector. The expectations and the hopes of handing over a completed National Theatre (Wole Soyinka Centre), Iganmu, Lagos, to the Theatre management to begin programmes that will attract patronage and cultural activities is still far from being realized. Even though the General Manager had hinted that by October this year, the complex would be fully renovated and handed over to the government, there seems to be more works to be done. Whether in the interior or in the exterior, the complex still needs more attention before the handover takes place.

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    It is same with the Centre for Black and African Arts and Civilization (CBAAC) where the Director General is operating from Abuja, more or less, since assumption of office. Meanwhile, CBAAC operational headquarters and head office is located in Lagos. Close watchers of development in the sector point to the fact that a few things may need to be put in place for these agencies to come fully alive. So, as it is now, with just a few agencies organizing one or two activities here and there, the sector is generally boring and quiet.

    It is time to see what must be done to wake up the Creative Economy Ministry if creativity will really thrive. The economy is almost in the doldrums and it is better to reorganize the indices of the sector that will enable artists breathe. Artists have to be encouraged to work, function and create. The atmosphere must be good and alluring. In the same way, government has the responsibility to create an atmosphere that will encourage creativity to blossom to the fullest. And the Wole Soyinka Centre has an important role to play in this regard.

  • Alas, no lifebuoy for Aboy!

    Alas, no lifebuoy for Aboy!

    (Tribute to Emmanuel Okechukwu (aka Aboy) shot by armed robbers on Thursday, January 14, 2021)

    • By Juliet Nwaeme

    A freak of nature he was at birth

    Still everyone loved him as a pet!

    Ever so happy and merry

    Just as equally bubbly and ever cherry

    Ever carefree like a child with no worries of his own

    Always with a ready smile, so uniquely his own!

    With a doting dad and mum to boot

    Everyone else loved him without caring a hoot!

    Though not blessed with the best of physique

    He was the best friend to seek

    With his ever ready signature smile

    Enlivened by a benign sigh

    No one could ever deny!

    Aboy, was truly a happy-go-lucky fellow

    You just couldn’t walk past him without saying hello!

    What he lacked in riches and wealth

    Was compensated for with many recorded feats under his belt!

    He was such a star dancer! He was such a crowd puller!

    He was such a unique comic! In fact, the community tonic!

    At the regular fest street jams, he wasn’t just another tram!

    On stage he proved his worth and mettle

    He gave such oeuvre performance no one could belittle

    But all that ended in a fell swoop

    Fell from a robber’s bullet he stood no hope!

    Yes, he fell under the bullet of marauding thieves

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    In the famed Ajegunle slum home to all Nigerian natives

    As to be expected, anger welled in all

    As the news put a pall

    on the famed Ajegunle known for its rich boisterousness

    Indeed Aboy’s death did awaken rousing bitterness!

    Everybody considered it a murder at dawn

    Indeed with long mournful faces did they mourn!

    Though Aboy didn’t get any lifebuoy

    He didn’t die unsung as a boy

    Everybody to the last man said their adieus

    Even those whose paths never crossed his paid him dues

    May all those responsible for Aboy’s death forever stew in their own juice!

  • ‘Chinua Achebe prize good for literature’

    ‘Chinua Achebe prize good for literature’

    Edmond Onuzuruike is a committed member of the Association of Nigerian Authors (ANA). Author of many books, he is also a novelist and biographer. Apart from being a storyteller, he writes political books. As a politician he understands Nigerian political terrain, more so, Abia State where he worked with former governor of the state Senator T.A. Orji. In this interview with EDOZIE UDEZE, he praises the Anambra State government for instituting the Chinua Achebe literature prize and calls on other Nigerians to do more for Nigerian and African literature.

    The Chinua Achebe literature prize instituted by the Anambra State government has been on for about 4 years now. How do you comment on the idea of the prize?

    Based on your questions, the prize by Anambra State is a worthy venture and a bold statement by Anambra State to support and improve literary enterprises in the state and Nigeria. THE present adoption by ANA called CALP is a positive development and worthy enhancement of the Anambra initiative.  They may not have moved at the speed expected considering the state of the entire economy which affects everything but there is hope.

    The Prof Aniagoli group by all indications is up to the billings!

    The books that have won so far, did they meet exalted Standard that Achebe lived and work for?

    I may not give a concrete evaluation of the books since I have not read them critically.  Considering meeting Achebe”s Standard is another question  as it is not an overnight journey complicated by multiple unforeseen circumstances and unimaginable social and financial encumberances. Achebe himself had problems before his manuscripts got to the table of Heiniman in London. He was defrauded by typists,  a female lecturer who was supposed to give him a second opinion played pranks and when pressed told him that  his work lacked form which she couldn’t prove until press time among other problems but when a diplomat on foreign, or rather African  mission stated that it should be published without delay that’s Things Fall Apart.

    We seem to forget that as Ndi Igbo, there’s magic in the name. Cosmologically, your name paves the way. His name is Chi na alurum Ogu- God fights for me! Achebe may not have had the best script at that time if compared to others but in the journey of life, pioneering isn’t easy. With utmost thanks to God, he told the African story and it stood being the first African to be translated in multiple languages and unimaginable volumes.

    No doubt Nigerian and African writers are not looking back. It is forward all the way and with time, they will surpass Achebe. There is enormous room for improvement.

    Are the conditions for the prize suitable and admissible to Nigerian authors generally?

     I don’t know about suitability or appropriateness. Prize is prize monetized or not! That out of thousands of scholars,   applicants, subscribers and respondents, that a work is chosen is enough honour. There are different authors in many fields, varying styles  and genres, especially from the 36 states of Nigeria, fiction and non-fiction. Other states should emulate the Anambra State model.

    Most of our post-colonial authors should be endowed more so in gender nomenclature  especially as it has not been drowned by fraud that is fast becoming a sobriquet of Nigeria.  People like Flora Nwapa, Elizabeth Isichei, Mabel Segun, Tregido and Ogundipe and other emerging Penners. No doubt, literary prizes endowed by their compatriots will certainly encourage new talents.

    How do you see the uploading of literary contents so far by Nigerian writers?

    I am greatly impressed by the speed and spread of uploading literary contents. Admirable and encouraging are that it is an unrestrained access to the information super highway, the internet. We in Nigeria should be happy that it is nongovernmental, non-tribal or non lingua based reducing paroquial cencorship and witchhunting.  OTHERWISE like other considerations, some groups would have been victimised. Without any interpretations, the creativity industries in Nigeria are the best for it looking at our musicians making waves and shaping performances across foreign borders.

    As an author yourself, when are we expecting your next literary offering?

     Oh my next offerings? I have up to five works waiting.  Being engulfed in political writing took a toll on me but I don’t regret it because it was challenging and enriching.  Working with Senator T A Orji, an English major was tasking. He read every script line by line and page to page. He is a stickler for perfection. No half measures he will insist. My first work in the poetry genre has been waiting for 20 years. I shall find time like Casius said in the Shakespearean Julius Caesar.

    Politics and literature are bedfellows. How true is this given the Nigerian scenario?

    Politics and literature are bedfellows  I agree but not in Nigeria anymore. They are fast becoming strange bed fellows.

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    Nnamdi Azikiwe, Leopold, Awolowo were authors and poets with authoritative works and  at the same time were highly eligible for elections.  The people assessed themselves and went for brains to represent them. Many in the post colonial had integrity and communities on their knees, begged them to represent them as to match other opponents or contemporaries but now the opposite is the case.

    Politics of Nigeria today is for the lion hearted.  The few surviving honest men are dwindling in number by the day. Like in Machbet, fair is foul and foul is fair. Election fraud is a new science not tenable in our universities but aggresively adopted, unfortunately, the courts do not guarantee fair hearing or make it easy for the citizen. Recall the last election where nomination forms and expression of interest in APC and PDP parties could be a professor’s  or a civil servant’s twenty year salary.  Recall that those who dared carried their money in sack bags or were taunted to go to black market money markets. If he manages to mortgage family and community property,  what about  thugs, thuggery,  kidnap and banditry implications? Check the records, it is easier for the Nigerian professionals and civil service counterparts to win elections in U S, Canada and U K than in Nigeria .

    The varying ANA chapters are doing greatly. Literature and the Arts beside having the grey matter content are highly entertaining so under the repression and economic hardships, entertainment offered by literary activities are good diversions and relieve.

    More over the private sector offers the best opportunities free from nepotic tendencies of our governments at all levels as stated earlier.  Good examples abound. International soccer, the music industry, expertise in computers unleash unimaginably opportunities to our nationals who are soaring even outside our shores. Could Chimanda have made it if her work went through the federal government?

    The ANA leadership should forge ahead in good synergy with the state chapters.  For them it is morning yet on creation day.

  • Are we all not human?

    Are we all not human?

    • By Priscilla Adesina

    Dear Amara, in the end of last year, I received the teary email you sent me, which I read and reread until my heart became wet. Some situations are humor in themselves. It is how you run to someone for consolation and they end up crying with you. This is why I would speak no word of my struggles with mother. The last time I did, her tears made me wonder if the problem was mine or hers.

    I swear to you, Amara, after I read from you, I wept for myself, and are we not all humans, was it not that you wrote to me so you could be the subject of pity?

    It’s been a year now since I received your rants that the world isn’t for people like you, people like us, Amara. I saw in your mail that you wish to varnish and for the first time, I am thankful that wishes are not horses, for if they were, even I would have ridden. Imagine that. Imagine how I wouldn’t have been here for you on this day.

    You say that your problems have suppressed you and I smirked. You had spent nearly three years fighting, fighting for a cause. A very bitter experience had led to it in the first place and in your words you said I would judge you, and that I would not know why you chose him. This decision has been less difficult for me by the sure knowledge that in our hard days, we escape from our dignity and sanity.  

    Amara, as long as you look back and see where you went wrong you realize that there is little else you need to do. I am getting older too but not any wiser particularly. Once I accepted this some years back, I have been more forgiving and kinder towards myself and others.

    During my hard days I have been comforted by tales of those whose crosses were heavier than mine. There has been no mental difference between me and them and between them and I.

    I spoke to you earlier about the grant I got, about how I immeasurably became the happiest person. Was it not that the organization credited me? That the next week diabetes visited my husband. That the other doctor said it was kidney failure. But we must not. We did not intend to allow this sluggish facts blind us to fear.

    But here is another question I have been asking myself’; why exactly did I use that money to treat my husband’s lung disease, what happened to asking people for help. I know some will say with great sincerity ‘what use is wealth without health’ Maybe so, but it is for them to submit the proof that using that money wasn’t foolishness.

    So far it is hard to be convinced that I am wise.

    But yes, time does heal and things do get better as you get older. After all, the more mistakes you’ve made, the less likely that you’d come up with new ones.

    There is another point: I have not said that I deeply understand your situation but do not sympathize with you Amara. I would say that there are two problems outstanding above all others in this world; the problem of foolishness and the problem of poverty; the foolishness that traps us and poverty that plagues us.

    My son’s wife had been sick two years into their marriage. This sickness followed the month after I sold my car to start a business, since my children were nothing to thank God for financially. It was how my son had called me to borrow money for an immediate surgery, as if he knew I had money. But there was the importance of learning from experience. There was nothing I could have said to him

    ‘I do not have money Ebuka’

    Did I? There is another thing about lying, the pinch of it that is truth. That money was For-the-business, not-me. Did you see the pinch of truth?

    At long last, Ebuka’s wife died just before the church approved all protocols to send in money for the surgery. I wanted to believe that this kind of death is destined, that my money couldn’t have prevented it.

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    Amara, can you see now that if foolishness were measured, wouldn’t I be an hero on the list. I want you know that the decision I made that day was mine and mine alone. I wanted to learn from my mistakes. This was a thing I have had to judge entirely for myself. I have for ten years tried to kill my guilt. But you must believe when I tell you I have found it impossible to carry the heavy burden of blaming myself for if I did, I wouldn’t be here.

    Amara, do not beat yourself for the mistakes you made when you were young. Unlike me. The best thing is that if you get a lot of your mistakes over and done with early in life, there will be less to learn the hard way later on. And that is what youth is all about. A chance to make all the mistakes you can and get them out of your way.

     I know that you say your problems are immeasurable, that the rich man you married in your late thirties lied to you. That he was living with cancer and he lived only two years after your marriage. I know that you blame yourself, you could have married Nozie, the not-so-rich suitor and that you believe you might never have a child of your own.

     That was your own mistake Amara. But what happened to the orphanages? I do not think it would be wise to live all those wealth he has left you alone in sorrows. Do you know that, ninety percent of Orphanages do not have dogs in their compound, you could walk in at anytime. What makes you a mother Amara?

    You still have a pen. I do not. I cannot rewrite my story to bring back my son’s wife, or apply for anymore grant, or quench the gigantic fire that started from the shop beside mine.

    But you, you still have the pen, do not let aging take it from you.     

    …and I do not pity you Amara, I envy you, for you are sugar, surrounded by ants of possibilities.

  • Wole Soyinka at 90: Outstanding Young Achievers honoured

    Wole Soyinka at 90: Outstanding Young Achievers honoured

    The 15th annual Wole Soyinka International Cultural Exchange (WSICE) has honoured ‘Vision of the Child’ and ‘Solution17 Community’ champions as part of activities to celebrate the literary icon at 90.

    The awardees include Princess Marinay, Valentine Udemadu, Haoma Worgwu, and child- poet Mofinfunoluwa Atilola. The award was presented by the Executive Director of Lagos Business, Wema Bank Plc, Oluwole Ajimisinmi.

    The award ceremony formed part of events hosted by the British High Commission in Lagos to celebrate Soyinka’s 90th birthday. The ceremony featured drum beats, live paintings, dance performances, a fashion session, and the opening of the ‘African I.D.E.N.T.I.T.Y – Nine Seasons of Wole Soyinka Exhibition’.

    Ajimisinmi said: “Wema Bank is committed to youth development, which is why we are excited to support WSICE 2024 and the Wole Soyinka at 90 events. These initiatives align with our mission to empower the next generation of leaders and innovators.

    “Wema Bank Plc is one of the major sponsors of the 15th WSICE 2024, and has provided invaluable support for all events held in Nigeria and London.”

    The Africa Centre in London hosted a resourceful nine-day program celebrating Soyinka’s immense contributions to literature, culture, and human/civil rights advocacy. The event attracted diverse audiences for the exhibitions, roundtables, film screenings, live music performances, and poetry recitals. Highlights included ‘WS: A Life in Full,’ a comprehensive display of Soyinka’s published works and photographs, and the NINE Seasons of KONGI exhibition, featuring paintings by youth members of the ‘Vision of The Child’ mentored by Soyinka.

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    The event also showcased the Africa I.D.E.N.T.I.T.Y, a touring exhibition based on public readings of Soyinka’s poems in nine European cities, and the ORI Series II (For WS), a collection of conceptual watercolour drawings by UK-based artist Abolore Shobayo. Another highlight was the London premiere of a new feature film inspired by Soyinka’s prison memoirs, ‘The Man Died’.

    Project Director Foluke Michael said: “Prof. Wole Soyinka’s 90th birthday celebration spotlights our commitment to youth development in creativity, entrepreneurship, innovation, sustainability, and nation-building. We are dedicated to continuing the post-celebration project activities through the platforms of African I.D.E.N.T.I.T.Y, The Vision of the Child, and Solution17 Green.

    “Over the next nine months, the exhibition of African I.D.E.N.T.I.T.Y – ‘Nine Seasons of Wole Soyinka’ will tour the world, both physically and virtually, to inspire future generations and cement Soyinka’s legacy in the annals of history.

    “The project aims to train youths in Creative and Entrepreneurship Development across Nigeria and Africa. Through Solution17 Green, African I.D.E.N.T.I.T.Y will incorporate sustainability into the project as we navigate towards a zero-carbon Africa and world.”

  • ‘At 58, God has given me a second chance’

    ‘At 58, God has given me a second chance’

    Perhaps I should not be alive. But I am. Despite the odds, I turn 58 today. I am still frail and fragile. But now, I can stand on my feet again, bearing testimony to those sacred words of the Almighty Allah himself that, “No soul can ever die except by Allah’s leave and at a time appointed (Quran 3: 145),” YUSUPH OLANIYONU, communication strategist, journalist, lawyer and public affairs analyst, recounts his recent health challenges.

    • Continued from last week

    In no time, I began to depend on my wife to brush my teeth, clean myself in the bathroom, put food in my mouth, perform ablution, and do any chore that involved the use of my right hand. Then my right leg soon followed. It was like something was switching off my limbs one by one. Then at night, the pains descended on my neck and shoulder like a boulder. Sleep became impossible. Turning became a torture. To find a position of relief, that small posture that would grant me a respite from this oppressive pain, no matter how fleeting, became impossible. All through this ordeal, I had tried to be brave. Now, I could no longer hold back. I cried. The pain was just too much. And it came in the night. Therefore each night approached with terror because I knew what laid in wait for me in the dark. Maybe if I stayed up. I told my wife that perhaps, I should try to sleep in a sitting position. But nothing I tried helped. The name given to this one, this latest harbinger of pains, is cervical spondylosis. But little did we know that it was much worse than that. One Saturday, we decided to go to a private hospital that specialised in orthopaedics. We were told to come back the following week’s Wednesday. But the pain would not relent. Whatever I did, wherever I turned, it flogged me like an errant child. The hospital later called to make a change from Wednesday to Friday. But by then, we had already sought a more urgent alternative. At 9 p.m. that same night, we met the orthopaedic surgeon. He recommended some drugs and a neck collar, which I must now wear on like a shackle. That night, after a long time, I had a strange sleep without pains. But it was like shooing off a wild dog with a stick. It may back off for the moment, but it would come back. By the next day, the pain returned, ferocious, as if angry to be disrupted for one night.

    Before our next appointment with the orthopaedic surgeon, we took the initiative to do an MRI test. But by then, my case had become a desperate emergency. All my limbs have packed up. Throughout these ordeals, I had never missed my prayers and supplications to Allah. But that morning, I could not move even one finger to press the electronic counter or hold the tasbih.

    “Is this illness also going to separate me from my God in my last days?” I lamented to my wife. She said it was only temporary and everything would be fine. But I learnt she later went into the bathroom to cry. She is a brave woman. But I am sure by this time, even she would also have started to contemplate the worst.

    When the orthopaedic surgeon saw the result of the MRI test, he took us to see a neurologist in a private hospital as well. The neurologist explained that some bones had ruptured in my neck, which had disorganised the nerve supply system from the brain down to the limbs. Again, I had to go in for a surgery to restore the functioning of the nerves. The operation was to be carried out on 13 May. 

While waiting for the appointed date, my colleague, Akintoba Fatigun came to see me. He thought I was getting better. Many of my friends who were speaking to me on the phone thought the same, because despite all that I had suffered, my voice had remained strong and clear. I told Akintoba that in fact, the situation had gotten worse since the last time he visited and that I was actually waiting for another surgery.

    When Akintoba left the house, he went straight to Dr Saraki’s residence and told him of my situation. The former Senate President immediately started to make calls to different hospitals in Saudi Arabia, the UK, and the US. I did not have a valid US visa and we had no time to apply for one. The Saudi hospital, after studying the MRI, later replied that they could not deal with the situation. Then, someone suggested Egypt. Contacts and appointments were made. To enter Egypt, one only needed a valid UK visa to obtain the Egyptian visa at the point of entry.

 By Monday, 13th May, I was set to travel. Dr Saraki had purchased business class tickets for my wife and I. He also provided money to pay for the surgery and living expenses for a month. A day before my departure, the house was full with several family friends, despite our best efforts to keep the trip as confidential as possible. They were people from different parts of the country and people of different religious persuasions. At that point, I was not Yoruba or Muslim to them. I was just another human being. Even as I lay helplessly in bed, contemplating the motley crowd that had gathered in my room, I wondered if they thought they were saying a final goodbye to me.

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    It was time to go. My wife and second son, Oladipo, had already packed the bags. Then we realised that there was yet another important challenge. My room was on the second floor. How do I get down and into the car? We could only think of two options. Oladipo would have to carry me on his back and take me downstairs or I would have to crawl down the staircase. But even these two options were fraught with risks. Yes, I had lost so much weight and Dipo is a burly young man, but he is only 23. The thought of having my son carry me on his back because I could not walk was a distinct trauma on its own. But what if he slipped, and we both crashed to the ground? There could only be one outcome. How would the young man forgive himself? But none of these happened. Dipo successfully carried me downstairs and got me safely into the car.

    On the way to the airport, I told my wife what my Plan B was, if Oladipo had been unable to carry me, to crawl downstairs. “That would have broken me,” she said. I responded with a joke that I needed her to remain unbroken because a broken man could not depend on a broken woman. In the last five months, she had become my in-house nurse, minder, and caregiver.

    Five hours later, we landed in Cairo. My hospital, Neuro Espitalia, is located in a city called 6th of October, which is about an hour’s drive from the Cairo International Airport. I learnt that the city got its name in commemoration of the day one of the Arab-Israeli wars broke out. We were joined at the airport by my third son, Oladepo, who had arranged a two-week leave from his London office and another two weeks to work from the Cairo office of his company. He was to provide an additional hand to me in Egypt for the next one month. Our guide was a Nigerian gentleman called Rabiu Hamza, a PhD student in one of the Egyptian universities.

 We arrived at the Neuro Espitalia at about midnight on that Monday. For the second time in almost a month, I had another sound sleep. Tuesday was devoted to various laboratory tests and to getting my medical history. On Wednesday morning, I had the surgery, which, as they explained, was to “clean an abscess in the cervical vertebrae, stabilise the cervical vertebrae and expand the neural canal.” I didn’t understand everything, but I just wanted to get well. The surgical operation was led by Professor Ibrahim Lotfy, an elderly but friendly surgeon, and Professor Dalia Rushdi.

    After the successful operation, the surgical team decided to culture fragments of bones and tissues extracted from my back to determine what went wrong in the first place. It was an investigation that took days and a lot of blood tests. What they found was, to say the least, shocking. It was described in medical terms as “necrotizing Granulomatous Inflammation Compatible With Tuberculosis of the Vertebrae. No malignancy.” In short, it is called tuberculosis of the vertebrae. This was the stealthy thief that had been stealing my limbs, one by one. But even the surgery could not return everything this disease had stolen from me. I had to recover them myself by re-learning the use of my legs and hands again.

    This was when I realised how much grateful humans should be to their creator for even the most simple things we take for granted everyday. I realised that even the mere ability to scratch one’s face when it itches, what we do countless times everyday without even thinking about it, is indeed a big deal. When my face itched, I would need my son or my wife to scratch it. To change my sleeping posture, I would need them. To change the position of my hands, or clean the sputum that come sometimes when I coughed, I needed them to do these and everything else for me.

    At a point I could no longer fold my fingers to form a fist in order to allow nurses take blood samples or fix the cannula for intravenous infusion. Over the past five months, my arms had been covered in needle marks like a dedicated drug user; to administer some injections, to take blood or to fix the cannula for intravenous medication.

    A few days after the surgery, I began physiotherapy sessions in the hospital. Several physiotherapists came to work on me. But a particular one stood out for me. His name is Ahmed El-Sanadidy, the man from Alexandria. Even after I left the hospital for a rented apartment close by, we contracted El Sanadidy to continue my rehabilitation therapy. He got paid per session. He was such an effective, devoted, passionate, friendly, hardworking, and creative professional. He was also in hot demand in his hometown, Alexandria, and in the city of the 6th of October. In the early part of our sessions, he would form a protective ring around me with his arms to guard me from falling. He taught me to walk all over again, to climb the stairs, to use my arms, to strengthen my fingers, and to regain some level of physical fitness. I called him ‘my boss’. He was the reason I extended my stay in Egypt to two months. He was making some very good progress with my rehabilitation and I did not want to terminate it abruptly.

    But there was yet another challenge. The hospital had tried in vain to get me to go to the toilet. For almost two weeks, even after two sessions of enema, nothing came out. After we moved to the apartment, I thought the privacy of a home would help, but nothing. I would feel pressed to use the toilet and spend time siting and groaning in pain, but nothing would come out. It was later realised that the muscles around my waist had become so weak they could not exert sufficient pressure to push out the waste. This became another source of agonising pain. My stomach felt as solid as if I had been fed concrete cement. This became another major prayer point for me.

    “You should be saying ‘Alhamdulilahi Rabbil alaamin’ because we should let our gratitude to God be more than our requests to Him,” my wife said one day as I was petitioning God over the agony of my plumbing problem. It was a test of faith. But it was also a lesson never to forget. One morning, the plumbing problem resolved itself, not in the most dignifying manner. Since then, it has been easier than ever doing my ‘toileting business’. For more than four months, I was carrying a catheter around. At a point, they became two. But now, I am free of both of them.

    Now, I am a bit stable. I can walk unaided. At a time I could not even move a finger, but now I can sit down and type this piece on my iPad. I can perform my salat, the ablution, ruku (bowing), and the sujud (prostration), all on my own. There was a time in the past when I had to rely on people to do ablution for me and I had to pray lying down. I could not even turn my head to the left or right. I stared at the ceiling all the time and developed a system that enable me use marks on the POP on the ceiling as counter for my supplications. I have learnt not to take anything for granted and to thank my maker for enabling any physical move that I am able to make.

    I have written this piece to celebrate the fact that I am alive, despite my ordeal in the past five months. But I have also written it to share my experience of the Nigerian medical system. Even before I traveled to Egypt, I realised that so much is wrong with our medical system, for which I nearly paid with my life. But my experience in Egyptian hospitals and with Egyptian doctors made me realise this even more. Why do our doctors behave as if they are being forced to be doctors; as if there is no minimum standard to which they must comply; as if they can do anything and get away with it; as if it was enough for them to just claim that they tried their best? The Egyptian hospital was replete with stories of Nigerians who come there to correct surgical operations that had been performed in Nigeria, some from glamorous hospitals in Abuja where they charge exorbitantly.

    At the government hospital in which I was almost killed, a night’s stay in the ICU costs N150,000. I doubt that many hotels charge that much for a standard room. Yet, patients are still made to pay what they call “utility fees,” calculated by the number of days a patient has spent in the hospital. We are not even talking about the cost of medication and drugs. The same hospital sold Tavanic 500mg, an antibiotic used for the treatment of infections for N42,000, while a pharmacy located only a few metres away from the hospital sold the same drug for N20,000. In Egypt, we bought the drug for 124 Egyptian Pounds which is about N4,092, at the exchange rate of N33 to one. How did we find ourselves in a situation where government hospitals have become the most expensive and the most inefficient in Nigeria? Health workers, doctors, nurses, etc., in the private hospitals may not be any better, but at least they appear committed to their jobs. Public health workers in Nigeria behave as if they would rather be somewhere else, as if they are actually doing the patients a favour. The painful truth is that they don’t care whether you live or die. There is work here for everyone – the government, professional bodies and training institutions.

    I was lucky to have powerful people who could muscle them. What about the millions of Nigerians who don’t know anybody? If I were in their situation, I would have long been forgotten. Why would a Nigerian need tonnes of money and powerful friends to stand a chance of surviving a medical challenge in our country?

    My last words are for those of us whose work demands long sitting hours. We need to be mindful of our sitting postures and be sure to get up intermittently. Please don’t ignore any pain. Regular check up can make a difference between life and death. Today I am alive. I give thanks to the Almighty Allah who has given me a second lease of life out of his infinite mercy, not necessarily because I deserve it. All glory be to Him.

  • Strengthening Nigeria-Grenada relations

    Strengthening Nigeria-Grenada relations

    The Consul of the Honorary Consulate of Grenada in Nigeria, Abidemi Oluwagbenga Sonoiki, represents a fascinating blend of banking expertise and international diplomacy. With a distinguished career in banking and finance spanning over 25 years, Sonoiki has made significant contributions to the industry. However, his trajectory took a remarkable turn after a chance encounter at Buckingham Palace, setting him on a new mission to strengthen the ties between Nigeria and Grenada.

    In a recent interview in his Lagos office, Sonoiki shared insights into his journey, his role, and the initiatives aimed at fostering stronger bilateral relations between Nigeria and Grenada, His journey to becoming the Honorary Consul of Grenada began with a visit to Grenada, where he submitted his resume and personal profile for consideration. The process included comprehensive paperwork, interviews and international security checks. Following the election of a new government in Grenada, Sonoiki was invited for further evaluation by the Permanent Secretary of the Ministry of Foreign Affairs for Trade and Investment. His appointment was confirmed by the new Prime Minister, marking the start of his diplomatic mission.

    Sonoiki said that his primary responsibility is to serve as the intermediary between Grenada and Nigeria. “My mission is to harness the talents and skills of people from both nations to promote investment and trade, and to foster collaboration in various sectors such as education, health, tourism, culture, and waste management,” he added. 

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    He noted that the consulate will also provide consular services, offering essential information and support to Nigerians traveling for business, education, and leisure, as well as those seeking citizenship pathways.

    Sonoiki’s major initiatives is the establishment of the Nigeria-Grenada Chamber of Commerce, designed to bring together business people from both countries, said ‘This initiative has already seen progress, with the hosting of Grenadian investors in Nigeria and plans for a business exhibition in October 2024 to showcase Nigerian small and medium enterprises’.

    Sonoiki envisions a successful partnership between Nigeria and Grenada that will enable Nigerians to consider Grenada their second home and vice versa. He highlights the potential for increased foreign exchange earnings through various ventures, including medical education, real estate investment, and renewable energy projects. Sonoiki is optimistic about the possibility of direct flights between Nigeria and Grenada, which would significantly reduce travel time and enhance bilateral exchanges.

    “We plan to intensify the synergy between both countries. You know, to ensure the growth of both economy (Nigeria and Grenada) Nigeria and Nigerians need to rise to the occasion where Nigeria plays big brother to Grenada and the entire Caribbean. I desire to see Grenada and the Caribbean to be the first-choice trade partner of Nigeria in the world. If we can have a good handshake we could take both countries to greater heights, I have no doubt”, he said.

    The consulate said that Sonoiki is currently in discussions with a Finnish firm to provide capital for Nigerians and Grenadians to make investments. He emphasizes the myriad opportunities for small and medium-sized businesses, ranging from service delivery to franchising global fast-food outlets. Such ventures could foster a symbiotic relationship between enterprising Nigerians and Grenadians, leading to substantial economic benefits.

    Grenada, Sonoiki noted, is strategically positioned as a gateway to North and South America, with direct access to the United Kingdom. As an active member of the Caribbean Community (CARICOM), Grenada plays a vital role in regional economic and security initiatives. The country has established strong diplomatic and trade partnerships globally, contributing to its growing influence on the international stage.

    Tourism is a significant area of potential growth, and Sonoiki sees immense opportunities for Nigerians to invest in Grenada’s real estate and medical tourism sectors. “By developing short-term rentals and other accommodations, Nigerians can tap into the lucrative tourism market while simultaneously expanding their business interests.”

    Obtaining Grenadian citizenship offers numerous advantages, including visa-free access to about 150 destinations and the possibility of securing long-term visas for the USA and Canada. Sonoiki encourages Nigerian youths to consider Grenada as a viable alternative to more traditional destinations like the UK and Canada, offering a more streamlined path to global citizenship.

    The St. George’s University in Grenada stands out as a premier institution, particularly in medical education. Sonoiki highlighted the opportunity for Nigerian students to pursue medical degrees and potentially transition to careers in Canada or the USA, thereby contributing to a global exchange of medical expertise.

    Sonoiki, restated his commitment to enhancing trade relations between Nigeria and Grenada, focusing on increasing export volumes and creating opportunities for Nigerian exporters to access markets in North America and Europe through Grenadian partnerships. “He envisions a robust Nigeria-Grenada Chamber of Commerce that will serve as a cornerstone for future economic collaborations”.

    Sonoiki’s vision for the future is one of intensified synergy between Nigeria and Grenada, with Nigeria playing a pivotal role in fostering development across the Caribbean. He aspires to see the bilateral relationship flourish, with both nations benefiting from a dynamic and mutually beneficial partnership

  • ‘Naming National Theatre after Soyinka a step in right direction’

    ‘Naming National Theatre after Soyinka a step in right direction’

    Some call him, “Editor Emeritus”. Others know him as a lecturer, lawyer, and politician. But McNezer Fasehun is also a diehard fan of Prof. Wole Soyinka. From literature to music, to journalism, to law, medicine, maritime, and now poetry, Fasehun is a man of many parts. In this interview with EVELYN OSAGIE, he speaks about his love for the Nobel laureate, navigating career paths and more

    My career trajectory

    My career path traverses law, literature, philosophy, politics, mass communication and media practice. I’d taught all these at various educational levels. So, I’m as much an academic as a practitioner. I started journalism right from my 100 level as I was admitted to study English and Literary Studies at the University of Calabar, Nigeria in 1981. I received the Vice Chancellor’s Certificate of Honour in 200 Level having risen to the rank of Senior Editor II. Some of my colleagues/cartoonists included Prof. Charles Ogbulogor, at the moment the vice chancellor of Maduka University.

    The title of my first GNS Term Paper was The Weaponry of Poetry and Fiction in War Against Apartheid. At the University of Calabar, in conjunction with some law students, I founded the Bob Marley Club. So, subsumed in African Literature, precisely Protest Literature, the title of my graduation essay was George Lamming, Roger Mais and the Dream of Freedom and Salvation in the Caribbean, a study of ‘In the Castle of My Skin and Brother Man’.

    But before gaining admission into the university, I had taught literature, English and Fine Art at Ore Community High School, Ore, Ondo State. Some of the students I taught then now include a professor of Mass Communication and a Senior Advocate of Nigeria.

    With regards to journalism, I rose to the apogee of my media career having been appointed as editor of Prime People magazine at the age of 34. I rose fast from being a cub reporter to coordinating editor of a centre spread in TopNews magazine to being Editor of Prime People magazine. From covering arts pages of various publications, I was canonised as a major contributor to Anglophone African Literature in Bernth Lindfors’ Black African Literature in English, 1992 to 1996.

    I went back to the classroom to teach after my Master’s Degree in Literature, then went to study Law. I later studied Literature  and Medicine. For the Law degree, I specialised in maritime jurisdictions.

     Growing up that influenced the man I have become

    Growing up in a big but not “polygamous” house with one father and many mothers was a unique African experience for me. The term “polygamy” was an unknown vocabulary to me. My mother was my father’s sixteenth wife and I was the 39th child. The mother of Prof. Tolu Odugbemi, former vice chancellor of the University of Lagos (UNILAG), Mama Ileola Odugbemi was the fourth child.

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    The founder of the Oodua People’s Congress, OPC, the late Dr. Frederick Fasehun, was the 18th one; Ambassador Orobola Fasehun was the 30th, and so on. Each person was an asset to another. Our father Columbus Akindojutimi Fasehun was a well-liked Ondo chief. My mother was from the Ogunfiditimi Awosika stock.

    Growing up in Ondo is very similar to what you’d read in Ake, the Years of Childhood by Wole Soyinka but I’m better explained in my memoir In My Father’s House.

     My journey as a writer

    I would say I began at my 100 level in the university. By the end of that year, I had published lighter mood poems like Journey into Yesterday, The Dysentery of My Mistress, and for a creative writing project, I’d published A Lamenting Seed and Other Poems.

    I published a number of poems at Kraft Books, including Ever Had a Dear Sister, Homage to Dawn, Kongimania – Temple of Familiar Mythologies, Letter to Forehead, The Hairs are Singing, One Day When I Lost a Wing, and others.

    An audience might wonder if the title Kongimania is not on a negative axis of literary criticism. The title of the poem is Kongimania – Temple of Familiar Mythologies.

    It talks about the penchant for using celebrity faces in advertisement, especially by roadside artists. And Soyinka’s portrait seems to be the most common.

    Two of my manuscripts have been assessed and adjudged publishable by Spectrum Publishers. They’re Thunder Wire – The Literature of Music in King Sunny Ade, and Designed Destiny – Authorised Biography. I taught at the Lagos State University External Systems across five campuses. I was also on the editorial board of Daily Independent and the defunct National Compass.

    My greatest influence as a writer

    My readers say I have taken a lot of Wole Soyinka but I don’t think it’s funny to stand on that scale at all. I’d better be rated and left alone in my little corner. I would say my works are as didactic as they are entertaining.

    On my latest work in honour of Soyinka

    My latest work is titled Collected Poems. It centres on celebrating Wole Soyinka, my major influence in literature, especially since he clocked 70. I noticed that he and I share a lot of things in common. He was born July 13, and I on July 14. Shortly after my graduation and NYSC in 1986, I was in England with an entry visa that lapsed on September 30, while he was awarded the Nobel Prize for Literature that October.

    My latest work is part of my contribution to what in my own coinage is “Nine Decades with The Forest Father”. “Forest Father” being the role Soyinka played in his Nigeria’s independence play A Dance of the Forests.

    My collection is a multidimensional celebration of Prof. Soyinka at 90. Each of the poems has something to do with what we share in common, his art and how I relate to it and sundry extrapolations.

    Other than being almost birthday mates, he and I had our first sons about the same age; both of them are medical doctors and formerly W.H.O interns. So, the poem ‘Sages and Syringes’ are dedicated to them together with Matthew Arnold who, in one of his essays, adumbrated on the relationship between literature and science, a conical drive in my research works.

    Wole Soyinka@90: His significance to Nigerian literature

    Soyinka contributions to the development of literature, not just in Nigeria but African, cannot be overstated. Teaching the writing of Soyinka means dividing his works into plays, novels, poems, autobiographies/memoirs, etc., each of which would have gotten him the Nobel Prize in its own right. For us the unabashedly devotees of the Writings of Wole Soyinka, it’s been “Nine Good Decades with the Forest Father of Letters”.

    Winning the Nobel Prize for Literature at the record age of 52 has brought a lot of prominence and positive publicity to Nigeria as one of the greatest countries in the world.

    I believe the worthy honour of naming a national monument after Prof. Soyinka is a step in the right direction. Both the portraits of William Shakespeare and Benjamin Franklin adorn the Pound Sterling and the Hundred Dollar bills respectively. It says so much about national literacy consciousness. We salute and congratulate the President Bola Ahmed Tinubu administration for being so lucky to have it done in his regime

    Lessons to learn from the Nobel laureate

    Plato says for there to be a good polity, the political leader must become a philosopher otherwise the philosopher must become the political leader. Destut de Tracy, the French philosopher, has defined ideology as the science of ideas. He said for there to be an ideology there must be the preponderance of faculty. Great nations of the world like the United States have been ideologically developed on the strength of their literary icons.

    Thomas Jefferson, a major writer of the Declaration of Independence has contributed immensely to the American Romantic tradition. Benjamin Franklin the mathematician and physicist who discovered the thunder catcher was signatory to the three documents that made the United States, namely: the Declaration of Independence, the treaty of America with France and the American Constitution. Africa is not left out in this.

    Julius Nyerere the late Tanzanian President, otherwise known as Nwalimu, the teacher it was who translated Shakespeare’s ‘Julius Caesar ‘ and ‘Macbeth’ to Swahili.

    Teaching LIT 511: The Writing of Wole Soyinka in the university has shown to me that with such a light bearer like the ‘Soyinkas’ traversing the 20th and the 21st centuries, Nigeria is long overdue to have evolved a national literature culture. In my opinion, we would have a saner society if no one would be given the license to register and lead any place of worship. They have been taught some Nigerian literature by Soyinka, such as “The Trials of Brother Jero”, etc. Also, no one should go into any political office unless they have been taught in Soyinka’s works, such as “Kongi’s Harvest” and “A Dance of the Forests”, and several other literary works of great national importance. All these should be promoted through ministries of education, information, culture, tourism as the basis of national ideology. These should include also great works of African Literature like Chinua Achebe’s “Things Fall Apart”; D.O.Fagunwa’s “Ogboju Ode Ninu Igbo Irumole” has been translated into English by Soyinka as “Forest of Ten Thousand Daemons”; Akinwumi Ishola translated Soyinka’s “Death and the King’s Horseman” into “Iku Olokun Esin”, etc.

    Also, preventing local languages from going into extinction by translation of literatures from English into them are areas in which Prof. Soyinka has blazed the trail.

    My voyage into politics

    I contested election into the National Assembly in 2007 in the same Surulere Constituency I as Governor Babatunde Raji Fashola and Hon. Femi Gbajabiamila. The media had asked me what I was going to push for at the legislature and I’d mentioned “… cultural revolution…” My ambition was to legislate a national literacy campaign through a virile and vigorous push for literature as canonical for national development away from colonial or neocolonial bequest. I still look forward to being in the executive or legislative or even judicial position to tinker with our national curriculum through education, information, culture, entertainment and so on.