Category: Arts & Life

  • Aza Roy Begood releases HBD

    Aza Roy Begood releases HBD

    By Janefrances Chibuzor

    Afro beat musician Aza Roy Okonkwo, popularly known as Aza Roy Begood has released a single titled HBD (Happy Birthday).

    Aza Roy Begood, a Nigerian residing in Italy, said the genre infuses the music with a unique admixture of cultural influences.

    According to a statement it is an admixture of traditional African rhythms with contemporary beats, creating a captivating and infectious style that resonates with listeners across the globe.

    He said he was inspired by activities derived from his background and heritage.  “Aza Roy Begood’s lyrics are both thought-provoking and relatable, touching in terms of identity, love, as well as social issues.”

    With his soulful voice and dynamic stage presence, “Aza Roy Begood delivers powerful performances that leave audiences aspiring for more.”

    Read Also: Six prominent Nigerians who died in july

    Embracing his roots while pushing boundaries, “Aza Roy Begood is a rising star in the music scene, poised to make a lasting impact with his innovative sound.”

    He said the track was produced by acclaimed Nigerian record producer Mr. Jackson  Ogala, fondly called Jakabit Blessed Finga.

    The song aims to make every birthday celebration special by sharing love and happiness with each other.

    Spread the joy by streaming and downloading the song using the link below. Let’s make every birthday special by sharing love and happiness with each other. According to him, all over the world, people celebrate birthdays. It is given to you by God. In a couple of weeks, the video will hit the stage.

  • Bradford celebrates beauty, diversity

    Bradford celebrates beauty, diversity

    The inaugural Bradford African Festival of Arts (BAFA) was a triumphant celebration of African culture, attracting over 1,000 attendees over two days. The festival showcased the rich tapestry of African heritage through music, dance, fashion, food, and art.

    The festival kicked off with an opening ceremony featuring a welcome address by the Vice-Chancellor of the University of Bradford, Prof. Shirley Congdon, and a keynote lecture by Professor Charles Egbu, Vice-Chancellor of Leeds Trinity University, on “My Culture, My Heritage.” The festival was also honoured by the presence of the Lord Mayors of Leeds, Kirklees, and Calderdale, and Pro Chancellor of the University of Bradford, Prof. Udy Archibong MBE, who joined in celebrating the vibrant African community in Bradford.

    Attendees were treated to captivating performances by artists from Zimbabwe and Cameroon, highlighting the continent’s vibrant cultural diversity. A beautiful exhibition showcasing African culture by Ruth Agbolade further enriched the experience.

    “The Bradford African Festival of Arts was a celebration of the beauty and diversity of African culture,” said Dr. Olushola Kolawole, Festival Director and Equality, Diversity and Inclusion Lead for the University of Bradford’s School of Management. “We are thrilled to have provided a platform for local talents and businesses to shine and foster greater understanding and unity between cultures.”

    The festival continued at the Theatre in the Mill, where a series of stage plays, including “Esther Revenge”, written and directed by Kenneth Uphopho, captivated the audience. Also featuring a one-man play titled ‘High’, renowned Nollywood actor Chris Iheuwa dug deep into over three decades of Stage and TV performance experience to show the Bradford audience his pedigree.  Chris said,” The comic rendition of his one-man play was an excerpt from his one-man play HIGH, which will come up in December under his production outfit British African Arts And Theatre Ensemble (BAATE)”. 

    Read Also: Protests: No police, military officer fired live ammunition – IGP

    The second-day event kicked off with opening a vibrant African market featuring over 25 vendors offering a diverse range of products and crafts. Attendees were treated to captivating performances by artists from Zimbabwe, Cameroon, Nigeria, and the Caribbean, highlighting the continent’s vibrant cultural diversity.

    Commenting on curating diverse performances for the festival, Ned Archibong, Festival Producer, said, “I am thrilled to have brought together artists, performers and communities to share their unique stories, traditions and artistic expressions”. “It is my hope that this festival becomes a gateway for Bradford to connect with the African continent and continues to uplift and inspire everyone who experiences it”.

    One of the highlights of the festival was the fashion parade, showcasing the talents of local African designers, and the prestigious beauty pageant, where the winner was crowned the face of BAFA for the next year. The esteemed judging panel included Professor Udy Archibong MBE, Dr. Adebola Ogunbadejo, and Naz Shah, Member of Parliament for Bradford West and WD.

    Families enjoyed the interactive African games section, offering fun and educational experiences for all ages. The festival concluded with a captivating performance by renowned musician Dele Sosimi, creating an unforgettable atmosphere. The event was made possible by the dedication and hard work of over 100 volunteers who contributed tirelessly to its success.

    “Beyond just a weekend of entertainment, this festival has left a lasting impact on Bradford, forging connections between cultures by immersing the community in the sights, sounds, and flavours of Africa,” said Oluwadamilola Adetomiwa, Festival Project Coordinator, Bradford African Festival of Arts. “This festival didn’t just entertain – it educated and strengthened the city’s reputation as a hub of multiculturalism, attracting visitors from near and far, and giving local residents a deeper sense of pride in their community’s diversity.

    The festival was captured in all its vibrant glory by a dedicated creative and media team led by Faith Gbola Jesu Amusa. From the electrifying performances to the heartwarming behind-the-scenes moments, Faith’s team expertly documented every facet of this historic event.

    It aims to become an annual event that celebrates the contributions of the African community to Bradford and fosters unity and understanding between cultures.

  • Rotary donates to school, health centre

    Rotary donates to school, health centre

    Rotary Club of Abule-Egbe has donated some tree seeds/nurseries to Meiran Community Senior High School, Lagos.

    Making the donation, the club’s President, Oladiran Saheed Titilope, said it was part of their tree- planting programme to make schools green at all times and avert the impact the loss of trees would have on the school premises. He added that the project was part of the seven focal areas of Rotary International that they execute yearly.

    He noted the advantage of trees on human beings, saying they produce oxygen which we need for our growth just as they take in the carbon dioxide we breathe out.

    He urged the school management, the pupils and other Nigerians to cultivate the culture of tree planting to tackle the prevailing climate change impact and deforestation. He also urged them to take care of the trees and nurture them to full growth to enable them enjoy their existence and encourage the club to give more in the future.

    Read Also: Six prominent Nigerians who died in july

    The school’s Principal, Mr Gbenga Oyediran, expressed satisfaction with the gift. He promised to take care of the trees and especially keep away people or animals from destroying them. He pleaded with the club to assist the school in other areas of their need like provision of tables and chairs, books etec.

    Oladiran promised to help, advising the school management to get its needs assessment ready to send it to the school.

    Also, the club donated some medical items worth over N1.2million to the Health Centre at Oloota in the area. They included beddings, mosquito nets, and consumables. Though it was the first time the club donated to the centre, Oladiran was happy with the joy displayed by the centre’s managers in accepting the gifts, pledging to return with more.

  • Exploring retirement for fulfillment

    Exploring retirement for fulfillment

    Former Dean, School of Arts, Design and Printing, Yaba College of Technology, Lagos, Dr. Kunle Adeyemi has called on government to identify committed educationists who have impressive record of performance to drive the education sector. He said that government should also ensure that institutions of learning are bigger than individuals and not the other way round.

    Dr. Adeyemi who spoke with Arts Writers in his studio in Lagos on his post-retirement plans identified inadequate funding as a major challenge confronting the education sector, adding that past administrations have paid lip service to the development of the sector.

    “Funding must be taken serious. But, past administrations have paid lip service to many factors necessary to grow the sector. Unfortunately, education is the bedrock of development,” he said. 

    He stated that he does not lose sleep over retirement as there is a smooth transition in place. Adeyemi who will retire in September at 65, said retirement is a mere jargon and a stage in everyone’s career as public servant. He said at retirement, his area of concentration will be studio practice, from where he will produce quality art for art lovers.

    “My next concern is to go full blown in my studio practice. I will also look at Correctional Centres where to teach art pro bono once a week. Those behind bars are not entirely a waste.

    Read Also: Six prominent Nigerians who died in july

    Art is spiritual and it can help turn their lives around. This idea is not new because Ulli Beiere explored this in the 60s and today’s great artists are products of the experiment. But, when I turn 75, I will go home to Ondo to continue the project,” he said.  Recalling his journey in art teaching and practice, he said his career growth was made possible by the mentorship he got from great artists such as Yusuf Grillo, Prof. Solomon Wangboje, Kolade Oshinowo, Dr. Dan Ikhu Omovbude and Prof. Osa Egonwa. He noted that he learnt printmaking from the duo of Prof. Solomon Wangboje and Dr. Bruce Onobrakpeya who are masters in the art. In particular, he declared that he pitched his tent with Bruce Onobrakpeya after leaving school and since then he had no regret of the relationship. 

    Adeyemo disclosed that as part of his parting gifts at retirement, he will be hosting two solo art exhibitions on August 13 and September 8 at the Yusuf Grillo Gallery, Yabatech, Lagos and National Museum, Onikan, Lagos respectively. On August 29, friends of Adeyemi will hold a conference at the Yusuf Grillo Auditorium, YabaTech, Lagos, with Prof. Kunle Filani as keynoter. Theme of conference is Kunle Adeyemi:The Man, His Art, and His  Message.

    The first show tagged Paintograph and paintocast explored, is an offshoot of his PhD thesis, which examines the nexus between painting and printmaking. According to him, the result of this effort turns out to be sculptural. “And it became painting, sculpture and printing. To give it a base I focus on the cultural elements of Yoruba people. As an artist, I have been able to create and nurture archetypes who have gone through me in life…many of my students who were studio hands don’t leave me easily,” he said. 

    Unlike some of his peers in Art Schools, Adeyemi successfully married the town and gown experiences to boost his practice and market value. On how he combines teaching with studio practice, he said: “Discipline, discipline and discipline. Discipline with time, discipline with finance, discipline with relationship, discipline with social life and health. I learnt all this from Bruce Onobrakpeya. And you must be focused and purposeful. As an artist, my purpose is to be a real practitioner despite the teaching job. More importantly, my stay in The Guardian as artist was a major formative stage in my art career.”

    He described the last two years at Yabatech as almost unbearable because of long hours of meetings. But, Dr. Adeyemi who recently returned from art residency in Sweden was able to create time for studio practice, an attribute he borrowed from great masters such as Bruce Onobrakpeya and Kolade Oshinowo. While in Sweden, he held a solo exhibition and featured works in an open art biennale at Orebro, which will run for a month and half.

    When asked what he will do differently if he is to repeat his journey in art, he said: “First, the society as at today won’t allow me. But what I will do better is to increase the velocity of my enlightening the students the more. Today, I look at the class and pick few students to encourage. I use such few to lead the groups like a workshop system. I will also carry out more researches on how to do it better.”

  • Our ordeal on January 27 Road, by commuters

    Our ordeal on January 27 Road, by commuters

    When the January 27 Road was constructed in 2015/2016, it was a beautiful stretch that connected Ejigbo, Ikotun and their environs to other areas of Lagos such as Ajao Estate, Muritala Mohammed International Airport Road via Ikeja, Lagos Island, and Lekki, among others. Years later, the road has become dilapidated. CHINAKA OKORO reports that residents and road users have continued to lament and plead with the Lagos State Government to fix the road because of its strategic importance

    The road to Oke-Afa that traversed Isolo is not long, but arduous. Though currently reconstructed by the Lagos State Government, the Isolo-Oke-Afa Road is rough and characterised by countless potholes.

    At the popular Daleko Market, close to the Daleko Bridge, passengers, especially those from the popular Ladipo Motor Spare Parts Market, can board a bus or tricycle (keke) to Jakande Estate Gate. After a long wait to board a bus or keke, and if one is lucky enough to do so, the bumpiness of the road makes the short distance long and tiring.

    As one endures the endless galloping on the road up to Pako Roundabout, shortly after the Isolo General Hospital, approaching After Bridge Bus stop, one hisses a sigh of relief.

    At After Bridge or Mass Burial Bus stop, where the Oke-Afa Memorial Arcade is located, one disembarks and makes one’s way to Canoe via January 27 (former Peter Agha) Road which is a walking distance from the Memorial Arcade where victims of the January 27, 2002 Ikeja bomb blasts were buried. Here, another nightmarish experience begins.

    Going down January 27 Road in Oshodi/Isolo Constituency 11, a soft wind caresses its hard and rough length. Waste papers, trash and dust dance a light-footed tango with the wind as it drives them down the almost abandoned road. A first-time visitor to the area may wonder if sane mankind lives in such a forlorn area whose road could best be described as a death trap. Yet, the area boasts responsible and intelligent people.

    But for what could be perceived as neglect on the parts of local and state governments, January 27 Road and its environs would have been a very exciting and bubbly community. Any wonder residents of this area are gnashing their teeth as a result of the road that is degenerate.

    As one ambles further toward Canoe, one begins to understand why those who live and ply this road are angry. Their fury was perceptible. Men, women, youths and even infants bore hatred of their forlorn situation on their faces. They were ready to tell their disgusting story.

    There used to be a road on which they walked and ply, but now, they are living in an abyss caused by the indescribable state of January 27 Road on which deadly deep holes are prominent features.

    During and after downpours; whether heavy or mild, the road becomes impassable. For a long time, residents of the community watched helplessly.

    Investigation revealed that the January 27 Road which was constructed in 2015/2016 during Governor Akinwunmi Ambode’s administration has become a dreadful stretch of death traps.

    Read Also: Protests: No police, military officer fired live ammunition – IGP

    Worried about the development, a former member of the Lagos State House of Assembly who represented Oshodi/Isolo State Constituency 11, Hon. Jude Emeka Omobowale Idimogu had written a letter to Lagos State Governor, Mr Babajide Sanwo-Olu on the need to fix the road to ameliorate the suffering of the people.

    The letter, a copy of which was made available to our correspondent, was titled “Deplorable State of January 27 Road (Peter Agha Street and Alimi Bada Street (Bada Street) at Ilamoshe Estate, Oke-Afa, Ejigbo LCDA.”

    The letter dated July 16, 2024, was copied to the Deputy Governor of Lagos State who doubles as the Commissioner for Works and Infrastructural Development; Speaker of the Lagos State House of Assembly, Dr. Mudashiru Ajayi Obasa; the Chairman of Lagos State House of Assembly Committee on Works and Infrastructure; the member representing Oshodi/Isolo State Constituency 11 at the Lagos State House of Assembly, Ladi Oladipo Ajomale; General Manager of Public Works and Infrastructural Development Agency and the Executive Chairman of Ejigbo Local Council Development Area (LCDA).

    The letter Idimogu signed reads: “On behalf of the good people of Ilamoshe Estate, Oke-Afa, Ejigbo LCDA, I beg you sir, to direct the General Manager of the Lagos State Public Works and Infrastructural Development Agency, to carry out palliative work on the above important road in Ejigbo LCDA.

    “This particular road is so strategic and important to vehicular and pedestrian movements from Ikotun Egbe and its environs, especially those going to Ajao Estate, Muritala Mohammed International Airport Road via Ikeja, Lagos Island, Lekki and other areas.

    “The dilapidated state of the road had impacted negatively on traffic management and control in the area. The man-hour loss by commuters applying this road is unbearable and unquantifiable. Vehicles spend no less than three to four hours daily while plying the road due to its bad state and economic activities are extremely hampered.

    “Man hours lost by Lagosians who make use of this road is unbearable; let alone the wear and tear on vehicles that ply the road daily.

    “In addition, the road hosts the Oke-Afa Memorial Arcade which is also a centre of tourists’ attraction, especially for those whose relatives lost their lives during the Ikeja Cantonment Bomb Blast, who were buried at the monument.

    “Besides, one of the most recently established modern public nursery and primary schools, Akinsanya Ajaloleru Nursery and Primary School is located on this road.

    “I plead with you sir, that you urgently intervene so that this all-important road would be given the required attention.”

    During the official inauguration of Akinsanya Ajaloleru Nursery and Primary School, on June 11, 2024, Hon. Ajomale had regretted the deplorable state of the road and urged the authorities to urgently fix it because of its strategic importance.

    The lawmaker said: “When this road was constructed in 2015.2016 by the then Governor Akinwunmi Ambode administration, it was a beautiful stretch of road. The road is important because it connects Ejigbo, Ikotun and their environs to other important areas such as Ajao Estate, Muritala Mohammed International Airport Road via Ikeja, Lagos Island, Lekki and other areas. I urge the relevant authorities to urgently rehabilitate the road for the residents of the area to feel the impact of governance in Lagos State.”

    Some residents who spoke with our correspondent said that they experience a lot of hardship on the road.

    Ms Nneka Ezeugo, whose shop is on 21, January 27 Road opposite a failed portion of the road said: “For three months now, I have escaped being hit by vehicles that are dodging the terrible pothole in front of my shop. I always live in fear that some reckless and careless drivers may lose control and smash into my shop.

    “When it rains, the road becomes impassable so much so that some vehicles would be stuck in front of my shop. Most times, some heavy vehicles do fall and block the frontage of my shop.

    “The bad condition of the road gets worse daily despite some palliative measures carried out by some residents of the area. The situation has adversely affected my daily sales.

    “I plead with the state and council authorities to ameliorate the suffering of the people in the area and motorists who use the road daily by fixing the road.”

    A motorist who spoke to our correspondent in confidence said: “It seems as though this area and its environs are not part of Governor Sanwo-Olu’s administrative constituency of Lagos; given the ordeal and untold hardship we are exposed to daily due to little or no government presence in this area.”

    An aggrieved resident said: “Since the state government has seemingly abandoned us, what about the local government? Can’t the LCDA do something in terms of maintaining street roads?”

    Almost all those who spoke with our correspondent bemoaned their state of hopelessness, deprivation and neglect in the area.

    However, they pleaded with the local and state governments to fix the road to make life better for the people.

  • National Troupe of Nigeria back on stage

    National Troupe of Nigeria back on stage

    For four days last week, the management of the National Troupe of Nigeria led by the Artistic director Kaltume Bulama Gana kept the arena bubbly as they trained both old and new artistes in several sessions of workshops and trainings. The workshop was to fine-tune the agency and keep dancers, drummers, singers, performers and so on, abreast of what obtains in the sector at the moment. Edozie Udeze who watched the workshop reports on the real essence of those issues that make the Troupe excel at all times.

    For four days last week, the premises of the National Troupe of Nigeria, within the sprawling complex of the National Theatre, Iganmu, Lagos, was full of life and activities. For far too long, the National Troupe was bereft of activities. But the new leadership led by Kaltume Bulama Gana has chosen to infuse life into the Troupe for more effective discharge of their national call to duty. Gana is the Artistic Director of the Troupe, someone who came with the strong belief that it is time to hit the road running.

    The four day workshop/training was filled with activities revolving around the old staffers and artistes recruited last year to beef up the numerical strength of the Troupe. As the training and workshop were going on simultaneously, the artistes wore bright faces full of smiles as they pelted down on drums. As the drums went on in somewhat staccato and frenzy sounds heralding the beauty of music the rhythmical sounds of different local instruments, the trainers prowled the arena with different instructions.  The instructions were basically aimed at guiding and directing the artistes, both old and new who were happy to be busy again.

    The sounds reverberated; they echoed, they resonated far into the corners of the National Theatre. The drums beat heavily; they welcomed the people into the bosom of the amphitheatre inside the premises of artiste’s hostels. The sounds travelled far and deeper, while dancers displayed various styles of motions and movements and patterns.

    From far off, the sounds seemed to say to the ears and to the initiated – The Troupe is back with a bang. On hand was Dr. Arnold Udoka directing the dancers, guiding them professionally on the movements on stage. Udoka who came from the University of Calabar, Cross River State, was a former director of dance with the Troupe. His iconic presence reignited those years of commitment and seriousness when the Troupe was a national pride in and out of season. Udoka bestrode the stage with his irresistible aura as he adorned himself in his typical Anang traditional white cap. At every moment he beckoned on a dancer teaching him or her how to twist his waist, how to move the legs to achieve the desired results. It was a perfect show of professionalism in dance form.

    Read Also: Bridging the Communication Gap between the Government and the People: Nigeria’s Path to Reconciliation

    Full of smiles and seriousness, the training went on unabridged for hours under the intense weather. It was that zeal to achieve perfection, to make the nation proud that propelled both Udoka and the artistes on endlessly. They all bubbled. They thrilled. They synchronized. They produced uniformed dance steps that cut across many ethnic geographical areas of Nigeria. Thence, dance took the centre stage. Udoka spared no loose ends to achieve a perfect production. He himself danced, demonstrated and engineered the people. For once, artistes heralded this new moment of life and love of what they believe in. Truly the National Troupe is back.

    On the other hand, Isioma Williams, the iconoclastic drummer who took them on drumming sessions hovered gently in front of the drummers. With an impeccable but serious smile on his face, Isioma dished out instructions. His hands moved methodically in the air as he strolled slowly but with a touch of professional dexterity in front of the drummers. The drummers obeyed. They listened to him. They glued their eyes to the rudiments of his fingers. Isioma’s eye contacts spoke music, they addressed the drums. Then the sounds bellowed. They enunciated action.

    Each drum spoke a different language, deep, provocative and invocative. Each with a different symbol only understood by the initiated. The mixture of new and old drummers was done on purpose for easy blending. As they beat away shaking their heads the arena quickly took on a festal mood. For a while, it looked as if a festival was going on. And the artistes, now adorned in uniform emboldened with the symbols of the National Troupe and national colours, the blend gave some blossoming beauty to the workshop.

    As soon as the outdoor shows were over, the crowd moved into the hall for the final display of dances and songs. Inside the hall parts of the lessons of the days were replayed to the fullest. Consequently, Gana, Udoka, Isioma and the entire staffers beamed with smiles of satisfaction. The singers sang with profusion and joy. The dancers moved with the fluidity of the best expert dancers for which the Troupe is known over the years. Indeed Gana was moved to dance; Udoka became alive once again while Isioma gesticulated effusively. It was moment for the staffers to join the stage and showed solidarity with the artistes.

    For once every member of staff lost his/her shyness. The gregarious nature of the Troupe immediately came ashore. It was indeed beauty epitomized in a way never seen by the members of staff of the National Troupe of Nigeria. The atmosphere indeed called for a celebration to usher in this new era of renewed vigour and discharge of duty by Gana and her able team.

    Why the workshop?

    Kaltume Gana said “The idea of the workshop is to prepare the National Troupe for the goals ahead. As you know, the Troupe is the apex dance outfit of the nation, Nigeria. I want to build on the Troupe’s longstanding commitment of nurturing and fostering a strong organizational culture. When the staffers, both old and new are well equipped through this training it becomes easier for them to operate more efficiently. My call to duty is a mandate given to me by Mr. President, Bola Ahmed Tinubu. It is for me to head the National Troupe of Nigeria and to make it an enviable Troupe for the good of Nigeria. So this workshop is to kick start the season, to help everyone here to understand their roles in this onward movement to add success and values to the Troupe”.

    She went on: “The mandate here is to continue to make the Troupe the culture ambassadors of Nigeria. It is the mission of the troupe to remain on top; to remain dedicated to excellence in all aspects of its operations. The artistes have to be fit. It is also my mandate to continue from where my predecessors in office stopped and to keep that high cultural values of the Troupe ever aglow. The areas of dance, music, stage performances, drama and so on have to be kept active and alive. This is also the soul of the Troupe and these have to be maintained to keep the Troupe on. We have to keep the children’s theatre in place as well. It is for these reasons that we felt it is time to train and train them continually to be in tune with their calling.

    Gana is not done yet; she said more. “The world keeps evolving. Therefore we have to move on with the trend in the world. And this is why we keep the training and workshop updated to ensure the artistes and indeed members of the staff are not left behind. The training is for the artistes to be abreast of the events in the sector, in culture arena generally. They have to know the latest rudiments of performances, drama and so on and they have to be performing from time to time. Therefore the training will continue from time to time for them to continue to be relevant”.

    For Udoka, the essence of the training is basically to re-instill in the artistes the act of seriousness and professionalism. “They have to be kept ever ready, ever active, ever relevant. I am here basically on the invitation of the Artistic Director, Bulama Gana who wished me to train the artistes on the ideals of dance. When the invitation was extended to me, I took permission from the Vice Chancellor of my university, University of Calabar to be here. The training lasted four days and today is the last day as you can see. I am here to assist in the training and it has been very interesting and instructive. The training is to remind the artistes-dancers, drummers, actors, singers, all, what the human body is. It is to remind them about the place of dance, more so, culture in the society. It is to remind them as well how you can use dance, culture, et al, to unite Nigeria”.

    He went on: “You can see some dances here from different areas of the society; they come together as forms of unity, forms of cohesion in Nigeria. Dance is a form of communication, a powerful instrument to keep the people together. The workshop therefore looked into all sorts of ingredients of dances, motions, movements that will help for unity, love and national consciousness. Dance is for education. This was why it was a forty eight hours workshop, very strenuous, but rewarding because we had time to take them through many dances and movements. We took them on motions and movements. We were able to teach them many Nigerian dances from different parts, with songs and drumming. We took them on new ones while we also improved on some of the old ones I had taught them before I left in 2018. My coming is like a family re-union. The artistes were happy to receive me. I was also happy to see lots and lots of them again”.

    As for Isioma, the training was mainly for him to let them know that there are many different types of drums. Each drum has a definite message, definite purpose beyond the ones they are used to here in Lagos. “It is not only the Yorubas that have drums. There are different types of drums for different reasons and purposes from different parts of Nigeria. These and more were parts of what I taught them”.

    The four day training also enabled Meniru Onyia from Federal Ministry of Culture in Abuja to teach them some essential civil service rules. The show ended well with a warm appreciation by Bulama Gana who was obviously elated to see her efforts bear fruits.

  • ‘At 58, God has given me a second chance’

    ‘At 58, God has given me a second chance’

    Perhaps I should not be alive. But I am. Despite the odds, I turn 58 today. I am still frail and fragile. But now, I can stand on my feet again, bearing testimony to those sacred words of the Almighty Allah himself that, “No soul can ever die except by Allah’s leave and at a time appointed (Quran 3: 145),” YUSUPH OLANIYONU, communication strategist, journalist, lawyer and public affairs analyst, recounts his recent health challenges.

    It all started on 19 February when I drove myself into a government hospital in Abuja for an elective surgery. The surgery itself was meant to last for a few minutes and I should return home not later than two days thereafter. That was what I was told. But that was not what happened.Since that fateful Monday morning, I have gone into and out of the surgical theatre nine times for six major operations and three minor procedures. I have spent six days in the Intensive Care Unit (ICU), surviving on oxygen and relieving myself through catheters. I have become totally dependent on others for the performance of even such personal functions as cleaning myself. I have lost 20 kilogrammes in five months and was reduced to a mere sack of bones. I have lost the use of my limbs and, like a toddler, I had to learn to walk again. I have spent millions of naira and thousands of dollars of my own and other people’s money. I have travelled hundreds of kilometres to find help. I have reached the very bottom of despair itself; and I had made plans for my own burial. But somehow, I am still alive.

    I am someone you could describe as a hands-on person, or even a keep-fit buff, careful about what I eat or drink and what I do with my body. Therefore, I seldom had any need for a hospital. However, since my dad died of prostate cancer 23 years ago, the doctor had warned me that male children of prostate cancer victims are predisposed to suffering the same fate. Since my 40th birthday, I had therefore ensured that a comprehensive medical check-up was a part of my annual ritual. In the course of one of those routine check-ups, I was alerted a few years ago of an enlargement of my prostate. Following this discovery, I enrolled in a public medical facility in Abuja and made sure to see the urologist every three months. At one point, I was also advised to see a nephrologist once in a while.           All these visits, I understood, were merely precautionary. But I was beginning to spend too much time on the waiting line in the hospital than I could afford. Before long, I changed to another hospital closer to my house. Even though it is also a government hospital, it has a private wing that charges higher fees for quicker consultations and service. I thought this arrangement served me better. I was assigned a consultant urologist of my own. And I also saw a nephrologist in the hospital. However, while the nephrologist kept assuring me that everything was fine, the urologist started to raise an alarm. At a point, he told me that if we didn’t act fast, my enlarged prostate might begin to affect my kidney. The only solution, he said, was surgical intervention.

    He was the expert, so I yielded to his pressure and agreed to do the surgery. That turned out to be a major mistake. But I only became wiser by way of a horrifying hindsight. My result from the prostate test showed that I was, in fact, in a much better place than several of my friends, who all were surprised that I chose to go under the knife for an ailment that, more often than not, offers a little more than just mere discomfort, as long as it is not cancerous. They were right. The only prostate-related complaint I had was that I urinated twice or thrice at night. I did not have any pains or difficulty in urinating, or any symptom beyond the ordinary. It turned out that all I needed was a slight change in lifestyle, not drinking or eating late into the night and to continue to take the drugs that were prescribed for management purpose, which, by the way, my urologist had asked me to stop taking.

    Although it did not mean much to me at the time, but in this hospital, patients do not have access to the results of their laboratory tests. The doctor electronically sends requests to the laboratory and once the patient has made payment, the laboratory will conduct the test and send the results in the same manner back to the doctor. The doctor would access the results on his computer and based on this, make pronouncements on what the patient needs to do next. In my case, the verdict was surgery.

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    This was why I drove myself to the government hospital on 19 February and spent the night preparing for the surgery the next day. A week before, I had gone through a cystoscopy procedure. That was my first time ever in a hospital surgical theatre. But since the 20th of February, I have been in several theatres, more than an average person would in a single lifetime. It happened that during the first surgery, the surgeons had ruptured my bladder. In panic, they had to abandon the prostate operation that brought me in, hurriedly placed a catheter inside my urethra, and returned me to the hospital ward. It so happened also that the catheter was not properly placed, so urine was not going into the bag. I was returned to the theatre to remedy the situation. When I came out this time around, the urine was reverting to my genitals, which had by now become grotesquely engorged with fluid.

    Three trips back to the theatre did not change anything. And this was enough to send everyone into panic. I was wheeled into the ICU, where I passed out and had to be placed on oxygen. At this point, it had become obvious that the medical team had reached its wit’s end. It had lost control. One of them had, in fact, quietly told my family that my chance of survival was 50-50. They were already thinking of moving to the next patient. After all, they had “tried their best.”

    But then, to paraphrase Shakespeare, heaven has no fury like a woman about to be widowed. My wife, Odunayo, rose to the occasion. She thought that what was needed to save my life at that point were some ‘muscles’ that would compel the doctors to give me proper attention. She told my children, their friends, and my colleague, Akintoba Fatigun, who was already weeping after seeing how helpless I was, to stay strong. She picked up my phone and called my Oga, the Chairman of THISDAY and Arise TV, Mr Nduka Obaigbena, to inform him about my condition. All she needed were calls to people in top places on the need for the hospital management not to abandon me. Mr Obaigbena immediately called the Minister of Health, who in turn called the head of the hospital. He also promptly dispatched one of his top managers, Mr Israel Iwegbu, to move over to the hospital and report back to him.

    Akintoba also called my boss, Dr Abubakar Bukola Saraki, who was then in the United States. The former Senate President immediately directed Akintoba to get some money across to my wife and also promised to speak with the Health minister. My wife also sent an urgent message to my brother, the Senator representing my Senatorial District, Ogun Central, Senator Shuaib Afolabi Salis. The Senator immediately came over to the hospital to meet the Chief Medical Director. 

With all these influential forces breathing down their neck, the hospital realised that this was one patient they could not afford to trifle with. I was returned to the theatre where they had to open me up – yet again – to properly adjust the catheter and ensure that I hadn’t suffered any internal damage. I ended up spending six days in the ICU and later returned to the private room. In the ICU, the traffic and calibre of people who came to see me surprised the hospital management. One evening, Dr Saraki himself led a very long and powerful delegation to the hospital such that when he said: “Yusuph, get well fast, look at the whole troops turning out to wish you well,” I could not but agree with him. In the same way there were the visits of Senator Salis and his son, Kamal, who was always traveling down from Kaduna to see me. Just as Senator Tokunbo Afikuyomi once led his wife, children, and friends to check up on me.

    After two weeks, I was discharged and went home. It was Ramadan. For the first time in over 45 years, I could not participate in the Ramadan fast. While in the hospital, I said my prayers most times lying on the bed. Although I had lost so much weight, it looked as if I was set on my way to recovery. Until something happened that would change everything, kick-starting another wave of anguish, fear and relentless pain.

    It was the second day after Eid-el-Fitri. My son, Oladapo had persuaded me to take a small pack of Lucozade Boost juice on Sallah day, believing this might stimulate my appetite. This was on the 10th of April. The next day, my wife observed that my urine was the same colour of the Lucozade Boost that I had taken the previous day. She felt something was wrong. However, Oladapo and I thought it could be the effect of the Lucozade Boost drink.

    For some reason, my wife then brought out her blood pressure monitor to check my ‘vitals’. She found out that though I was hypertensive, my blood pressure was low, while my pulse rate was unduly high. Then, I started having this electric shock sensation once I moved my head back, even a little. She became alarmed and kept on repeating the blood pressure and pulse rate monitoring. At one point, I suggested the machine could have malfunctioned. But when she used it on herself and Oladapo, the figures appeared normal. At about 7 p.m., we all agreed to visit a nearby pharmacy to use their BP monitor to double check, so we wouldn’t raise a false alarm. But we got the same reading from the pharmacy. The alarm was then real.

    Immediately, we called a urologist working in another government hospital, who after listening to us promptly declared an emergency. He then directed that we should go to the emergency ward of the public hospital where he works and he would get a consultant to attend to us. We did as he directed. But one hour after, we were still waiting. No one was in sight to attend to us. After a quick deliberation, we decided to go to the private hospital where we were normally registered. It was at the private hospital that the doctor on duty alerted us that I had a septic infection and that I could go into shock anytime. This was the second episode for me. I had suffered from sepsis during my earlier surgical rounds in the hospital. Sepsis is a condition in which the infection-fighting processes turn on the body, causing the organs to malfunction. In other words, my body was beginning to poison itself.

    The doctor at the private hospital urged me to hasten to the public hospital where I was recently treated. We called the urologist again. He directed that we report to the Accident and Emergency Ward. We did. Yet again, the doctor that was meant to receive us was nowhere to be found. Several panicked calls to her number, and there was no response. After what seemed like eternity, she suddenly materialised. She had gone to eat, she said, casual and indifferent as nature itself. This time, I was to spend nine days in the hospital.

    But at this point, we had lost confidence in my urologist and we had started to make arrangements to find a hospital in Egypt to continue the treatment. One night, my family insisted that I should be discharged, even if against medical advice, so that I could make a scheduled trip to Egypt. My wife already signed the Discharge Against Medical Advice (DAMA) form before Senator Salis phoned me and said we should hold all actions until he arrived, as he had invited a leading expert in urology from one of the universities in Lagos to review my case that same night.

The Professor came in with the senator and took us through an hour-long lecture on the issues. He concluded that the case was not beyond what could be handled in the hospital. But “things could have been done differently during the surgery.” He also enlightened us that with sepsis not properly treated, it was doubtful if I could make a five-hour journey in an airplane to Egypt. He had come with a more senior urologist in the same hospital, who had been his student. We all agreed that I would stay if he could guarantee that the more senior surgeon would take over my case and report progress to him and the Senator.

    Again, I returned home. This time I even felt better and was confident that my recuperation had started. But it turned out to be the calm before the storm; the biggest storm of all. We found out that as the days went by, I started to lose control of my limbs. As usual, my wife was the first to raise the question one morning. She asked why I staggered each time I tried to walk. I said it could be because I just woke up. I tried to allay her fears, but I could not hide for long. Soon, I was not able to raise my hand. My initial thought was that this was because I had stopped my morning exercise. I then resumed some guided workout sessions where one of my sons and Kamal Salis, my Senator’s son, would guide me through. But instead of any improvement, things continued to degenerate, and they were happening so fast.

    In no time, I began to depend on my wife to brush my teeth, clean myself in the bathroom, put food in my mouth, perform ablution, and do any chore that involved the use of my right hand. Then my right leg soon followed. It was like something was switching off my limbs one by one. Then at night, the pains descended on my neck and shoulder like a boulder. Sleep became impossible. Turning became a torture. To find a position of relief, that small posture that would grant me a respite from this oppressive pain, no matter how fleeting, became impossible. All through this ordeal, I had tried to be brave. Now, I could no longer hold back. I cried. The pain was just too much. And it came in the night. Therefore each night approached with terror because I knew what laid in wait for me in the dark. Maybe if I stayed up. I told my wife that perhaps, I should try to sleep in a sitting position. But nothing I tried helped. The name given to this one, this latest harbinger of pains, is cervical spondylosis. But little did we know that it was much worse than that. One Saturday, we decided to go to a private hospital that specialised in orthopaedics. We were told to come back the following week’s Wednesday. But the pain would not relent. Whatever I did, wherever I turned, it flogged me like an errant child. The hospital later called to make a change from Wednesday to Friday. But by then, we had already sought a more urgent alternative. At 9 p.m. that same night, we met the orthopaedic surgeon. He recommended some drugs and a neck collar, which I must now wear on like a shackle. That night, after a long time, I had a strange sleep without pains. But it was like shooing off a wild dog with a stick. It may back off for the moment, but it would come back. By the next day, the pain returned, ferocious, as if angry to be disrupted for one night.

    Before our next appointment with the orthopaedic surgeon, we took the initiative to do an MRI test. But by then, my case had become a desperate emergency. All my limbs have packed up. Throughout these ordeals, I had never missed my prayers and supplications to Allah. But that morning, I could not move even one finger to press the electronic counter or hold the tasbih.

    “Is this illness also going to separate me from my God in my last days?” I lamented to my wife. She said it was only temporary and everything would be fine. But I learnt she later went into the bathroom to cry. She is a brave woman. But I am sure by this time, even she would also have started to contemplate the worst.

    When the orthopaedic surgeon saw the result of the MRI test, he took us to see a neurologist in a private hospital as well. The neurologist explained that some bones had ruptured in my neck, which had disorganised the nerve supply system from the brain down to the limbs. Again, I had to go in for a surgery to restore the functioning of the nerves. The operation was to be carried out on 13 May. 

While waiting for the appointed date, my colleague, Akintoba Fatigun came to see me. He thought I was getting better. Many of my friends who were speaking to me on the phone thought the same, because despite all that I had suffered, my voice had remained strong and clear. I told Akintoba that in fact, the situation had gotten worse since the last time he visited and that I was actually waiting for another surgery.

    When Akintoba left the house, he went straight to Dr Saraki’s residence and told him of my situation. The former Senate President immediately started to make calls to different hospitals in Saudi Arabia, the UK, and the US. I did not have a valid US visa and we had no time to apply for one. The Saudi hospital, after studying the MRI, later replied that they could not deal with the situation. Then, someone suggested Egypt. Contacts and appointments were made. To enter Egypt, one only needed a valid UK visa to obtain the Egyptian visa at the point of entry.

 By Monday, 13th May, I was set to travel. Dr Saraki had purchased business class tickets for my wife and I. He also provided money to pay for the surgery and living expenses for a month. A day before my departure, the house was full with several family friends, despite our best efforts to keep the trip as confidential as possible. They were people from different parts of the country and people of different religious persuasions. At that point, I was not Yoruba or Muslim to them. I was just another human being. Even as I lay helplessly in bed, contemplating the motley crowd that had gathered in my room, I wondered if they thought they were saying a final goodbye to me.

    It was time to go. My wife and second son, Oladipo, had already packed the bags. Then we realised that there was yet another important challenge. My room was on the second floor. How do I get down and into the car? We could only think of two options. Oladipo would have to carry me on his back and take me downstairs or I would have to crawl down the staircase. But even these two options were fraught with risks. Yes, I had lost so much weight and Dipo is a burly young man, but he is only 23. The thought of having my son carry me on his back because I could not walk was a distinct trauma on its own. But what if he slipped, and we both crashed to the ground? There could only be one outcome. How would the young man forgive himself? But none of these happened. Dipo successfully carried me downstairs and got me safely into the car.

    On the way to the airport, I told my wife what my Plan B was, if Oladipo had been unable to carry me, to crawl downstairs. “That would have broken me,” she said. I responded with a joke that I needed her to remain unbroken because a broken man could not depend on a broken woman. In the last five months, she had become my in-house nurse, minder, and caregiver.

    Five hours later, we landed in Cairo. My hospital, Neuro Espitalia, is located in a city called 6th of October, which is about an hour’s drive from the Cairo International Airport. I learnt that the city got its name in commemoration of the day one of the Arab-Israeli wars broke out. We were joined at the airport by my third son, Oladepo, who had arranged a two-week leave from his London office and another two weeks to work from the Cairo office of his company. He was to provide an additional hand to me in Egypt for the next one month. Our guide was a Nigerian gentleman called Rabiu Hamza, a PhD student in one of the Egyptian universities.

 We arrived at the Neuro Espitalia at about midnight on that Monday. For the second time in almost a month, I had another sound sleep. Tuesday was devoted to various laboratory tests and to getting my medical history. On Wednesday morning, I had the surgery, which, as they explained, was to “clean an abscess in the cervical vertebrae, stabilise the cervical vertebrae and expand the neural canal.” I didn’t understand everything, but I just wanted to get well. The surgical operation was led by Professor Ibrahim Lotfy, an elderly but friendly surgeon, and Professor Dalia Rushdi.

    After the successful operation, the surgical team decided to culture fragments of bones and tissues extracted from my back to determine what went wrong in the first place. It was an investigation that took days and a lot of blood tests. What they found was, to say the least, shocking. It was described in medical terms as “necrotizing Granulomatous Inflammation Compatible With Tuberculosis of the Vertebrae. No malignancy.” In short, it is called tuberculosis of the vertebrae. This was the stealthy thief that had been stealing my limbs, one by one. But even the surgery could not return everything this disease had stolen from me. I had to recover them myself by re-learning the use of my legs and hands again.

    This was when I realised how much grateful humans should be to their creator for even the most simple things we take for granted everyday. I realised that even the mere ability to scratch one’s face when it itches, what we do countless times everyday without even thinking about it, is indeed a big deal. When my face itched, I would need my son or my wife to scratch it. To change my sleeping posture, I would need them. To change the position of my hands, or clean the sputum that come sometimes when I coughed, I needed them to do these and everything else for me.

    At a point I could no longer fold my fingers to form a fist in order to allow nurses take blood samples or fix the cannula for intravenous infusion. Over the past five months, my arms had been covered in needle marks like a dedicated drug user; to administer some injections, to take blood or to fix the cannula for intravenous medication.

    A few days after the surgery, I began physiotherapy sessions in the hospital. Several physiotherapists came to work on me. But a particular one stood out for me. His name is Ahmed El-Sanadidy, the man from Alexandria. Even after I left the hospital for a rented apartment close by, we contracted El Sanadidy to continue my rehabilitation therapy. He got paid per session. He was such an effective, devoted, passionate, friendly, hardworking, and creative professional. He was also in hot demand in his hometown, Alexandria, and in the city of the 6th of October. In the early part of our sessions, he would form a protective ring around me with his arms to guard me from falling. He taught me to walk all over again, to climb the stairs, to use my arms, to strengthen my fingers, and to regain some level of physical fitness. I called him ‘my boss’. He was the reason I extended my stay in Egypt to two months. He was making some very good progress with my rehabilitation and I did not want to terminate it abruptly.

    But there was yet another challenge. The hospital had tried in vain to get me to go to the toilet. For almost two weeks, even after two sessions of enema, nothing came out. After we moved to the apartment, I thought the privacy of a home would help, but nothing. I would feel pressed to use the toilet and spend time siting and groaning in pain, but nothing would come out. It was later realised that the muscles around my waist had become so weak they could not exert sufficient pressure to push out the waste. This became another source of agonising pain. My stomach felt as solid as if I had been fed concrete cement. This became another major prayer point for me.

    “You should be saying ‘Alhamdulilahi Rabbil alaamin’ because we should let our gratitude to God be more than our requests to Him,” my wife said one day as I was petitioning God over the agony of my plumbing problem. It was a test of faith. But it was also a lesson never to forget. One morning, the plumbing problem resolved itself, not in the most dignifying manner. Since then, it has been easier than ever doing my ‘toileting business’. For more than four months, I was carrying a catheter around. At a point, they became two. But now, I am free of both of them.

    Now, I am a bit stable. I can walk unaided. At a time I could not even move a finger, but now I can sit down and type this piece on my iPad. I can perform my salat, the ablution, ruku (bowing), and the sujud (prostration), all on my own. There was a time in the past when I had to rely on people to do ablution for me and I had to pray lying down. I could not even turn my head to the left or right. I stared at the ceiling all the time and developed a system that enable me use marks on the POP on the ceiling as counter for my supplications. I have learnt not to take anything for granted and to thank my maker for enabling any physical move that I am able to make.

    I have written this piece to celebrate the fact that I am alive, despite my ordeal in the past five months. But I have also written it to share my experience of the Nigerian medical system. Even before I traveled to Egypt, I realised that so much is wrong with our medical system, for which I nearly paid with my life. But my experience in Egyptian hospitals and with Egyptian doctors made me realise this even more. Why do our doctors behave as if they are being forced to be doctors; as if there is no minimum standard to which they must comply; as if they can do anything and get away with it; as if it was enough for them to just claim that they tried their best? The Egyptian hospital was replete with stories of Nigerians who come there to correct surgical operations that had been performed in Nigeria, some from glamorous hospitals in Abuja where they charge exorbitantly.

    At the government hospital in which I was almost killed, a night’s stay in the ICU costs ₦150,000. I doubt that many hotels charge that much for a standard room. Yet, patients are still made to pay what they call “utility fees,” calculated by the number of days a patient has spent in the hospital. We are not even talking about the cost of medication and drugs. The same hospital sold Tavanic 500mg, an antibiotic used for the treatment of infections for N42,000, while a pharmacy located only a few metres away from the hospital sold the same drug for N20,000. In Egypt, we bought the drug for 124 Egyptian Pounds which is about N4,092, at the exchange rate of ₦33 to one. How did we find ourselves in a situation where government hospitals have become the most expensive and the most inefficient in Nigeria? Health workers, doctors, nurses, etc., in the private hospitals may not be any better, but at least they appear committed to their jobs. Public health workers in Nigeria behave as if they would rather be somewhere else, as if they are actually doing the patients a favour. The painful truth is that they don’t care whether you live or die. There is work here for everyone – the government, professional bodies and training institutions.

    I was lucky to have powerful people who could muscle them. What about the millions of Nigerians who don’t know anybody? If I were in their situation, I would have long been forgotten. Why would a Nigerian need tonnes of money and powerful friends to stand a chance of surviving a medical challenge in our country?

    My last words are for those of us whose work demands long sitting hours. We need to be mindful of our sitting postures and be sure to get up intermittently. Please don’t ignore any pain. Regular check up can make a difference between life and death. Today I am alive. I give thanks to the Almighty Allah who has given me a second lease of life out of his infinite mercy, not necessarily because I deserve it. All glory be to Him.

  • Pan-Afrika Drum Festival toast of Canadians

    Pan-Afrika Drum Festival toast of Canadians

    Chief Convener Pan-Afrika Drum Festival 2024, Canada, Prince Akanni, has described African culture as dynamic, rich and accommodating, with a potential to drive growth and stimulate human interactions. He said that the African drum is a symbol of community growth and sustainable development, adding that ‘one of Africa’s major heritages is the drum. The beautiful African drum, which comes in different shapes and sizes, is symbolic and serves as a catalyst for community and societal growth, progress, and sustainable development.’

    Prince  Akanni spoke on the festival’s theme Exploring the Dynamism of African Drums and Canadian Multiculturalism for Global Unity, Inclusivity and Development stressed the need to preserve African cultural heritage.

    The second edition of the festival was held between June 27th and 28th and attracted diverse array of attendees, including government officials, dignitaries, Afro-Canadians and cultural enthusiasts from around the globe.

    He announced plans to establish a cultural center in Toronto, Brampton, or Mississauga. This center, he said, will feature unique paintings, artworks, Canadian and African traditional drums, artifacts, and other cultural and historical items.

    Akanni called for support from the Canadian, Ontario, Toronto, and Brampton governments to make this initiative a reality, emphasizing the center’s potential to foster learning and cultural exchange.

    Prime Minister Justin Trudeau delivered a goodwill message celebrating Africa’s rich culture and diversity. He noted the significant contributions Canadians of African descent have made across various fields and expressed his appreciation for the festival’s role in highlighting these achievements.

    Trudeau’s message reflected the Canadian government’s commitment to multiculturalism and its recognition of the festival as an important cultural event.

    Ambassador Anselm Sowah, Ghanaian High Commissioner to Canada, applauded Prince Akanni for his passion and dedication to promoting African cultural heritage. Sowah was impressed by the festival’s organisation and presentation, calling Akanni a ‘cultural superhero.’  His message reflected the pride and support of the Ghanaian community for the festival’s success.

    Ontario Premier Doug Ford commended the festival’s organisers for their dedication to promoting cultural heritage. He described the festival as an opportunity to explore the dynamism of African drums alongside Ontario’s multicultural tapestry. Ford expressed hope that the festival’s spirit of harmony, diversity, and unity would resonate widely, underscoring the event’s significance in celebrating cultural diversity.

    The Ooni of Ife, Oba Adeyeye Enitan Ogunwusi, sent a message highlighting the drum’s pivotal role in African cultural identity and its ability to convey messages of peace and solidarity. He commended Prince Akanni for organising the festival and encouraged participants to be inspired by the rhythms of African drums.

    Mayor Patrick Brown of Brampton also extended his support, thanking Prince Akanni for his efforts in organising the festival. He expressed pride in the festival’s team and noted the event’s endorsement by the Ooni of Ife as a testament to its cultural significance.

    Hon. Abike Dabiri-Erewa, Chairman of the Nigerians in Diaspora Commission, also sent a goodwill message, emphasizing the importance of cultural heritage in building bridges between communities and nations.

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    She highlighted how events like the Pan-Afrika Drum Festival can help preserve African traditions while fostering greater understanding and cooperation globally.

    Mayor Olivia Chow of Toronto expressed her support for the festival, highlighting its role in promoting Pan-African art and heritage. She noted that the event provided a unique opportunity to learn about drumming, which plays a significant role in ceremonial events and community rituals in Pan-African culture.

    The Osun State Government was well-represented at the festival by Osun State Commissioner for Youth,  Moshood Olagunju and Mrs. Olu Jenyo, who represented Chief (Mrs.) Ngozi Adeleke, the wife of the Governor of Osun State, as the Mother of the Day.

    Their presence underscored the support of Nigerian state governments in promoting cultural initiatives abroad, reflecting a shared vision of cultural preservation and global unity.

    The festival featured performances by diverse drumming and dance groups, including the Pan-Afrikan Drum Festival Drummers, Kamingo Cultural Troupe from East Africa, Brazilian Reggae Drummers, Asian Hips Don’t Lie Dancers, Brazilian Samba Dancers, Efik Cultural Troupe, and Ekiti Cultural Troupe. The performances showcased the rich tapestry of global cultural traditions, captivating the audience with their vibrancy and diversity.

    The festival also featured awards ceremony recognising Canadians, Africans and Afro-Canadians who have distinguished themselves in cultural promotion and other fields.

  • Adeboye’s admonition on leadership

    Adeboye’s admonition on leadership

    The General Overseer, Redeem Christian Church of God (RCCG), Pastor Enoch Adeboye, has charged graduands of Redeem International Leadership Academy (RILA), Lagos to preach the word of God and be prepared in season and out of season to correct, rebuke and encourage with great patience and careful instructions. He urged them to keep their heads in all situations, endure hardship, do the work of an evangelist and discharge all the duties of the ministry.

    Speaking at the valedictory service of the academy held at RCCG, Olive Tree Parish, Banana Island, Ikoyi, Lagos last Saturday, Pastor Adeboye represented by Assistant Continental Overseer of the Redeem Christian Church of God in charge of Research and Development, Pastor Josiah Bolarinwa said that the graduands must take what they learned to the marketplace and to the world so that they can pass on the good legacy of the Christian faith that they have imbibed.

    “For the time will come, when people will not put up with sound doctrine. Instead, to suit their own desires, they will gather around them a great number of teachers to say what their itching ears want to hear. They will turn their ears away from the truth and turn aside to myths. But you, keep your head in all situations, endure hardship, do the work of an evangelist and discharge all the duties of your ministry,” he added, quoting 2Timothy 4 1-5. 

    He said everything starts and ends on the table of a leader. “Give me a good leader, I will tell you that organisation will be very good. Leadership is very important and vital.  It gives a sense of direction to the followers,” he noted. He explained that the reason RILA was established is to produce leaders that will be good examples and will transform their areas of influence.

    In her paper titled Creativity and Innovation in Transforming Christian Ministry in Contemporary Society, Rector Redeemer’s College of Technology and Management, Mowe Ogun state, Dr. Stella Mofunanya said that the contemporary landscape of Christian ministry is characterised by rapid social, cultural and technological changes. These dynamics, she said, necessitate a transformative approach to ministry that leverages creativity and innovation.

    She noted that in a rapidly changing world, the church’s mission remains constant to spread the gospel, serve communities, and nurture faith. “Yet, the methods we use must evolve to meet the needs of our times. Creativity and innovation are essential in ensuring that the church remains a vibrant and relevant force in contemporary society.

    “Creativity and innovation are closely related concepts that play a crucial role in problem-solving, development, and progress in various fields, including Christian ministry. Creativity is the ability to generate novel and original ideas, while innovation involves the practical application of these ideas to create value.

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    Creativity is the ability to generate new and original ideas, concepts, or solutions. It involves thinking outside the box, seeing connections between seemingly unrelated things, and using imagination to produce something novel. Creativity can manifest in various forms, including art, writing, problem-solving, and even in everyday tasks,” she said.

    He stressed that by fostering both creativity and innovation, Christian ministry can continually adapt to meet contemporary challenges, connect with diverse groups, and make a lasting, positive impact on society.

    On the role of technology in ministry transformation, she said technological advancements have significantly impacted how Christian ministry is conducted, adding that digital platforms such as social media, websites, and mobile applications have expanded the reach of ministry beyond physical boundaries.

    She saidlive streaming services, virtual Bible studies and online prayer groups provide accessible spiritual resources, fostering a sense of community and engagement among believers.

    “Research indicates that churches that effectively utilise technology tend to experience growth and increased engagement. For instance, the use of social media for evangelism and discipleship has proven effective in reaching younger demographics, who are often more digitally inclined,” she added. 

    Continuing, she said: “The 21st century presents unique challenges and opportunities. Technological advancements, cultural shifts, and evolving social dynamics necessitate a fresh approach to ministry. Traditional methods, while valuable, often fall short of engaging new generations and addressing current issues. Thus, the church must embrace creativity and innovation to continue fulfilling its mission effectively. By embracing technology, revitalising worship, engaging communities and enhancing discipleship, the Church can effectively fulfill its mission.”

    Rector Redeem International Leadership Academy, Pastor Banky Ladele said 135 graduates have been transformed, equipped and prepared for deployment either to the ministry or the secular world. Of the 135 graduands, there are 11 masters, 105 PGD, three diplomas and 16 certificate holders. He disclosed that the academy offers training in seven areas of leadership, which include self, family, youth, pastoral, marketplace, political and community. 

  • Usman, Okediran, others become NAL’s fellows

    Usman, Okediran, others become NAL’s fellows

    • By Evelyn Osagie and Oluwashindara Oso

    The Nigerian Academy of Letters (NAL) Dr. Bukar Usman and Dr Wale Okediran have been nominated as Honorary Fellows of the Nigerian Academy of Letters (NAL).

    Dr. Usman is the founder of Dr. Bukar Usman Foundation and President of Nigerian Folklore Society; while Dr. Okediran is the current Secretary General of the Pan African Writers Association (PAWA).

    According to NAL’s President, Prof. Sola Akinrinade, the Honorary Fellowship is the highest honour that the Academy bestows on deserving non-members who have made significant contributions to the development of the Arts and Humanities generally in the country.

    Both writers, who were honoured with this feat based on their invaluable promotion of the Arts and Humanities, will be joining the company of great Nigerians like Bishop Dr. Matthew Hassan Kukah; Chief Emeka Anyaoku, former Commonwealth Secretary; late Gamaliel Onosode among others on this echelon.

    Along with the two writers, other overseas fellows for 2024 are Prof. Abiodun Salawu, Prof. Emerita Omofolabo A. Ajayi-Soyinka and Prof Hakeem Ibikunle Tijani.

    The congratulatory letter, signed by Prof. Akinrinade, partly read thus: “On behalf of the Executive Committee, Fellows and Members, I bring you warm greetings from the Nigerian Academy of Letters. At its meeting of July 4, 2024, the Executive Committee approved your nomination as an Honorary Fellow (Hon.FNAL) of the Nigerian Academy of Let-ters.

    “The Honourary Fellowship is the highest honour that the Academy bestows on deserving non-members who have made significant contributions to the development of the Arts and Humanities generally in the country…. We are glad you will be joining this company of great Nigerians.

    “I sincerely appreciate the honour done to me and wish to thank your good self, executive committee, fellows, and mem¬bers of the esteemed Academy for finding me fit and proper person for this singular recognition. God willing, I intend to honour the invitation to attend the inves¬titure as scheduled at the Univer-sity of Lagos on August 8, 2024.”

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    In his response to the nomination letter, Okediran appreciated the gesture and promised to honour the invitation.

    Usman is best described as a moving encyclopedia. Usman, the former permanent secretary in the Presidency is, unarguably, one of the greatest writers of his generation in Africa. He has published more than 40 books in English and Hausa languages in such areas as children’s literature, short story books, public policy matters, and security guide, among others.

    Okediran is an author of 14 novels many of which are on the reading list of some universities, the film adaptation of one of his Tenants of The House has completed a successful run on the NETFLIX global streaming platform.

    Okediran, a medical doctor, is a past president of the Association of Nigerian Authors, a former member of the Nigerian Parliament and currently an Adjunct Lecturer at the University of Medical Sciences, Ondo, Nigeria.

    In 2010, Okediran established the Ebedi International Writers Residency in Iseyin,  Oyo, Nigeria for the free use of writers in need of a conducive environment to complete their works. Since its inception, the Residency has hosted 300 writers from 12 African countries.

    The investiture for the conferment of the fellowship will be held on August 8, at the University of Lagos while the Fellow’s Night will hold on August  7, by 7pm at the Functions Room of the University of Lagos Guest