Category: Arts & Life

  • Oyinsan reclaims African memory through fiction

    Oyinsan reclaims African memory through fiction

    The echoes of history, mysticism, and cultural reclamation resonated on Sunday at the J Randle Centre for Yoruba Culture and History, Lagos, as writer and culture advocate, Dr. Bunmi Oyinsan, presented her latest novel, A Ladder of Bones.

    The public conversation, themed Ènílólóbo: Mysticism, Beliefs, and Cultural Emancipation, featured discursions from cultural entrepreneur, Qudus Onikeku, as discussant, with veteran arts journalist, Jahman Anikulapo moderating.

    Oyinsan explained that the novel was born out of a refusal to accept colonial-era depictions of Africa as passive recipients of empire.

    She added that the book deliberately highlights Ellen Thorp’s colonial history text of the same title, reclaiming the imagery of bones not as symbols of British sacrifice but as testimony to the trauma, displacement, and survival of Africans.

    Oyinsan said her Ladder of Bones “reclaims the imagery to expose the human cost of colonisation and its lingering shadows.”

    “They are in your DNA. A refusal to acknowledge them is automatically cutting yourself short. You cannot reach your full potential without acknowledging that you stand on the shoulders of people who sacrificed so that you can be here,” she said

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    The novel follows Enilolobo, a mysterious child with two navels, who arrives in Canada carrying the weight of untold histories.

    From Sierra Leone’s brutal child soldier wars to the struggles of Jamaican migrants and Liberian refugees, their stories converge in Canada, where they grapple with identity, violence, and survival in a world still marked by white supremacy and colonial residue.

    By weaving these voices together, Oyinsan explained, the novel becomes both a reckoning and a refusal to let history be sanitised.

    On his part, Qudus Onikeku described the book as a timely intervention in Nigeria’s cultural discourse.

    “What Bunmi has done is more than storytelling; it is memory work. She is challenging us to see that our past is not behind us, it lives within us, shaping our present choices and future possibilities. This book is a mirror, but also a map,” he said.

    Moderator Jahman Anikulapo guided the dialogue into broader reflections on mysticism, beliefs, and cultural emancipation, drawing connections between literature, identity, and the collective African struggle to reclaim its narratives.

  • Kashimawo goes on UK stage

    Kashimawo goes on UK stage

    Kashimawo, a play which depicts the life and times of the winner of the June 12 elections Chief MKO Abiola, will make its international debut at the iconic Shaw Theatre in London, UK between October 4th and 5th according to  a statement by DOSF-UK, its main promoter.

    The play, which is being produced by influential actress and producer Tayo Elesin under her Elesin Productions platform would see the play which depicts the life and times of the winner of the June 12 elections and giant personality of Chief MKO Abiola displayed Kashimawo which already has the backing of Mr Kola Abiola, son of the late business mogul and immortal leader Kashimawo played to uproarious reception at its debut showing at the Agip Recital Hall of the Muson Centre, Lagos  with the larger Abiola family in attendance.

    According to DOSF-UK, the beauty of Kashimawo is it’s wild pull out from the life of MKO who inspired the play to the confusing mischief of the gods as they seemed to play a different kind of game with the life of this ‘poor ophan’

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    The statement added that all previous ticket holders to DOSF plays can also use same tickets for Kashimawo if they so wished as they would all be contacted by the theatre in such regards. Kashimawo follows the very successful showing of Awo, which also played the same venue to massive crowds and huge critical acclaim

    Kashimawo would be the second after the aforementioned Awo in a series of historical expositions designed to bring these historical productions into Europe and the diaspora.

    The Duke of Shomolu Foundation, an associate firm of DOSF-UK is Africa’s leading theatre production house with one of the richest theatrical portfolios on the continent.

    With 33 huge stage plays and over 200,000 physical attendees in productions that have been have seen it run in local cities like Lagos, Abeokuta, Uyo, Abuja, Ekiti, Benin, Arochukwu, Ikenne, Warri to mention a few, the franchise is today one of Nigeria’s biggest.

    Already such iconic Nigerian and international brands like First Bank Nigeria, LEMFI. Datamellon, Cruxstone, Unified Payments to mention a few have lined up as sponsors.

    Prof Rasaki Ojo Bakare who will be finishing as Festival Director of the Ekiti International Theatre Festival is expected to direct the play, which will feature veteran theatre personality Biodun Abbey in the lead role leading a robust international cast.

  • Ara Bàntù, Orí Bíntín: beyond metaphor of anatomy

    Ara Bàntù, Orí Bíntín: beyond metaphor of anatomy

    Last Thursday morning was an eventful one for residents of Ogbere Street, Ilaje Road and other adjoining streets in Bariga Local Government Area of Lagos. In an uncommon manner, the people were served a rich menu of colourfully and enthralling open-street performance by Yusuf Durodola, a multi-disciplinary contemporary Nigerian artist. Metaphorically, the residents were treated to the deeper meanings of elementary Arithmetic that resolves a reversed improper fraction. Durodola is known for his rich repertoire of people-oriented and issue-based advocacy using arts.

    The performance, Ara Bàntù, Orí Bíntín, a Yoruba phrase, which literally translates as Big Body, Small Head, a delightful watch for many on the streets, was staged from a yellow rug on Ogbere Street, the take-off point. 

    Also enthralling to the residents was watching the artiste dress up in his performance paraphernalia, which include two yellow stones that represent the pillars of a nation. As the moving performance leaves its base, the artist flaunts his green overflowing gown and a transparent glass mask with a question: ‘Must I see what you see?’ Along the performance route, which lasted for about an hour, were some yellow balloons with inscriptions such as ‘I am a key in your mind.’

    The performance, which was a round trip, traversed Ilaje Road, through to the new jetty built by the Lagos State Government by the Third Mainland Bridge on the Lagos Lagoon, as well as the Abibatu Mogaji Primary Health Centre, Bariga, Lagos. At intervals, Durodola made some momentary stops on the way, sign displays, intentional spreading of his green gown, tossing the balloons in a spectacle that attracted an army of admirers through the route.

    Like anticlimax, on his return to Ogbere Street, the artiste deflated all the balloons, which had inscriptions such as ‘Who is the law meant for? Curate your character!’ But the high point was when he unmasked and tore his gown halfway exposing his chest that revealed the following questions: Who naked me? Who filmed me? Who posted me?

    These posers were not unconnected with the recent drama at one of the nation’s airports involving a passenger and an airline cabin crew.

    According to Durodola, Ara Bàntù, Orí Bíntín stages the disequilibrium born when strength eclipses vision, when capacity to act swells beyond the capacity to discern. “This is not merely a metaphor of anatomy but of culture, governance, and identity. In the performance, the big body becomes a symbol of amplified presence, excessive appetite, and unchecked force, while the small head becomes the sign of diminished foresight, eroded ethics, and the collapse of reflective thinking,” he said.

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    Through a dramaturgy of fragmented dialogue, charged silences, symbolic movement, and ritual gesture, the work draws from the Yoruba warning: without the guidance of the head, the body’s power is a danger to itself. It is the story of might without moral compass, of a community whose external splendour masks an inner decay.

    This imbalance finds resonance in the ethics of public exposure in our digital age. The proverb Òré mi ló jù tí, ojú ò tí mi; ìwọ gangan ni o ló jù tí (When your friend is shamed and you feel nothing, you are the one truly without honour”) anchors the performance’s moral inquiry. Who decides what is captured, archived, and displayed? Who becomes the custodian of another’s disgrace? Must every moment — every stumble, every vulnerability — be surrendered to the voracious appetite of the crowd?

    He noted that in staging these questions, Ara Bàntù, Orí Bíntín does not simply lament; it challenges. ‘It asks the audience to confront their complicity in a culture that celebrates spectacle but neglects empathy that prizes exposure over discretion, and that mistakes noise for relevance.’

    Ultimately, the work has become a ritual of reckoning — a call to recalibrate the scale between muscle and mind, between presence and purpose. “It pleads for a return to iwa (character) as the measure of greatness, for the restoration of honour as a shared responsibility, and for the safeguarding of our collective dignity from the trivialising flood of the digital gaze,” Durodola noted.

  • Elergy for the Songbird

    Elergy for the Songbird

    (For Evelyn Osagie, The Poet)

    From Dr. Sola Balogun

    Her tender voice resonated loudly in parts…

    Thrilling the crowd in the open arena…

    Of a creative hub tucked in Adeyipo….

    A suburb of Ibadan..in a season of lock-down.

    Evelyn was the main voice..in an evening of lines and hymns…

    In the glare of the host and guests…

    Who have thronged the serene square…

    In honour of the written word..

    Again, Evelyn gave her words to all..

    Eulogies in ballads…

    Odes in rhythms…

    Like the lady of songs that she was…

    Evelyn thrilled all in the arena…

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    And reminded all about her multiple gifts….

    Singer, poet, writer, composer and all…

    Evelyn was a sister from another mother …

    A friend from another land…

    A benefactor with humility..

    A comforter like no other…

    So sad death snatched you too soon..

    And left your friends in grief..

    But we are consoled by your earthly strides..

    Of immense value…

    Your creative works that’ll continue to live in our hearts…

    Adieu Evelyn Osagie…

    Till we meet to part no more.

  • Sweet homecoming for ex-RECTEM Rector

    Sweet homecoming for ex-RECTEM Rector

    Immediate past Rector, Redeemers College of Technology and Management (RECTEM), Mowe, Ogun State, Dr. Stella Mofunanya has said that her six years stay at the College was driven by passion because all she did at RECTEM was not only a call to duty, but a missionary assignment. 

    She ascribed her successful performance at the College to the unflinching support of the founding father and General Overseer of Redeemed Christian Church of God, (RCCG), Pastor E.A. Adeboye and the board members of the College, who gave their all. She however said she feels super excited returning to her former employer Yaba College of Technology, Lagos after her meritorious service at RECTEM, adding that while at RECTEM, she was always coming to Yabatech on invitation for workshops, conferences and lectures.

    Dr. Mofunanya who spoke at the sideline of School of Arts, Design and Printing, Yaba College of Technology’s special board meeting held in her honour last week, disclosed that she accepted the offer to serve at RECTEM when they had challenges. She described the offer as a missionary assignment being a member of RCCG. 

    “I went there on acting capacity and in less than one year, the students’ population of 52 rose to 350. The chairman of Governing Council, Dr J.F Odesola encouraged me. The board said if she’s acting and she’s doing this, why don’t we give her a letter to continue? And that was how I got my letter as a substantive Rector,” she said.

    Looking back, Dr. Mofunanya thanked God for the opportunity to serve as the first female staff of Yaba College of Technology to become a rector of another polytechnic, saying she did her best and the records are there.

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    “As I look back I give thanks to God because when I got to RECTEM there were only 52 students. They just got a licence to the glory of God and approval to start. We got accreditation and full accreditation. We started Higher National Diploma (HND). We started part-time programmes and also got the accreditation.

    “We won award for entrepreneurship centre in Nigeria. With all humility, Redeemers College of Technology and Management is the first institution in Nigeria to have a wellness centre. So, whoever is going in there has to look unto God,” she added.

    Dean, School of Art, Design and Printing, Yaba College of Technology, Lagos, Dr. Chinyere Ndubuisi described the board meeting as a special one in celebration of Dr. Mufunanya’s return. 

    She said it was the first time any staff member, male or female, from the School got to that height, or became a Rector of an institution. “And she served for more than six years, and she has returned. So, we need to honour her and celebrate her. We need to let her know that we are proud of her and that she has not only done well but has made us proud and we are equally proud of her.

    In fact, we usually hold board meetings, but today’s meeting is special school board meeting,” she stated.

  • Fresh breather to spiritual growth

    Fresh breather to spiritual growth

    Title: The Lover’s Creed
    Author: Chinwendu Emmanuella Chidi
    Reviewer: Ozolua Uhakheme
    Publisher: Malicha
    Pagination: 32

    Never judge a book by its cover’ is a popular idiom that remains very instructive, centuries after it was created. It simply emphasizes that the true value or quality may not be immediately visible and can only be discovered by looking beyond the surface. The idiom, which has root in George Elliot’s novel The Mill on the Floss (1860), is often used to caution against making hasty judgments based on superficial characteristics.
    This, to me, was what played out in Chinwendu Emmanuella Chidi’s The Lover’s Creed on my first encounter. Expectedly, I was swayed by the title to unknowingly believe the book was all about romance and love. I was wrong.
    The 32-page devotional is a strong reminder of Pastor E. A. Adeboye’s Open Heaven, a guide to a close fellowship with God, which the General Overseer, Redeemed Christian Church of God
    (RCCG), shares among church members every year. Though Open Heaven and The Lover’s Creed are far apart in terms of size, but the latter seems brief but mightily loaded with words of God that serve as practical guide to establishing close fellowship with God. Still, both draw their teachings and lessons from the Holy Bible copiously.
    Like Adeboye who enjoins readers to immerse themselves in the words of God and spend quality time praying and fellowshipping with the Holy Spirit daily with the help of this devotional, Chidi through her book published by Malicha, invites readers into an experience of hope, healing and spiritual awakening.
    Her choices of topic addressed in the book touch on important aspects of man’s fellowship with God. From Creed One to Seven, she shares her experiences illustrated with references in the Bible. They include I believe He hears me; I love beyond the human nature; I depend on Him; He is closer than I thought; His love is sufficient; Loving the father’s way; and I surrender to love.
    But, one of the characteristics of the book, is that the author cites no fewer than ten Bible references in explaining her topic in each Creed. Thus making words of God the fulcrum of the publication though laced with personal experiences.

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    The Lover’s Creed is unlike a normal book divided into seven creeds (chapters) each starting with relevant quotation from the Holy Bible on the thrust of the Creed. Each Creed is a narrative of her experiences alongside biblical teachings, lessons and conclusions for the reader. This wholesome presentation makes each Creed a sure healing balm for readers.
    For instance, each Creed shares similar sub themes such as Whispers from my lover, Heart to Heart with God, Treasured lessons, and Conclusion. These headings did not only allow the author to put her teachings in context but also provide abundant windows for readers to comprehend the teachings contained in each of the Creed.
    The Lover’s Creed is a heartfelt exploration of God’s unwavering love and the transformative power of a deep relationship with Him. Chidi takes readers on an intimate journey through personal experiences of heartbreak, loss, and redemption, uncovering profound lessons about love, faith, and the nature of God’s guidance.
    The author weaves together personal stories, experiences of brokenness and renewal reminding readers of the transforming power of divine love..Through her journey she invites readers into an experience of hope,healing and spiritual awakening.
    In fact, the book is more than written words on pages, it is a clarion call to embrace the unshakable truth that Jesus’ love is not only eternal but ever present and capable of leading man to true freedom.
    Recalling her journey, Chidi says that after losing someone to depression and enduring the pain of a broken relationship,she found herself questioning God’s presence and love. In her search for answers, she encountered God’s tender response, revealing that His love had always been constant—even when she felt abandoned. Through intimate conversations with God, she began to understand the true meaning of love, not as the world defines it, but as God expresses it: selfless, unconditional, and deeply personal.
    The book delves into the characteristics of God’s love, the role of the Holy Spirit in guiding believers, and the importance of obedience and trust in God’s plan. It emphasizes that God’s love is not dependent on human perfection but is rooted in His nature as a loving Father.
    Interestingly the author also explores the dangers of worldly distractions and the enemy’s schemes to separate believers from God’s truth, encouraging readers to lean into God’s Word and the Spirit of love for Strength and direction.
    The Lover’s Creed serves as a powerful reminder that God’s love is not seasonal or conditional—it is eternal, transformative, and always available. Through raw honesty and spiritual insights, the author invites readers to embrace the Lover’s Creed: a life fully surrendered to the love and leadership of God.
    Chidi, a Human Resource young lady who had her Master’s degree from Northumbria University UK, is dedicated to studying God’s word and continues to deepen her faith.
    “Whether I am reading, traveling preserving in my community, I aim to live a life that reflects my faith and values,” she adds.
    Essentially the book, is a compendium of creeds-sets of beliefs and principles that strongly influence the way people live. It is a practical guide to spiritual growth.

  • Celebrating Egonwa’s enduring legacy

    Celebrating Egonwa’s enduring legacy

    In a tribute to an illustrious academic career spanning over three decades, the postgraduate supervisees of the renowned Professor of Visual Arts, Prof. Osa Dennis Egonwa, will publish a monumental 38-chapter, 313-page book with full colour illustrations titled “Landmarks in Visual Arts Research: Excerpts from Post-Graduate Students of Prof. Osa D. Egonwa (1999 – 2025)” The duo of Prof J. Ogene and Prof. U.N.O Edewor are editors. It comes in hard and soft covers. This magnum opus is a heartfelt celebration of Prof. Egonwa’s profound impact on the field of Visual Arts and his unwavering dedication to nurturing the next generation of scholars.

    Upon his recent retirement from Delta State University, Abraka, at 70 on the 4th of July, his supervisees have seized the opportunity to acknowledge the significant role Prof. Egonwa played in shaping their academic journeys and research endeavours. The book is therefore a testament to an enduring legacy, as it features contributions from his supervisees (MFA, Ph.D Studio, MA and Ph.D Art History), who have evolved, thus are elevating Visual Art practices and systems.

    The book Landmarks in Visual Arts Research which will be presented to the public on August 22, at the Delta State University, Abraka, where Prof Egonwa contributed significantly to scholarship, is more than just a collection of scholarly essays; it is a reflection of his mentorship, passion for the arts, and path-finding visionary commitment to academic excellence in Nigeria and beyond. Each chapter not only showcases the breadth and depth of research conducted under his guidance but also highlights the innovative and groundbreaking work being done in the field of Visual Arts.

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    The contributors to this compendium are Egwali, F.C; Ighalo, M.O.; Ononeme, E.I.; Edewor, U.N.O.; Nwanna, C.E.; Ogene, J.U.; Mangiri, S.G.; Njoku, K.I.; Abokede, O.O.; Adeyemi, K.; and Aigbe, D.O. Other include Bazunu, H.U.M.; Emiemokumo, A.A.; Onwusoba, F.A.; Ajiginni, M.; Egharevba, S.V.; Osaigbovo, T.U.; ThankGod, C.A.; Esimike, U.R.; Iyama, G.A.; Sulaiman, D.I.; Akinrujomu, O.S.; and Esebameh, G.O. Yet, other visual art professionals not to be left out in this academic potpourri are Ophori, F.O.; Adediran, A.; Suleman, S.T.; Osaigbovo, F.O.; Agholor, J.; Aikhionbare, P.B.; Alabi, U.D.; Loromeke, O.O.; Monwuba, O.V.; Ogundipe, V.A.; Ogunwo, B.O.; Atsegbanghan, G.; Ebewebirue, O.S.; Onibere, V.O.; and Tejuoso, P.E.

    Offering insights into the latest trends, methodologies, and theoretical frameworks in art history and studio practice, this book serves as an invaluable resource for students, researchers, and practitioners in Visual Arts. It is indeed a fitting tribute to Prof. Egonwa’s contributions to the academic community and his role in fostering a vibrant and progressive scholarly environment.

    The book launch, being a momentous occasion, therefore serves as odyssey that underscores the lasting impact of Prof. Egonwa’s work and dedication. It is our hope that this book will inspire future generations of artists and scholars to continue pushing the boundaries of Visual Arts research.

  • The Pleasure Manual: doctor’s cultural guide to intimacy, marriage

    The Pleasure Manual: doctor’s cultural guide to intimacy, marriage

    The quiet struggles in many Nigerian homes found expression on Thursday on Victoria Island, Lagos, as clinical psychologist and associate professor, Dr. Pamela Udoka, unveiled her latest book, The Pleasure Manual.

    The book, which launch coincided with her husband’s birthday celebration, is a culturally relevant guide to intimacy and marital sex life aimed at helping couples reconnect, rebuild desire, and heal fractured relationships.

    Udoka, who has over two decades of practice and research experience, explained that the book was born out of both professional encounters and academic inquiry into recurring marital challenges.

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    “During my Master of Philosophy degree in clinical psychology, I developed a vital conflict inventory for assessing marital conflict. It revealed the top three causes to be communication patterns, third-party interference, and sexual dissatisfaction. I later carried out an intervention to test the efficacy of therapy in addressing these, and this research, alongside my practice, earned me a Ph.D. in clinical psychology,” she said.

    She stressed that the issues were not isolated but recurring themes with long-lasting impact.

    “Between August 2023 and July 2025, at the Family Wellness Director Inquiry Office, we tracked inquiries as follows: 41 per cent of clients requested sex therapy services, while 16.9 per cent requested marital conflict resolution services. That means almost six out of ten clients were seeking help for intimacy and relationships,” Udoka revealed.

    According to her, the painful realities of couples struggling with intimacy inspired the urgent need for the book.

    “I have seen couples who love each other dearly, yet have not been intimate in years. And the truth is, it is never about sex; it is about self, identity, mindset, information, communication, safety, and love,” she said.

    Udoka added that ignoring these values often leads to anxiety, depression, infidelity, separation, dysfunctional homes, divorce, and abandoned children.

    She clarified that The Pleasure Manual was not designed to sensationalise intimacy but to restore its importance in healthy relationships.

    “This is not bedroom gossip. It is a practical, shame-free, culturally relevant guide to help couples reconnect, rebuild desire, and heal. Today’s launch is not just about a book, it is a movement. A movement to establish the Family Wellness Therapy Centre as a safe space where therapy is not a privilege for a few but a lifeline for many,” she said.

    In his review, Public Affairs Analyst and Journalist, Dr. Ruben Abati praised the work as both deeply human and expertly crafted.

    He described it as “a master class on the art of sexual intimacy.”

    “In this book, Dr. Pamela Udoka provides a master class on the art of sexual intimacy. The step-by-step guidance she offers is reminiscent of instructional works on writing, cooking, or vision. Those who have experienced one form of complication or intimidation in this area should find the book relatable and easy to digest,” he said.

    He, however, urged caution, noting that the book is rated 18+.

    “The text deliberately emphasises the phrase ‘consenting hours’, which is a tantalising term in itself. It remains to be seen how this book can be kept out of the reach of adolescents, who these days seem more active in sexual matters than their grandparents ever were,” he observed.

    Abati concluded that The Pleasure Manual treats a living subject and provides insights that could improve overall quality of life in society.

  • Musawa presents UNESCO certificate to Alaafin of Oyo

    Musawa presents UNESCO certificate to Alaafin of Oyo

    Minister of Art, Culture, Tourism and the Creative Economy, Hannatu Musa Musawa has presented the UNESCO certificate recognising the Sango Festival as a World Heritage Festival to the Alaafin of Oyo, His Imperial Majesty Oba Abimbola Akeem Owoade 1.

    Minister Musawa made the presentation at the grand finale of the 2025 World Sango Festival held over the weekend in Oyo State. Musawa stated that the achievement marks a significant milestone in Nigeria’s cultural landscape, demonstrating the Ministry’s commitment to safeguarding the country’s rich cultural heritage and promoting its powerful tool for international diplomacy and sustainable tourism.

    “I heartily congratulate Your Imperial Majesty, the Alaafin of Oyo, Oba Abimbola Abdulhakeem Owoade I, the new Sango Chief Priest, the Oyo community, and indeed the entire Yoruba nation on the grand finale of the 2025 World Sango Festival. We celebrate not just a festival, but a legacy. Following effective collaboration between the Ministry of Art, Culture, Tourism and Creative Economy and the Oyo Community, the Sango Festival has now attained global recognition with its inscription by UNESCO on the Representative List of the Intangible Cultural Heritage of Humanity. This milestone firmly places Sango’s rich heritage on the world stage and underscores its importance as a shared global heritage.

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    “This achievement is a shining gain of the Renewed Hope Agenda of His Excellency, President Bola Ahmed Tinubu, GCFR, through our Ministry’s commitment to safeguarding our rich cultural heritage and promoting it as a powerful tool for international diplomacy and sustainable tourism. The foregoing further strengthens the foundation of our strong cultural identity, geared towards employment generation and wealth creation for sustainable development, empowerment of the host community, and Nigeria,” Musawa said.

    The Alaafin of Oyo, Oba Abimbola Abdulhakeem Owoade I, expressed gratitude to President Tinubu and the Ministry for their renewed commitment to expanding Nigeria’s culture and heritage, which has led to this remarkable feat. The monarch reiterated the Oyo Kingdom’s cooperation with the Administration and the Federal Ministry of Art, Culture, Tourism and the Creative Economy to further promote Nigeria’s cultural identity on the global stage.

    The 2025 Sango Festival, which drew dignitaries from within and outside the country, served as the backdrop for the certificate presentation, highlighting the festival’s significance as a cultural treasure and a symbol of Nigeria’s rich heritage.

  • Zion Oshiobugie organises first-ever TEDxYouth event in Milton Keynes

    Zion Oshiobugie organises first-ever TEDxYouth event in Milton Keynes

    Nigerian-born educator, Zion Oshiobugie, has etched his name in history by orchestrating the inaugural TEDxYouth event in Milton Keynes, United Kingdom, on International Youth Day 2025.

    The event, themed “Limitless Horizons,” was completely sold out and brought together young speakers, performers, and community leaders in a gathering that placed young people at the heart of global conversations. 

    Oshiobugie, who is the founder of Youth Visionaries CIC in the UK, explained that the event was driven by his passion to give young people a stage where their voices could be heard worldwide.

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    “Young people are not just the future — they are the present. They carry gifts, voices, and possibilities that deserve to be heard now. This TEDx event was my way of creating a platform where those voices can inspire the world,” he said.

    The audience was captivated by the compelling talks from a diverse group of young speakers, including Amaira & Eva Deotale, Tanvi & Aarav Desai, Ife Thomas, Mariano Costa, Frederick Afrifa, Prisha Tapre, Magdalena Beckett and Musonda Veronica Malama. 

    The artistic performances from Maureen Onwunali, JedSax, Huldah and Maahi Badiani added a touch of rhythm and soul to the occasion.

    Special guests present included Emily Darlington MP, Alice Wilby of the University of Northampton, Mayor James Lancaster, Francis Nielsen of MK Gallery, Sharon Oranekwu, Grace Itofa-Ivarah, Nana Ama Ofori-Atta, Tendai Rukarwa and Chris Curtis MP. 

    The event was made possible by the generous support of sponsors MK Community Foundation and CLICK Arts Foundation, with MK Gallery, Yeve and Emboldened as invaluable partners.

    Oshiobugie, who hails from Nigeria, has dedicated his career to mentoring and empowering young people through education, employability training and creative youth work. 

    Through his organisation Youth Visionaries CIC, he delivers programmes in mental health, digital skills and the creative arts, ensuring that young people have opportunities to grow, lead and thrive.

    Reflecting on the milestone, he said: “Hosting the first-ever TEDxYouth in Milton Keynes is just the beginning. Through Youth Visionaries, I want to keep building more platforms where young people can discover their voice, showcase their talents and inspire the world. 

    “My dream is to see young people everywhere in Nigeria and across the globe step into their limitless horizons.”