Category: Arts & Life

  • Review of PRNigeria books on economic renewal

    Review of PRNigeria books on economic renewal

    By Dr. Sule Yau Sule

    When the Editor-in-Chief of PRNigeria and Economic Confidential, Mallam Yushau Shuaib, invited me to write the forewords for three distinct books addressing Nigeria’s monetary policy, healthcare reform, diplomacy, and digital innovation, I was deeply honored. As an avid reader of the authors’ incisive articles in national dailies, I considered it a privilege to contribute to their significant body of work.

    As Chairman of the Board of Image Merchants Promotion Limited (IMPR)—publisher of Economic Confidential, PRNigeria, and Tech Digest—I have witnessed the growth of our editorial team firsthand. Upon receiving the drafts, it was evident that these books distilled a wealth of analytical insights from articles previously published and widely syndicated across our platforms.

    At IMPR, we invest in rigorous training in research and writing for both staff and National Youth Service Corps (NYSC) members. This commitment extends beyond media publication; we refine and repurpose content into enduring scholarly works. It is a point of pride that nearly 70% of IMPR staff writers have authored or co-authored books—a rare achievement in Nigeria’s media landscape and a testament to our dedication to intellectual development.

    Having written the forewords, I now offer a reflective review of these three works as a cohesive trilogy of ideas and vision.

    The first book, “Renewed Hope in Central Banking” by Rahma Olamide Oladosu, emerges at a critical time of global financial turbulence and national economic uncertainty. This 133-page volume, comprising 26 curated articles, offers a sharp yet accessible analysis of the Central Bank of Nigeria’s repositioning under Governor Olayemi Cardoso.

    Originally published as analytical essays in Economic Confidential, Oladosu’s work captures the evolution of Nigeria’s financial system, exploring foreign exchange reforms, reserve diversification, liquidity management, and the rise of digital payments. She meticulously dissects policy choices and institutional recalibrations, situating Nigeria’s role as an aspiring monetary anchor for Africa through strategic engagements with continental counterparts like Egypt.

    The book’s greatest strength is its clarity. It moves beyond chronicling policies to articulate a coherent vision of stability, self-reliance, and global respect for Nigeria’s financial leadership. For policymakers, economists, business leaders, and engaged citizens, “Renewed Hope in Central Banking” is essential reading.

    The second book, “Healing Nigeria: A Chronicle of Health Reforms,” is co-authored by Lawal Dahiru Mamman and Maimuna Katuka Aliyu. This 156-page collection of 32 essays is a stirring exploration of one of Africa’s most complex and often neglected sectors: healthcare. Mamman and Aliyu combine investigative rigor with compassionate storytelling, producing a narrative that is both policy-driven and deeply human.

    The authors chronicle Nigeria’s responses to outbreaks like diphtheria and anthrax, highlight advances in cancer care and mental health, and shed light on emerging frontiers in biotechnology and digital health. Anchored in global health milestones, these essays bring Nigeria’s struggles and triumphs into sharp relief.

    What stands out is the book’s human-centered approach. It portrays patients’ yearning for dignity, professionals advocating for equity, and reformers daring to envision a more just system. In doing so, it elevates health equity from a policy ambition to a moral imperative—the bedrock of national resilience. “Healing Nigeria” is simultaneously a chronicle, a manifesto, and a call to action, deserving a place on the desks of policymakers, practitioners, and advocates.

    The third and perhaps most inspiring volume of the trilogy is “Diplomacy and Digital Innovation – Youth Insight,” co-authored by two serving NYSC members: Fatimah Yusuf Usman (Mass Communication) and Umar Farouk Bala (Political Science and International Relations). Across 145 pages and 33 articles, they demonstrate what Nigerian youth can achieve when given meaningful platforms for expression.

    Fatimah’s essays probe the digital transformation agenda, spotlighting the work of the National Information Technology Development Agency (NITDA), while Umar focuses on Nigeria’s foreign policy under the Ministry of Foreign Affairs. Together, they weave a narrative that positions innovation and diplomacy as twin pillars of Nigeria’s future.

    They engage with significant issues—the “Japa” phenomenon, Nigeria’s campaign for a UN Security Council seat, and the shift from aid-dependence to innovation-driven development—while highlighting the roles of visionary leaders like Ambassador Yusuf Maitama Tuggar, Dr. Bosun Tijani and Mallam Kashifu Inuwa Abdullahi.

    This book is more than a compilation; it is a youthful, optimistic reimagination of Nigeria’s global role, crafted with intellectual discipline and patriotic urgency. For scholars, policymakers, media professionals, and young people, it offers both a compass and a challenge.

    Together, these three books form a collective blueprint for Nigeria’s transformation. From monetary reform and healthcare renewal to digital innovation and smart diplomacy, they underscore a powerful truth: that well-articulated ideas can inspire action, strengthen institutions, and reshape destinies.

    I commend the authors for their courage, clarity, creativity, and the publishers for their foresight in nurturing such intellectual enterprise. These works are not merely reflections of our times—they are guideposts to a future of hope, dignity, and national renewal.

    Dr. Sule Yau Sule (PhD, FNIPR, FARCON, MNGE) is an Associate Professor of Strategic Communication

  • Can Yankari’s fading pearl be saved?

    Can Yankari’s fading pearl be saved?

    Once a glittering crown of Nigeria’s natural heritage and ecotourism, Yankari Game Reserve now teeters between revival and ruin. Its golden age of bustling wildlife and global visitors has faded into a struggle against poaching, neglect, and dwindling livelihoods. Yet, with billions pledged this year, rangers mobilised and conservation efforts underway, the reserve stands at a crossroads—its fate a test of Nigeria’s will to rescue a vanishing heritage, reports Associate Editor ADEKUNLE YUSUF.

    For decades, Yankari Game Reserve stood as Nigeria’s natural jewel—a sanctuary of elephants, lions, roan antelopes, and the crystalline Wikki Warm Springs that drew visitors from across the globe. In its golden age, particularly in the 1970s and 1980s, more than 20,000 tourists made the pilgrimage each year. The reserve was not only a treasure of biodiversity but a vibrant artery of economic life, pumping revenues into Bauchi’s economy and securing global renown for Nigeria’s ecotourism potential.

    Yet the brilliance of that era has dimmed. Years of neglect, erratic funding, and faltering governance reduced this once-thriving destination to a shadow of itself. Today, wildlife numbers shrink under pressure from poaching and habitat stress. Roads that once carried excited safari-goers are riddled with potholes; lodges that once offered comfort to international guests are weathered and broken. The tourist inflow that once sustained communities has slowed to a trickle, pushing families that depended on Yankari’s prosperity into economic desperation and migration.

    The challenges are daunting. Armed poachers roam with near total impunity, targeting elephants for their ivory and antelopes for bush meat. Their illicit harvest feeds both local black markets and international wildlife crime networks. At the same time, pervasive insecurity in northern Nigeria—banditry, cattle rustling, and farmer-herder clashes—seeps into the peripheries of the reserve. Safety concerns have silenced the roar of tourist vehicles, replacing them with an uneasy quiet. Rangers, too often ill-equipped and underpaid, struggle against these formidable threats, their bravery eclipsed by the scale of the danger.

    The decline of Yankari has not only stifled its biodiversity; it has hollowed the communities around it. For decades, the reserve supported livelihoods—tour guides, vendors, artisans, transport operators, and countless small businesses that thrived on the steady influx of visitors. As tourist numbers fell, so too did opportunity, leaving many to drift toward Nigeria’s crowded cities or sink into the uncertainties of subsistence survival. Conservation experts warn that without intervention, Yankari’s collapse would extinguish not only species but the social and cultural lifeblood of the region.

    Yet 2025 has brought a flicker of renewal. In April, Bauchi State Governor Bala Mohammed launched a N3 billion rescue package under the “My Bauchi Project,” designed to reposition tourism as a driver of jobs and dignity. The plan earmarked investments in solar power for 24-hour electricity, modernized water infrastructure, and the refurbishment of luxury lodges—initiatives meant to restore comfort, attract global tourists, and employ Bauchi’s youth. A month later, momentum swelled as the Bauchi State House of Assembly endorsed an unprecedented N4.7 billion allocation in the 2025 budget, with N2.7 billion dedicated directly to Yankari. Funds would provide new safari vehicles, strengthen security patrols, and illuminate roads with solar lighting, all while reimagining tourist amenities for the 21st century. Another N1 billion was set aside for nearby Sumu Wildlife Park, underscoring a regional ambition to position Bauchi as Nigeria’s ecotourism hub.

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    For many observers, these moves are not routine allocations but a lifeline—perhaps the last one. After years of stagnation, the injection of billions suggests political will and recognition that heritage, once lost, is gone forever. Equally significant are the conservation efforts unfolding alongside these state-led investments. In early 2025, the Wildlife Conservation Society (WCS), with support from the United States Fish and Wildlife Service, launched a vaccination campaign for livestock in surrounding agro-pastoral communities. More than 12,000 cattle were immunized against diseases that often leap from domestic herds into wildlife populations, undermining both ecosystems and human livelihoods. By addressing the invisible threats of disease transmission, conservationists are shoring up the ecological resilience of Yankari, ensuring that wild species have a chance to thrive in healthier landscapes.

    This dual thrust—massive infrastructural renewal paired with frontline biosecurity measures—marks a turning point. Yankari’s revival is no longer just a dream on paper. It is emerging as a coordinated movement that acknowledges both the human and ecological dimensions of conservation. Still, the road ahead is not smooth. Infrastructural investments will mean little if insecurity persists. Tourists will not return to a place where poachers’ prowl and gunmen menace. Rangers must not only be better equipped but better supported, with training, insurance, and incentives to face risks that are otherwise unbearable. Equally, communities at the reserve’s edges must be woven into the revival effort. If people see tangible benefits—jobs, markets for crafts, opportunities for guiding—they are more likely to protect than to plunder.

    There is also a need for national and international partnerships. Bauchi State’s commitments are laudable, but the scale of conservation challenges in Yankari—spanning poaching, climate pressures, and cross-border wildlife crime—requires federal leadership and global collaboration. Donor agencies, NGOs, and private investors must be drawn into the fold, sustaining the momentum that Bauchi has sparked. For the people of Bauchi and for Nigerians who remember Yankari’s golden years, the question is not abstract. It is about whether future generations will still know the thrill of spotting elephants by the Gaji River, or whether they will hear only stories of a vanished paradise. It is about whether Wikki Springs will remain a place of laughter and leisure, or a relic of what once was.

    A report by ACRESAL stresses that the effort to salvage Yankari goes beyond simply supplying equipment—it is about embedding lasting change. “All maintenance and repair costs have been integrated into the Bauchi State Ministry of Tourism and Culture’s budget, guaranteeing that the improvements at Yankari will endure. In addition, a Baseline Study and a ten-year (2025–2035) Management Plan are being developed to secure Yankari’s place as a premier ecological and tourist destination well into the future. The Yankari story demonstrates that with the right tools, training, and sustained support, even the most neglected treasures can be revived,” the report noted.

    Ultimately, Yankari’s future rests on whether the current wave of revival can evolve into durable governance reforms that stand the test of time. Experts are almost unanimous: without institutional innovation, the reserve risks sliding back into decline. What they propose is not another short-lived committee or politically dependent board, but a semi-autonomous management authority—insulated from electoral cycles and bureaucratic inertia. Such a body, properly empowered, could attract the long-term investments required to modernize facilities, enforce conservation laws with consistency, and reinvest tourism revenue transparently back into the ecosystem and surrounding communities. Only through this form of institutional stability can Yankari break free from the cycles of neglect and revival that have defined its history.

    Yet the battle for Yankari is not only about the park itself; it is a mirror held up to Nigeria’s broader struggle to balance growth with preservation. In a nation grappling with poverty, urban sprawl, and the ceaseless hunger for natural resources, conserving a wildlife reserve may seem, to some, like a luxury. But in truth, it is a litmus test of Nigeria’s ability to reconcile development with conservation, to defend its natural heritage against both desperation and exploitation, and to present itself as a credible steward of biodiversity on the global stage.

    The stakes are monumental. Yankari’s sprawling savannahs and rolling hills, once symbols of untamed abundance, have become symbols of choice. The question is stark: will neglect continue to erode its riches until silence settles where lions roared and elephants once marched, or will stewardship restore the fragile web of life and rekindle hope? On the ground, fragile but meaningful steps are being taken. Conservationists are vaccinating cattle to prevent disease transmission between livestock and wildlife. Bulldozers rumble along battered tracks, repairing roads once left to disuse. Rangers patrol trails that poachers had long claimed, reasserting the rule of protection over plunder. And communities, long alienated from the park’s fortunes, are being courted to rediscover pride in their natural heritage and to see in its preservation a source of livelihood rather than loss. Each of these actions, small in isolation, forms part of a larger mosaic of renewal.

    But the outcome remains suspended between promise and peril. The billions of naira pledged, the cattle vaccinated, the rangers deployed—these are hopeful signals, yet they are only the beginning. Time, however, is an unforgiving arbiter. Progress that is not sustained risks collapsing under its own fragility. Without consistency, vigilance, and true community ownership, the reserve could easily relapse into decay, just as it has before. If Nigeria rises to this challenge, the rewards will echo far beyond Yankari’s borders. Tourists from within and outside the country could once again fill lodges with laughter. Herds of elephants could trumpet through restored corridors. Local communities could thrive from new streams of income, no longer trapped between survival and stewardship. In such a future, Yankari would not only be a polished pearl in Nigeria’s crown but also a living proof that heritage, once pushed to the brink, can be rescued for posterity. And so the question lingers, urgent and unresolved: Can Yankari’s fading pearl be saved? The answer, in 2025, lies not in lofty rhetoric but in the quiet, relentless discipline of sustained action.

  • Nigerian antiquities get fresh breather in first digital museum

    Nigerian antiquities get fresh breather in first digital museum

    Minister of Art, Culture, Tourism and the Creative Economy, Hannatu Musawa has described Nigeria’s first digital museum of antiquities as a historic event that marks a transformative milestone in the preservation, promotion, and accessibility of Nigeria’s vast cultural heritage. She said for the first time, authentic Nigerian antiquities will be showcased in an innovative digital space, making our rich history and artistic expression accessible to audiences both within and beyond our borders. This initiative, she noted, will not only preserve our heritage, but also projects Nigeria’s cultural legacy onto the global stage.

    She spoke at the unveiling of the Digital Museum by National Commission for Museums and Monuments (NCMM), in collaboration with IHS Nigeria, in Lagos recently. 

    “This remarkable achievement would not have been possible without the valuable partnership between the National Commission for Museums and Monuments and IHS Nigeria. Their collaborative vision and commitment to cultural advancement have set a new benchmark for public-private partnerships. This partnership exemplifies the power of collective effort in driving innovation, fostering national pride, and enhancing the creative economy. I urge all Nigerians and the international community to embrace this new era of digital cultural engagement, as we continue to celebrate and safeguard our national treasures for generations to come,” she added.

    Director General, National Commission for Museums and Monuments, Olugbile Holloway, stated that the launch of the digital museum represented a groundbreaking idea finally brought to fruition. According to him, the vision behind the museum is to make Nigeria’s heritage more accessible to a wider, younger, tech savvy audience.

    “It is our hope that this first iteration of the digital museum will serve as a starting point for building a digital repository of real-life Nigerian antiquities that we will continue to expand over time. In creating this digital museum, over 200 actual antiquities from our collection at the National Museum Lagos have been 3D scanned and placed in an immersive environment. Each object is also tagged with the relevant educational material to provide viewers with more information on the object being displayed.

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    “I would like to take this opportunity to thank IHS Nigeria for their invaluable partnership and support in bringing this vision to life and look forward to future collaborations to further display Nigeria’s rich cultural heritage to an even broader audience,” Holloway said. The digital museum is free to all visitors and can be experienced through the National Commission for Museums and Monuments’ website at www.museum.ng/.

    CEO, IHS Nigeria, Mohamad Darwish said as a group, IHS was excited to have played a key part in the groundbreaking effort to preserve and promote Nigeria’s cultural heritage, while also making it accessible to people around the world. The success of this partnership with the National Commission for Museums and Monuments and the Federal Ministry of Art, Culture, Tourism and the Creative Economy, he said, reinforces our commitment to the innovative use of technology to promote education, transform communities and drive economic growth.

    “I look forward to seeing how this will help evolve the museum culture in Nigeria, as well as appreciation for Nigeria’s rich history globally,” Darwish noted.

    IHS Nigeria, part of the IHS Holding Limited (NYSE: IHS) (“IHS Towers”) group, is one of the largest independent owners, operators, and developers of shared communications infrastructure in the world by tower count. 

    The digital museum is the first significant project under the NCMM’s Digital Culture Initiative. Aligned with President Bola Ahmed Tinubu’s Renewed Hope Agenda, the initiative is designed to provide a platform for the exploration and appreciation of Nigeria’s diverse cultural heritage. It also demonstrates the power of public-private sector partnerships and underscores IHS Nigeria’s commitment to sustainability and its role in helping foster cultural preservation and digital education.

  • Author backs women in crisis

    Author backs women in crisis

    Byauthor and social entrepreneur, Benison Christopher, has pledged to support women escaping abusive situations as she officially launched her debut book, A Place Without Heroes.

    Speaking at the book’s unveiling  in Lagos recently, Christopher described the work not only as a literary milestone but also as a tool for change. She disclosed that proceeds from sales would be channeled into a new empowerment initiative designed to help women in crisis rebuild their lives through trade, skills acquisition, and entrepreneurship.

    “This conviction – that people can and must raise themselves into heroism, led to the creation of The Benison Christopher Company, a socially-conscious media enterprise that uses art to illuminate societal issues and respond with acts of kindness,” she said.

    She stated that her organisation had already provided financial support to two women ahead of the book’s official release. “The goal of today’s event is therefore not merely to sell books but also to fund change. Every copy of A Place Without Heroes sold will help finance this initiative,” Christopher added.

    She explained that the collection of short stories explores human vulnerability and resilience, while also exposing the harsh reality of a broken society where people, in moments of crisis, often wait in vain for external saviours.

    “A Place Without Heroes holds up a mirror to our society – one that does not flatter, but reveals that we are flawed,” Christopher told guests.

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    “These are not stories of caped saviours swooping in to fix everything; they are stories of ordinary people – often afraid, sometimes selfish, sometimes remarkably brave – caught in extraordinary circumstances.

    “But, like me, they all discover a bitter truth: no one is coming. To survive, the impacted must first find the courage within themselves to become the heroes they once sought and turn pain into passion and purpose, or perish.”

    Responding to questions on her writing process, societal themes, and personal inspirations, she said truth in storytelling must remain unflinching.

    “I believe truth and fiction should be unflinching. I’m also mindful of my readers’ sensitivities, but I believe sanitising reality will dilute the impact,” she told journalists.

    On her inspiration, she revealed that her own struggles, including medical negligence during childbirth, influenced some of her characters. She singled out Chiamaka in The Riverbank as the one she personally connected to, adding: “I also suffered medical negligence while having my child. So I think I connect more with Chiamaka because I also lived that reality.”

    Asked about her message to women enduring abuse, Christopher responded with striking candor: “Being a victim of abuse myself, I know it takes a lot of courage first to own up to it. I hope that every woman who is going through or has gone through an abusive situation gets the courage to live above it, to rise above it, to find that pain that makes them unique and turn it into purpose and passion. The story should not just end as one of those stories – it should become a source of impact and hope.”

    She disclosed that discussions are underway to adapt the collection into stage plays and films, highlighting its “visual and emotional depth.”

    Christopher stressed that her work is both a mirror and a challenge to society, stating: “While I see my work as a mirror to society, I also see it as a tool to challenge it. Sometimes survival is the victory. In a broken system, we must redefine what it means to be courageous and compassionate.”

    She paid tribute to her literary influences, naming Chinua Achebe, Cyprian Ekwensi, and Ola Rotimi as key inspirations in her journey as a writer, while describing Achebe as her “all-time favourite.”

    In her closing remarks, Christopher expressed gratitude to family, friends, and readers, saying: “Sometimes, the hero we’re waiting for may never come, and in that moment, we must discover the hero within ourselves.

    If the world seems to have fewer heroes, perhaps that is the challenge – for each of us to rise, first for ourselves, and then for the small corner of the world that needs us to be its hero.”

  • Fed Govt restores VON’s shortwave transmitter

    Fed Govt restores VON’s shortwave transmitter

    The Minister of Information and National Orientation, Mohammed Idris, yesterday flagged off the contract for the restoration of the Voice of Nigeria’s shortwave transmission. The project, according to a statement by the media aide to the Minister Mr. Rabiu Ibrahim will be using the 250KW TX2 transmitter at the Lugbe transmitting station.

    The Minister, according to the statement was represented by the Permanent Secretary, Mr. Ogbodo Chinasa Nnam. He described the milestone as a “significant moment in the history of the Voice of Nigeria, as we commence the revival of the largest and most powerful transmitting station on the African continent now equipped with the most modern, digitally compatible technology.”

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    The Minister expressed appreciation to President Tinubu for his vision and commitment to the modernization of Nigeria’s broadcasting infrastructure. According to him, “As we take this giant step to flag off the contract for the restoration of Voice of Nigeria’s shortwave transmission using the 250KW superpower transmitter, it is appropriate to express our profound appreciation to His Excellency, President Bola Ahmed Tinubu, GCFR, for his vision and commitment toward the restoration and modernization of the broadcasting infrastructure of the Voice of Nigeria.”

    He assured Nigerians that the reactivated VON transmitters would transform the nation’s broadcasting landscape. “Upon completion of this project, the fully reactivated VON transmitters will transform the landscape of terrestrial broadcasting and position VON as a respected brand in global radio broadcasting for good,” the Minister said.

    Calling on the contractor to deliver quality and timely execution, the Minister stressed: “I therefore urge the contractor to not only execute the contract within the agreed timeline but also to ensure that the highest standards and quality are maintained and clearly evident.”

  • Ekiti ATPN hails Oyebanji on security, tourism

    Ekiti ATPN hails Oyebanji on security, tourism

    The newly inaugurated executive council of Association of Tourism Practitioners of Nigeria (ATPN), Ekiti State Chapter, has lauded the Governor of Ekiti State, Biodun Abayomi Oyebanji, for his unwavering commitment to security and safety of lives and property in the state. The council described the Governor’s efforts as solid foundation for tourism growth and investment attraction.

    Led by its new Chairman, Dr. Shayo Olowookere, the ATPN team made this commendation during a courtesy visit to Ekiti State Bureau of Tourism Development in Ado-Ekiti. Dr. Olowookere, while introducing the new members of his EXCO emphasised that under Governor Oyebanji’s leadership, tourism has taken a new pride of place in Ekiti’s development agenda.

    According to her, ‘security is the first assurance a tourist or an investor seeks before stepping into a destination. Governor Oyebanji has given Ekiti that assurance, and today we can boldly say that Ekiti is one of the safest places to visit in Nigeria. Beyond security, His Excellency has demonstrated a rare passion for tourism that we have never witnessed before. As a professional body, we are inspired and ready to partner with the Bureau to move Ekiti’s tourism to greater heights.’

    Dr. Olowookere applauded the Director General of the Bureau, Barrister Wale Ojo-Lanre, and his team for their dedication and groundbreaking efforts in repositioning the sector. “We must commend the Bureau under Barrister Ojo-Lanre for driving the Governor’s vision with unmatched zeal and creativity. You have set the tone for what a functional tourism bureau should be,” she said.

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    Ojo-Lanre welcomed the ATPN delegation and assured them of an all-inclusive and open-door collaboration. He stressed that Governor Oyebanji’s vision for tourism was both deliberate and holistic.

     “What you are witnessing in Ekiti today is not by accident. His Excellency has taken deliberate steps to make this state a destination of choice. From the total revamping of the world-class Ikogosi Warm Springs Resort to the near completion of the Ekiti Agro-Allied International Airport, from the rehabilitation of roads leading to major tourism sites across the state to the enhancement of security architecture—every effort is geared towards building a tourism economy that works for all,” he said.

    He revealed that Ekiti is set to achieve a milestone with the official launch of the Ekiti State Tourism Policy and the Tourism Development Master Plan. “These two instruments will serve as the compass for our tourism development in the years ahead. They will guarantee sustainability, inclusivity, and global best practices. Let me assure you that ATPN, as a critical stakeholder, will have a strong voice and role in their implementation,” Ojo-Lanre added.

    In her closing remarks, Dr. Olowookere declared: “With the structures already put in place by Governor Oyebanji and the determination of practitioners like us, Ekiti is no longer just a state with potential—it is the new face of tourism in Nigeria. We are proud to be part of this unfolding history.”

  • Isese Day: Lagos Island celebrates heritage

    Isese Day: Lagos Island celebrates heritage

    The ancient rhythms of Lagos Island came alive as indigenes, traditional rulers, and cultural enthusiasts converged to celebrate Isese Day, a festival dedicated to Yoruba heritage and spirituality.

    The celebration, which has now been recognised as a public holiday in Lagos State and other Southwest states, brought together masqueraders, chiefs, and tourists in a vibrant display of tradition and identity at the palace of the Oba of Lagos, Rilwan Akiolu.

    For  Abdul-Karim Balogun, Head of Unit for Tourism, Arts and Culture, Lagos Island Local Government, the festival remains a cornerstone of Yoruba culture and a powerful driver of tourism.

    “Isese has a significant importance to tourism, arts and culture in Lagos State. That is why the state declared a public holiday to celebrate our culture, our heritage, and our traditions,” he said.

    He praised the efforts of the Lagos Island Local Government Chairman,  whom he described as a pillar of tourism and youth development, while stressing the need for stronger security to protect celebrants.

    “Most people tend to use this Isese Day as a means of causing violence or chaos. Going forward, Mr. Governor should help us put more security in place to protect participants and ensure a violence-free celebration,” he said.

    The celebration was not only a local affair but also drew international attention. Head of Corporate Services at the Consulate General of the Federal Republic of Germany in Lagos, Jörg Steckham, described the Isese experience as deeply impactful and culturally enriching.

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    “The Isese experience is truly impactful. It brings together art, music, tradition, and spirituality in a way that leaves a lasting impression. For me personally, it is a celebration I always look forward to attending, and I am willing to come back even bigger every year,” Steckham said.

    He highlighted the global tourism potential of the festival, noting that such events could strengthen Lagos’ image on the world stage.

    “Events like this are not just for the local community; they are an invitation to the world. They show that Lagos is not only a city of business and innovation but also a hub of living traditions that deserve international attention,” he added.

    The day’s activities featured the iconic Eyo masqueraders, including the Adimus, Labas, and Onikos, who paraded in honour of Lagos heritage. Prayers were also offered for peace, stability, and economic growth.

    With its blend of spirituality, artistry, and cultural pride, this year’s Isese Day reaffirmed Lagos Island’s place as a custodian of Yoruba heritage — and left both locals and international visitors with an experience to remember.

  • ICCEF trains teenagers in digital storytelling, filmmaking

    ICCEF trains teenagers in digital storytelling, filmmaking

    The Innocent Chukwuma Centre for Entrepreneurship and Foundation (ICCEF) has trained a group of teenagers in digital storytelling and filmmaking to equip them with creative skills for media and technology.

    The three-day bootcamp, held from August 18 to 20, 2025, at the Innocent Chukwuma Library, exposed participants to the fundamentals of storytelling, film production, and the use of Artificial Intelligence (AI) tools in content creation.

    Facilitated by Managing Director/Chief Executive Officer of Scripted Optics and a seasoned documentary filmmaker,Mr. Oyewale Oyewole, alongside ICCEF trainers, the sessions blended theory with hands-on practice.

    On the first day, the participants were taught the basics of storytelling, including framing, lighting, and how perspective can change the meaning of a message. 

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    Day two focused on the use of production tools and AI for editing, while the final day saw the teenagers produce and present short video stories.

    Certificates of participation were presented at the end of the programme, with organisers stressing that the initiative was aimed at helping young people “find their voice” and shape their futures through media.

    One of the participants, Ireayo Akintunde, said the bootcamp expanded her knowledge.

    “The sessions were truly impactful. I came in with some prior knowledge, but I learned so much more and expanded my understanding. This was my first time attending a bootcamp like this, and I would definitely recommend it to other young people during the holidays,” she said.

  • The Drive To Start set for launch in Lagos

    The Drive To Start set for launch in Lagos

    A book, The Drive to Start-A Practical Roadmap to Building Businesses from Nothing by the convener TRAVCONEXPO and Group CEO Aeroport Group, Dr. Oludayo Taiwo Gideon, a trailblazing entrepreneur known for turning challenges into opportunities will be launched at the Federal Palace Hotel, Lagos, on September 27, during the maiden edition of TRAVCONEXPO. 

    The book is designed to equip aspiring entrepreneurs with the tools, mindset, and strategies needed to transform business ideas into thriving enterprises. From business planning and operational management to cultivating the entrepreneurial mindset, The Drive to Start offers a clear, step-by-step guide to building and sustaining success even when starting with zero capital. 

    Dr. Oludayo’s practical insights, drawn from over a decade of leadership and multi-sector business growth, make this work an invaluable resource for the next generation of business builders. Divided into four transformative parts, the book takes readers on a journey: Part One: The Struggle That Shaped Me: A raw and inspiring memoir of Dr. Oludayo’s rise from humble beginnings, navigating setbacks, and staying laser-focused on his goals.

    Part Two: The Mindset to Start from Zero: A powerful exploration of faith, courage, and grit, offering actionable steps for building with limited resources. Part Three: Building What Lasts: A blueprint for creating sustainable businesses through systems, structure, and people.

    Part Four: Becoming a Builder of Builders: A call to leadership, legacy, and purpose-driven entrepreneurship.

    Dr. Oludayo said of his book: “This book is more than a business manual, it’s my life’s journey distilled into principles anyone can apply. If I could start with nothing and build something significant, you can too.” TRAVCONEXPO 2025 will be a perfect stage for the unveiling, bringing together travel and tourism leaders, innovators and entrepreneurs in one of the year’s most anticipated industry events.

  • 10,000 youths for historic legacy artwork

    10,000 youths for historic legacy artwork

    Renowned educator, artist and four-time Guinness World Record holder Adetunwase Adenle has appealed to President Bola Tinubu to support his record breaking art work, Legacy dedicated to the preservation of Nigeria’s rich heritage and empowerment of the youth. 

    He also urged the president to create institutional platforms that empower Nigerian youth to contribute meaningfully to historical preservation, nation-building and creative education.

    Adenle is creating a 1,040-foot-long legacy painting, a monumental artwork that tells 130 years of Nigeria’s story — 65 years before Independence and 65 years after. He disclosed that 10,000 young Nigerians will be involved in the creation of the legacy artwork using moving pictures and paintings to tell the true story of Nigeria, noting that the history of Nigeria was not well told.

    “Let us not allow our future generations to forget the greatness they come from. This painting is not just our record — it’s our gift to the future,” he said, noting that Independence Day celebration should not just be about festivity, but legacy. With eyes on the fifth Guinness World Record for Adenle, the event positions Nigeria as a beacon of youth engagement, creative empowerment, and cultural pride. 

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    Adenle, who is gunning for yet another record breaking art piece, said that through art, animation and storytelling, the project aims to visually document the trials, triumphs, heroes, cultures, and defining moments that have shaped the Nigerian nation. This isn’t just a painting. It’s a movement — a generational call to action powered by 10,000 young Nigerians from every walk of life. From brushes to beats, they are coming together in unity to visually narrate the Nigerian journey, using creative expression as a form of patriotism and activism. The creative forge for all this is at Ijora Badiya, one of the major slum communities at Ijora-Apapa Local Council Development Area of Lagos state.

    Adenle who spoke with Art Writers at the Slum Art School, Ijora Lagos, at the weekend, described the artwork as a legacy piece worth more than a Guinness record attempt.

    “This legacy artwork is more than a Guinness World Record attempt. It is a national awakening. We are teaching our youth the true history of Nigeria — not just from textbooks, but through the power of creativity. This is how we build pride, ignite purpose, and inspire participation in nation-building,” he said.

    Al-Amin Olarewaju Odugbemi, the visionary creative lead and a respected voice among Nigerian youth, has been instrumental in bringing the concept to life. A passionate advocate and social influencer, Al-Amin has worked tirelessly to energize the youth across the nation to take ownership of their story and future.

    According to him, ‘the project is not just a celebration — it is a revolution of identity. When young people understand where we’ve been, they’re empowered to decide where we’re going.’

    The initiative comes at a critical time when history is being forgotten or rewritten through misinformation. As such, this creative campaign stands as both a historic documentation and a cultural preservation mission. It ensures the achievements and sacrifices of past generations are honored, remembered, and passed on accurately.