Category: Arts & Life

  • From squalor  to beauty

    From squalor to beauty

    The renovation of Tinubu Square in the Lagos Central Business District (CBD) on Broad Street,  has brought colour to the place. The aim, according to the government, is to preserve cultural and historical sites, and turn the Marina and Onikan axis into a world-class tourism hub, Assistant Editor (Arts) OZOLUA UHAKHEME reports. 

    Until recently, it was home to untidy lawns, flowers and dried fountains. It was also an abode for beggars, hawkers, roadside traders and motorists, including commercial cyclists. But not any more.
    Today, the famous Tinubu Square is tourist- friendly and houses a functional fountain, remodelled and painted with statues of Madam Efunroye Tinubu, the legendary Kokoro the blind drummer, Wings of Liberty and Knowledge is Power. It has been lifted from squalor to grace with a 24-hour power supply, security and functioning conveniences.
    This development is a fall-out of Lagos State Government’s decision to embark on strategic investment by building more iconic monuments and renovating historical sites across the state.
    Of all the tourist sites in the state, Tinubu Square has an enviable record of being one of the most-visited by Lagosians and tourists, no thanks to its location at the heart of Lagos Central Business District. Historically, Tinubu Square sits on a 2000-square metre piece of land believed to have been donated to the British by Madam Tinubu, a wealthy business woman and an activist. The structure that was built on the land was the Court of Assizes, a landmark of a magnificent construction edifice. The Court of Assizes was demolished to pave way for the construction of a tourist water fountain donated by the Lebanese Community in Nigeria to commemorate Nigeria’s independence from British rule in 1960.
    According to a report, ‘Madam Tinubu, the first Nigerian woman to buy a car, was a courageous human rights activist, outspoken, fearless, a strong woman and warrior from Egbaland in Abeokuta, Ogun State. She’d also fought for the Egba people to gain their freedom. In recognition of her bravery, she was honoured with the chieftaincy title of Iyalode of Egbaland.
    She was among those who helped Oba Ibikunle Akintoye to get to the throne as Oba of Lagos. She fought against Dahomey, when they were tormenting the Egba; later she left Lagos in 1856 during the reign of Dosunmu. She died in 1887 and was given a befitting burial by the Egba. After her death, the place was named after her, because in 1807, when the British prohibited slave trade, she and some Nigerians immensely contributed to ensure that the law against the inhuman practice was successfully carried out because Lagos was a stopping point along the slave coast.
    Expectedly, the square, among others, houses a very conspicuous cenotaph in memory of Madam Tinubu the irrepressible opponent of slave trade and British colonial government. The cenotaph was dedicated by Asiwaju Bola Ahmed Tinubu’s administration (1999 to 2007) to inspire millions of women to acts of heroism and sacrifice for the common good.
    But what makes today’s Tinubu Square a much-sought-after site by fun seekers and tourists? Is it the history behind the square or the size and location of the facility? Everything about the square certainly adds up. Apart from the facelift given to the facilities in the square, a 24-hour security is maintained by security officials who stationed their patrol vehicles near the square. Movements in and around the square have become orderly and safe as there are no more street hawkers and traders. Also, steady power supply is another big asset and attraction for visitors to the place at night. In fact, the square is enhanced by a well-lit environment beautified with trees and flowers, and its landscape laced with strong paved blocks.
    According to a staff member of Kenny Adamson International, the company maintaining the square, Tayo Owolabi, people visit Tinubu Square mostly at evenings and night when the illumination from the power supply lights up the environment.
    “The light is one of the major attractions because of the colourful illumination at night. At such a time, commercial activities in the area are on the low side, and safety and comfort are assured,” he said, noting that the neighbouring corporate offices and shops are reaping from the sanity at the square.
    A soothing cold breeze from the rising and tumbling water in the beautifully-designed Zebra fountain greets every guest to the square. Hemmed by newly painted iron bars, the walkways provide easier access for visitors to move round the various statues within the square.
    And as the reporter walked round the square, some men came in with materials to treat the water fountain which was turning green. Since it was renovated last January, Tinubu Square, like the city of Lagos, never sleeps. Its three main entrances are always open to visitors who stream in day and night to enjoy its soothing ambience.
    At the unveiling of the square last month, Lagos State Governor Akinwumi Ambode reiterated his administration’s vision to use art, culture, entertainment and hospitality to promote the state as the hub of creative arts and tourism in Africa. Represented by the Special Adviser and Acting Commissioner of Tourism, Arts and Culture, Hon. Adebimpe Akinshola, the governor said the decision to renovate Tinubu Square was informed by the need to upgrade it to a level that befits the status of the CBD. He said the development was also part of the administration’s plan to develop the Marina and Onikan axis to world- class tourism destination.
    He said: “All over the world, monuments are erected as a way of preserving human history and upholding societal values and ethics. They are testament of selfless leadership, valour and bravery of great men and women who have contributed significantly to the development of mankind.”
    He described Madam Tinubu’s statue as a magnificent monument erected in memory of a woman, who was one of the greatest merchants of colonial Lagos. Continuing, he said: “As we all know, this magnificent monument was erected in memory of a valiant woman, Madam Efunroye Tinubu, the first Iyalode of Egbaland and one of the greatest merchants of colonial Lagos. It is a celebration of her exploits in the business world and contribution to the foremost status to which our state has attained in the world of commerce and for us as a government and in line with our administration’s commitment to harness the tourism potentials of our state, historical monuments such as this will continue to be given a face lift and outlook.”
    Ambode, who called for the cooperation of the residents in protecting the site against vandalism and distortion of its historical and tourism value, said it was the collective responsibility of all to preserve the rich cultural heritage of the state for the present generation and generations yet unborn.
    According to him, the state government would continue to use artistic facilities, such as the Tinubu Square and others being constructed across the state, to showcase its positive attractions and create a must-visit appetite in domestic and foreign tourists.
    The unveiling was attended by the Special Adviser to the Governor on CBDs, Agboola Dabiri, the Sole Administrator, Lagos Island East Council Development Area, Abiola Are, and his Lagos Island Local Government counterpart, Nasir Musa, among others.
    The joy of most business owners in the neighbouring streets, such as Custom, Broad, Nnamdi Azikiwe and Ali knew no bound. Expressing the minds of many is a 65-year-old textile merchant, Mr. Chuks Tony Ike, who owns a major store at Tinubu. He described the renovation as a new dawn. He said it had transformed the district from a rowdy and chaotic place to a saner business environment. This, he said, has enhanced commercial activities, which in turn has affected their returns positively. He said: “In the years I have spent operating my textile business here in Tinubu, the sanity and order currently experienced here are next to none. Apart from the fact that it is now more secured than before, the power supply has added colour and glamour to the street especially at night. Again, such lighting attracts friends and peers to relax at the square when many homes are without light.”
    The youths are, however, not left out in the increasing army of patrons. A female undergraduate and resident of Lagos Island, who identified as Nifemi, disclosed that the new-look square has drawn most of her friends to the place for taking selfie photographs in the evening. “For us, Tinubu Square is our own Eiffel Tower in Paris, France. It is fast becoming the face of Lagos Island in tourism affairs,” she said.

    Tinubu’s life and times

    Madam Efunroye Tinubu (1810-1887), born Efunporoye Osuntinubu, was a politically-significant figure in Nigerian history because of her role as a notable female aristocrat in pre-colonial and colonial Nigeria. She was a major figure in Lagos during the reigns of Obas Adele, Oluwole, Akintoye and Dosunmu.
    Tinubu was born in the Ojokodo forest area of Egbaland, her father’s name was Olumosa. She was allegedly of Owu ancestry either through her maternal or paternal side. Madam Tinubu reportedly married multiple times. Her first marriage to an Owu man bore two sons. After her Owu husband died, she remarried the exiled Oba Adele in 1833, who, while visiting Abeokuta, was charmed by Tinubu. She moved with the exiled Oba to Badagry, which was traditionally the place of refuge for Lagos monarchs and that was where she exploited Adele’s connections to build a formidable business trading in tobacco, salt and slaves.

    Lagos

    The exiled Oba Adele was still in Badagry when his successor, Oba Idewu died. Prince Kosoko, Idewu Ojulari’s brother, was a major contender for the throne; however, Eletu Odibo, the chief kingmaker thwarted Kosoko’s aspiration and Adele was invited to become oba. Tinubu accompanied Adele to Lagos but the oba died two years later. After Adele’s death in 1837, Tinubu reportedly supported Oluwole, Adele’s son’s bid for the Obaship of Lagos over that of Kosoko.
    Oba Oluwole had recurring conflicts with Kosoko, who felt he was the true heir to the throne. Consequently, Kosoko was banished to Ouidah. During Oluwole’s reign, Madam Tinubu remarried one Yesufu Bada (alias Obadina), who was Oluwole’s war captain and with the support of Oluwole, Tinubu and Yesufu’s trading with the Egba grew.
    When Oluwole died in 1841, Tinubu supported Akitoye her brother-in-law’s bid for the obaship over Kosoko’s. After Akitoye emerged oba, he granted Tinubu favourable commercial concessions. Against the wish of his chiefs, Akitoye invited Kosoko back to Lagos and tried to placate him. Soon thereafter, Kosoko dislodged Akitoye from the throne. Considering Tinubu’s alliance with Akitoye, she and other Akitoye supporters fled to Badagry when Kosoko became oba in 1845. As a wealthy woman, Madam Tinubu was able to influence economic and political decisions so during her time in Badagry, she tried to rally Akitoye’s supporters to wage war against Kosoko.
    In December 1851, and under the pretext of abolishing slavery, the British bombarded Lagos, dislodged Kosoko, and installed a more amenable Akitoye as oba. Though Akitoye signed a treaty with Britain outlawing the slave trade, Tinubu subverted the 1852 treaty and secretly traded slaves for guns with Brazilians and Portuguese traders. Further, she obtained a piece of land from Akitoye, which now constitutes parts of present day Tinubu Square and Kakawa Street. Later, a conflict developed between Tinubu and some slave traders, including Possu, a Kosoko loyalist. Consequently, Possu, Ajenia, and other traders tried to instigate an uprising against Akitoye because of Tinubu’s influence in Lagos. In the interest of peace, Benjamin Campbell, the British Consul in Lagos, asked Akitoye to send Tinubu on exile. After Akitoye died, Tinubu returned to Lagos and gave her support to his successor, Dosunmu. Under Dosunmu’s reign Tinubu had a massive security force composed of slaves and she sometimes executed orders usually given by the king. As a result, Dosunmu grew wary of her influence in Lagos.
    A new development was the colonial government’s support for the return of repatriated captives (mostly of Yoruba heritage) to settle in Lagos. Many of the returnees were favoured by the British in commerce and soon began dominating legitimate trade in Lagos.
    In 1855, when Campbell travelled to England Tinubu tried to influence Dosunmu to limit the influence of returnees. Dosunmu was non-committal to her request and, consequently, Tinubu was alleged to have played a part in an uprising against the returnees in which her husband, Bada, was a major participant. When Campbell returned in 1856, he asked Dosunmu to banish Tinubu. In May 1856, Tinubu was banished to Abeokuta.
    In Abeokuta, Tinubu traded in arms and supplied Abeokuta with munitions in the war against Dahomey. Her activities in the war earned her the Iyalode of the Egba. While in Abeokuta, she allegedly opposed colonial policies in Lagos. In 1865, a fire that engulfed the shops of some traders, including some of her properties in Abeokuta, however, didn’t appear to have weakened her financially. Tinubu became involved in Abeokuta king-making as well as supporting Prince Oyekan over Ademola for the Alake of Egba title in 1879.

    Next Challenge

    Now that the square has been renovated, the next critical issue to address is its maintenance. The Lagos State government should, as a matter of urgency, hand over its maintenance to a firm or agency to prevent another neglect.
    Also, to drive tourists to the site and generate revenue, the government can tie the historical relevance of the square to a marketing strategy such that it will attract local and foreign tourists. The government should pilot such marketing strategies to woo private sectors. To enhance easy access to the facility, public car parks should be identified and designated for use, especially when the Onikan-Marina axis is being designated as a world-class tourism hub in the state.

  • Creative photography  as panacea for recession

    Creative photography as panacea for recession

    How does a professional and film photographer survive in these hard times? Experts at the Indigo Customer Meet (ICM) in Lagos say proactive creativeness may be  the answer. EVELYN OSAGIE reports.

    With the advent of the smart phones and other technological inventions coupled with the biting recession, the innovativeness of photography business and its allied industries are under test. How does a professional photographer make ends meet?
    Experts say the way out lies in proactive creativeness, noting that the hard times are not just a test of innovativeness of photographers and allied industries, but business opportunities in disguise.
    These submissions were made in Lagos at the customers’ week of a photo printing company, Indigo Digital, reputed for being the first company to produce the synthetic album.
    The experts urged professional/film photographers and photo-journalists to wake up to the realities of the times and reinvent themselves. They were charged to come up with fresh and creative ways to practise their trade.
    The event, tagged 2017 Indigo Customer Meet (ICM), which is in its second edition, drew lensmen, photo-journalists, photo artists and enthusiasts, cameramen and companies and journalists together. They included the President of LASPPAN, Mr Oluwatayo Folly Brown, George; Managing Director, Fuji Foto/Fuji Africa/Nigeria, Mr George Salem; Director, Renu Kana Nigeria Limited, Mr Kumar K. Datta; the Managing Director of Body Lawson Studios, Seyi Body Lawson; Leke “Coach LA” Ade, and EOM Communications General Manager, Mr Michael E. G. Agugo, was compère.
    In his address, Creative photography in the midst of recession, Lawson urged his colleagues to go beyond the regular practice of the profession by honing their craft and inventing fresh creative ways of practice. While encouraging them to make use of the social media, he observed that such moves would prevent the dearth of their trade in the advent of smart gargets and economic meltdown. He added that there was the need to “mix business with the art of photography”.
    “Creativity is what will take you from poverty to wealth. You complain there is recession, I say, this is the best opportunity for photographers to make their marks. Go back into the archives to the art of photography.
    “Do an upgrade, go back and study and retrain yourselves. Look at what you are good at, find out your deficiencies; value your time and self. Relationship is going to count this year. Creativity is what will take you to your place from poverty to wealth,” he said.
    “Coach LA” Ade talked about Maximising your industry relationship.
    He called for partnerships, advising that, to maximise relationships in the industry, photographers must pay attention to those in the allied industries within which they operate; in addition to offering quality services to clients. Citing the roles Don Barber and Lawson played in his career, he observed that mentorship would play a huge role in their development. He said: “In maximising your Industry relationship, you must first understand who you are; then, find people to sharpen your weakness. Identify your colleagues (younger, contemporary and senior) and those in the extended industry (printing companies and the media). Review your relationships regularly, but don’t stay with the same network. Hone your craft to prevent dearth of profession and career. Doing photography is different from doing the business of photography.”
    The digital photography company established in 2014 by Mr Isaac Antony also held a raffle draw to reward customers, which had been on since last October and lasted till last month. Winners went home with various prizes, including plasma TV, fans, cameras and other gadgets.
    Brown, who established his first studio in 1981, praised the company’s efforts, saying the new technological innovations have opened the industry to new frontiers. “I started with analogue but digital created more room for people to come in. We have dealt with many colour laboratories but Indigo is different, they were the first to begin the synthetic photo book.”

  • Radio Sunrise makes Kingston shortlist

    Radio Sunrise makes Kingston shortlist

    Radio Sunrise, by Nigerian writer Anietie Isong, has been shortlisted for the Kingston University Big Read project. The novel is one of the six shortlisted titles to be considered for staff and students to read before the 2017 academic year begins.
    Radio Sunrise, published last month by Jacaranda Books, is a hilarious, yet sobering take on the foibles of Nigerian life and politics from the perspective of a young journalist. Anietie recently read from the novel in London.
    Since 2015, Kingston University in London has sent a book to every undergraduate and postgraduate student about to join the institution as part of the Big Read campaign, which promotes student involvement and ensures new arrivals feel welcome before they arrive. The final shortlist, narrowed down from 140 suggested titles, includes authors from Scotland, Nigeria and Kenya:
    •My Name is Leon – Kit de Waal
    •The Brilliant and the Forever – Kevin MacNeil
    •Radio Sunrise – AnietieIsong
    •The Power – Naomi Alderman
    • The Elephant and the Bee – Jess de Boer
    •The Penguin Lessons
    •Tom Mitchell
    A selection panel comprising staff and students from all faculties and departments of Kingston University will set about reading the six shortlisted titles, before choosing the official Big Read in April. The book will then be sent out to students getting set to join Kingston University for the start of the 2017/18 academic year, with a number of events scheduled throughout term to celebrate the project. Free copies of the book are also made available on campuses for all staff to join the conversation with students when they arrive.
    Big Read Director, Alison Baverstock, an Associate Professor, said the shortlisted novels are a reflection of the university’s values. “This is a really exciting list of six different titles from a range of authors who reflect the breadth and diversity of the university and our wider community,” she said.
    “The aim of the scheme is to bring people together through shared reading and we’re looking forward to exploring the shortlist to find our next Big Read.”
    Students and staff are encouraged to join in judging the shortlisted titles through discussion posts on Facebook, with the winning choice announced on Friday, April 13.

  • Shonibare, Anatsui  lead artists to MOCAA

    Shonibare, Anatsui lead artists to MOCAA

    UNITED Kingdom-Based Nigerian artist Yinka Shonibare and Prof El Anatsui are among the world’s 14 leading international contemporary artists whose works will be presented by the leading auction houses. The works will be presented by Christie’s, as donation to Zeitz London Museum of Contemporary Art Africa (MOCAA), the first major contemporary art museum in Africa opening in September.
    Other artists include Roger Ballen, Yto Barrada, Peter Beard, Eamonn Doyle and Niall Sweeney, Frances Goodman, Kendell Geers, Antony Gormley, Rashid Johnson, Isaac Julien, Harland Miller, Athi-Patra Ruga and Pascale Marthine Tayou.
    The works will be offered in Christie’s Post-War and Contemporary Art Day Auction on the March 8. The proceeds will be used towards Zeitz MOCAA’s endowment to ensure the long-term sustainability of the museum.
    Also, the works will be exhibited in London from March 3 to 7 as part of 20th Century at Christie’s, a series of auctions that take place in London from 28 February till 10 March.
    Its Executive Director and Chief Curator Mark Coetzee, said: “Zeitz MOCAA is dedicated to creating a platform for artists from Africa and the world, and providing Access for All to our exhibitions and programming. The extraordinary generousity of artists from around the world in donating to this fundraising auction will guarantee that we fulfil our mission for years to come.”
    A major highlight of the auction is El Anatsui’s Warrior (estimated to cost between £400,000 and £ 600,000) one of the artist’s iconic ‘bottle-top’ works. Moulding thousands of aluminum bottle tops that he sources from distilleries near his home in Nsukka in Nigeria, Anatsui creates finely worked tapestries sewn together with copper wire – grand, variegated ‘cloths’ that ripple across West African history, tying together past and present. Warrior is a virtuosic display of dynamism and movement, the image of a figure in gold is woven into the single layer of the metal fabric, appearing to leap lithely out of the work and into the space before it.
    More highlights include Yinka Shonibare MBE’s Boy Balancing Knowledge II, estimated to cost between £50,000 and £ 70,000), which uses the commercial history of widely-available patterned ‘African’ fabrics – which are in reality produced in the Netherlands and exported to Indonesia – to explore ideas of African authenticity in the global market.
    Pascale Marthine Tayou’s Poupée Pascale reinterprets the adornment rituals of West African sculpture by clothing his crystal figures in costumes made from the debris of daily. At the same time, these works speak to Antony Gormley’s own deconstructed human figures, or Isaac Julien’s work on China’s shifting sense of itself in a hyper- globalised 21st century.
    Housed in the historic Grain Silo that has stood on Cape Town’s V&A Waterfront since 1921, Zeitz MOCAA is a path-breaking, not-for-profit institution, which will look to nurture art from across Africa and the African Diaspora. Developing a programme that will help celebrate and historicise African art while supporting new artists, the museum will be housed in one of the most historic structures in Cape Town. The building, comprising 9,500 square metres will display works in 80 galleries over nine floors and is being designed by Thomas Heatherwick. While the size of the museum space itself will enable African and Diaspora artists to be exhibited on a grand scale, in its commitment to art education and open access, the museum will also look to communicate a distinctive sense of art that is available to all – and that will look to inspire generations of artists to come.

  • ‘It‘s sad to see your community lose everything to insurgency’

    A Maiduguri documentary photographer, Fati Abubakar, 31, who is holding an exhibition titled: Bits of Borno: Bruised, Not Broken  at Omenka Gallery in Ikoyi, Lagos, says it is traumatising to see the community she grew up in lose everything to insurgency. Assistant Editor (Arts) OZOLUA UHAKHEME reports. 

    Is the exhibition designed to change the narrative about Borno State?
    Exactly, and what really inspired me was the fact that a lot of images coming out of Borno only focused on the conflict and I was unhappy with how we were being portrayed only as a conflict zone. So, I decided to start a project where people can see the everyday life of people living in Bornu State that they are surviving even in the midst of adversity. That was my main reason for the project.
    What inspired you as a photographer?
    I have a background in health. When I was doing my Public Health programme, I was introduced to using media for addressing issues within a community. So, I was able to take that and bring it to my community; and of course mainstream media focus has been on the conflict. I just felt that there are untold stories from Borno State.
    Why are the works not titled?
    It was deliberate. We want people to think about what they are seeing, to decide for themselves what the image is saying. So, it is very much open to interpretation; that is why the images are untitled.
    How representative are the photographs of the reality in Borno?
    I just felt that people needed to see bits and pieces of Borno. That is why the title of the exhibition is: Bits of Borno. As I said, when you google Maiduguri you will to see a lot of stories of conflicts. That is available to everyone, but we run the risk of being defined by what other people think has happened, and there are a lot of other stories that are unexplored, like these people who have survived. There was a point in time people thought that there was no one walking around in Maiduguri. So, it is important for them to see faces of these people who have survived. That is why the series is called the Face Series, so that we can see the faces of those that survived.
    How much of your experience of the conflict reflect in the collection?
    You know when you live there, it is very unpredictable and there is a lot of tension. So, I would say that my experiences have been similar to all the ones that people living within there have experienced. Some days there are bomb blasts; other days there is gun firing. But being able to live even amidst all that, and there hasn’t been danger or whatsoever that I have experienced. But I have seen a lot of dead bodies; I have seen bomb blast happening; and I have seen gunshots, people losing everything. So, my experiences are similar.
    To be honest, it is very traumatising and it is very sad; a community you grew up in now lost everything and is struggling with the economy and schools burnt down. It is very difficult to adjust. So, it is very traumatising. A lot of people have lost close family members and friends. For instance, my mother lost her best friend who was shot in her kitchen. Those are really traumatic experiences for us. Even if you did not lose somebody close to you, the fact that your whole community is torn apart is incredibly depressing.
    What is your take on the exhibition
    My theme is showing the peoples’ resilience. I want people to see my people from Borno State as strong and very keen to move on. They have experienced a lot of trauma, but they are surviving. That is what I want people to know.
    It is a counter narrative; we want people to be comfortable knowing that people still live there. Whatever is meant to happen to you will happen anywhere. We don’t want people to feel like if they come to Borno State their life will end after all there are people living there.
    How did you cope with the challenges of documenting the different places, people and scenes in the midst of a bombings?
    As a photographer, my experience has been fairly easy because I speak the local dialect, which is Kanuri, and people are very comfortable. You know, when you engage people in conversation in their local dialect, it makes them more comfortable and they are able to trust you; and it is a community that I am very familiar with. So, it was fairly easy.
    Explaining further on the exhibition, she said: “We had a small one in Maiduguri, we continued in Abuja and we are here in Lagos. We will be going back to Maiduguri for the grand finale on March 1 to 3.
    How long will the exhibition run?
    I have not really given it a life span. I want it to be an ongoing project, but what I am doing is to teach other people so that they can continue with it if.
    Other challenges?
    Well, the challenges have been cultural because it is something that has never been done before, and for me being a female I had to face the issues where people don’t know how to deal with female in a certain profession. And art wasn’t viewed as a profession, so I struggled to make them understand what I was doing. And of course we have the military presence there, so it is very tense. I had to remove my fear so that the story had to be told. Also, not many people, sometimes, are open to being photographed; and because it is an extremely hot desert environment. So, as a photographer the hot weather can be traumatising and it takes its toll on you. I want the publication to be a coffee table book. Fifty years from now, I want people reference it as these are the stories of the people who lived in Borno at a certain time.

  • Bruised, not broken: Borno through the lens

    Bruised, not broken: Borno through the lens

    A travelling solo exhibition of photographs, Bits of Borno: Bruised, Not Broken by photojournalist Fati Abubakar has opened at Omenka Gallery in Ikoyi, Lagos. The 80-piece collection captures the resilience of ordinary Nigerians and how they are defying the odds to keep hope alive, despite the Boko Haram insurgency in the region, Assistant Editor (Arts) OZOLUA UHAKHEME reports. 

    The audience was a handful while venue was small. But the size of exhibits on display was 10 times more than the audience.
    Notwithstanding, the theme of the exhibition, Bits of Borno: Bruised, Not Broken was not only apt, but also raised many issues about the socio-economic impacts of the insurgency, humanitarian and rehabilitation challenges as well as the resilience of the people.
    The 80–photograph collection exhibited by Abubakar at Omenka Gallery, Ikoyi, Lagos is a visual narrative about experiences of the people of Borno since the begining of the Boko Haram insurgency. From the images exhibited, there seems to be more than the on-going fight against Boko Haram in the three Northeast region (Borno, Adamawa and Yobe) State.
    In particular, the photographer who deliberately did not title the exhibits mirrors the entire life of the people in and out of the war zones, their day-to-day survival and socio-cultural activities such as night life, football competition, farming and the like. All the exhibits speak for themselves. Yet, there are images that are reminders of the bombings and destruction of life and properties in the region by Boko Haram.
    One of such photographs that signpost the insurgency is ‘Boko Haram is evil’ graffiti on a wall, which represents the views of everybody in the region. It is written in black and bold letters making it conspicuous to all eyes. However there are images that help change the narrative of Borno State; they tell more than the bombings and destructions. Also, on display are photographs whose setting and mood show that despite the odds, life goes on in the state.
    Two drummers, a well-dressed young Kwayam girl with lots of colourful beads on her hands and neck, a traditional ruler on a horse during a procession with his subjects are some of the bits of Borno State as captured by Abubakar’s lens.
    Interestingly, too, few photographs show children playing around cars and rubbles from bombings.
    On the flip side, for instance, in a photograph showing a Kwayam matriarch, Abubakar highlights some historical life of Kanuri people among which Kwayam, one of the ethnic groups in Borno, is reported to be marginalised. Although the Kwayam live in a larger community, children born into the tribe do not attend formal Western or Islamic schools. It is also reported that there is widespread resistance to modern education as the Kwayam fear a loss of cultural values if it favours modernisation through integration.
    ‘In Kanuri history and despite the fact that true Kanuri have Kwayam among their ancestors, people seem to think of them as foreign and not part of the Kanuri.’
    According to report, they are often marginalised and as a result older Kwayam wives only marry off their daughters to their tribesmen to avoid absorption of non-Kwayam elements. And this separatism has succeeded in preserving the cultures and traditions of the Kwayam.
    Abubakar did not restrict her camera lens to historical life of the people. She captures how an average farmer in Borno battles to feed his family amid insecurity in the land. The farmer, who is picking vegetables on his farms simply wants prosperity for himself and the community. He is committed to farming to avoid famine.
    Borno State Commissioner of Home Affairs, Information and Culture Muhammed Bulama stated that of the $9billion worth of properties lost by three states (Borno, Adamawa and Yobe) to insurgency, Borno State accounted for about $6billion loss.
    “The scale of destruction is much which Borno State and the other two states cannot shoulder. The states do not have the capacity and resources to bear the burden of the insurgency,’’ he said.

  • Foundation donates to commission for IDPs

    Foundation donates to commission for IDPs

    Nero Asibelua Foundation has partnered National Commission for Refugees, Migrants and Internally Displaced Persons ((NCRMIDP) to complement the government’s efforts to resettle displaced persons (IDPS).
    Its President, Mr. Nero Asibelua, said the help became necessary because of the hardship refugees and displaced persons were facing. He added that the government should be left with handling governance. He called on well-meaning Nigerians to join in the fight to save the people.
    “The Foundation is passionate about restoring dignity to displaced persons, refugees and migrants and, therefore, offers to partner the government through the NCRMIDP to achieve the goal.
    “The business of running a country should not be left for government alone. As responsible citizens, everyone should help by ensuring that their immediate families are properly and lawfully maintained, help the less privileged in our society as this will in turn correct the ills in the nation at large,” he said.
    Asibelua spoke in Lagos when the foundation hosted the Commissioner for National Commission for Refugees, Migrants and Internally Displaced Persons (NCRMIDP) Sadiya Umar Farouq, who is one of Nigeria’s female crusaders for peace, transparency and good governance.
    He said the meeting was aimed at ensuring that IDPs settle in their new environment by ensuring mechanisms are provided for lasting solutions to reintegrate the displaced persons periodically back into society.
    According to him, this would give hope to the affected, making them know that they are not alone.
    The items were for the provision of proper accommodation for IDPs at its Settlement Centre. They include 32″ Plasma TVs, refrigerators, deep freezers, washing machines, cooking pots, electric kettles, mircowave oven, among others.
    Mrs. Sadiya Umar Farouq and the Southwest Zonal Coordinator, Mrs. Margret Ukegbu, who received the gifts, commended Nero Asibelua Foundation for the gesture, saying that Federal Government had begun plans to resettle the over 500 IDPs from the region in their various communities. She disclosed that there were also plans to equip them with skills so that those who might not wish to go home would have viable means of livelihood.
    According to her, the commission is aware of the state of internal displacement in the region and the issues that affect them. She said policies were being put in place by the government to ensure those affected were provided with food, water, medicine and shelter alongside provision of durable solutions towards their resettlement.

  • Benue first lady wants Tor Tiv to reduce bride-price

    Benue first lady wants Tor Tiv to reduce bride-price

    Wife of the Benue Governor, Mrs Eunice Ortom, has appealed to Tor Tiv-elect, Prof. James Ayatse, to review bride-prices in Tiv land, to enable young men to get married “when due”.

    Ortom made the appeal on Tuesday when she paid a courtesy visit to the Tor Tiv-elect in Makurdi.

    She decried the high demands made of young men seeking to marry Tiv daughters, and described the situation as “very discouraging”.

    “Such high demands discourage many bachelors from even attempting to get married; the result is that many young girls cannot find husbands,” she said.

    The governor’s wife argued that such exorbitant charges were not part of Tiv culture.

    “Such charges are imported; our traditional rulers should discard them,” she said.

    While noting that bride-price payment was sacrosanct in every marriage, she cautioned parents against selling their daughters “especially since the relationship between in-laws remains long after such marriage rites”.

    She regretted that many young men now preferred to elope with their loved ones owing to such huge monetary demands, and stressed the need to make the process affordable so as to restore the sanctity of the marriage institution.

    Ortom pledged her support to the new monarch, saying that his emergence was an act of God that would bring unity to the Tiv nation.

    Responding, the traditional ruler promised to work toward a united Tiv nation and promised to be truthful, transparent and promote the fear of God at all times.

    He also promised to uphold valuable cultural practices and repeal negative ones.

    Ayatse decried the politics of rancour and acrimony in Tiv land and promised to reconcile Tiv sons and daughters toward building a united front.

  • How to Improve Your Relationship with Yourself

    Love your neighbour as yourself is a popular aphorism we all seem to have heard at one time or the other. One that is founded on knowing that the most challenging, exciting and significant relationship you can ever have is the one you have with yourself. And if you can find someone to love that loves you back, well, that’s just great.

    The month of February is the month of love, one in which one is inundated on all sides with everything romance all around (or lack thereof). At this time it would be helpful to evaluate the most important relationship of all—the one we have with ourselves. Here are some tips to know that you’re in a healthy relationship with you, and some tips for improving areas where your self-love is lacking.

    You use social media to share not to validate

    The difference? When you’re in a good place with yourself, you’re sharing to connect with others. When you’re in a not-so-good place, you use social media to seek out validation, compare yourself with others in ways that aren’t healthy, or to prove something to people whose opinions shouldn’t actually matter in the first place.

    Self-love tip: Before posting anything, ask yourself your motive for sharing. If it’s a moment you want to share and remember, go ahead and post away. If you’re posting so that your ex-boyfriend will feel bad about dumping you, or because you don’t feel beautiful today and want a bunch of friends to comment otherwise on your photo, please don’t post.

    You practice loving self-care

    When you love someone, you naturally want to take care of them, whether it’s through cooking, massages, lending a sympathetic ear, or helping them out financially. For some reason, we don’t always do the same for ourselves. Caring for yourself, whatever that means for you (adequate sleep, beauty and spa treatments, quiet time, and exercise) is a sure sign you’re in a good relationship with you.

    Self-love tip: Pamper yourself by treating yourself to something that feels indulgent at least once a week, even if it’s just an inexpensive sheet mask and a hot bath.

    You’re self-positive, whatever that means for you

    People who feel good about themselves do not indulge in self-shaming when it comes to their love or sex lives; neither do they sacrifice their own needs or boundaries in order to satisfy others. Instead, they know that the need for love or sex is a healthy impulse and an intensely individual choice, and they treat it as they would any other aspect of their personal well-being.

    Self-love tip: Evaluate your needs and boundaries, and then tell yourself they’re valid no matter what your partner or anyone else thinks. Remind yourself of this often.

    You put yourself first

    One of the harsher truths in life is that, ultimately, no one can take care of you but you. People can love you, people can help you, but no other person knows what you need, what you’re experiencing or what you want. With that in mind, we’d like to encourage you to put yourself first, always, as people in healthy relationships with themselves are apt to do. This doesn’t mean opting to watch movies instead of visiting your loved one in the hospital, but it does mean that if you have a loved one in the hospital, you know how to strike the balance between supporting and caring for her, and for yourself at the same time.

    Self-love tip: Look at all your relationships, and weed out the ones in which you’re sacrificing your health or happiness in an attempt to ensure the health or happiness of another, especially if they are counterproductive. Once you’ve identified these problematic relationships, make an action list of ways in which you can set better boundaries.

    You take care of your finances

    Security is a form of selfcare and a sign of self-love. Do you feel that you deserve to have abundance? If not, that may be something to explore as the cause of any lack in your life. Repeating a simple mantra while meditating, like “I am abundant, I have everything I need” can help, too. Think of it this way: If you had children in your care, you’d want them to have everything they need and feel secure monetarily, won’t you? You should feel the same way about yourself. Once you do, you’ll no longer undersell your services, or be careless with how you spend your hard earned money.

    Self-love tip: Imagine that a loved one’s financial situation looked like yours, and give yourself the advice you would give him or her. If you don’t know what advice you’d give, ask someone who cares about you for constructive input.

    You’re kind to others

    Gossip is something many of us do in order to feel better about ourselves, this means that if we already feel good about ourselves, we won’t feel the need to talk badly or be unkind to others. As the saying goes, “Hurt people hurt people”, when you’re at a good place with yourself, you want the best for others.

    Self-love tip: Ponder this, if you wouldn’t want it said to you or about you don’t say it. Evaluate the feelings behind the hurtful sentiment you want to share, as there are likely some unresolved personal issues hiding there.

    You accept yourself, flaws and all
    This is the hardest one of all. When you’re truly in a good place, you’re at peace with the ways in which you fall short of your own expectations. Instead of looking in the mirror and constantly critiquing your face and body, you are able to feel compassion for things that aren’t 100% within your control. And you practice loving them as they are instead of berating yourself for not working out more, or aging more gracefully. As another example, you may wish you were less emotional, and you may try to better control your feelings, but you also know that you were born as you are and for every negative side effect of this trait, there’s a positive one. Healthy people still improve, just from a place of self-love and not self-hate (e.g., “I want to be better” rather than saying “I need to be better.”

    You don’t let external impute sway you

    People who truly love themselves aren’t swayed by outside opinions, good or bad. If you believe the good things people say about you, you’ll also be vulnerable to believing the bad things. Most of us, unfortunately, operate in an even unhealthier manner than this, we do this by mostly ignoring the positive things people say, and focusing exclusively on negative critiques. When you’re in a solid relationship with yourself, nothing that comes at you from outside can change the way you feel.

    Self-love tip: Keep a running list of positive things you’ve accomplished or done for others that are intrinsic to your personality. This shouldn’t include compliments paid by outsiders, but rather things you feel good about on a deep, internal level.

  • How to improve your relationship with yourself

    LOVE your neighbour as yourself is a popular aphorism we all seem to have heard at one time or the other. One that is founded on knowing that the most challenging, exciting and significant relationship you can ever have is the one you have with yourself. And if you can find someone to love that loves you back, well, that’s just great.

    The month of February is the month of love, one in which one is inundated on all sides with everything romance all around (or lack thereof). At this time, it would be helpful to evaluate the most important relationship of all—the one we have with ourselves. Here are some tips to know that you’re in a healthy relationship with you, and some tips for improving areas where your self-love is lacking.

    You use social media to share not to validate

    The difference? When you’re in a good place with yourself, you’re sharing to connect with others.

    Self-love tip: Before posting anything, ask yourself your motive for sharing. If it’s a moment you want to share and remember, go ahead and post away. If you’re posting so that your ex-boyfriend will feel bad about dumping you, or because you don’t feel beautiful today and want a bunch of friends to comment otherwise on your photo, please don’t post.

    You practice loving self-care

    When you love someone, you naturally want to take care of them; whether it’s through cooking, massages, lending a sympathetic ear, or helping them out financially. For some reason, we don’t always do the same for ourselves. Caring for yourself, whatever that means for you (adequate sleep, beauty and spa treatments, quiet time, and exercise) is a sure sign you’re in a good relationship with yourself.

    Self-love tip: Pamper yourself by treating yourself to something that feels indulgent at least once a week, even if it’s just an inexpensive sheet mask and a hot bath.

    You’re self-positive, whatever that means for you

    People who feel good about themselves do not indulge in self-shaming when it comes to their love or sex lives; neither do they sacrifice their own needs or boundaries in order to satisfy others. Instead, they know that the need for love or sex is a healthy impulse and an intensely individual choice, and they treat it as they would any other aspect of their personal well-being.

    Self-love tip: Evaluate your needs and boundaries, and then tell yourself they’re valid no matter what your partner or anyone else thinks. Remind yourself of this often.

    You put yourself first

    One of the harsher truths in life is that, ultimately, no one can take care of you but you. People can love you, people can help you, but no other person knows what you need, what you’re experiencing or what you want. With that in mind, we’d like to encourage you to put yourself first, always, as people in healthy relationships with themselves are apt to do. This doesn’t mean opting to watch movies instead of visiting your loved one in the hospital, but it does mean that if you have a loved one in the hospital, you know how to strike the balance between supporting and caring for her, and for yourself at the same time.

    Self-love tip: Look at all your relationships, and weed out the ones in which you’re sacrificing your health or happiness in an attempt to ensure the health or happiness of another, especially if they are counterproductive. Once you’ve identified these problematic relationships, make an action list of ways in which you can set better boundaries.

    You take care of your finances

    Security is a form of self-care, and a sign of self-love. Do you feel that you deserve to have abundance? If not, that may be something to explore as the cause of any lack in your life. Repeating a simple mantra while meditating, like “I am abundant, I have everything I need” can help, too. Think of it this way: If you had children in your care, you’d want them to have everything they need and feel secure monetarily, won’t you? You should feel the same way about yourself. Once you do, you’ll no longer undersell your services, or be careless with how you spend your hard earned money.

    Self-love tip: Imagine that a loved one’s financial situation looked like yours, and give yourself the advice you would give him or her. If you don’t know what advice you’d give, ask someone who cares about you for constructive input.

    You’re kind to others

    Gossiping is something many of us do in order to feel better about ourselves. This means that if we already feel good about ourselves, we won’t feel the need to talk badly or be unkind to others. As the saying goes, “Hurt people hurt people”, when you’re at a good place with yourself, you want the best for others.

    Self-love tip: Ponder this, if you wouldn’t want it said to you or about you don’t say it. Evaluate the feelings behind the hurtful sentiment you want to share, as there are likely some unresolved personal issues hiding there.

    You accept yourself, flaws and all

    This is the hardest one of all. When you’re truly in a good place, you’re at peace with the ways in which you fall short of your own expectations. Instead of looking in the mirror and constantly critiquing your face and body, you are able to feel compassion for things that aren’t 100% within your control. And you practice loving them as they are instead of berating yourself for not working out more, or aging more gracefully. As another example, you may wish you were less emotional, and you may try to better control your feelings, but you also know that you were born as you are and for every negative side effect of this trait, there’s a positive one. Healthy people still improve, just from a place of self-love and not self-hate (e.g., “I want to be better” rather than saying “I need to be better.”)

    You don’t let external impute sway you

    People who truly love themselves aren’t swayed by outside opinions, good or bad. If you believe the good things people say about you, you’ll also be vulnerable to believing the bad things. Most of us, unfortunately, operate in an even unhealthier manner than this, we do this by mostly ignoring the positive things people say, and focusing exclusively on negative critiques. When you’re in a solid relationship with yourself, nothing that comes at you from outside can change the way you feel.

    Self-love tip: Keep a running list of positive things you’ve accomplished or done for others that are intrinsic to your personality. This shouldn’t include compliments paid by outsiders, but rather things you feel good about on a deep, internal level.