Category: Arts & Life

  • Our wives now pay the bills

    Our wives now pay the bills

    As the current recession bites harder in the country, Gboyega Alaka, returns with some of the most gripping stories of frustration and despair from amongst artisans and labourers, who by virtue and nature of their works, seem to be the most affected.

    The day was far spent. Precisely past 12 noon. But a good number of the men were still seated in their usual shed, waiting and hoping, albeit without much assurance. For years, the men, under the umbrella of Bricklayers and Carpenters Association of Nigeria, have gathered at this point by Iyana-Ejigbo Bus stop; their banner, now faded and tattered, hanging somewhere above them, and weakly announcing their essence. It read: Call here for labour office, Bricklayers and Carpenters Association, Service To Humanity.’ The motive is for those in immediate need of their various services, to be able to locate them and hire them; so they could in turn earn their daily wages and have something to survive on.

    And it has worked for years. Like one of them recalled, they’ve had their shed around the Iyana-Ejigbo area of Lagos for nearly a decade, if not more. They used to be at a more visible point right by the roadside, until demand for visible spaces forced them to this corner. But by and large, life has gone on fairly well. Customers located them and contracted them for jobs and they made a living. Sometimes, they got contracted for big construction jobs, and they worked on the site for weeks, sometimes months, raking in huge money and living well. During those good times, most of them have also been able to empower their spouses, by way of saving for rainy days; which they admit do come, from time to time.

    But that has changed, which accounts for why so many of them were still seated by the shed this afternoon. The annual global artisan economy, according to world’s leading supplier of technology and services, Bosch, is said to be valued at $32 Billion. This, by implication means it is one of the largest employers of labour in today’s world. It also means that people in this category, such as bricklayers, carpenters, plumbers, welders and electricians, play vital roles in the development and growth of our world. In Nigeria, the situation is no different, as they engage in building houses, offices, roads and public utility edifices. The problem however is that the current economic situation has left most of them stranded, being that their services do not enjoy priority of space in most people or organisations’ spending.

    Said D Ogunmola, a carpenter, the truth is that “Time has changed. There are no jobs anymore (and) everyday, we just come out and sit here all day long, without anybody looking our way. Ordinarily, we get jobs at least three times a week in the past, but now, we may sit here for upward of two weeks, moping and hoping. How does a man get bye like that?”

    Even though only about ten of them were seen sitting or loitering by the shed this afternoon, Ogunmola said they’re actually huge in number but most of them have gradually left in frustration, seeing that it was past the normal time when people come to contract them for jobs.

    In the middle of the discussion, Mutiu, a younger member of the group, who introduced himself as a bricklayer said “Look brother, the situation is so bad that passers-by now see us as miscreants and agberos, who just wake up and come here looking for free money, simply because they’re always seeing us here, come rain, come shine.”

    He said he’d been hanging around the shed since 6am, just so he didn’t miss out on any opportunity; yet all that seemed to have amounted to a waste. “There are days that not a single person from among us will leave this shed for a job, except maybe to take a stroll out of boredom, or to go home.”

    He said the situation is so bad that the lazy boys in the neighbourhood and around the bus stops, whom they used to tell off to go find something to do, now talk back at them and even deride them for their ill fortune. “One of them even told me to go and jump into the lagoon, telling me, ‘when was the last time you left this shed to go and work?’ He even told me to come and join them in chasing vehicles for free money.

    “Let me tell you,” Mutiu continued, now agitated, “if I see somebody who is ready to take me abroad right now, as we’re talking now, I swear, I will not hesitate for one second. What’s there to hesitate about? What would I be missing if I left right now? Nothing. I tell you, nothing. This Nigeria does not pay anybody and I for one, I’m frustrated.”

    Ogunmola, who said he is married with kids, said sometimes, most of them leave home to come sit at the shed, not because they’re sure they’d get jobs, but because as men, they could not just sit at home, idling away. The irony in that, according to him, is that what they refuse to do in the comfort of their homes; they end up doing in full public glare.

    He lamented: “Things are really tough in the country now; pennilessness and hunger is killing us. We are praying to God to change the situation, so that people can begin to build houses again. It is when people have eaten and paid their children’s school fees that they think of any form of construction. Some of us, who had children in private schools, have had to withdraw them because they can no longer cope. And it is not as if they put their children in expensive schools anyway.”He lamented.

    Asked how much they get paid per day for their kind of work, Ogunmola said he gets paid N4,000 as a bricklayer; same for carpenters; but that labourers get paid N3,000. Even then, he declared that he would gladly grab the job for less, if anyone were to approach him in this hard time.

    Mutiu is however of the opinion that the wage ought to have gone up but reasoned that it is when you have patronage that you think of increasing your wage.

    His opinion was corroborated by another member of the group, a carpenter, who said all they make do with now are minor mending jobs, such as fixing tables, chairs and little wooden bridges over the gutters, for which they get paid as little as N100, N200 or at most N1,000. He said, “It is so bad that now we combine breakfast with lunch, and what do we buy? Food of as little as N50 and N70, just to keep hunger at bay. In the past, we richly patronised the food-sellers; but these days, we have so incurred accumulated debts, that they no longer sell to us. But would you blame them?”

    At this point, Fatai, a much younger man, joined the discussion. He seemed quite glad to have this opportunity to voice his frustration and wasted no time in announcing to this reporter that: “Look, I had to buy this coke on credit from the woman there. The last time I got a major (construction) site job, is over a year ago. Let me tell you, this Buhari regime has not favoured artisans like us at all. I think because the government is fighting corruption and retrieving stolen money, those who have money, whether legitimate or illegitimate, are not ready to bring it out for any construction work, for fear of attracting unnecessary attention.”

    As a result, he declared that he and his co-artisans are ‘psychologically sick.’ “If you don’t have money, you’re sick, and it could lead to hypertension. People have also been known to commit suicide because of situations like this. As we speak, some of us have not even eaten anything today.”

    They say it’s the recession

    Asked what he thinks is the cause of the current drought, Ogunmola said “It is because the price of everything has gone up and there is no money in town. They call it recession, whatever that means. So people, who used to spend money on construction, are no longer able to, and people like us are the direct recipients of that drought. Besides, building materials have also gone up. A single iron sheet is now N1,000, while a bundle is around N20,000. Even a bag of cement has moved up to around N2,500. So that makes it tough even for intending builders and they just keep procrastinating. It’s like a chain, and the effect is ripple.”

    Continuing, he said, “You salary earners are better off. You get paid, even on days when you don’t have much to do, but not in our case. You have to work, to get paid. What we go through these days is a case of one (day) job in two weeks. At N4,000, how far can that take anyone?”

    ‘Who the hell are you?’

    As this reporter took shots to wrap up this encounter with the group, a voice suddenly bellowed, “Who the hell are you?” It was the voice of one not given to any kind of excesses and he simply wanted to know what gave the reporter the audacity to be taking pictures. But Ogunmola quickly came to the rescue. He introduced the owner of the voice as chairman of the group and also conveyed the reporter’s mission to the chairman. But the smallish elderly man was not fazed.

    “So what!” He sneered. “Oh you want to know how we are surviving? Fine, you have seen it. Tell the government we’re here and that I, for one, have resigned myself to fate.”

    Asked how often he gets jobs now, he looked up sharply and said, “Why are you going back there? When a man tells you he has resigned himself to fate, you should understand that that means end of discussion. There is nothing more to say.”

    His was a typical case of frustration, as currently pervades the land.

    Our wives, our sustainers

    When asked how he copes with the challenges of the home, Ogunmola said “Our wives already know our kind of job, so they’re accommodating. They do their best to support us. Mine for instance, sells fufu and it is with the proceeds that she manages the home.

    Olufemi, who had been quiet all through the discussions chipped in: “In fact, most of us have our wives to thank for our survival. Don’t forget God already ordained them our helpers. My wife is a trader and it is with her support that we saw our four children through school and still manage through this hard time.”

    Fatai, on his part, revealed that his wife sells food, which makes feeding of both of them and their only child a bit easy. Even then, he said he sometimes holds back from eating directly from the business without paying, so as not to run it aground.

    Worst end of the year

    Ogunmola is therefore of the opinion that this end of the year (November, December) is the worst they have experienced in a long time. He said the tradition usually, is that people would be busy trying to complete their houses that had been under construction, so they could move in before the New Year. The implication of that is that artisans like us and labourers, including welders and iron-benders and painters are always busy. But that seems like a long time ago now.

    Ogunmola also said the situation is robbing them of their manliness in the home, to the extent that they now rely on their wives more of the time for feeding and other responsibilities.

    Almost echoing Fatai’s exact words, he said, “The situation is killing us gradually.”

    At the other end of town, not far from the popular Synagogue church in Ikotun, this reporter caught up with a group of artisans working on site. They were busy building a row of shops. The head bricklayer, Alfa Adamo Olalere admitted that they were indeed lucky to have landed this one, but confessed that it was their first job in about a month. The reason they even landed the job, he said, was because they started the project and have a good relationship with the landlady.

    Alfa Olalere is also of the opinion that this is the worst end of the year season in a long time. “At times like this in the past, the usual thing was for people who had building sites to suddenly speed up works on them, so they could move in or have tenants move in there. But that is not happening now. Everything is just dry.”

    When asked how long they have been on this project and how much they get paid per day, Olalere said, “We started this phase of fixing doors and plastering three days ago, and we should be through in another two days.”

    He also said they (he and the other bricklayer) get paid N3,000 per day, while the assistant (the labourer) gets paid N2000. A quick calculation meant that he would have made N15,000 in five days. Sensing that this reporter was doing a silent calculation, he asked almost in self pity: “How much of today’s immediate need can that (amount) attend to?”

    Like the guys in Iyana Ejigbo, he admitted that more of the support in the home now comes from his wife. He said: “That is why our wives have to be engaged in business. That way, there is food on the table at all times, because children don’t understand recession and they don’t accept excuses.”

    Besides, as a Muslim, Olalere said he believes in fate and that the God that created the mouth has created what every individual will put in it, and that we only have to strive to get it. He said the ongoing economic hardship was brought about by God and that it is a passing phase that will soon blow away. He therefore enjoined patience, perseverance and hardwork on all Nigerians.

    Lateef, a furniture maker, who had been watching this interview with keen interest chipped in that it is the same with his profession. Lateef, who is married with children in school, said he has no regrets about his kind of work because it’s his passion, but said patronage is really low these days.

    “Usually in November/December like this, we had so much work, that we often called on our colleagues, who were less busy, to join us. In other cases, you’d have had people, who’d have informed you of jobs to be done for them. Jobs could include making new furniture, refurbishing old ones, reworking clients’ offices or home interiors; but none of that is on ground as we speak.”

    Lateef also said those moving into new homes are always in the habit of making new furniture, and that it doesn’t seems like anybody is moving into new houses this year.

    Lamentations all over

    At a point near Egbeda bus stop In Lagos, where labour workers of Hausa origin usually gather in the morning to get contracted for jobs, the story is the same. A couple of them approached for interview declined comments and shied away from the camera. One of them however volunteered in his smattering English that “Country is hard; no work, no money. We are hungry.”

    Another said most of them have travelled up north to engage in farming or be with their family, since there is nothing to do in Lagos at the moment. A Yoruba man lounging nearby said: “Tell Buhari that the world has collapsed on us labourers. We are the ones suffering most because it is when people have left-over that they remember us. We are hungry. In fact, some of us are dying.”

    Wilson, a printer, who lives in Badagry, said “If you go to Shomolu and Mushin, where real printing work goes on in Lagos, you’ll know that this country is really sick. The places are like ghost towns and everybody is lamenting, whereas they are usually a beehive of activities during normal times. Usually, I would have got several calendars and souvenir jobs by this time, but that is not happening. I’ve even gone to my regular clients, sent quotations and pressed the usual buttons, yet nothing is happening.”

    Dare, a journalist, spoke of how the artisans in his neighbourhood in Ikorodu are lamenting and have literally become beggars, stalking those they consider a bit well-off for loose change. In other instances, he said most of them are migrating to other jobs with jet speed. He spoke of a funny scenario, where a guy he had always known to be a bricklayer crossed him as he drove out of his neighbourhood and told him, “Oga, you no get dirty cloth? I don dey do dry-cleaning now o, I will wash and iron your clothes very well, and my price is cheap.”

    That in a nutshell summarises the bad the situation as it affects artisans in present day Nigeria.

  • Domestic tourism to the rescue

    Domestic tourism to the rescue

    The just-concluded Lagos International Trade Fair was an opportunity for many corporate bodies and organisations to showcase Nigerian products.  Among the corporate bodies at the fair was the Nigerian Tourism Development Corporation (NTDC) headed by Dr. Sally Mbanefo.  In order to showcase wholly Nigerian products that help to promote domestic tourism, NTDC gathered thousands of art works, artefacts, tangible and intangible heritages to drow the attention of the public to the potentials in the sector especially now that culture is being positioned to serve a bigger purpose in the national revenue.  In her ever boisterous response to the issues of domestic tourism and what it portends for the nation, she responded thus:  “Yes, our main mantra in the last three years or so, is to promote domestic tourism.  We believe at the NTDC that we cannot sell Nigeria to foreigners if we don’t start by selling it to Nigerians themselves.  To me, as the DG, this is one of the reasons I’ve been travelling round the country to showcase Nigerian local tourism.  I’ve been meeting with Tourism commissioners, the kings and leaders of different towns and villages to let them know the place of domestic tourism in our national life.  These people are the custodians of our cultural heritages, traditional institutions and customs”, she said.

    For her, since these people are held in high esteem not just by their subjects, but by the society as a whole, it is important for NTDC to collaborate with them for more effective promotion of domestic tourism.  Mbanefo said further, “You see, tourism touches every chain.  So, we work with Immigration, we work with taxi drivers and Okada riders and so on.  This is so because a tourist may come and say, see I don’t want to use a plane or a car, I want to use keke.  For the person, it is fun, it is new to him or her.  We therefore tend to inculcate those sets of people into our programmes, in order to make it wholly domestic in outlook.  This is why we are involved more in local exhibitions where and when necessary.  Nigerians are about 160 million or thereabout.  So, we have a big market here at home.  So if we can sell Nigeria to Nigerians, you can see that Nigerians will be proud to patronise what is their own.”

    She reasoned, however, that most foreign nations of the world, mostly Americans, love what is their own.  In essence, they try to shun other people’s products and services.  “That is the pride Nigerians need to have; the pride that their culture is the best and it needs to be kept and cherished.  This is one of the reasons for this role we are playing at this Lagos International Trade Fair where we have on display various artefacts and crafts from different local areas in Nigeria.  We have to have pride in the food we eat, in the clothes we wear; indeed in the language we speak.  We cannot throw away our traditional institutions that represent who we are because of the so-called modernity or technology or religion.  We have to preserve our history and all the embellishments thereto so that the ones coming after us will know where they are coming from.  Exhibitions like this, can help to register the impression in the minds of people”.

    While this exhibition went on, a lot of school children from different parts of the state visited the NTDC stands.  Along with their teachers, they were taken round the stands by Mrs. Chioma Ibe who is the head of the Lagos office of NTDC.  As the children continuously showed their curiosity about the objects on display, Ibe took her time to explain each item and what it stands for in the history of Nigeria.  Among the collections were Ife bronze and masks, Benin art, the terra cotta cultures and art, Hausa/Fulani fabrics, adire and ankara arts and lots more.

    Beyond the relevance of these arts in the lives of the people, Mbanefo explained that she personally takes time out to inculcate this habit in the children.  “We need to explain these things to them now in order for them to begin on time to appreciate their importance in our socio-political history.  This was why last week we did Akwaaba.  Akwaaba is Africa’s largest exhibition in which all the aspects of African arts and tourism materials are on display.  Empowering people and women also forms part of what we do to promote and expand the frontiers of domestic tourism in Nigeria”, she said.

    She noted that the tourism sector is booming now because the Minister of Information and Culture, Alhaji Lai Mohammed is not only enlightened about what he does, he also does his best to encourage the sector to serve as an alternative to oil.  Mbanefo opined, “he believes that we should sell Nigeria to Nigerians, first and foremost, before doing so to outsiders.  He has really helped us to save our resources.  He also understands the sector very well; he is passionate about tourism and culture and he is ever ready to take it to the highest level.”

    She equally has messages of encouragement and hope for all Nigerians.  She said: “First, Nigerians should realise that Nigeria is a work in progress.  This government is working day and night to make sure that  there are improvements in all sectors of the economy.  Secondly, we should not concentrate on the recession or think about it.  Recession has been all over the world before it came here.  There are many opportunities in Nigeria.  Therefore, all we can do is realign, readjust and make corrections.  The third is that we should emulate the president’s hard work, fear of God and sacrifice.  If the president does not have fear of God, he won’t be where he is today.  This is my message to all Nigerians”, she said matter-of-factly.

  • Oyo agog with Oranyan festival

    Oyo agog with Oranyan festival

    The Alaafin of Oyo recently led this year’s Oranyan festival amidst pomp. Taiwo Abiodun was there.

    It was time again to celebrate the Oranyan festival in Oyo, the headquarters of the ancient Oyo Kingdom and the town was literally painted red in preparation. Banners and posters with photos of the Oyo Monarch, Iku baba yeye, Alaafin Lamidi Adeyemi adorned all visible spots in the town. Visitors trooped in droves and market women, displayed their wares of mainly art and culture souvenirs in anticipation of business.

    Everywhere one looked, people were gaily dressed, notably the chiefs, while the palace was filled with visitors from far and near. As is the culture, guns boomed continuously from the palace, sending shivers through visitors, even as indigenes, who are used to it on such occasions, looked on amused.

    According to one of the local hunters, who was dressed in the traditional Yoruba hunters’ attire, the sound of the booming guns meant that His Imperial Majesty had woken up and could now receive visitors.

    Soon after, the Alaafin appeared in his flowing gown (agbada) with his Oloris (queens); followed by his retinue of chiefs. Shouts of “Iku Baba Yeeeyeee, Alase Ekeji Orisa!! Baaaaabaaaa ooo!” rent the air and shook the Aganju Forecourt located in the palace. The Alaafin was accompanied to his seat by the traditional trumpeters, singers and drummers who exhibited great skills. The Bata drummers were particularly impressive.

    Gelede, the female masquerades from Pobe, Benin Republic and the male masquerades from Ewe people of Ghana entertained the audience with brilliant acrobatic dances. The Iworis from Benin Republic were also present to honour the monarch.

    Towards the evening, the three Oloris: Ayaaba Folasade (Iyameta), Ayaaba Badera and Ayaaba Jelilat mounted the stage, chanting praises of the Alaafin and panegyrics of Oranyan in their velvety voices. According to customs, it is only Alaafin’s wives who can render the Oranyan panegyrics, which they did on their knees.

    Gbegiri Day

    The Day 2 of the three-day festival witnessed “Gbegiri Day,” which according to the Yoruba Cultural Ambassador and Yeye Iseese of Yorubaland, Arewa Sade Omo’ba Adeyemi, was introduced five years ago to avail Yoruba sons and daughters from the Diaspora the opportunity to have a taste of “our local delicacies.”

    Gbegiri, a soup prepared from beans,  usually taken with Amala and ewedu is also known as ‘abula’ and relished by Yorubas home and abroad.

    Grand Finale

    Saturday, Day 3 was the grand finale and the Oranyan Day proper. About 100,000 spectators gathered at the venue to catch a glimpse of the Alaafin. The spectators stood up to greet the Alaafin, as he emerged in his grand lace gown, his trade-mark abeti-aja cap, holding his royal staff of office and surrounded by his beautiful oloris, who turned out regally dressed in yellow and wine aso-oke. The atmosphere was electrifying, with the palace trumpeters blaring away.

    The programme started with a three-pronged prayer led by Pastor Matthew Oluwatobi, a Christian, Alhaji Mohammed Mosiru, a Muslim cleric and Ifatayo Yemi Morakinyo, a traditional religion adherent.

    Thereafter the master of ceremony called out individuals and groups to pay homage to the Alaafin. The Oyo Mesi, chiefs, princes and princesses, trade associations, groups and Diaspora delegates all received blessing from the royal father. They all defied the heavy downpour of the day to show love to the monarch.

    One of the guests, Mrs. Adebisi Mayegun, who said she has lived abroad for 29 years and never witnessed the festival since its inception five years ago, said she couldn’t wait to be in Oyo for the festival, even though she got the information late. She said, “I saw that it is an opportunity to come back home and see what was going on. I also had a meal of gbegiri on Gbegiri Day, met many people and the monarch also prayed for me. I made some souvenirs like the hand rubber band with words like “Oranyan Day Festival 2016 by Purell Group USA” inscribed on them, as part of my contribution to the success of the programme.”

    All the way from Pobe in Republic of Benin came Louchade Adeyemi Clement, Odouchinan Liamidi, and Ogoudare Odjowoye Firmin, who led about 22 others to Oyo. Their leader, Louchade said, “This is not the first time we are coming here. We are descendants of the Alaafin and that is why we have to bring our own masquerades here to entertain the king and let them know that we have not forgotten our ancestral home.”

    Babatunde Onibode, a tourist and Yoruba cultural ambassador said he fell in love with the festival and the people. “I came all the way from Ondo State to watch the festival. I was moved to tears, tears of joy and of love, when I saw how Oyo indigenes and those in the Diaspora came and defied the rain to pay homage to their monarch.”

    The Oranyan legend

    Princess Arewa Sade Adeyemi said “The history of legendary Oranyan is great; we learnt he was a man of valour, great warrior who founded Oyo Empire. He defended his people and that is why he has not been forgotten.”

    She further said the festival, which only began five years ago, will be celebrated in perpetuity. The Alaafin as a mark of honour, gave awards to prominent Oyo indigenes, who have contributed to the progress of the town”.

    Adenegan Temitope described Oranyan as “a monarch among monarchs; a fearless, loving man and a fighter. He can be likened to the modern day human right activists, who defended the right of his people.”

    Prince Adeniyi Siyanbola Oluku – Ewu added that Oranyan’s roles in Oyo and other towns are legendary, describing the festival a festival of love, honour and respect.

    Akin Alawode, a writer is of the opinion that “Oranyan is a festival that epitomises our culture and tradition. It also exemplifies and amplifies our humility, integrity, courage, hard work, hospitality, respect exemplary life and bravery. Oranyan was the last born of Oduduwa. He was a gallant warrior who founded Oyo and today we remember him.”

    Some of those honoured by the Alaafin include: (Chief) Mrs. Margaret Oyebola Shonekan, CFR (Iya Oyo) the late Chief Emmanuel Alayande (the Maye of Oyo), the late Chief Madam Oyin Ogunmola

    (the late Iyalaje of Oyo) and Chief Moses Oyedele Ogunmola (the Otun Oyo)

    Other dignitaries at the event were Otunba Gani Adams, Sat Guru Maharaji, Prince Lawrence Loye (the Obaloye Adimula) and a host of others.

  • Toyobo again! Movie producer needs $20,000 for leg operation

    Toyobo again! Movie producer needs $20,000 for leg operation

    Popular television producer and script writer, Segun Oke fondly called Toyobo is in urgent need of public support for an urgent operation yet again. This follows a relapse of previous operations of leg injuries sustained in an auto accident in 2003. He shared his story with Adetutu Audu.

    OCTOBER 3, 2000 will remain indelible in the heart of producer of popular Nigerian television show, Labe Orun, Segun Oke, fondly called Toyobo. That was when he had the accident that has left him bed-ridden and taken him away from his source of livelihood.

    Toyobo’s 18-passenger commuter bus had rammed into a trailer at about 7.30pm around Berger Long Bridge on the Lagos Ibadan expressway, while attempting an over-take on that fateful day. He woke up in a hospital along with several other passengers to find out that his two legs were badly affected.

    Toyobo was on his way to Ibadan to cover an event for a Fuji artiste when the incident happened. Unfortunately, the accident happened when doctors were on strike, hence he couldn’t get immediate adequate attention.

    He said “After three days in the hospital, my legs began to rot and I had to be taken to an unorthodox bone-setter’s, where I spent six months before I was discharged.”

    Being a family man, he could not afford to be bed-ridden, hence he sought more help. Luck smiled on him in 2013, when he met the managing director Slot Systems, Nnamdi Ezeigbo, who funded his trip to India for surgery on both legs. One of the legs however did not get back in shape, even after the operation and he has been managing it since then.

    Two years after, Toyobo seems to be back to square one. The legs have started swelling again and he is in excruciating pain. “I am unable to go out again. For the past three months, I have not been able to continue with my progamme. My doctor, Dr. Arora of Columbia Asia Hospital, New Delhi, told me in India that it is better for the legs to be amputated and I could be using prosthesis, but the fund was not enough. At the moment, the pain is killing and I have decided to accept my fate and have the legs amputated.” He said amidst tears.

    During the operation, he said he had to undergo bone grafting, following damages to the bones of the leg, hence bones were taken from his waist. The bad news however is that the grafting has been infected, giving him only two options: undergo another bone grafting operation urgently or amputate the leg and affix an artificial limb.”

    He thus needs $20,000 for another medical trip to India.

    Recalling his last trip to India, Toyobo said, “Being a place where I knew nobody, I was stranded. The expenses we faced were more than we bargained for. The money for accommodation, drugs and feeding in India was quite expensive and the operation cost about $10,000 which Slot gave me. I went a second time for medical check-up and it was still Slot that paid the bill. That is where I have a problem today. I can no longer inundate my benefactor (Slot) because he has been really helpful, hence I need help from other large-hearted Nigerians.”

    At the peak of his career, Toyobo produced Aya Gbangba (Uncommon Courage), a Yoruba comic satire movie, which highlighted the ugly experiences of the Boko Haram insurgency.

    He also impacted many notable Yoruba actors, including Olaniyi Afonja and Adekola Tijani popularly known as Sanyeri and Golugo.

    As an actor, he featured in a lot of movies, with Oba’dan, where he featured with Fuji music Icon Obesere by Bayowa Films, being the last before unfortunate incident.

  • Dramatising the matter

    Dramatising the matter

    Title: When Clerics Kill
    Author: Shehu Sani
    Publishers: Kraftgriots, Ibadan
    Reviewer: Edozie Udeze

    The first impulse you get as soon as you read through the scenes of this play is: ‘what will it be like if this drama is put on stage?  It is truly the anchorage of the total menace that plays themselves out in some parts of Nigeria where religious bigotry has taken the place of sanity over the years.

    Thus, the play, When Clerics Kill, by Shehu Sani espouses those utterances and innuendoes that trouble the nation state.  In it, the playwright deliberately hints at those issues that bring about this rancour and misunderstanding between Muslims and Christians in Nigeria.  It is a secular state or supposedly so, yet each religion according to the author, tries to dominate or outwit the other.  It does not matter which one of the two has an upper hand when it comes to breeding troubles or fashioning avenues for riots and killings.  But the primary roles of the so-called men of God call to question the type of God they also preach about and profess.

    As the men of God across board busy themselves pricking on the conscience of their followers, impugning obnoxious reasons why both Christians and Muslims cannot live together in one place, the author, Sani, a Senator of the Federal Republic of Nigeria uses this play to appeal for calm.  His attention is focused exceedingly on those issues that bind the people together as a cohesive society where brotherhood ought to be sacred.

    Here the problem of who owns the land which was the root of the problems in Jos, Plateau State, rears its head.  But it does not occur to Pastor Gatari and Sheikh Jabar, that soon their divisive preachings will stoke embers of hate.  Jabar is intent on using John, a zealous Christian to begin his own trouble.  In his house, John tries to convince his wife Martha, that their Muslim neighbours of donkey years, have suddenly become enemies.  They are settlers”, he insists, so that that deep rooted avarice of hate will be imbibed and embraced by his wife.

    At home, both Tani and her husband Sagir are also engaged in a squabble as to whether their Christian neighbours, with whom they have been in a jolly good ride over time, deserve to live.  The hatred is so intensely preached that it is difficult to see who is good and who is bad.  It is so terrible that the way leaders of religious groups and their followers behave so that when these troubles finally come it is usually difficult to stop or quench it.

    But not only that, when these troubles finally rear their heads, tending to tear the people to pieces, what is the role of leaders – governors, senators, commissioners, et al, to douse the situation?  The playwright is not unambiguous on this.  It is the responsibility of leaders to ensure that the issues leading to these troubles are nipped in the bud.  As a writer, poet, novelist, researcher, civil rights campaigner and now a senator, Sani has seen it all.  As a leader, known for his populist ideals, stand and world view, he has more plausible ideas to proffer on how to set the society on the road to Eldorado.  Peace is the watchword.

    There has to be employment for the youths.  Idleness contributes to the series of troubles distorting the flow of peace and orderliness in the larger society.  For the leaders to be on top of their game, they have to be at home with the sensibilities of their people.

    With the restoration of democracy, “We thought there would be food on the table.  We thought it would bring an end to the debilitating and paralysing poverty, hunger and want in the country.  We thought freedom would mean good things of life for us.  We thought the Western world that was pressuring us to restore democracy would indeed help us”.  (Page 35).  This is a conversation amongst friends as the state of the nation increasingly becomes hopeless and unfathomable.  This indeed is the state of the nation as it is today.  Most writers are prophets and Sani is no different.  Here is a book written in 2013 and which is today as poignant as ever, mirroring the famine confronting the nation.  Governance must cease to be a criminal enterprise if the society intends to truly prosper.  Good leadership indeed breeds love.

    On page 69, the scenes are expanded to include the mayhem unleashed by troublemakers.  Churches are burnt, homes are touched and people die across religious divide.  The governor says, that the level of carnage is “unimaginable that a human being with five senses can decide to blow himself up, waste his life and bring so much grief to our families in a hopeless and misinformed pursuit of a weird dream”.

    This is a play that should go on stage forthwith.  It is not just writing it, it is more imperative to commission it as a travel theatre.  The lessons in it are better seen improvised on stage so that the messages embedded in it can sink into the hearts of the people.  It is well to see the efforts the playwright put in to balance the arguments on both sides.  It makes for a healthy reading even when some of the sentiments also set your heart agog with anger, saying – is this really a nation bound together by common goals, beliefs, enthusiasm, nationalism and such like?

  • CodeGirl: Story of award winning Nigerian girls in US

    CodeGirl: Story of award winning Nigerian girls in US

    America’s award-winning documentary by Leslie Chilcott, CodeGirl, has been screened at the Silverbird Cinema in Lagos. In this review, EVELYN OSAGIE recounts the journey of Nigerian high school ‘codegirls’ who won a $10,000 prize in the United States (US) after hitting technological stardom.

    America’s award-winning filmmaker, Leslie Chilcott’s documentary, CodeGirl, is a crowd puller anyday.

    The hall of the Silverbird Cinema on Victoria Island, Lagos, was packed full when it was screened.

    Not finding seats, some guests took the aisles; others stood at the entrance. The audience comprised members of the United States (US) Consulate (Lagos), members of the Nigerian film industry, journalists, film lovers and students.

    There was pin-drop silence. One could almost feel the excitement in the air with gazes fixed on the screen as guests waited for the movie to begin. The organisers of the Eko International Film Festival and the US Embassy had whetted the audience’s appetite, few minutes before the screening, with a juicy introduction on CodeGirl. The film, along with I am a Racist, Am I?, were the two American documentaries featured at the festival.

     

    Raising new generation of women

    problem solvers

    CodeGirl, a 107-minute film, focuses on the lives of 15-year-old secondary school girls who entered for the 2015 Technovation’s $10,000-challenge. It shows how teenagers in 10 teams, after beating thousands of other girls from over 60 countries and different backgrouds, set out to identify and solve problems in their communities, using technology and coding/programming. The teams, from the US, Brazil, Moldova, India, Mexico and Nigeria, were part of over 5,000 girls that entered for the competition.

    From the beginning, one is not given the hint as to which team would win, but having a Nigerian team in the competition, left the audience anxious from the start.

    Sonam Kumar, Praise David-Oku, Grace Akpoiroro and Nmesoma Ogbonna are members of Team Charis representing Nigeria from  Calabar, Cross River State. They developed a mobile app, ‘App Discard-ious’, which tackles waste disposal challenge in Nigeria.

    While highlighting the gender stereotypes within the computer science industry, CodeGirl also shows how Technovation yearly competition for girls ages 10 to 18 helps to increase the number of women app developers and tech start-ups enterprenuers. It was said that by 2017, the app market will be valued at $77 Biliion and 80 per cent of app developers are male.

    During the Technovation World Pitch event in the film, the founder of Iridescent, organiser of the non-profit contest, Tara Chklovski, notes: “Only  seven per cent of tech startups are led by women, and the number of women who are mobile app developers, are only four in every 100.”

    It was interesting watching each team, supported by mentors and guided by a curriculum, building a mobile app, and a business plan to launch the app. As the film progressed, each process and team came with its suspense and thrill.

    The competitive spirit of the girls drove the anticipation and excitements of guests. Even though the film follows girl-teams from last year’s edition, the thematic pre-occupations of entrepreneurship and technological innovation makes the movie evergreen and timely. The girls’ attempts at becoming scientists, global technological problem-solvers and entrepreneurs through in the face of recession was noteworthy.

     

    The journey begins

    The film, which is now on YouTube, begins in Stefanesti with five girls who won the 2014 edition with their ‘App Pura’ that maps the level of contamination from hepatitis, E. coli and heavy metals in wells around Stefanesti, Moldova. And so the participants are challenged to come up with a more innovative app.

    The mood was further heightened by the suspense created as the filmmaker crisscrosses continents with the girls, showing their efforts.

     

    Despite visa problem, Nigeria makes final

    Navigating the lives of girls as they set about their business, it was easy for the audience to follow the process. After journeying from Stefanesti to Drochia, which is also in Moldova, the US and Mexico, the film then focuses on the final six teams. Nigeria’s Team Charis makes the  final with three US teams – Puppy Sized Elephant (My Cash Count app), Team Woco(Praise Pop app) and Team Ameka, Massachusetts (Safeguard Driving app that came third place) – Team Brazil (app to safeguard the wastage of water) and India’s Team X-Women (cAppAble that connect users with disabilities to NGO and corporations for employment opportunities).

    Featuring Nigerian team towards the end of the film added to the suspense. And so when the much awaited Nigerian “dream” team came on screen, their appearance evoked a rousing applause from Nigerian audience. From then on, they watched with kin interest and concentration.

    After arriving Lagos for their  travelling arrangements bound for the world pitch at San Francisco, there was a chance that Nigeria’s team would not be able to travel due to an online visa problem experienced by the US State Department which affected foreign travels during the period.

    While watching the Nigerian teenagers go through the hurdles, many of the audience empathised with the girls. It was almost as if they were part of the competition. The audience, not only followed the scenes with much concerns, many cried when the girls lamented their plights with teary eyes, fearing they may miss the trip.

    It was a loud ovation that ensued when the girls are cleared and finally make the trip, arriving at the world pitch some minutes before presenting their app.

    As they set at their cause to  prepare the pitch for their app, the viewers followed, anxiously.  And as if to calm the anxious crowd, the girls then mount the stage with an inspiring amount of confidence to explain Discard-ious, their per-user friendly app through which users can request carts for safe waste disposal in their state.

    They explain further that the lack of proper trash collection yields an unhealthy environment, making individuals prone to illnesses, such as dysentery, malaria and typhoid.

    After confidently pitching their app and chanting the maxim: “Join us to provide a cleaner, greener and safer environment”, the Nigerian girls stole the hearts of the judges and tech executives in the US, as well as the audience. This was the highpoint of the documentary.

    And as the results are being announced, from the runner-ups to the first position, the audience’s curiosity heightened. The hall broke into thunderous shouts, and tears when the Nigerian team was named winner of the $10,000 prize, hugging and congratulating one another as if they had won a huge lottery ticket. And so, the film ended in a celebratory note, leaving behind lessons for Nigerian government, corporate bodies, parents and the young, especially talented girls. Whether or not, the event in the film had taken place a year ago did not matter. What mattered was its inspiring story, even though it was easy for the audience to think that the filmmaker deliberately kept the winning team towards the end of the documentary.

    But after watching the movie, the audience said the filmmaker’s job was not yet done as they were looking forward to seeing documentaries on how the 2015 winners actualised their dream, and the story of this year’s edition.

    Chilcott’s efforts at documenting history through her film was highly commendable. Without her efforts, Nigerians, and indeed the world, would not have known about the inspiring story and efforts of the girls at inventing solutions to better their world, it was said.

    The US government, American Film Showcase (AFS), Eko International Film Festival was praised by the audience for bringing the film to Lagos; while they commended Technovation for discovering scientific talents in girls and raising young women entrepreneurs. They added that the film should be screened in cinemas across the country.

     

     

  • Seven artists for Paris exhibition

    Seven artists for Paris exhibition

    For three weeks, 12 Nigerian top flight artists will be showcasing their paintings in Paris, France in a group show titled: Echoes from Afar. Assistant Editor (Arts) OZOLUA UHAKHEME reports. 

    WORKS  of seven top flight artists will be on parade at the world exhibition  holding between November 29 and  December 20 at FABRIQUE on Rue du Faubourg Saint–Honore, Paris. The event is titled: Echoes from Afar.

    The artists are Abraham Uyovbisere Emmanuel Ekefrey (self-taught artist), Sam Ovraiti, Joe Amenechi, Tola Wewe, Zinno Orara and Duke Asidere. Each is expected to feature 12 paintings.

    Echoes from Afar will showcase artists with various styles and mediums, themes, and institutional influences. The objective of the group exhibition, among others, includes promoting the creative and artistic education of Nigeria in France, which is largely dominated by the African-French speaking countries.

    The artists are diverse, rich and representative of the major art schools in Nigeria, namely the Obafemi Awolowo University, Ile Ife, Auchi Polytechnic, Yaba College of Technology, Lagos and Ahmadu Bello University, Zaria.

    Curator of the exhibition Bose Fagbemi said the previous exhibitions of  Tola Wewe and Duke Asidere (2015 and last May ) in Paris were eye-openers to a lot of people in France, as the last major  exhibition held in Paris was in 2004.

    According to her, the idea of the show is to continue to promote Nigeria’s rich culture through art as distinct from crafts, music and movies.

    “I used the theme Echoes from Afar because of the message each artist has and expressed through their mediums. Some are social stories, some biblical and others are Nigerian issues,” she added.

    Fagbemi disclosed that the gallery has validated the show since last year, but that she was only on the waiting list at the venue. A few of the exhibiting artists are expected to be at the opening ceremony on November 29.

    She said the choice of the artists was informed by their schools, styles and known subjects in the past, adding that Ekefrey is well documented in France and has had several exhibitions in France too.

    “Also, being the only self-taught among them, it gives a balance of appreciation to show a typical art from Nigeria as distinct from influences from educational institutions,” she said.

    On modern Nigerian art in France, she said: “It is easier to hear about the artworks by Muraina Oyelami, Twin Seven, Uche Okeke, Bruce Onobrakpeya, among others than Nigerian contemporary art. And it is the same in Europe. Contemporary Nigerian art is beginning to be well recognised due to frequent exposures and exhibitions. But, it still depends on the country.”

    The collection, which is insured, will include Wewe’s Sambisa Blues (acrylic on canvas), Uyovbisere’s Zaria school: Ese at the city gate, an oil on canvas (the Story of Ese Oruru), Asidere’s Music maker (oil on canvas) Ekefry’s Molue Bus (acrylic on canvas), Amenechi’s Adam and Eve ( biblical-etching), Ovraiti’s Father, Mother, Child  (oil on canvas) the traditional family, Orara’s Ibadan (oil on canvas).

     

  • Council honours legendary cartoonist Ajiboye

    Council honours legendary cartoonist Ajiboye

    Josy Ajiboye’s general attitude to life reflects on all his paintings. It’s all about reality. It’s all about being natural. It’s all about being humble. It’s all about being down-to-earth. His paintings address his deeper, natural and perceptible feelings. His emotions are poured out on canvas just the way they come; no dilution, no fabrication, no distortion, no abstraction and no stylisation.”

    This remark by Mufu Onifade captured all that Josy Ajiboye presented at his solo art exhibition tagged: 40 years of art exhibitions held at the National Gallery of Crafts and Design, National Theatre, Iganmu, Lagos.

    The solo exhibition was organised by the National Council for Arts and Culture (NCAC) in honour of one of Nigeria’s foremost legends whose experiences as an illustrator and cartoonist traversed publications such as the Daily Times, Sunday Times, Evening Times and Weekend Times.

    The exhibition chronicles the ‘’outstanding achievements and artistic initiatives of the great artist who has for years used the platform of art as a vehicle to channel his contribution and give back to the society’’.

    Instructively, the exhibition is featuring a combination of some old and new works in a retrospective manner to comment on the current development in art. For four decades, Ajiboye has used different artworks – illustrations, cartoons, paintings to express himself on contemporary issues as well as to document Nigerian history and culture.

    Omooba Yemisi Adedoyin Shyllon Art Foundation (OYASAF) founder Prince Yemisi Shyllon, who chaired the opening, said artists needed to be honoured as they contributed immensely to nation building.

    “Ajiboye is not just a painter, he played a major role in post-Nigeria independence. In fact, artists should be honoured for their roles in documenting history,” he added.

    The exhibits on display range from cartoons to drawings and paintings, which dwell on politics, economy, socio-cultural and environment. The collection covers realism on common place activities such as festival, dancing, beach life, village scene and animal kingdom. Ajiboye’s paintings are described as ‘realistic encapsulation of natural occurrences. He is never fascinated by illusion and inexplicable ideas. Little wonder he has no respect for those artists who hide their deficiencies under the guise of abstract.’

    Works in this category of realism include Elephant, Bible scene, Efik Girl, Farmer’s son, Eyo, peacock Girl and Ram Portrait.

    One of his cartoons, HELP! is a visual representation of the state of the nation’s naira whose value is constantly sliding to an all time low in exchange. It captures an image of a man in naira robe drowning in an ocean. The crying figure raises his hands up shouting for help. But there seems to be no help in sight except for any miracle from heaven-he looks up to the sky as the wave takes him further into the ocean. The ocean is symbolic of the world economy in which Nigeria finds itself performing badly.

    The state of the hall did not enhance the presentation and appreciation of the works. Apart from the untidy nature of the floors and walls, some of the air-conditioners were stripped of their covers and dripping water.

    Inadequate illumination of the works was also a setback. The hall, especially, should have been given a facelift for such a landmark show meant to honour an icon such as Josy Ajiboye. The exhibition ended on November 9.

  • Hope rekindled: The tragic story of Nigeria

    Hope rekindled: The tragic story of Nigeria

    Hope Rekindled is an exceptional literary work on the socio, political and economic development of the country. From a retrospective look at the progress of the country since its formation in 1914 to this day, the book has situated the problems of the nation, bemoaning its abysmal retrogression on all fronts 56 years after independence while some of its peers of then that were far behind its development level have not only progressed but have leap-frogged from third to the group of first world nations.

    To an average Nigerian, the major problems of this country are bad leadership, corruption, high cost of governance, tribalism and the defective   structure of the federation which are in the main discussed subjectively without facts and data but as this book has equally made us to realise, beyond those well identified issues of the nation, the socio, political, economic and religious contradictions of the people are not only a significant contributor to the problem, they are in fact largely holding the nation down. The contradictions do not only need to be urgently tackled, everything, in the view of the author, needs to be done to change the ways of the people and   believe in them. To the author, such popular believe and saying by some of our people like ishe kekere owonla does not encourage hard work, productivity and transparency. He also wonders while we all daily go to the religious homes, read the holy books, listen to the homilies and sermons and return to continue to live false lives, dishonestly and treat our neighbours and fellow compatriots as “bush meat” forgetting that what goes around, comes around! Another of the contradictions is the love and cry by all for democracy while in practice we detest the ethos of one man, one vote to allow the wisdom of the crowd to prevail in our electoral system.

    Again, the challenge is that we are no t good students of history as our memories both personal and institutional are very short. Consequently from a gradual history of the crystalisation of the many ethnic, linguistic, cultural and religious diverse groups and nations into a single country that has become today’s modern Nigeria, Hope Rekindled traces the  country’s historic fortunes and misfortunes of the once glorious nation, unravels her political, economic, governance and  other problems and proffer  solutions.

    On the political front, the military’s refusal to allow the country and her political class to make mistakes, learn and perfect from them was a complete misadventure into her life. The intervention did not only cut short her learning process, it destroyed the nation’s carefully established developmental process, the hard earned values of freedom  from the colonialists, magnified the ethno-religious and political differences of the country by ‘backwardly’ transforming  her politically from a fiscal federal state into a unitary state and by instigating the country to dump the inherited cheap and transparent parliamentary system of government from the colonial masters for the corruption-driven and expensive American presidential system that has become a drain pipe on the nation’s learn resources.

    The book has hard knocks for all of the nation’s past rulers for their economic and political illiteracy and what  it called scape goat economic policies that for decades disallowed economic freedom and ease of doing business. This also   held down the country’s economic development until the International Monetary Funds(IMF’s) Structural Adjustment programme (SAP), which halted the nation’s scape goat economic policies, induced some level of economic freedom and opened up the economy for the first time to experience genuine economic development and growth.

    But how did the country actually become a laggard among its historical peers of all times?

    The author, Sam S.O. Afemikhe, a leading Chartered Accountant,   Transparency, Business and Value for Money Consultant and Strategist, in trying to find answers to that thought-provoking question, began by benchmarking the country against nine other countries- India, South Africa, Malaysia, Singapore, Ghana, Botswana, South Korea, Brazil and Indonesia. All of which were its closest peers with comparative history and levels of development at independence.

    It carefully catalogues its findings and illustrates clearly with data and graphs, using the annual metrics and indicators generated by international organisations to rank the social, economic and political performance of countries worldwide.

    The challenge confronting the nation, which range lately from wide scale terrorist activists in the Northeast, the dare-devil  militant groups in the Niger Delta and  the general appalling state of insecurity to the worrying problem of nationhood challenge, threatening to dismember the country, the author further noted, were not only compounding the nation’s woes, but have assumed dangerous dimensions that unless something urgent is done to arrest the situation, the country, he feared,  does not inly stand the risk of collapse, the receding movement to precipice could prove catastrophic.

    He was unsparing in the first part of the book in which  he described Nigeria in the first chapter as “a sleeping giant,” noting with regret that “the country is still ranked as a developing country with many indices of development abysmally looking downwards and getting lower. To all effects, the education system has collapsed.

    Part 3 (Quest for Justice, Equity and Peace) comes under four chapters- Grappling with the Structural Defect, Political Misadventure, A Deadly Venom and Please, Help, We Are Drowning. On what it terms the nation’s structural defects, the book argues that the multiplicity of states has only succeeded in increasing the cost of government “with more and more resources of government devoted to recurrent expenditure.” In the author’s opinion, with less and less to spend on the people, the nation’s human development index has dimmed negatively.

     

    Part four of the book with three chapters – A Nation of Contradictions, Do the Right Things and Do Things Right and Return to Go- envisions how to achieve a new Nigeria, counseling the nation’s leadership to take charge and chart a vision for Nigeria that will liberate all citizens and unleash their innate capabilities. Hope Rekindled showed that its objective is not only aimed at fault-finding, it proffers solutions to the nation’s festering political and economic challenges,  arguing strongly for a re-adoption of the parliamentary system to end the high cost of governance of the presidential system, adoption of fiscal federalism, total war against corruption, a socio, economic and political rebirth to jettison our lives of political, social, cultural and religious contradictions, a total overhaul of the country’s justice system to strengthen the rule of law and property rights and total a enthronement of the doctrine of economic freedom and ease of doing business.

    The 804-page work is not only a thorough study, analysis and solutions to the nation’s fiasco but alsoand a recommended literary companion for all lovers of this great country, it is a revelation of the author’s high sense of patriotism and beliefve in the unity and greatness of the fatherland. which have remained potentials that must be realized..

     

     

     

     

  • Abdulrasaq: Aristocrat lawyer at 89

    Abdulrasaq: Aristocrat lawyer at 89

    In the  Northern Region, he is a household name. He has also earned the respect of other zones as a major player in the nation’s socio-economic and political development. He had served the country in a saner period. Now at the twilight of life, he is bothered by the turn of events, especially the lack of patriotism, the growing corruption, persistent executive rascality, and the entire malevolent social order.

    Thus, while Alhaji Abdul Ganiyu Folorunsho Abdulrasaq reflects on the state of the nation at 89, he is full of nostalgia. When will the good old days return? When will naira stabilise? When will politicians play by the rules? When will poverty be abolised? What future awaits Nigeria? These are the questions that agitate the frontline nationalist. The foundation of his credibility is that he was the first Northerner to have attained the highest bar title of a Senior Advocate of Nigeria (SAN). He has been devoted to the cause of truth and decency in public life. He is credited with a track record of public service. He has not contributed to the social, economic and political adversity of the beleaguered country.

    At independence, he had a vision. Working with his leaders; Alhaji Ahmadu Bello and Sir Abubakar Tafawa Balewa, his focus was the development of the Northern Region in an atmosphere of true federalism that permitted a healthy competition among the zones. He was a major participant in the nationalist struggles. The Northern delegation to the constitutional conferences was never complete without him. He was the only lawyer held in his  esteem by both leaders and commoners. But, he was not tutored to used his privileged position to trample on the less privileged, but to guide the government and people of Northern Nigeria in their relations with other zones.

    However, the military truncated the First Republic and foisted a unitary system on the country. Although the military promised to outlaw corruption, it has continued to grow is leaps and bounds. Today, after 16 years of stable civil rule, the country is still retarded by the cankerworm. This is worrisome to the old political warhorse. He has an aversion for the social ill, which he observed, was minimal in their glorious days. His position on the menace is simple. Abdulrasaq believes that its growth is underscored by the lack of conscience among those who have adopted theft and graft as ideology in high places. In his view, conscience must be revived, adding that it is the judge of independent judge and the internal version of guilt,  which pronounces an emotional trauma. “Everyone, irrespective of religion, ethnicity and political cleavages has conscience. Let every man obey his conscience, which in any case, cannot advise anyone to do wrong,” he said.

    Alhaji Abdul Ganiyu Folorunsho Rasaqwas born on November 13, 1927 at Onitsha to Munirat and Abdul Razaq. His parents were indigenes of Ilorin from Onikatapo and Yerinsa Quarters. He attended Koranic Schools in Ilorin, Onitsha and Lagos between 1932 and 1942.  In 1935, he entered the United African School, Ilorin. He spent a year in the school. In 1938, he returned to the CMS Central School, Onitsha, leaving in 1943. For his secondary education, he attended the Kalabari National College, Buguma between 1944 and 1945.  Between 1945 and 1947,he attended the African College.

    In 1948,  Rasaq gained admission into the University College, Ibadan and later, the Trinity Collage, Dublin University. Later, he was registered at the Inner Temple, London. On February 8, 1955, he was called to the bar at the Inner Temple, United Kingdom. He made name as the first lawyer from the Northern region. He enrolled in the Nigeria Bar in 1956.  Not only has he continued to play a pioneering role in this regard, he has moulded seven lawyers who are from his family. Abdul Razaq obtained the Bachelor of Arts (B.A. Honours) degree in 1953, Bachelor of Laws (LL.B) and Higher Diploma in Education (H. Dip-Educ) in 1954, Master of Arts (M.A.) degree in 1956, and SAN in 1985. In 1955, he founded the law firm of Abdul Razaq & Co.

    The eminent Nigerian has endowed his seat at the bar with visibility, honour and dignity. This is evident in his service to the learned profession. He was a Delegate to International Commission of jurists’ in Lagos & Brazil (1959 – 1962),member, National Executive Committee of the Nigerian Bar Association (NBA)1958 – 1962, and the Law Reporting Committee of the Northern Nigeria (1959 – 1962). He has been a Life Bencher since  1971 and in 1984, he was the Chairman of the Body of Benchers.

    From 1957 to date, he has held at various times the following positions: Legal Adviser to the NPC Delegation to the Nigerian 1957 Constitution Conference, London; member of the Nigerian delegation to International Conference on Problems of Federal Constitution, Lagos in    1959;Legal Adviser to NPC Delegation to the Nigeria Constitutional Conference in  London and Lagos, 1960; member of Drafting Committee of Nigeria Independence Constitution (1960), Legal Adviser to Members of Northern Delegation and Ad Hoc Constitutional Conference, Lagos in 1967; member Constitution Drafting Committee (1977); Chairman of Committee on Executive and Legislature of Constitution Drafting Committee (1977), member of Constituent Assembly (1978); member of the Governing Council of Nigeria College Of Arts, Science and Technology, Zaria, Ibadan and Enugu, which were later elevated to the Ahmadu Bello University (A.B.U.), Universities of Nigeria, Nsukka and Ile-Ife. (1957– 1962) and a member of the Kano Land Commission (1959). The legal luminary has also served as a member of the Small Business Commission of Northern Nigeria (1960)and the Nigerian Delegation to International Commission of Jurists, Lagos (1960). He was the Chairman of “Daily Mail”–Nigerian National Newspaper     Published in Kano  1960 – 1962.  He was the member (Representing Nigeria) at the OAUReconciliation Committee of Algeria/Morocco (1963); On Special Mission to USA for Federal Government Of Nigeria (1966). He was the National Legal Adviser to Northern Peoples Congress (NPC) 1956 – 1966; member of Northern House of Assembly (1959–1962); member of House of Representatives (1964 – 1966); Nigerian Ambassador toe Cote’ D-Ivoire (1962– 1964); and Federal Minister of State for Railways (1965 – 1966). Abdulrasaq was a member of the Leaders of Thought of Northern Nigeria (1966– 1967); Nigerian, Delegate to 23rd UNO General Assembly,New York, USA (1968) and Kwara State Commissioner for Finance, Health and Social Welfare (1967-1972).

    He was the first Northerner to be given and gazetted a substantive appointment as a Judge of High Court. But, he politely declined the appointment in 1969. He was a founding member of Capital Issues Commission (Now SEC) 1973-1977; Council of the Nigerian Stock Exchange since 1967; member of the Panel on Nigeria National Productivity Merit Award (1991); Bauchi Disturbances Judicial Commission of Inquiry    (1991); member of Privileges Committee of the Nigeria Bar (Supreme Court of Nigeria) since 1991; Vice President Nigeria Stock Exchange    (1983-2000); member of disciplinary Committee of the Nigeria Bar since 1995; and President Nigeria Stock Exchange (2000-2003).

    Abdulrasaq  was the proprietor, first principal of the Ilorin College, now Government High School, which was founded in 1967. The chieftaincy titles and awards conferred on him include the Tafida of Zaria  (1962), Mutawali of Ilorin (1962) and Grande Officer De La OrdreNationale DeCote D’ Ivoire (GOONCI) 1965. He was the first recipient of Kwara State Merit Award (1989). He is also an Officer of the Federal Republic (OFR). A committed Muslim, he has performed the pilgrimage to Mecca between 1961 to 1963.

    • This piece was first ran on Sunday, Nov 13.