Category: Arts & Life

  • Group decries cultural neglect  by youths

    Group decries cultural neglect by youths

    Centre for Igbo Arts and Culture (CIAC) has decried the  neglect of indigenous languages and culture by youths. The group said it was disheartening that Nigeria with over 250 ethnic groups continued to use English as its official language when the government and leaders should make efforts to promote the study of Nigerian languages, especially at the primary school level.

    They added that the government needs to revisit the national policies in the educational system to ensure that at least Nigeria’s three major languages are taught in schools to resuscitate the already dying languages.

    Chairman, CIAC Ezeani Kanayo Okoye spoke in Abuja on the need to teach the three major Nigerian indigenous languages in FCT primary schools. Okoye who was represented at the occasion by the Administrative Manager CIAC, Atueyi Ifeanyi said that indigenous languages especially Igbo may likely go extinct, which makes it paramount for it to be taught in schools.

    His words: “It is deeply disheartening that Nigeria, a country with over 250 different ethnic groups,continues to use English as it’s general language of communication, our government and leaders should make every effort to promote the study of Nigerian languages in FCT schools especially at the primary level which is the foundation stage in a child’s life.

    “Although the Federal Ministry of Education has made it compulsory for students to study and register at least one Nigerian language at Senior Secondary School examination, while accommodating the study of indigenous languages in education curriculum, implementation of the policy remains lukewarm.

    “The government should re-visit the national policies in our educational system to ensure that at least Nigeria’s three major languages are taught in primary school levels as a step towards resuscitating ýour already dying languages.”

  • Exploring dynamics of urban space

    Video artistry took centre stage at the Freedom Park Lagos recently when seven artists exhibited video works to explore the dynamics of urban space. Theme of the project was:Changing City: Shifting spaces.

    The project was put together by Videonale, Bonn and Video Art Network, Lagos and featured works by Jude Anogwih (curator), Victor Ehikhamenor, Melanie Manchot, ZoltVasarhelyi, Jan Verbeek, Wura-Natasha Ogunji, and Tobias Yves Zintel.

    Tasja Langenbach (Videonale, Bonn) said: “It is a really good way for artists to concentrate on their creations. You can fuse so much information into one video work. There are so many ways of telling one story with one work, one thought. It is a very contemporary form.”

    The event centred on using video artistry to explore the dynamics of urban space. With video artistry, the artist is often at liberty to let their artistry run wild by employing ingenuity to capture and edit moving images to mirror or represent life; as is the aim of all the arts one way or another. While some videos may be directed, others may be spontaneous or incidental. Videonale in Lagos explores temporalism as a natural resultant phenomenon of conurbation. Artistic temporalism encompasses depictions of the concept of time and the reality of it through art works.

    With his video on display, ‘Mother’s Flag’, Victor Ehikhamenor questions if cities like Lagos really change. His work, a three-minute video which was made in Thessaloniki, featured a steady long shot of an old building’s window with a wrapper hanging from it, flapping in the wind. He juxtaposed replications of the shot such that it gave an illusion that there were three shots in the video. Meanwhile, an image of a pregnant woman repeatedly flickered in the window.

    On his video, Ehikhamenor said: “Thessaloniki is an ancient city yet so modern; how long did the change take and how much change still lies ahead? It reminded me of my village and the many changes that have occurred. The question is do cities like Lagos really change?”

    To symbolise this change, he then hung his mother’s wrapper from the aforementioned window and watched as the wind gently blew the wrapper back and forth.

    Tobias Yves Zintel’s 38-minute video, ‘Earthly Powers’, explores the possibilities of artistic appropriation by mixing documentary and incidental material and referring to the visual language of music clips. Shot in 2011, the video features inhabitants of the small artists’ colony who, between musical performances, talk about their lives in the Catskill Mountains.

    Also on display were Yamakasi by Zolt Vasarhelyi, Pulsate by Jude Anogwih, On a Wednesday Night in Tokyo by Jan Verbeek, Not a ghost by Wura-Natasha Ogunji, and Celebration by Melanie Manchot. All the videos on display were shot through the single channel medium, coloured, and had sound.

    The project is an initiative of KfW Stiftung which wishes to contribute to the on-going development of new media in Nigeria by supporting budding artists in establishing international contacts. It was also supported by the Goethe Institut, Nigeria and Centre for Contemporary Art (CCA), Lagos.

  • Ajai-Lycett @ 75 ‘Be always ready to dance’

    Ajai-Lycett @ 75 ‘Be always ready to dance’

     As a young actress, she acted and danced on the world stage. Her art carved a niche for her among living legends. At 75, internationally-acclaimed thespian Taiwo Ajai-Lycett is still dancing to the stars. When she turned 75 on February 3, the “birthday girl” marked the feat with star-spangled celebration and book launch in Lagos. EVELYN OSAGIE writes.

    Ageless beauty at 75

    She was born for the spotlight. For decades, she dazzled the world with her talents. At 75, the elegant widely-acclaimed thespian Taiwo Ajai-Lycett exudes a show-stopping mien that typifies the ageless beauty and warmth of the woman.

    It was little wonder that her 75th anniversary stirred up emotions when dignitaries, consisting family, friends and fans flocked to the prestigious MUSON Centre, Lagos, to celebrate the “birthday girl”.  The event was marked with the formal unveiling of her book entitled: Just Sharing.

    “It is not every day that you’d see a beautiful woman at 75,” began former top executive of Mobil, Mr Pat Okpuzor, who chaired the event. “So Sister TAL, congratulations. And you are combining it with a book launch. The way you know a good writer is the spontaneity with which the writer writes.  I have read a thousand words from the book and I say TAL is a great and superlative writer. People don’t write book at 75, congratulations. That tells us that in you God have implanted something very unique. We pray that years from now you would still be writing books and remain beautiful.”

    At the event were her son, Mr Debo Adefolaju, and her elder brother, Mr Akintola Ajai, who turned 80 last month. Also in attendance were  Oba Gbenga Sonuga, represented by his wife, Olori Peju; former Ogun State Governor Aremo Segun Osoba; Chief Vincent Maduka; political leader, Prof Pat Utomi;  Helen Ovbiagele; Executive Editor/Director, The NEWS/PM NEWS, Kunle Ajibade; Princess Folake Marcus-Bello; Francesca Emanuel; veteran actor, Dejumo Lewis and ace filmmaker, Tunde Kelani. Desanya Sax and TK Okobia entertained guests, individually, with musical performances.

    Given her impeccable beauty at 75, guests dubbed her a variety of exotic names. Aremo Osoba described her as “elegant”. Prof Utomi called her, “a gift to the nation of such a time like this”. Olori Sonuga called an “inspiration”.

    Others called her “Idi ileke”, the “famed beauty of Idi-Odo” to ageless beauty”, “elegant queen” and “face of African beauty”, the list was inexhaustive. The secret to her beauty, she said, lies in making oneself happy and dance against the odds. While emphasising the virtue of positive thinking, she urged them to dare to play their music.

    “I am dancing through life. I am dancing to mine and the music is sweeter and sweeter with age. Life is a university. I am going from one class to another. And somebody asked me, “How I feel at being 75?”How does a child feel? I am only just beginning. The best is yet to come,” expressed the gaily dressed thespian as she turned 75.

    Indeed if life is music, given her achievements, Ajai-Lycett could be said to be dancing beautifully to its tune. Her contributions to the arts, music and development of theatre in Nigeria, in Africa and in the world, guests said were worthy of note. They also exchanged notes on the virtues that have earned her a place with the stars, spotting determination, consistence and integrity as the bedrocks of her lifelong achievements.

     

    Meet Ajai-Lycett

    Born in 1941, she clocked 75 on February 3. The renowned actress, whose creativity and contributions to the creative art has earned her several awards, has performed in many leading theatres in the UK and stage appearances in Nigeria and on Nigerian National Television including, J.P Clark’s Song of a Goat and Wole Soyinka’s Death and the King’s Horseman and The Lion and the Jewel; Fred Agbeyegbe’s The King Must Dance Naked; Arnold Weskers’ Shylock and Laolu Ogunniyi’s television series, Winds Against My Soul.

    Her TV appearances include popular British sitcoms of the 1970s and comedy, such as For Better For Worse and Some Mothers Do Have ‘Em by Michael Crawford who played Frank Spencer which is currently on YouTube. Also, in the Hollywood film, A Warm December, she appeared alongside the iconic African American actor, Sidney Poitier. She bagged the Order of the Niger (OON) in 2006 and is member of several professional bodies in Nigeria and abroad.

    And her list of her achievements goes on. But Ajai-Lycett admitted to guests, with an admirable humility that her feats are inspired by the support of family, friends and fans.

    She said: “You affirm me. Your presence here tells me that, perchance, I’m walking the right path. I’m not there yet, of course. You are helping me navigate this world, gloriously, tenderly, courageously, sometimes arrogantly. But that is because you gave me power to feel that I can be what I want to be. You me the focus you give me the joy. You make me dance. And I am dancing through life. And to me, this world is all about music. May your life be more musical; be more stable; happier full of joy. Thank you for coming here today and making my 75th a dream.

    “Mahatma Ghandi said that “The change begins with you”. We tend here to blame everything on the government or somebody else but we make our world. And it is our responsibility to make this country remain great because it is a blessed country. We can do better. It has got all the resources anybody needs to live a successful national life. I am 75.  I am looking at what I am going to be doing and being when I am 80. I am beginning to work.”

     

    Ajai-Lycett’s book on life

    Her book, Just Sharing, which the reviewer, Ms Samantha Iwowo, called “a nourishing food for the soul”, is a compendium of 57 essays, containing her thoughts and ideas. Published by CGN Books, Ajai-Lycett’s book focuses on diverse issues, ranging from love, music, health, aging, fitness, beauty tips and dance, among others. In it, the thespian urges her reader to rise up to the challenges of life with a positive outlook to things.

    Some dignitaries read excerpts from the book. The first was Mr Akin Fatunke, who read excerpts from the book’s first essay, entitled: Controlling your Body. In it, Ajai-Lycett advices folks to play, have fun, laugh and enjoy, urging them to “Find the playful inner child and allow it to come to the surface…”

    Mrs Iretiola Doyle read from the piece that asserts that “gratitude is the best attitude”, while Mr Dele Atiba read on the piece on positive thinking.

    The Publishing Consultant of CGN Books, Dr Omolola Omoteso said her company is out to celebrate Ajai-Lycett in diverse ways, saying she is a project that goes beyond the book’s unveiling. She said: “At a time when the country is going through a lot, her person spells wisdom, ethics, good process, beauty, national development. She is a bundle of beauty. I call her “Elegant Mama TAL”.  At 75, a lot of people retired and long forgotten; to still be going at 75, is amazing. What inspires me to want to go all the way for mama is she is my mentor. She came into my life at a mentorship programme Aspiring Entrepreneurs programme by Fate Foundation. We cliqued and this was the genesis of the marriage of minds and a lifelong friendship. At the end of that programme, she threw a party for me. I have been touched greatly by her, so this is me giving back.

    “Mrs Ajai-Lycett is beyond description, so much so that her son refers to her as deity. The TAL vision is not about rebranding her. She stands tall as a brand, worthy household name. to fully tap into this bundle of talent, we intend to celebrate this icon of inestimable value and her journey into the septuagenarian fame through the publishing of her works in book form, launching of the work and exhibition of photos and stories about her, Touch (a planned cruise where people who have been touched by her would have a an opportunity to step on stage with her), publishing of her biography, establishing of an office and museum to house her works and photos to serve as tourist spot, among others.”

     

    All hail Ajai-Lycett at 75

    Like Dr Omoteso, guests and family had kind words for the birthday girl. They also included Executive Director of iREP, Femi Odugbemi; founder of Omenka Gallery, Oliver Enwonwu; Founder, Terra Kulture, Mrs Bolanle Austen-Peters; Taiwo Odugbesan and Uche Obaseki of Radio One. Excerpts.

     

    Aremo Osoba:

    The celebrant of today, our own respected, beautiful and ever elegant, is very dear to my wife. She says is one lady who is not only the most beautiful but one living a good example that “black is beautiful”. She is a lady who has contributed so much to art, music and development of theatre, not only in Nigeria, in Africa and in the world. We are very proud of Ajai-Lycett. And as her senior brother, because I was 77 this year, I welcome her to the club of 75.

    At 75, she is still looking so radiant and so young. We belong to a chat group and all the men there are struggling to be the boyfriends of Taiwo. At 75, you are still being chased; even abroad, people are still falling over each other. At the chat room we give ourselves all kinds of nicknames, such as Agrikpa I, Agrikpa II and Igrikpa I. and the day we met Ajai-Lycett, they couldn’t “gripkpa” her. I greet you warmly; I pray for longer life for her, in good health.

     

    Olori Sonuga:

    Aunty Taiwo is my paddy sister. She has been since 1979. She is an inspiration and I love her. The young ones should meet with her and discuss on what it means to be a better artiste. She is also so close to the Kabiyesi, my husband. We pray for her to live long.

     

    Emanuel:

    I admire her a lot. She is a trouper: when I want to congratulate you on your 75th birthday. I want to thank God for you and the contributions you are making to our society. From the excerpts, we have read today, that book is a must read book. I wish long life. She ever so graceful, caring and elegant. So I wasn’t surprise when Governor Osoba said she is still being chased.

     

    Culture Specialist, United States Consulate, Bene Uche

    May you continue too nr an inspiration towards all.

     

    Adefolaju (Ajai-Lycett’s son):

    My secret is people not knowing I am mama’s son. I? can be who I want to be without the spotlight. Ajai-Lycett telling us that there is a greatness to us, so we should appreciate ourselves more.

     

    Ajai (Ajai-Lycett’s brother):

    I have been privileged of having seen her from day Number One. From birth, everything about her had been dramatic. And I am delighted that all the rascalities she had in her earlier years have evolved to something worthwhile. Taiwo has always been very outspoken, very bold and very adventurous. She got into a number of troubles, especially during the days when Lagos was serviced, “waterwise”, by what they called “Idi Odo”, public taps. A number of children exercised their physical expertise at such junctures.

    I am not saying she is one of them, but at the end of the day, I am particularly delighted, what she has evolved into has given pleasure to many people. On behalf of the Ajai family, we thank everybody for having giving her all the support. She is 75, I congratulate her.

     

     

     

  • ‘How we have survived despite our disabilities’

    ‘How we have survived despite our disabilities’

    It’s always a great feeling to perform extra-ordinary feats, but it’s even more so, when this act is done despite a terrible disability. Daniel Adeleye x-rays the lives of some young men who have refused to be caged in a corner by their disabilities.

    Tuesday August 21, 1992 started like every other day for Sikiru Omiesan Adewale, a machine operator in a plastic producing company; bright, beautiful and full of hopes. But by 10.am that morning, the gleam of hope for a brighter future for indefatigable Adewale was suddenly replaced with a bleak one. By sheer accident, the machine he had operated for years slammed into his right hand, turning it into mangled flesh and bone in an instant. Long faces of horror greeted doctors’ declaration that bubbly Adewale’s right hand would have to be dismembered.

    However, following the amputation, the 30-something year-old refused to be down-cast.

    He said: “After the accident and my right hand was amputated; I summoned courage and began to think of my future and what I could do for a living again. With my little education, I could not afford to be a waste. Although I was highly depressed, I took a decision right there in the hospital and called on a nurse to get me a pen and an exercise book. I began practising with my left hand, because I was right-handed before the accident. First, I learnt to write alphabets A – Z, and later I practised how to write words. That was how I switched to doing things with my left hand. Although life has placed me in Canyon’s gloom, being an eager beaver, I summoned courage. I can actually say that I work harder now than before the accident; maybe because of how I trained myself. I even continued playing football as pastime after the amputation. I only stopped recently because of age.”

    When asked if he felt any different going on the football pitch with only one hand, Adewale said “I felt as if nothing had happen to any part of my body. I enjoyed dribbling my opponents and I even scored against them. Even now, I still organise football competition in the company where I work. We play inter-departmental matches and also play against other companies.”

    On how he feels seeing other people with their full complements, while he is condemned to going about with a stump for a right hand, Adewale said one of his greatest fears when the accident first happened and the idea of amputation was muted was losing his friends and peers at work. But that has not been the case.

    He says, “I have more friends now than before. People in and outside my company have been so wonderful to me. There are however two occasions when I really wished I had my two hands. First was the day I was discharged from the hospital, when children from the neighbourhood took to their heels on sighting me with one hand. Second was when some of my friends and I went to a certain farm. On that farm, we were plucking mangoes and cashew. My friends climbed the trees and began displaying all manner of acrobatics. On those two days, I was highly depressed at my condition. But I immediately put those moments behind me, because it could happen to any human being. Before the accident, I was seeing people in that form too.”

    What is it that motivates him? We ask.

    Adewale said “I derive motivation whenever I see someone who is hard working. I always feel uncomfortable calling people to do something for me because I believe I can do them  myself, even if it takes me longer time. Can you imagine that I buckle my wrist watch myself? I wash clothes, and I drive a car!”

    Surprised, at his last claim, this reporter wanted to know how he manages to drive a car. His response was: “Driving is something I had been doing before the accident; it has become like a part of me. So after the incident, it occurred to me that even people with two hands occasionally drive with one hand; so that thought galvanised me. One day my brother came with his car; unknown to him, I took the car key to see if my imagination can come to reality. I started the ignition, and to my surprise the car was moving. I was able to control it and I found it easy to do.”

    He practically threw a jab at lazy able-bodied youths, when he declared that he does a lot of chores himself, including washing, farming, riding bicycles and even participating in the monthly Environmental Sanitation Day clean-up.

    “Sometimes when I go on a delivery mission, because I now work with my company’s marketing department, I would be the first person to step out of the vehicle and start off-loading the products. One day my manager (marketing manager) nearly slapped one of our staff, when he sighted me carrying the goods while the other guy stood akimbo looking at me. I was the one who was now pleading for him. That is because I took a decision not to be a waste product after the accident. Look around and you’d see many of my equivalents on the streets, begging for alms; that perhaps is why people look at me with surprise when I give them alms, even though we are supposedly in the same condition. I tell you, being slothful is worse than death.”

    Speaking more on his condition, Adewale said “Before the accident, my dream was to have a university degree; it doesn’t matter if I used it to work or not. But I stopped along the way because of the accident. Now at age 54, I am still going to pursue my original dream of acquiring university degree at National Open University of Nigeria, NOUN. That will be an impressive accomplishment for me. It will also give me a sense of fulfillment.”

    Aside the ambition to obtain a degree, Adewale says he will also like to run his own business venture. “God willing, after my retirement from the company where I work now, I hope to venture into business and probably delve into local politics in Oyo State. I’m someone who likes to see to the affairs of people around me, so I’d be glad to play my part in whatever way to help my people politically or in form of philanthropy.”

     

    Ibrahim Lateef, the one-armed bus driver

    Adewale is not alone in this tale of dogged refusal to bow to a cruel fate. The case of Ibrahim Lateef is almost similar, except that he is nine years younger and a commercial driver.

    Lateef, who drives popular Paragon passenger bus otherwise known as ‘danfo,’ shuttles between Agege and Mushin in Lagos Metropolis. He recalled how he got involved in a ghastly accident on the ever-busy Lagos-Ibadan Expressway on a fateful Saturday morning, while traveling with his family. Luckily, Lateef’s wife and children came out of the accident unhurt, but he unfortunately lost his left hand, as it got cut off in the crash.

    According to him, “When the accident happened and I lost one hand, it was as if the world had come to an end. I went back to my parents in Ibadan, to receive treatment. I was in that condition when news came that my wife has left for another man, because she was not ready to go through my darkest moment with me. I was saddened by her sudden change of heart. To say the news hit me like thunderbolt is to grossly understate a glaring fact. I thought I would never become anything again in life; I even thought of committing suicide.”

    Lateef’s voice had a low rhythmic tenor, with his lips moving with a slight tremor as he narrated his ordeal. “It came to a stage, unknown to my parents, when begging for alms was a weapon of last resort for me to survive. Along the line, a small still voice ministered to my heart against what I was doing to myself. At about that same time, my parents and siblings got wind of my new lifestyle and came to take me home. Thereafter, they encouraged me and tried to make me see that my condition is not the end of the road and that enlivened me.

    “Because of this, I put myself together and returned to Lagos. When I got to Lagos, I went to Brown Street, at Oshodi. The fraternal sympathies from friends, the then leaders of NURTW in the zone brightened my spirit and made me face my life squarely. Since I was a commercial driver before the accident, I decided to toe that line, but I couldn’t do much. My people at Brown Street retrained me in driving and I started all over again as a bus conductor. From there I was able to move vehicle, until I became an expert at driving again.”

    On how he obtained driver’s license even with one hand, he said, a friend helped him to get it, but when it became necessary to renew it, he went to Federal Road Safety Corps (FRSC) office.

    “When I got to FRSC, they asked me how the accident happened, I explained to them. I also let them know that I was a commercial driver before the accident. They conducted a driving test for me and discovered that I could drive very well. The only thing they told me after the test was that I should try and fix an artificial hand, to enable me feel more comfortable while driving. But to me I don’t see it as necessary, because I can even drive more than most people that have two hands.”

    So now The Nation asked how he copes with the street urchins otherwise known as “Agbero” at motor parks and bus stops. We also wanted to know how he copes with the unending arguments and insult from aggressive passengers.

    First, Lateef says he endures the Area boys, and as for the passengers, he says nothing concerns him with them, because most of them may not even know that he has only one hand.

    Asked if he ever considered his present condition as a stigma and a setback, Lateef’s reply was: “I wish I had two hands, I would have done better than this. In driving a commercial bus, there are lots of insults, especially from the passengers. Assuming I had two hands and I am able to further my education to a degree level, that would have possibly earned me a white collar job and  me due respect. Sometimes I consider my condition  shameful but at the same time, I thank God for giving me the grace to try in my little way to achieve what some people out there, even with their two hands, cannot achieve. I believe that destiny cannot be altered, what will be, will be. So I accept my fate. And I am using this opportunity to appeal to those people out there who have been unwittingly discriminating against physically handicapped to have a rethink.”

    Isiaka Adio

    39 year-old Isiaka Adio, fondly called ‘One Nation’ by his friends was hit by a stray bullet from sporadic gunshots by a careless mobile police officer in 2001. As a result, his right leg was amputated.

    Adio had graduated, following years of apprenticeship as a panel beater in 2001; but his inability to raise funds to establish himself, forced him to take up commercial bus driving as a temporary measure.

    Recalled Adio, “After I completed my training in panel beating, I went into driving and I shuttled between pen cinema and Ojodu/Berger axis to raise money for my graduation and buy tools that the job required. However, one morning, about 8 months after I started this struggle, my bus developed a fault and for some reason, I swapped roles with my conductor, so I could monitor the vehicle, while he drove. During one of the trips, we were heading towards Ojodu/Berger, after dropping some passengers at a bus stop, when I suddenly noticed that some mobile police officers riding in a bus were chasing us. So we decided to park by the Agege Stadium and find out what the problem was, but as I came down from the bus to ask what we had done wrong, the next thing we heard were gunshots and a bullet hit me in my right thigh. To cut the long story short, the Mopol ran away, and I was taken to General Hospital, Ikeja for treatment. But to add salt to injury, the doctors were on strike, and I was in that hospital for two weeks without adequate attention from any doctor. By that time, the leg had begun decomposing and stinking; this prompted my aunty to take me to another hospital, where the leg was eventually amputated.”

    As a result of the amputation, Adio said he became disillusioned. “It took the timely intervention of my elder brother to stop me, when one night, I attempted to poison myself. That was because I never knew I could ever become anything again in life. He was with me in the hospital for the five months that I spent there, pleading and feeding me with words of wisdom and encouragement. One day, they brought another patient whose condition was more critical than mine and he died few days later in the process. When I saw this, I realized that when there is life, there is hope. So I summoned courage to live again.”

    However, following that resolve, Adio said, “I was without a job for 12 years, sitting in the bus stops and motor parks. During this period, I got married and was blessed with three children.”

    Upon this revelation, one couldn’t help but ask how he got married under his condition and without any source of income.

    His response: “Before the incident, my wife and I were already courting. And when it happened like this, she refused to dump me. She stood by me throughout the months I spent in the hospital. My wife is a virtuous woman. Among her virtues are loyalty, courage and truthfulness.”

    Asked how he got back to driving and why he chose to drive even with one leg, Adio said “With one leg, I couldn’t go back to panel beating. So one day, my friend, Femi, had closed for the day and he ran out of fuel in his bus. He sent his conductor to buy fuel in a can to refill the tank, but after refilling, the ignition was taking longer time to start; so they had to push it and his conductor alone could not push it. I requested that I sat at the driver’s seat and start the ignition, while he and his conductor pushed the vehicle. To my greatest surprise, I discovered that I could still drive. So I quickly pleaded with my friend to let me drive the bus the following day, so I could earn some money to feed my family. He accepted, and that’s how I came back to driving.”

    But how does he cope driving with one leg, and left leg for that matter?

    Adio said: “I had no choice but to do something. I needed to cater for my family; my parents were not financially balance and my children were growing older every day. To pay their school fees was becoming increasingly difficult, and there was no other means of eking a livelihood. I am clearly in pains doing the job, but what can I do? Sometimes I go on just one trip and back, and usually, the person who gives me the bus does it out of compassion, so I can put food on the table for my family. Besides, I cannot continue using my disability as an excuse to beg for money every day.”

    We also asked how he fared with the tough conditions of the Federal Road Safety Corps, FRSC and the Vehicle Inspection Officers, VIO to obtain his driver’s license.

    “Disabled people are classified under category J in the FRSC plan.” He answered. “What they did was conduct a test for me to see if truly I can drive, and I passed. The VIO occasionally stop me on the road, but they are always being gentle with me. Besides, most of them knew me before the unfortunate incident.”

    On the issue of the ‘agberos’ or transport unions, Adio says, he doesn’t give them up to what other people give because they know his condition.

    FRSC, VIO speak

    How safe is the public with physically challenged drivers on the road. Can they be trusted to drive carefully enough, considering that even full-bodied people still exhibit some inadequacies that sometimes result in fatal accidents? Is the procedure of getting a driver’s license for the physically challenged the same with able-bodied people? We sought answers from officers of the responsible agencies.

    Asst. Corps Commander Leye Adegboyega, Ota FRSC Unit Command, says the procedure is the same, but the group where the physically handicapped falls in FRSC’s plan for obtaining a driver’s license is different.

    Adegboyega said, “The physically handicapped is classified under plan J of FRSC. Though issuance of driver’s license is a tripartite arrangement among FRSC, VIO and board of internal revenue, before a form is downloaded to any applicant, be it physically challenged or able-bodied, we need to access the extent of their physical fitness by presenting to us their physical fitness certificate, which is mandatory. After this, we take them to the field for driving test before we send them to VIO and later to the board of internal revenue, where they will get driver’s permit.”

    Echoing the same position, head of Vehicle Inspection Office, VIO Ota, Kehinde Paul Osukoya, says a physically challenged person is expected to obtain learner’s permit and also must have attended a private driving school with medical report.

    “Although a person may be medically fit to drive but VIO have the right to use its discretion to find out if the person is really capable. Medical fitness and capability are two different ball games. For instance, a person that has one eye may be medically fit to drive, but if anything happens to the one eye he uses to drive, he may not be able to control the vehicle.” Osukoya said.

    Explaining further, the VIO officer says a person that has only one leg cannot be issued a driver’s license because the position may be awkward to the throttle and break peddlers. Even if medical doctor says he can drive, such case is not acceptable unless the car such person wants to drive has been converted for that purpose.

    “Sometimes, people with amputated hand or somebody who does not have fingers to grip the wheel steering, cannot be given a driver’s license, unless he obtains it through the back door, which is now endemic in our society. Fingers have vital roles to play during driving.”

    He frowns at the claim by some people that they are more comfortable driving with one hand, than when they are using two hands.

    Osukoya also expresses dissatisfaction at the policy of government that makes the issuance of a driver’s license a tripartite alliance. He says the policy encourages fake driver’s license.

    “Government policies must be abided by, but the long process the applicant’s have to go through has contributed largely to the issue of fake driver’s license, because many applicants are coward of procedures. It’s supposed to be one short arrangement, where people could get their license at the right place and devoid of extortions.”

  • Wastes as new medium of art; how durable?

    Wastes as new medium of art; how durable?

    In today’s world of creativity and amazing art, some of the world’s most compelling and creative works have been born out of the simplest and most abundant of materials: waste. But how durable are these artworks? Would collectors and art buyers get value for their money? Udemma Chukwuma writes

    Art is consistently revolving. Out of wastes, artists are now creating beautiful things. They are becoming daring with the choice of materials they work with and are continuously trying their hands on new medium, recycling wastes and turning them into priceless artwork. Some of the materials for these emerging medium include ankara fabric, plastic, crown crock, newspaper, charcoal, corrugated iron, spoons, you name them.

    Some artists who are using waste materials as medium

    Artists such as Kolade Oshinowo, George Edozie, Peju Alatise, Yinka Sonibare are few of those using rags of ankara fabric to create masterpieces. Uchay Joel Chima, another known artist uses charcoal on board to create alluring works. Chima had also delved into working with strings on canvas and finishing it with paint.  Last year, Rom Isichei wowed those who came to view his new show. He created most of the works on display with all manner of cans, used tomatoes tines, paper collage, corrugated iron, as well as sawdust.

    Interestingly, recycling old waste not only benefits the environment, but also breathes new life into old objects once seen as worthless. This is a case of one man’s meat is another man’s poison. But can the materials stand the test of time?

    Why the sudden shift?

    Olaleye Oluseyi Martins, Principal Lecturer at the Art and Designs Department, Ibarapa Polytechnic, Eruwa, Oyo State said, “People are tired of the old. They are consciously seeking a new world of new materials and method e.g. in ceramics, clay was only limited to the usage of artists, but the new material world has opened ‘clay’ up to the pharmacist, the engineers and even the doctors, who used it in preparing a Nano-particles gauze in stopping blood flow in a critical wound.”

    The realm of creativity, Martins said, is populated; and with incentives so high, “every artist is trying to cut a niche for themselves, more so in this era of polluted environment. The mind of the artist is seriously working on alternative medium of execution for various reasons.”

    Some critics are however of the view that many artists are running away from drawing, painting and sculpting, and embracing this new medium because they cannot cope. But disregarding this claim, Martins said, “Art is dynamic and evolving.  The modern world is even challenging, and greatly awakening the consciousness of everyone. And mind you, not only in art. I would like to conclude that the 21st century is having its strong impact on Arts as it does on science and computers…. Artists aren’t running from paintings and sculptures, but busy finding a better and modern ways of communicating with this generation that always wants things done “instantly.”

    Prof. John Ogene, an art historian, aesthetician, critic and a lecturer at Delta State University said doing art for the sake of vogue is like gambling. It is not about escapism- running away from canon. Experimentation and sheer curiosity contributed to the trend. Historically, this kind of practice came to the fore in Nigeria during the austerity and SAP (Structural Adjustment Programme) years, when the cost of art materials was beyond the reach of the average artist in Nigeria. There may have been other historical influences which had nothing to do with austerity measure. There were also artists who borrowed a leaf from Western artists like Pablo Picasso and Marcel Duchamp. Picasso did not run away from painting and sculpture when he used waste or found objects for art.”

    Art historian, critique and lecturer at the Kara State University, Morenike Fola Balogun in her view said “Trends change, so does taste…. Artists have always ‘stolen from each other.’ Artists like to explore, be unique and at times, different… I guess we are in the era when we are still going to see a lot of ideas, and innovations coming up as artistic expressions.”

    She said art to her, “Is either God made or Man-made; art is not static. It evolves and artists steal from each other – consciously or unconsciously. The buyer can get value for his money in iron work, depending on the theme rendered and the skill put into the construction. The salt of every work is the construction. If it is well balanced, I think it should be okay; but if it is huge or massive, it will be better as an environment sculpture.”

    According to her, artists stress process more than content. The level of abstraction she said “is more pronounced in the use of material, plastic, paper etc. The artists are more adventurous now, that is why we see so many brands now. The freedom to define their own terms has also helped the Nigerian artists.”

    Can they stand the test of time?

    For Ogene, the quality of new art materials being introduced in art-making cannot be guaranteed both in durability and toxicity. “It may well be a passing phase, where some may last, and others may not. Nevertheless, they remain art,” he said.

    Explaining further on the durability of the materials, Ogene said “It largely depends on the buyer, in what connects his life experiences and emotions and how that taps into his memories of life and environment. Some buyers may feel it is worth the price after all, while others may see it as garbage.”

    Balogun said, “Trends change, so does taste… Artists working with these medium are due to contacts with one another and other cultures. Artists have always ‘stolen from each other.’ They like to explore, be unique and at times different… I guess we are in the era when we are still going to see a lot of ideas, and innovations coming up as artistic expressions.”

    She added that “the materials are durable; iron cannot decay, so also plastic, but the finishing also matters.”

    While Martins also agrees with them, he said: “I have seen many artworks in recent times; be focused and set the target at the right cadre of your intending customers. Again don’t forget the cravings for African arts by foreigners but yet majority complains so much about weight and space in transits.”

    Affirming that the materials are durable, he said: “Iron cannot decay; so also plastic. But the finishing also matters, depending on the choice at play. Any buyer would definitely get the value….” Martins said.

  • My greatest joy is helping others grow – Adeola, Nigerian South African Ph.D prodigy

    My greatest joy is helping others grow – Adeola, Nigerian South African Ph.D prodigy

    26 year-old Nigerian, Romola Adeola recently broke a 30 year-old record at South Africa’s Pretoria University Centre for Human Rights, when she emerged the first person to bag a PhD in the centre’s three decades history. She is also the second youngest person to bag a PhD in the university’s 107 years existence. She spoke to Dorcas Egede about her purpose and inspirations.

    A doctorate degree in Law at 26 is no mean achievement; what were your motivations?

    What kept me going were prayer, purpose and perseverance.

    What about the academic environment? What kind of support and encouragement did you receive from your lecturers and mates?

    I was privileged to grow up in an academic environment surrounded by highly inspiring intellectuals with strong academic focus. Within the environment, I learnt to set my priorities right and engage in personal development as I watched others do.

    What considerations propel you and how were you able to wade through the somewhat suffocating influences of peers to carve a niche for yourself?

    Two primary considerations that drive me is the need to do something meaningful and purposeful with the life God has given me and the need to reward the energy my parents have expended on me. In handling peer pressure, I came to the realisation that it is futile to vacillate between negative peer pressure and positive parental measures and still remain focused.

    What do you hope to become eventually?

    That’s a good question but permit me to take a different route in answering it. What I hope to eventually become is to be useful in society by positively affecting the lives of people in whatsoever capacity I find myself. True fulfilment and satisfaction lies in helping others grow and realise their potentials.

    What was your growing up like and what were those things learnt from your parents and siblings, which served as catalysts for who you are today?

    My formative years were spent doing what children do growing up – going to school, studying, socialising and of course, learning about life.  My parents led their lives by example. They were unwavering in instilling academic discipline, godliness and hard work, which in many ways helped me become a better person.

    Are you a book warm or would you say that you are a naturally gifted talent?

    I would attribute my success to God, the great work of my parents and the support of my teachers, relatives and mentors. One can be a book worm or even be naturally talented, but if the opportunities are not there or if there is no one to offer guidance, attaining success would most probably be an illusion.

    Please, be honest and sincere, what was it like contending with pressures from the opposite sex?

    In overcoming this pressure, it is important to be mindful of God, to control your desires and set your priorities.

    What counsel would you give to younger people out there who are aspiring to academic success like you?

    I’d say trust in God, stay focused, never underestimate your capabilities, run your own race and refuse to belong to the ilk of those who do not know what they want or where they’re going.

    What are your regrets if any; and what will you prefer to do rightly if given the chance again?

    I don’t believe in regrets because I believe it’s like clicking on the rewind button of life that is ever moving forward. My advice to anyone who seems to be harbouring regret is: let it go! Don’t remember the past that is not useful to the present or helpful for the future. Forget regrets and find new ways to forge ahead.

     Can we have a glimpse of your family setting? What are your marital plans?

    My parents are public servants. I am the only female child and I’m not married yet.

    What are the values you hold so dear such that you are not willing to let go even in the face of grim circumstances?

    There are several values I hold dear, however, principally I’d say: loyalty to God, myself and society.

    You keep talking about God; how strong is your faith in him?

    I’m a Christian. I grew up in a Christian family, going to church, reading the Bible and learning to be Christ-like is an integral part of my life.

    How do you unwind and what are the things that tickle you?

    One of the ways I unwind is through lawn tennis. Growing up, my father taught me to play.

    Who are your mentors and role models?

    Spiritually, I strive to emulate great men of God with integrity and truth. I greatly admire Pastor W.F Kumuyi and Pastor E.A Adeboye. They are men of strong integrity with a focus on pleasing God and helping people. They also have enviable academic legacies yet their humility is astounding. They’re great examples of godliness and success.

    How ready are you to mentor young lads to become well-rounded budding stars like you?

    Mentoring is a great way of impacting people positively and there is no greater pleasure than in seeing young lads achieve.

    Have you been contemplating what to bequeath to posterity?

    The best gift I believe I can bequeath to posterity is to give the future generation a reason to thank the current generation. If you look at the current challenges the world is facing in the area of climate change for instance, it is, in part, due to the environmental footprints of the past generation. The present is in part, the legacy of the past. With that in mind, I believe it is needful to do well now and do the right thing now for the future generation to enjoy and thank the current generation

    If you’re appointed to head the Nigerian judiciary, what will be the first thing you’ll do?

    Hahaha. Nice question. I’d lead by example in upholding the law without fear or favour.

  • National Troupe: For the love of Nigeria

    National Troupe: For the love of Nigeria

    With series of satires and performances based on the need to move Nigeria ahead for more effective and concerted change, the National Troupe of Nigeria has moved to Abuja, the nation’s capital to preach the message of cultural and moral rebirth. The event tagged ‘I Love Nigeria’, took place on Valentine Day at the Unity Park, Abuja. Edozie Udeze reports

    In its guest to continuously search for a better Nigerian society, the National Troupe of Nigeria (NTN) has devised a new pattern of dance drama to capture the heart of the Federal Capital Territory (FCT) Abuja. Last weekend, in collaboration with the National Orientation Agency (NOA) in what was termed “I Love Nigeria” the Troupe presented series of dances anchored on the unity and progress of Nigeria.

    Held at the Unity Park, Abuja, the dances were done on Valentine day, to show love, true love, rooted in the heart of people can help to move Nigeria to the next level where ethnicity, religious bigotry, hatred, narrow-mindedness and political thuggery would soon be flushed out in the national psyche of the Nigeria society.

    This was why the dances and dramas were performed essentially to touch on those terrible habits Nigerians display that have not encourage the society to prosper. All aspects of professional misconducts in the society were harped on, in which every body was asked to sit up to ensure that Nigeria is made a better place for all and sundry.

    Thus doctors were cajoled to be upright in their treatment of patients. It was good remind them that the head condition of the vast majority of people lay in their hands. Therefore it behooves on them to use their sound professional ethics to give the people the best medical facilities ever. In it, Sobifa Dokubo who acted Nigeria was decked in the National colours of green-white-green, designed to represent the Niger Delta symbolic designs. Dokubo, a veteran of stage, used the opportunity to scold all professionals represented in the play to do the best for the total cohesion, progress and development of Nigeria.

    Each profession has a duty, to perform to put the Nigerian society on the right track to stardom. Both doctors importers, farmers, teachers, civil servants, engineers, the youths, artisans, artists, owe it to the people to discharge their duties diligently for Nigeria to measure up with the rest of the world.

    What will it profit a farmer when he uses fake  and inferior fertilizers to produce crops, that will be harmful to millions of Nigerians? Most of the organically produced food crops pushed into the market pose serious health hazards to the people if all professionals adhered  to safety of their professions; if they truly love the Nigeria society and its teeming people, then they will have the heart to commit less atrocities in order to save the people. No society ever gets it better when its engineers keep building substandard houses that collapse at the slightest whim. No government will be happy to see its engineers do roads that do not last longer before they begin to develop potholes. This was why the drama infused with heavy dances were quite appropriate to pass the message across to teeming crowd that gathered to watch the shows.

    In their midst were soldiers, both serving and retired who saw in the plays renewed zeal to fight more to liberate to people for clutches of Boko Haram. Also present were top civil servants who were told to be more punctual to work and produce more to help the economy grow.

    Civil servants who report to duty say by 10am and register 6.30 am where admonished to desist from the habit forthwith. In his fatherly artistic way, Dokubo intoned “ Oh, it is not good when you falsify your age to remain for ever in the service. It is not good when you habitually produce ghost workers in order to cheat the system; when you make people’s files to disappear at random. And then threaten to go on strike for salary increase for works you did not do diligently. For most part, the arena was silent; people were somewhat reflective and sober. The messages hit them hard on the head. The usual clapping and acclaim that accompany such satires and hilarious place did not happen. Nigerians were told the truth in a way that was new on them.

    “Oh yes,” Akin Adejuwon, the Artistic Director of the Troupe said “it is to make the messages clearer to the people. Change has to be made concrete; people have to know what it is to make a meaningful change. It has to start from each and everyone of us. So, while the NOA uses speeches to do it, we use actions, performances, shows, plays, dances, songs, etc, to permeate the people. The beauty of artistic demonstrations or performance art is that its effect is instantaneous. You feel it as it is being released and you take the message home and chew on it. Most times, they message is addressing you in particular, noting those bad habits you have which you must shed to make progress. This is why we have adopted this method and I hope it is catching on fast.”

    In a way the project is a continuation of the vow and promise Adejuwon made at the initial beginning to take the Troupe to all the crannies of the society. “Yes, we are taking the Troupe out of the National Theatre, Lagos to other places to let Nigerians feel the impact of the Troupe. The dances, the dramas, the songs, et al must reflect on the areas of the Nigerian problems in order for us to move on ahead.”

    In his own speech, Mike Omeri of NOA reiterated the need for Nigerians to fall in love with what is their own. “On a day like this and even beyond, Nigerians need to show real love to one another. This show today is to remind us that love is in the air and it has to be a continuous habit. We need to overcome prejudices and ethnic problems in order to grow as a nation. What is right for the society is what we should do. Let us always remember to show love whether we here or somewhere else. For, to us, love is universal”

    “In other words, let love be our armour. Today Nigerian soldiers have to be celebrated for having degraded Boko Haram. No territories are in the hands of Boko Haram today because our soldiers have been diligent. It is time therefore to dedicate today to them and ask them to do more for the good of nation,” Omeri said.

    In her comment about the play, Josephine Igberease who conceived the show said, “On a search to reward true patriotic citizens in the season of love, Nigeria (a father figure) assembles all contestants from all works of life – From the teachers, to the doctors, engineers, farmers, artisans, youth groups, business tycoons, to mention but a few. Everybody gathers together in groups with the song of ‘I LOVE NGEIRA’ in their mouths, singing praises of themselves with pride. After all the merriment and boastfulness of individual group achievements, the story take a new turn when Mr. Nigeria announces no one is the winner. He goes further to show them the areas where they all fall short, and motivates them to change their ways if truly they love him, Nigeria. It is a story of CHANGE.

  • Erectile dysfunction: What you should know

    Erectile dysfunction: What you should know

    Erectile dysfunction is a major defect in the male gender, directly linked to sexual dissatisfaction. In this interview with consultant urologist, Dr Jeje Ajibola, Medinat Kanabe explores the possible causes.

    Erectile dysfunction is when a man cannot initiate an erection to get sexual satisfaction. To get an erection, he has to first initiate it, in order to penetrate his partner to get satisfaction. A man can only be said to have erectile dysfunction if he continuously cannot initiate an erection for at least three months.

    When a man feels like he wants to make love, there is what is called erectile properties. The arteries that supply blood to the penis opens and allows more blood to enter the corpora cavernosa faster than blood can leave through the veins. As the corpora cavernosa fill and grow in size, the veins get compressed, trapping blood in the penis, causing it to stiffen until one achieves an erection which is when the penis enlarges and elongates.

    According to Dr Jeje Ajibola, Consultant Urologist, Lagos University Teaching Hospital, LUTH, a man cannot come to me today and say he wasn’t able to get an erection yesterday and is worried that he has erectile dysfunction; I will not take him serious because he has to experience it for three months before one can say he has erectile dysfunction.”

    Debunking claims by some that pot belly can cause erectile dysfunction, he explained that having a pot belly does not cause erectile dysfunction directly, as he said that pot belly in men shows that they are overweight, which makes them prone to some medical conditions, not limited to erectile dysfunction.

    “You are not likely to find pot belly in a slim man. Pot-bellied men are prone to diabetes, hypertension, high cholesterol level; as a result of bad eating habit and bad exercise habit, which can cause erectile dysfunction. It is a feature of the general feature.

    “Anything that interferes with the normal process that leads to erection can cause erectile dysfunction.”

    He noted that there are erectile dysfunction that occur in younger age group that are psychologically induced, and erectile dysfunction that occur in older age group because old age comes with hypertension and other medical conditions.

    “There is also erectile dysfunction that can be situational; situational in the sense that when you are at home, you don’t have an erection but when you go outside, you have an erection.

    “Most of the time, for younger age group, their erectile dysfunction is psychological. For some of them, it may be their experiences in life. If his first sexual experience was traumatic, he may carry that on in life and then develop psychological fear of having erection and it is a vicious cycle. He begins to run away from his girlfriend because he is having a belief that if he goes near her, he can never have an erection. The farther he runs away from his girlfriend the more the depression comes in.

    “Another reason may be that the person may have had an unprotected sex the first time and then contracted an infection. That goes on in his head as a young man and may make him become scared of having an erection because he is scared of having an infection.”

    Asked if there is a cure for erectile dysfunction, the doctor said before it can be cured or managed, the cause of the problem primarily must first be found.

    “Even if we feel that it is psychological, some tests will still be run to make sure that there is nothing wrong with them. If there is nothing wrong with them, then we give them some drugs.

    “If the cause is etiology, for example, if the man is diabetic, then we have to control the sugar; if he is hypertensive, we have to control his blood pressure; if he has high bad cholesterol, we also have to control that, and while we are giving them drugs for the primary cause, we also give them some drugs that will help them get good erection. They will need to swallow the drugs before they have sexual intercourse.”

    He advised men who feel they are having erectile dysfunction to seek a physician, so that they can be able to find out what really is the cause of the problem, whether it is psychological or an underlined disease.

    “He will be treated for that disease and he will continue with his life. For the sake of their future and their life, they should not patronise herbal gins before consulting a doctor. What I also expect a doctor to do when a young man comes to him is that he should refer him to a neurologist. He is a young man and has a long life to live, so the doctor should not mess up his life. I have told you I will not say a young man’s problem is psychological until I have ruled out any underlying disease. He can even be referred to a psychologist, if it is necessary.”

  • Odiakosa returns with Excavations in the Orchard

    Odiakosa returns with Excavations in the Orchard

    Poet and radio broadcaster, Greg Odiakosa recently returned with his second poetry book, entitled ‘Excavations in the Orchard.’ The 87-page book features poems that mirror the decadence in the Nigeria society, where the citizen sees nothing but self inflicted retrogression rather than progress.

    At a review session which recently took place in Lagos, the reviewer, Aondohemba Oriin Godwin noted that the poet “presents the graphic picture of a rich nation, whose citizens groan in anguish due to severe poverty, ignorance and disease; arising from the anti-people disposition of the leaders at various levels. To the poet, the sorry condition of the country cannot be blamed on the leaders alone but on the led as well.”

    The action of Excavation in the Orchard, he said is divided into three parts, namely: the- hunter, the hunted and the truce. In the hunter, a starting poem in the sub-division in the anthology, the poet presents a vivid picture of the hunter-leadership styles of brutality, selfishness, callousness, greed and avarice.

    “For them, fresh fish pepper-soup, Okpa, kponmo and agidi for our group, Power and obeisance to His Excellency, Death and indifference to his subjects. Consequently, the ‘leaderless’ leadership styles of these hunter-leaders have created a subsisting hopeless situation in the Nigerian nation, as evidenced in the rest of the poems under this part.

    These ugly situations are aptly mirrored in the titles of some of the poems, prominent among which include: Upside Down, Offside Rhyme, Battered, Locomotive Liars, Pen Robbery Terrorists, among others.

    The poet diligently excavates the orchard Nigeria to also unravel the corruption and commercialization of the gospel of salvation by most churches in the poem, this he ironically titled: The Church for the Poor.

    By bringing out these issues masterminded by the hunter-leaders, Odiakosa exposes the fact that corruption among leaders in Nigeria permeates almost every segment of human concern, whether politics, economy, in places of learning and even in religious institutions. These differences remotely breed terrorism and other social vices as often reported in the Nigerian Media. In page 15, the sub-title ‘Scums and Scams,’ and  page 19, ‘Headlines’ buttresses this vividly.

    The basic highlight of the book is that the author conveyed his message with Nigerian Pidgin English. Odiakosa with this book is pricking the conscience of many, who bedevil the nation albeit in a language that is inspiring.

    Odiakosa, who is a renowned broadcaster said at the review session: “It took me several years to put Excavations in the Orchard together and I strongly hope that lovers of poetry will look its way.”

    The Excavations in the Orchard, published by Palmcraft Books comes after his first book of poems, ‘Raindrops on Roses,’ which was released a few years back. Speaking further on the book, the Onitsha, Anambra State-born poet said, “It is interesting and challenging at the same time.”

    Odiakosa studied Theatre Arts at the University of Calabar and is currently an assistant director of programmes at Unity FM Radio, Abakaliki, Ebonyi State.

  • Odiakosa returns with Excavations in the Orchard

    Odiakosa returns with Excavations in the Orchard

    Poet and radio broadcaster, Greg Odiakosa recently returned with his second poetry book, entitled ‘Excavations in the Orchard.’ The 87-page book features poems that mirror the decadence in the Nigeria society, where the citizen sees nothing but self inflicted retrogression rather than progress.

    At a review session which recently took place in Lagos, the reviewer, Aondohemba Oriin Godwin noted that the poet “presents the graphic picture of a rich nation, whose citizens groan in anguish due to severe poverty, ignorance and disease; arising from the anti-people disposition of the leaders at various levels. To the poet, the sorry condition of the country cannot be blamed on the leaders alone but on the led as well.”

    The action of Excavation in the Orchard, he said is divided into three parts, namely: the- hunter, the hunted and the truce. In the hunter, a starting poem in the sub-division in the anthology, the poet presents a vivid picture of the hunter-leadership styles of brutality, selfishness, callousness, greed and avarice.

    “For them, fresh fish pepper-soup, Okpa, kponmo and agidi for our group, Power and obeisance to His Excellency, Death and indifference to his subjects. Consequently, the ‘leaderless’ leadership styles of these hunter-leaders have created a subsisting hopeless situation in the Nigerian nation, as evidenced in the rest of the poems under this part.

    These ugly situations are aptly mirrored in the titles of some of the poems, prominent among which include: Upside Down, Offside Rhyme, Battered, Locomotive Liars, Pen Robbery Terrorists, among others.

    The poet diligently excavates the orchard Nigeria to also unravel the corruption and commercialization of the gospel of salvation by most churches in the poem, this he ironically titled: The Church for the Poor.

    By bringing out these issues masterminded by the hunter-leaders, Odiakosa exposes the fact that corruption among leaders in Nigeria permeates almost every segment of human concern, whether politics, economy, in places of learning and even in religious institutions. These differences remotely breed terrorism and other social vices as often reported in the Nigerian Media. In page 15, the sub-title ‘Scums and Scams,’ and  page 19, ‘Headlines’ buttresses this vividly.

    The basic highlight of the book is that the author conveyed his message with Nigerian Pidgin English. Odiakosa with this book is pricking the conscience of many, who bedevil the nation albeit in a language that is inspiring.

    Odiakosa, who is a renowned broadcaster said at the review session: “It took me several years to put Excavations in the Orchard together and I strongly hope that lovers of poetry will look its way.”

    The Excavations in the Orchard, published by Palmcraft Books comes after his first book of poems, ‘Raindrops on Roses,’ which was released a few years back. Speaking further on the book, the Onitsha, Anambra State-born poet said, “It is interesting and challenging at the same time.”

    Odiakosa studied Theatre Arts at the University of Calabar and is currently an assistant director of programmes at Unity FM Radio, Abakaliki, Ebonyi State.