Category: Arts & Life

  • ‘How I combine soldiering with visual arts’

    ‘How I combine soldiering with visual arts’

    Nigerian soldier Onyema Bonaventure Iwu shares his passion for visual arts with Udemma Chukwuma; plus how he has been able to combine it with his military obligations

    It is not every day you meet a soldier who is also a visual artist. As a matter of fact, there isn’t a clue that Onyema Bonaventure Iwu is an artist if you’re meeting him for the first time, especially if he is in his army uniform. It was therefore something really fascinating to learn that the Master Warrant Officer soldier has been able to nurture his artistic talent and passion despite the demands of his career as a military officer.

    He thus declared with pride that “While I was in the army, I never let go of the art enthusiasm in me,” he said.

    Iwu, who is in his late 40s said he was inspired by his ceramist mother whom he watched produce ceramic wares as he grew up. “I got highly inspired by my mother’s works,” he said.

    Later in life, he met an art teacher, who encouraged him during his secondary school days and thus helped him to have more interest in art. It may therefore interest you to know that the Master Warrant Officer and Chaplain Service Roman Catholic Training School, Ojo Barracks, has been consistent since his graduation in 1995 and has participated in several group exhibitions. Last month, he partook in a group exhibition organised by his Alma Mater, the Association of Fine Art Students (AFAS), Ahmadu Bello University, Zaria.

    His idea about life, he said, was sharpened when he joined the military at the age of eighteen. He revealed that he couldn’t afford the luxury of leaving the force to face his studies at the university because he was footing his school fees from his salary. “I was shuttling in between duty and school. When I had off days, I dashed down to school. One good thing about the art department is that assignments are given and when you come to the school you pick the assignment. I do my composing and do my sketching at my duty post, when I am less busy or not on guard.  I also did the mental study of what I want to create.”

    According to Iwu, this period was a trying time for him, but he was not distracted and was extremely dedicated to his craft nonetheless. “I could cope with the challenges because I knew what I wanted to obtain. I never allowed the anxiety of duty to weigh me down and I was focused. If you are not strong, you wouldn’t handle it. I used my weekends seriously for artwork. When I’m not busy in the office, I spend my time in the studio. I shuttled between studio and library. No recreation period. Sometimes I had to spend the night at the library or in a wheelbarrow in the studio.”

    But why did he have to go through so much trouble to achieve his goal of becoming an artist; especially since he was already building a career in the army? We asked.

    His answer: “My parents didn’t know I was going to school. My father had regrets after all his years of teaching; he had produced a lot of teachers, lecturers, doctors and engineers and I his first son couldn’t make any headway in my academics. They thought I was done in life for joining the army and were therefore looking up to my younger ones to fulfill their aspirations in that regards. My dad never knew I would hold my own in the academic world.”

    Iwu studied Fine Art at ABU as a first degree and holds a Masters degree in Art History from the same university. He is currently an Art History PhD candidate at the same institution. He is also a member of the Nogh-Nogh Art Group Rebels, Zaria.

    Expatiating further on his education, the soldier artist said: “I went to Government Technical Collage Owerri, where I majored in mechanical engineering craft practice. Thereafter, I joined the army as a 26 regular intake.” He revealed further that his experience at the technical college gave him a sound footing when he finally landed in the visual art world.

    Due to his knowledge of metal obtained from the technical college, he decided to specialise in sculpting in his year three at the university. “I saw myself doing great in the area of welding and feting. When I was doing my final year project in 1994, my project was titled Zaria City Gate; and the gate is still there at the entrance to the faculty of art, where it was erected. I was at the school a few months back and the gate is still there. Now I am thinking of rebranding the gate and giving it some touches,” he said.

    Even though he majored in sculpting, Onyema revealed that he explores painting as well. He is a radio journalist, marriage counselor and trained teacher. As a way of expressing himself and fulfilling a certain inner desire, children in the barrack get free art education from him during his free time every week.

    He revealed that collapsing his studio and rejecting an offer in 2003 by Alliance Francaise for a solo show were among the sacrifices he has had to make for his career as a soldier. He moved his works to East, his hometown, due to the constant travel and transfers that come with military service. He presently runs a mobile studio and e-Gallery. He does his works at Yaba College of Technology, Lagos and the University of Lagos, whenever he gets a commissioned work.

    One downside for him however, is that he has not been able to stage a solo exhibition in any living gallery. “My problem with solo is sponsorship. People don’t understand my area of work; I don’t count on money, but the gallery owners and collectors do. They tell you to do what they want and they are not interested in your creativity. What they want is what they can sell and how they want to make their money. Anything that is not making money for them is not art, thereby debunking the original meaning of art.

    “Most times, art is not something you can produce very quickly. What is happing now is that people want to produce as many artworks as they want just to make ends meet. And my being in the military means that I am getting some funds that can sustain me.”

    The Imo State-born officer has discovered ways of exhibiting and selling his works without going to any gallery. He exhibits his works online and also has an e-Gallery. “I send the images of my works to foreign galleries. I am trying to work seriously on that level.” He said.

    He is of the view that e-Exhibition, e-Gallery and e-Workshop will help this generation because it is less expensive. “Everything is going miniature; you don’t have to rent the whole complex to exhibit your works. Take the pictures of these works, write short stories about them and send them to various galleries.”

    Onyema has also noticed the progress in the art sector, but regrets the fact that cartoonist are fading away. “The cartoonists who criticize with their works are gradually eluding the media industry. That is the aspect I am getting worried about. People are doing marvelously well in other aspect of art, they are creating and if we continue like this, the whole world will have the proper understanding about art.”

    What is art to him? We asked. “Art is self expression. Art sharpens everything about human life. You do better in every aspect of life if you are an artist because your creative mind is sharpened. As an artist your work should speak about you.”

    His future plans when he retires from the army, he said, is to produce works that would reflect his experiences of moving around as a solider; people’s attitude, his separation from his family, the emotions and the relationship between the army and civilians. “I am almost getting to the period of my disengagement in the army. I am getting to 28 years of service and I am looking forward to a time when I will leave the job, to tap into the well of knowledge of creativity in me.

    “I am hoping to make a statement with my art,” he said, “my primary approach will be to bring harmony and better understanding between the army and civilians with my work. There is this lack in the relationship between the military and the civilians. I want to use my work to bring harmony, to let people know that soldiers are not masquerades, they are not lions. I am waiting for the time when I will use my work to tell people that the military is not what people think they are.”

  • On the trail of the sage’s spouse

    On the trail of the sage’s spouse

    Title: In the radiance of the sage: The life and times of HID Awolowo
    Publisher: African Newspapers of Nigeria Plc
    No of pages: 302
    Author: Dr Wale Adebanwi
    Reviewer: Dr. Kole Odutola

    The outstanding biography of HID Awolowo as presented by Dr. Wale Adebanwi follows reality as it shapes a narrative in the meaning of a constructive life. Though Ikenne is home and in its soil is where the placenta of Miss Hannah Idowu Dideolu was buried and to that city her life, times, and eventual demise revolves; places like Ibadan, Ikeja, and Apapa also feature in this story of many hills.

    The book of nine chapters (excluding the epilogue and prologue) opens when the subject is a grown woman and the following chapter presents her as a woman growing up in different cities.  As you well know, most cities are confluences of history, politics, commerce, religion and other concerns of life that help (re)shape the lives of natives and residents who call the place home.  To really know a person or a collective, a researcher must open the innards of the various spaces and places that gave birth to, and nurtured the person and the group she identifies with. This preposition is not too far from DmitiriKalugin’s injunction that “[a] particular challenge for the poetics of biography is the peculiar character of the constitution of the biographical subject. It evolves through the interaction between textual strategies and the realm of social facts such as the workings of institutions, models of behavior, notions of success and recognition, etc.” None of these elements as enunciated by Kalugin is absent in In the Radiance of the Sage.

    Like a deft surgeon Dr. Adebanwi dissects HID’s life and stitches the parts together neatly.  What a life in its many dimensions and manifestations. The reader should be patient and not ask where the genesis of the story is because the end is told in the beginning and the revelation of how the pieces became ‘one whole’ finds its rhythm eventually. This is a book into which other books are made to empty their content. To be sure that this is not the first attempt at capturing the contours and controversies that surround the lives of members of the Awolowo family, Adebanwi sought out TolaAdeniyi’s authorized biography and consulted biographies of other figures involved in HID’s life. The only book I am not sure the author consulted is Kole Omotosho’s Just Before Dawn; a book that throws a little light on the saga of Coca-Cola distributorship between Mrs. Awolowo and Mrs. Akintola. Adebanwi can be excused for not including this book which the author termed “faction”.

    As if to assist readers easily navigate the twists and turns of this book, Adebanwi includes epigrams (which are “brief, interesting, memorable, and sometimes surprising or satirical statements”) as leads in all the chapters. The knowledge nationalist in Adebanwi makes his choice of sources of these epigrams so diversified he would remain the envy of most scholars based outside Nigeria. There are a total of 15 epigrams; of which about eight are drawn from the works of Africans or of African descent. This may be a minor detail to most people but for me as a media studies scholar, it goes to show a great sensitivity to knowledge produced by people of color. It goes to say that voices encoded into texts can find space(s) in scholarly works. If you doubt that assertion please content-analyze any book or article written by Africans in the diaspora.

    The book takes a personal turn for me as the skillful narrator paddles to the fourth chapter. There is something in the chapter that tells a part of my story by its absence. As the name of Moses Awolesi makes a showing; I am reminded thatinjustice done to a certain Prince Odutola Ogunajo (my grand-father) who I was told was announced as the Akarigbo in the morning but was denied the opportunity of ascending the throne of his forebears because he was not as well-read as Moses Awolesi. The truth of this story is yet to be fully documented and made a part of the history of Sagamu people. I have no documentary evidence but I can still see in my mind’s eye the day the Akarigbo visited our newly built family house in Surulere, Lagos, Nigeria for a sort of reconciliation. Till today, no one has fully explained what really happened. How would I have known that my story is part of HID’s story? The search for the truth about Baba Agba (alias Baba Majiyan) must grow forth from this review.

    Let us leave the personal aside so as to allow the main protagonists in the story re-tell their version of what we know or think we know about the man Awo. In public, Pa Awo was perceived as an inflexible or ridged personality that would not bend to the wishes of others but if accounts in in Chapter 4 of this book is to be believed and I see why not, he is portrayedvery differently. According to the narrative, one of thegrand-children averred that  “We often remarked that, contrary to the erroneous talk of Papa being unforgiving, he was in fact very forgiving; the only crime we thought he would find unforgiving was one committed against his wife!” (p. 76).  Could this be a case of separation of the private from the public spheres?

    Still on the matter of public sphere where else can one encounter a vibrant public sphere if not on the pages of newspapers?  In Nigeria, the life span of an average newspaper, especially those tied to owners who are interested in politics, is less than 20 years. The long-life of HID Awolowo appears to have also bestowed a measure of longevity on the Tribune newspapers. Should you be interested in the humble beginnings of the paper; chapter 4 is the place to go. Chapter 5 picks up from where the story of the life of travails in politics begins and gives a fuller treatment to the banishment, to the pains and miraculous victory of the couple.

    Just as you expect a change in the tone of the narration, Chapter 6 dips into more tragedy. It is aptly titled “death in the dawn”. Here, Adebanwi tells a mother’s story through a harvest of deaths. The reader is not spared the unpleasantdetails or the gripping suspense of how the news grew feet and teeth to bite deep into the flesh of the living.  Even a heart of stone would surely be moved if not to tears but definitely into empathy for these endless streams of misfortunes.

    Efforts to get Awo out of prison, the set-up that never was (great piece for a Nollywood movie this one), his release from prison and the details of how he ended up in Gowon’s government are the nuggets in Chapter 7. The chapter did not end with wedding bells but those wielding cudgels that could divorce a man from earth. It would not be surprising if a reader mutters what a life under his or her breath?

    As the ship of the story anchors on the eighth chapter, Awo’s new life in Gowon’s administration fills not a few pages but it is made to commingle with HID’s life as a big-time trader and owner of businesses. As you read about trading you also get to read about fending for grand-children and how their grand-mother’s strict “Ij¹buness” shaped theirs.  As it is usual in some of the chapters; accounts of tragedies or near fatalities seem to appear before a chapter ends. One may be forced to call these sprinkles of tragedies.

    Chapter 8 had its own dose of such an account. Should you ever want a counter narrative to the text, please fix your gaze on the many pictures generously used in the book. The images do speak louder than words and in some; you will appreciate the social settings in which celebrations were held in those days or the modesty of the Awolowos. The only missing information is the identification of the photographers who froze such moments for posterity.

    Life starts and life ends. The account of how Pa Awo arrived at his own end occupies a tiny part of the ninth chapter. The chapter did not spare an account of the tentative death of the ‘Dideolu Specialist Hospital’ dream. It appears this is one dream that the name “stand up Lord” (as in DiÌdeOluwa) did not quiet live up to. How can a book about the Awolowos be written without generous pages devoted to Olusegun Obasanjo? Readers will not be disappointed because he is represented both in text and in images too.

    As a Yoruba adage says “there is no way one can pound yam without it having lumps.” The lumps in this book are manifold; they come in the guise of typos that are avoidable.  For instance, on page 58 instead of objectives the expression comes out as “aims and objected;” on page 168 the word laughs is omitted in the expression “For he who laughs last, laughs best.”Similarly on page 240, Mayo Clinic in Rochester, Minnesota, a non-profit medical practice is referred to as a non-profit media practice.  These oversights did not in any way stand in the way of textual comprehension or its flow neither should it be counted as a low for the publishers.

    In conclusion, Kalugin posits that “[t]he representation of human life as text and more particularly as a narrative can exist in at least two modalities. One is encomiastic or panegyrical…[the other] as a story about a member of the socially proximate group, which is only possible within a homogeneous social space.”I am still not sure in which of the categories I will like to locate Dr Adebanwi’s adroitly-crafted biography of a womanwho lived life with its many troubles and got double of fortunes and fame till the flame went out in the same city of her birth. Hers was a life filled with memories just like the narrative woven by the writer. There are memorable lines in the many inter-meshing lives the reader is presented with.  If you have a critical mind please keep your questions at bay if you really want to ‘enjoy’ this book. Please do not ask if HID Awolowo had any faults in life, just take this book as raw data that will surely give birth to other analytical efforts in the nearest future.

    As I dropped the e-version I was sent, the name John Lynn has not left my consciousness. Whatever happened to this white police officer who was used by the forces of darkness as the thorn in the lives of the Awolowo family, I may never know and you too may never know till someone presents a detailed or even lean copy of officer Lynn.

  • Love does last a lifetime

    Love does last a lifetime

    It is commonly said that if you take care of things, they last. This surely is the story of three old couples who spoke to Dorcas Egede as she sought inspiring love stories to commemorate this season of love.

    Pa Oduyoye, 82, walked with sure strides to the gate to receive a visitor whose coming he had only been informed about 2 hours earlier. For a man his age, you’d wonder how he exuded so much energy. This reporter soon found out.

    Inside the apartment that houses Pa and Ma Oduyoye, the old man stretched his hand out and said jokingly, “I was told you’re looking to speak with old couples. You’re welcome to the old people’s home.” His outspoken nature and sense of humour would definitely make anybody feel at home; same for his soft-spoken wife.

    “I was trying to make dinner in the kitchen before I came to open the gate for you. As you can see, we have no maid; it’s just the two of us, with my brother and two young nieces, who leave home early for work and do not return until nightfall.”

    Now, an eighty-two year old man who still cooks isn’t something one gets to see every day, and that set the tone for our love story.

    Pa Oduyoye said their relationship began from their days in the university, where they started out as friends, and it gradually blossomed into something really beautiful. It has gone on for fifty-five years and still counting. “At the time, we didn’t know that it would lead to marriage. We were just friends. But shortly after we graduated, I knew I wanted to spend the rest of my life with her.”

    He said he was drawn to her by “her soft-spoken and gentle disposition.” And looking at Ma Oduyoye, one could tell that she surely still has that soft-spoken and gentle air about her, fifty-five years after.

    How rosy has it been since they began the journey fifty-five years ago? This reporter prodded. Ma Oduyoye’s downright response was, “The journey has been full of ups and downs, but through the grace of God, patience, tolerance and mutual understanding, we have come this far.”

    For her husband, the marriage journey is one that requires strong determination to make it work. “At the beginning, it was not all rosy. We had misunderstandings, especially at that early stage. But as time went on, it became easier to overlook some things… We became more patient and tolerant of each other. Now, we’re too old to quarrel about anything.” He said.

    With a smile on her face, mama asked her husband if he could recall some issues that used to cause misunderstanding between them. He laughed as he began narrating. “We used to quarrel a lot over comb. I didn’t like her using my comb; because you know a man’s comb is always dry, but a woman’s own isn’t. Then again, I used to get upset whenever she opened my letters before me. But now, that doesn’t even matter anymore.”

    The Oduyoye’s have a word for young people: “They must trust God to choose the right partner for them. Then they must learn to be patient, tolerant and have mutual respect and understanding for each other.”

    Mr and Mrs Nicholas Ibeawuchi

    Someone once asked a very old man and his wife, “How did you manage to stay married for so long?” Their response was simple and straight to the point. “We’re from a time where if something is broken, we fix it; not throw it away.” This was one message that resonated as Mrs Ibeawuchi, 72, spoke about her 54 year old marriage, which she prefers to regard as 52 because that was when she got wedded in church. Her bride price was however paid in 1962, 54 years ago.

    Taking us back to the beginning, Mrs Ibeawuchi, whose husband was unavoidably absent on the occasion of this interview spoke of how she was smuggled out of the convent, after she had sworn to give herself in service to God as a Reverend Sister. According to her, one eventful day, one of her instructors at the convent lulled her to town under the pretext that she wanted her to go and help out a relative. Unknown to her, she was being led to be married off to her instructor’s relative. Reliving the experience with obvious blush, she said, “That was how my husband came and paid my bride price and I didn’t go back to the convent.”

    Their marriage produced twelve children. She revealed proudly,  “I am a fulltime house wife. My husband never allowed me to do any work. He said I should just take care of our children. I’m glad I did. See how far God has brought us today. And God gave me brainy children. All my children are brainy.” She spoke about her husband with such admiration, her eyes shiny bright. If she could be so elated talking about her husband, who was not present after 54 years of marriage, one is only left to wonder what she’d do in his presence. “My husband is very caring. See, I have been sick for many years, and even in my sickness, he has been very supportive and caring” she said brimming with smiles.

    For the younger generation, Mrs Ibeawuchi says: “Young people, especially women, should not be in a hurry to get married. They shouldn’t marry for flashy cars or money. All these things don’t last…. People should marry for love and must do everything to make their marriage work. A woman should also submit to her husband.”

    Chief and Mrs Joseph Onwudegwu

    The chat with Chief and Mrs Joseph Onwudegwu revealed one thing: the success of any marriage is made possible by the commitment of the couple to make the marriage work. Theirs doesn’t quite strike you as the fairy tale relationships. As they spoke, one only saw a man and woman committed to their marriage vows, and to making it work.

    This 81 year old man and his 67 year old wife have been married for 50 years. They attest to the fact that staying married requires a lot of patience, tolerance and determination. Their relationship started many years ago when they lived on the same street. Asked why he chose her, Chief Joseph said, “I chose her because of her faithfulness. Out of all the women in my life at the time, she was the only one whose faithfulness I could attest to. And till date she’s faithful. Even if Obasanjo comes to toast her today, she will not agree.”

    Mrs Joseph had the same thing to say about her husband. “I’m never bothered about him being with another woman because even the woman will know that I’m the only one who can be his wife.”

    The couple advised young people to be patient, tolerant and respect each other. They ended with the popular saying that a family that prays together stays together.”

  • Baby Mark needs N4m  for an open heart surgery

    Baby Mark needs N4m for an open heart surgery

    Anyone who sees 10-month-old Mark Obaloluwa Kolade would never know he has a hole in his heart. He plays around the house innocently like every other baby his age and is ever cheerful. The only reason you would suspect that something may be wrong with mark is when you see the way his parents watch over him so jealously.

    Mr & Mrs Kolade, who have been married for six years, welcomed their newest adorable on March 28th, 2015. Their joy knew no bounds. Another bouncing baby boy had been added to the two boys they earlier had. They couldn’t ask for more.

    Like his two brothers, baby Mark was born at the Christ Apostolic Church (CAC) Oke-Imole, in Ikotun, Lagos. Mother and child were discharged without any complications whatsoever. Mrs Kolade was however taken by surprise when at one and a half month, Mark developed very chronic cough and his breath came in spasms.

    Naturally, the couple began seeking medical help. They immediately took him to Lagos University Teaching Hospital (LUTH), where he was admitted and placed on oxygen for seven days. Thereafter, he was discharged, but mother and child have since been visiting the hospital every fortnight for check-ups and collection of drugs.

    Clinical evaluation indicated that Mark has symptomatic Congenital Heart disease. This was confirmed by echocardiography to be a moderate-sized Ostium Secundum Atrial Septal Defect shunting left to right. In very simple terms, this baby has a hole in his heart. The Paediatric Cardiologist in charge of his case recommends further cardiovascular evaluation and an open heart surgery to correct his heart defects in order to forestall irreversible and life-threatening complications.

    Presently, Mark’s parents are struggling to raise money for the drugs he has to be taking to prevent his heart from failing. They apparently cannot afford the huge sum required for their little boy’s surgery and are therefore calling on kind-hearted Nigerians to come to their aid.

    Please help save Mark. Your little contribution may be a contribution to the making of a future president. Please make your donation to First Bank account, Kolade Mark Obaloluwa, 3101673982. For further enquiries, call Mr. Kolade on 08035292932.

  • Cash boost for emerging playwrights

    Cash boost for emerging playwrights

    Paul Ugbede, a graduate of University of Jos, has emerged the winner of the just concluded maiden edition of Beeta Playwright Competition. The Mass Communication certificate holder won the star prize of N 1,000,000 with his play entitled Our Son the Minister.

    Ugbede said the winning play was inspired by the mind-set of Nigerians towards their leaders. According to him, the play, “Our Son the Minister is clarion call to every Nigerian to allow our leaders work.” He added that he got to know about the competition through a friend via WhatsApp. After submitting his entry he forgot about the competition until he got a message from the organisers that he had been nominated. According to him, it took him more than six months to write the play.

    He is of the view that the competition is a big platform for aspiring writers, adding that aspiring younger writers should never give up. “There is hope as long as you spend time to write and depending on what you want to write about. One day we can live off writing in this country.” He urged writers in general never to drop their pen “because it is the only weapon they have.”

    The first runner up Nikkita Orok got N500,000 with her play Affiong, while Olayiwola Awakan, the second runner got N250,000 with his Echoes of the Drum, at the grand finale which took place at Terra Kulture in Lagos on Monday, February 8. A total number of 176 entries from Nigerians at home and in the Diaspora and 46 were qualified to participate in the competition. The completion was open to people between the ages of 18 to 45.

    The competition organised by Beeta Universal Arts Foundation, was initiated by Bikiya Graham-Douglas, the founder of the foundation. After rigorous screening, nine finalists were picked by the panel of judges. “It is my belief that the strength of any society is its ability of documenting its stories by its different generations. This is why at Beeta, we felt a responsibility to create a platform not only for thespians but also the playwrights without whom there would be no dramatic expression. I don’t know if there is any other platform that is showcasing a new Nigerian writing, for Nigerians and by Nigerians in our own voice,” she said.

    According to her, a little token of the prize money would be used to publish the play of the winners. In her words: “We want them to have their materials in their hands. We are going to produce the winner’s play that is the part of the package. We will also take them on a school tour. The end for us would be to see the plays get into the curriculum in Nigeria.

    “It is not just about writing the play but it will be performed. These plays are transferable; we are going to see how we will get a producer to transfer the plays into movie, to ensure that they have their play published. I believe this playwright competition is going to be bigger.”

    Revealing the criteria for their selections, she said: “What we wanted was to create organic Nigerian stories from the youths, they had to write a Nigerian story. We gave them specific technical instructions to harmonise their characters. We also judge them based on their grammar.”

    To her, there should be a new generation of writers which young ones should be reading now. “From the number of entries we had, it shows that young people are looking for an avenue to show their talents and there are no platforms for them to do that. A lot of young Nigerians are not writing as much as they want and we are hopeful that competition will awaken this.  I always tell people that do not think legends are not born but made. It is from a competition like this we can get a playwright legend.”

    To confer credibility in the process of selecting winners, Graham-Douglas said she stayed away during the period. “I was not part of judges because I had to be fair because I will be biased if I am among the judges. I stayed cleared because I did not want any favourite.”

    The panel of judges were: Prof Ahmed Yerima, an award winning playwright, Shaibu Hasseni, art journalist, Ibiso Graham-Douglas, founder, Publisher-Paperworth Books limited, Kenneth Uphopho; Festival Director-British Council, and Kemi Lola Akindoju, Actress and producer.

  • Between Olumo and Aso

    Between Olumo and Aso

    •Reminiscences from Ogun at 40

    Why?” demanded my  argumentative friend, “ is it always you people? “ Why do you make so much trouble? Always Ogun, Ogun, Ogun! – are you the only state in the nation?” And he proceeded to reel off a number of names of notorious “trouble-makers”, dead and living, pin-pointing their birthplaces in Ogun State.  It was a teasing, rhetorical question, no answer expected. If one had been required, I would have volunteered, as a birthday present to Ogun:  Ise ab’ojumu. Sometimes Iwa ab’ojumu. A pursuit (or character) of what is right. Just conduct. The people of Osun articulate something close –  Omoluwabi.  Both, and a number of allied formulations, hover around that basic foundation of all humane pursuits – Justice.  Perhaps we are simply more vocal, more persistent about it.  

    The precedent body of this mixed birthday offering is contained in a lecture that I first delivered nearly a decade ago, in Abeokuta. I shall resort to that lecture once or twice for purposes of invoking a comparative ‘state of the state’ – then and now – but only in the context of governance characterisation that enables us to grasp the essence of ab’ojumu, not to make any invidious assessments. Memory is a crucial function of existence. There is much to recall, much that justifies breast beating, but also much to lament, deplore, even repudiate!  Individuals make up nations. National anniversaries are not that much different from the individual, being, for some, not merely calendar notations for jubilation, but also pauses for recollection, reflection, and hopefully a positive surge of renewal, and progressive energy.  It was a very well attuned mind that fashioned out those words in the Ogun State Anthem:  Eyin omo Ogun, Ise Ya! (The task is just beginning – let us move!).  I like that. I urge it also on Ogun’s sister states who are co-celebrants of the day.

    An even-handed assessment tempers uncritical euphoria, enabling us to place, on well calibrated scales, triumphs side by side with defeats, solidarity beside betrayals, dedication beside opportunism….and so on, and on. We must not be Killjoys, but we also should not be overly exultant. Ogun State has been very much put upon but, if only my colleague thought about this carefully, Ogun has also experienced the agony of putting a lot on herself, internally, as much as being put upon by others. For instance, between Olumo Rock and Aso Rock, the relationship is sometimes manifested as a tussle between Culture – that is, Democratic Culture – and Power, the centralised distortion of which remains dominant across the nation – sometimes at war within the same individuals who loved to play both ends of the axis. I would not like to estimate what, for the people of Ogun, would be an accurate tally of profit and loss.

    In this brief, unabashedly partisan exercise, let me admit in advance that co-option of these two landmarks goes beyond, but is not unrelated to the obliging fact that, for better or worse, both – Aso and Olumo – are conjoined by some key Ogun state indigenes in a somewhat unusual fashion. I have focused on a triad that self-constructed gradually during a critical phase of the nation’s history. It was the wistful shadow of one of this threesome cast list – a now permanent absence at any celebrations, alas! – that flitted across my mind and provoked these reflections. All three are reference points for Ogun State on the pursuit, and the ironies of power, but one remains a spectre that haunts one’s memory. That spectre certainly loomed large as I watched Ogun State governor shepherd his Aso Rock guest – and eminent train – around ‘Olumo’ town.

    The three figures defined a national crises in vastly different, but interwoven ways. One enjoyed the harvest of that tussle. Another earned his place by dint of hard work, and against overwhelming odds. He was elected across the nation by undisputed popular acclaim, including belated affirmation by those who callously thwarted his deserving at the time. Thus it is that, today, it is only voices in chronic denial that still qualify their references to that 1993 election with the phrase, “presumed winner of…”  “generally presumed to have won”, and similar ignoble attempts at diluting an unassailable truth. The third of that triad was known as Fidi Hee  (Half-arsed incumbency).

    Power bestowed, power betrayed, and – power derided. This nationally unique trilogy framed the political portrait of Ogun across two decades, and struck me only some days ago as I recalled past images from that crisis, the faces and comportment of some surviving principal actors, contributors to an entity whose character has undergone remarkable contortions and distortions, internally and externally, over the past four decades. The events produced both Ogun’s finest hour and, yet again, her most demeaning. Again, just a reminder: one, now departed – retains his position as Nigeria’s president that was never permitted to rule.  Another, a fellow indigene takes his place among the dubious handlers – some say undertakers – ending up as the eventual harvester, though not without his own dose of retributive fate –  while the third governed at the behest of the most vicious and thieving dictator the nation has ever known. When that military dictator had had enough of his game of cat and mouse, he simply blew f’idi hee a kiss, which blew him away from the peaks of Aso back home to the foothills of Olumo.

    Let me quickly emphasise this:  I am aware that Abeokuta, where Olumo rock is situated, is not Ogun State, only a tumulus within the entire landscape. I invoke that rock only as a symbol. Also, my assignment of Culture to the Olumo end of the rock axis – Aso at the other end – may be regarded as somewhat arbitrary; it is however historically appropriate. Power attaches unarguably to one end – Aso.  Culture – and especially democratic culture – however betrayed and degraded – should be the jealously guarded preserve of the states.  Minna is the exception – over the archway of the entry to its military cantonment is a boastful rubric that Niger State has bequeathed to Nigeria more rulers than any other – and their names are proudly listed across that archway. At least, such was the display when I last visited.  Outside that aberration however, the role of states, I consider, is to civilise power, bring it to civilian apprehension and finally, humanise it. Thus emerges an interest in the fortunes of both at the hands of each other, whenever they intersect. Did Olumo civilianise Aso, for instance? Or did Aso successfully corrupt and distort Olumo’s civilian existential mandate?

    In co-opting the two rocks – Olumo and Aso –  as symbolic representations of the provinces of Culture and Politics, I do not imply mutual exclusivity. There is no intention of implying the totality of culture by invoking Olumo Rock, any more than I restrict politics, or the power game, or indeed any particular activity of power to the latter, Aso Rock.  It is all a question of relativity.  So kindly indulge me and let Aso Rock  stand for power and its politics, including their modes of human conduct, while Olumo Rock signifies Culture – Democratic culture, and Culture writ large. Our problem is that we have endured far too many protagonists of power who are simply devoid of culture of any kind, be that written with a small “c”, or in capital letters.  They pursue power hammer and tongue, obsessively, untempered by the ameliorating virtue of Culture.

    What then have we, in Ogun, generated?  What exported? What contributed to the entirety of national character? At a time of commemoration, several past events run their reels across the memory template. Here is one enduring scene to set us ruminating:

    It takes the shape of a state house of assembly, shuttered, barred and barricaded by armed police, in a time of peace. At the time of the decade-old lecture to which I earlier referred, the closure had yet to happen, but it was in the offing, and my lecture was a warning.  One is reminded that such a travesty of democratic culture under Olumo was enabled by – indeed would have been unthinkable without – the collusion of “federal might” at the Aso end of the axial rocks. In other words, that the gates to treachery against Olumo’s democratic integrity were thrown open by the very custodians of the historic Rock. Worse still, thanks to such internal undermining, Ogun state has the set the ignoble record of creating a precedent for what – with variations –  has dominated political culture around the nation. When thwarted in the arbitrary and questionable exercise of power, or merely democratically challenged, simply seal up the oversight structure of governance –  the House of elected representatives of the people. The active complicity of Aso Rock is guaranteed in advance – especially at the approach of elections.

    Memory is a turbulent taskmaster for some, and that handful must fulfill – if only on behalf of the future – the role of a memory prod. It was again under the aegis of Olumo – exported to Aso  – that a sister state across was placed under siege and vandalised for three days – with the police on “emergency” duties of non-interference in their ringside seats! Anambra was on fire! Billions of naira worth of assets – including state owned – were pulverised, a rampage that involved the kidnap of an elected governor, and his confinement in a toilet. Among that incumbent’s crimes was a refusal to sign an open cheque on the state treasury for a ‘political godfather’. For further fleshing out of memory, we may like to recall that it was in protest against that act of Aso empowered brigandage, a conspiracy between the two Rocks fortuitously fused into one, that a Nigerian citizen, Chinua Achebe, later rejected the national honour that was offered him. Chinua could not condone The Rape of Anambra, and told Aso Rock to shove its medals up its fundaments.

    The foregoing – and more, a lot more – are natural associative recalls in the midst of celebration, with the unavoidable succession of wrestling emotions – pride and shame – in whatever role one’s acknowledged or imposed protagonists have played under the incidental twinning of these symbolic rocks. Guilt by association is a burden we sometimes bear – ask my interlocutor with whom we began this piece. This includes the residual impact of such governance ‘ethos’ within the state itself.  Power feeds on power, even far from where first exercised. A successful formula becomes a call to emulation. From Ogun, via Anambra, and more recently Ekiti, the tried and tested template held sway. Vile precedents can only give birth to monstrosities.  Yet truth eventually comes out in the wash, and the mottled faces of erstwhile triumphalists are gradually or dramatically exposed for what they truly are – straw masks. Was it not within these same national borders that packs of rabid mongrels, snarling through the judas-holes of the gates of hell, spat venom at those who had not even gone beyond saying of the 2015 Ekiti governorship elections:

    “There is a mystery about these results”.

    Nothing more, just that.  Simply expressing disbelief.  Others tried to rationalise the ‘upset’, citing deficiencies in governance style of the incumbent etc. Pontifications galore to admonish the robbed and rub pepper in the wound, to rubbish the option of  low-cost governance and unostentatious style of governance. A coinage – ‘stomach infrastructure’ –  was minted to explain the inexplicable. A handful of ‘heretics’ however persisted in keeping the taunting puzzle alive. They warned:

    “There is a mystery. Something is askew somewhere, only we haven’t quite laid a finger of certitude on it”.

    And some went further and confidently predicted:

    “It is a mystery that will be unraveled some day, and even sooner than expected.”

    And now is the time to ask: why were we so sure?  Why did Governor Fashola, for instance, pen a soberly argued article in that vein? Why did I – if I may also cite myself – declare at Governor Fayemi’s valedictory event that this puzzle would be solved, must be solved, for democracy to survive, predictably pulling down a rain of rancid spittle from the self-vaunting, but deep-down apprehensive ‘victors’?

    The answer was simple. Ekiti had precedent. Ekiti was merely the bastardised child of Olumo, only the pupil had brought a thuggish refinement to the Olumo template – including the yet unaddressed physical assault upon, and public humiliation of the judiciary. It had happened before to us in Ogun State – plotted, cooked, and served up sizzling.  Only with variations. We had also undergone a blitzkrieg right within Olumo domain  – and of course there were other victim states – in  2003.  The pattern was familiar – a centralised coordination, military style, of the most insolent electoral robbery in state history.

    The internally inspired assault scored a grand success. The Ogun State incumbent, confident in the observation of the rule of law, basking in a mutual, loudly trumpeted accord of peaceful conduct and a level playing ground, went on a joy ride with his would-be electoral rapist, proclaiming to the nation that this bipartisan road show was a manifestation of democratic harmony between contending parties, a gift by example from the consummation of Aso and Olumo to the nation and the world.

    It proved a sham. The newly discovered fissure in the sides of Zuma Rock in Abuja was from the peripatetic Aso incumbent splitting his sides with laughter – ke, ke,ke!

    That Olumo/Aso combine attempted a similar crushing strategy in Lagos, but failed to roll over that city. First was the ominous withdrawal of security detail of the sitting governor – on “orders from above” of course. By the time Aso’s goons went for him however, he had disappeared. Even his own supporters, rushing to secure his safety, could not find the highly prized but elusive bird.  He had shifted his operations deep underground among one’s ultimate security – own people!  Aso Rock, in desperation, decided to ‘go for broke’. It ordered the posting of false, victory results, confident that the public would swallow them supinely – ‘for the sake of peace’. I know for a fact that the generalissimo was quietly warned that Lagos would terminally explode if he persisted. He quietly beat a tactical retreat, transferred his supervisory energy to other designated “must-wins”, Edo at the forefront.

    In Edo, it was indeed a case of – Aso/Olumo Strikes Again! The mastermind took over the functions of a supposedly neutral Electoral body and raised “Federal might” to its personalised apogee, dictating orders to the Edo State Electoral officer. Edo was one of our ‘special interest’ states and we followed that contest in real live time.

    “I said, declare those results.” Aso Rock bellowed down the line “Announce      them!”

    That officer fled to Abuja rather than announce falsehood. Distraught that they had been unable to capture the main prize – Lagos – Edo at least would not elude them.  But the opposition already had the authentic results.  The folder was rushed to me by Oshiomole’s aides as I was seated in a plane, virtually as the gates were about to close. I was able to present the truthful picture at the Congressional Hearing in Washington D.C. where a position that endorsed a fictitious election was already holding sway. There I met Kenneth Nnamani, former Senate president, seemingly in an unvoiced, genteel quandary, I felt. No matter, I fulfilled my mission,  silenced the misled lobbyists for democratic injustice with authentic facts – and figures! It was a totally unexpected intervention.

    And so, today?  The toes of the corpse that had been confidently buried have kept pushing up – a recording here, a confession there, threatened arrests, plots to silence witnesses and whistle-blowers. Where it will all end? Perhaps in nothing. But then, it only means that the corpses will remain restless. The undertakers of democracy – as they proudly, indeed contemptuously deemed themselves – are scampering for cover, but not without releasing toxic jets of distraction. But these protruding toes are only forerunners of more skeletons to be unearthed – or more accurately – tens of thousands of corpses – and millions of the displaced and traumatized, on account of those misapplied funds that were meant to keep society secure. For now, we shall spare the festivities stressful thoughts of abducted school pupils, trapped in an eternal nightmare.

    Yes, the disciples are exposed. They are being arraigned before both public and formal tribunals. But their mentors? The originators? Those who facilitated their emergence in the first place, by the same dastardly, egotistically unprincipled means. The real concrete mixers for the foundation of the home of electoral fakery?  Basking in the glow of impunity. ‘Gracing’ commemorations. Milking gerontocratic toleration at milikis. The grimace that contorts our faces when we watch the architects of a nation’s democratic retrogression gleefully cavorting under the generosity of amnesia or forgiveness from an abused people, is neither wished for nor enjoyed. Few of us are willing masochists. It is simply the intrusiveness of that hard taskmaster – memory – essential for the protective – and survival armoury,  even of peoples who already boast a historic tradition of resistance – such as Ogun, the people of ise ab’ojumu. Tolerating the intolerable is not tolerated by a culture that was formative of the growth of some of us. Upholding the principles of such formation or accidental acquisition through life experience enables any people to say, with pride – we have never succumbed to tyranny, not even when it wears the diversionary mask of buffoonery.

    So many mixed recollections and emotions as one’s gaze flitted across the faces of converging celebrants – the inspirational, the superfluous, and the best forgotten. Crowned heads and ancient regalia on call, radiating lustre through a white tent marooned atop the new plowed festive grounds whose name, Kobape, (May the crown endure)  suddenly acquired an aura of fulfilled prophesy – yes, the crown has endured. Time has however rendered the fortunes of those monarchs precarious, and the ‘unkindest cut of all” has been inflicted, more often than not, by their scions. Custodians of culture, they are trapped in the power play of their progenies. Yet Culture is never on terminal leave even in the domain of power.  Even some of the greatest culture reprobates and denigrators know it – witness how ostentatiously they have taken to prostrating full length before, and acknowledging “the source of all Yoruba”,  for the testamental delight of media cameras!

    ‘            How long ago did the obverse obtain?  Take your minds back to early months of the Sanni Abacha era. You may recall a certain gathering of the Council of Obas who had met to fashion a common ground to answer the truncation of democracy in the nation, and the amoral deprivation of an Ogun state indigene of a hard won victory. Who else but a son of Olumo would break into that meeting of crowned heads of Yoruba land, snatch the microphone from a royal contributor and proceed to deliver an insolent tirade at the assemblage. Not always the fault of Olumo, but that stoic rock sometimes discovers that it is landed with dubious exponents of its values.

    ‘Where we come from’ – to borrow a common preamble – you do not, even in a fit of power possession – intrude on a gathering of a people’s venerated custodians of cultural mores in their search for justice and equity. Such conduct defeats all behavioral norms, but of course it usefully serves to remind us of one of my favourite motor lorry inscriptions – No Condition is Permanent.  An even sterner rebuke would be the Yoruba  ‘ti won ba ran ni’se eru, aa fi t’omo je – if we are sent on a slave’s errand, we perform that errand it in the manner of a free born.  But why marvel at such anomalies! Conducting oneself in this uncultured manner boasts both precedents and emulations galore.  An even more senior member of the fraternity of the “managers of violence”, one who once notoriously mocked the Owelle of Onitsha for supposedly reducing his stature from ‘Zik of Africa’ to the ‘Owelle of Onitsha’, would later seek membership of his own local conclave of traditional rule, same as his earlier target of ridicule.  After which – Aso Strikes Again! – even his middling rank sufficed to enable him to browbeat the entire chieftaincy structure of Olumo by shredding the findings of kingmakers in one Olumo domain, flinging the confetti in their faces, before proceeding to install his own nominee.  He would top this feat also by pulling out a gun in his church – albeit intoning ‘Praise the Lord’ –  to settle a disagreement. The late Chief Simeon Adebo, doyen of the Nigerian civil service, was so distraught by the latter event that he sent for me, simply to discuss it. Somehow, that grand old man felt that, as a writer, I had an explanation for all forms of human aberrations.  I told him quite simply, “You can take Olumo out of Aso, but you cannot take Aso out of Olumo”.

    Should one have expressed astonishment when his civilian protégé in Olumo – before their terminal fallout – commenced proceedings to dethrone one of the revered monarchs of Olumo – and over what? For praying the government not to forget the promised completion of a minor bridge on a rural road in his domain!  That constituted an unpardonable criticism of government, said the Lord! I listened to the tape of that ‘improper interference’ in governance affairs and could only recall the recommendation of the late psychiatrist, another son of Olumo, Professor Thomas Lambo. He it was who once recommended an annual check-up for the mental state of African rulers!

    Each reminiscence triggers off another.  Here is one in an edifying mode, one that enables us – indeed reminds us in timely manner – to abandon the immediate locus of Olumo Rock for its expanse.  Contrast much of the foregoing with an outsider visitation, following the demise of the Olumo national sage, Obafemi Awolowo.  The Grand Impresario of Aso electoral culture, the Iwuruwuru chieftain, paid a condolence visit to the Awo home, which I have described elsewhere as the nation’s Inspirational Shrine of Democratic Culture, located – where else? Ogun State, specifically the town of Ikenne. The august visitor was reported to have declared:

    “My visit to Ikene and the home of Chief Obafemi Awolowo is quite  symbolic, because this is one great leader who had shown how things should be done in this country.”

    Thus spoke Iwuruwuru. He went on to laud Obafemi Awolowo as having laid a sound foundation for the development of Western Nigeria and the whole country by his contribution. Wuru also paid homage at Awolowo’s grave, where he prayed that his  ‘labour for a great Nigeria would not be in vain.’  How Awolowo’s body was responding to this untoward visit by an institutionalized scourge of democracy we can only conjecture, but the mind of the living may be forgiven for fastening onto that image of a body turning in its grave.

    What we do know however, is that his widow, the grand matriarch herself matched Wuruwuru culture for ‘culture’. She received him with characteristic Yoruba courtesies, only permitting herself to remark, and I quote:

    “ I am so happy you are here. I never thought you could visit Ikenne, not to talk of Awolowo’s house,” and she directed that Iwu and his entourage be taken on a tour of the house.”

    You or I would have sent a child to ‘accidentally’ empty a pail of slop on him, but then, when you look for exemplars in the culture of ib’ojumu, there she reposes, unflappable on her marble plinth. Such rarities diffuse a glow of matriarchal magnanimity that rebukes one’s inclination towards ‘just deserving’ as opposed to ‘just conduct’ – ise ab’ojumu  against wuruwuru, jankariwo and janduku etc.  Concerning her late partner, he was, very simply, a lifelong quester for, and expositor of a democratic culture, theory reinforced by praxis, for its unvarnished establishment on earth as an existential imperative.  Awolowo’s home remains, till this day, the acknowledged shrine for true pilgrims committed to that democratic vision, and the finest, unmatched ‘solid mineral’ that this nation can claim to have mined from her unlimited resources. Those who dispute this are urged: simply read his prodigious political treatises, and make informed comparisons. Bring on your ‘solid’ mineral of that generation and let us have an independent assayer.

    Alas for Olumo, her fated, twisted partnership with Aso seems interminable. Here is an excerpt from my 2007 lecture, when Olumo had virtually become an extension of Aso, jettisoned all restraining culture from the former and ‘returned to sender’ – that is, returned to infect Olumo with the – not simply uncultured, but – uncouth face of power. I quote:

    “Aso – let us continue to stress – is not just a static symbol of Power, but embraces both the exercise of, and the manners, and affectations of power even after an individual’s departure from office. It signals an active essence that percolates through to individuals and coteries, affects agencies and satellites of power throughout a nation, including, alas, here in Ogun state.  Traversing Ogun state at this time, a visitor cannot but remark a phenomenon that triggers off memory of that phase of Abacha’s desperation for self-perpetuation, one that resulted in the sprouting of sycophantic excrescences on the landscape and air waves of the most stomach-churning kind, the unbridled praise-singing that seeks to conjure up universal approbation even from trees, rocks, hills and valleys – extending even to infants! At least, Sanni Abacha had a purpose, however sinister and warped. To what end is the present inundation of such fulsome choruses in Ogun State? Is governance no longer supposed to be by performance and example?  Or have we settled for a culture of governance by billboards?” End of Quote

    Today, at the very least, one can claim that the sordid implantations of “governance by billboards”, noisome phrase-mongering for non-existent achievements, have vanished off the Olumo landscape.  For nearly eight years of dubious claims they were once inescapable, sprouting up every few yards along the streets, fouling up urban centres, desecrating villages with the ego-driven advertisements of non-achievement, and the patronizing exhortations to the people to give praise to  “the giver of all good things”.  Even infants were pictured singing praises of the colossus who brought them education! How many thousands of billboards, I would ask myself, would Awolowo have deserved by comparison for his seminal educational policy, and its execution? In my bush forays, I had become accustomed to encountering these displays fighting for survival beside dilapidated buildings that were supposed to be schools, and nondescript shacks that denoted abandoned projects.  Billboards where our biblical eponym fought and vanquished illusory monsters while trapped “in the lion’s den”!

    All vainglories sooner or later pass away, leaving nothing but the transience of power and the corruptibility of birds of passage with human heads.  And, to bring us down to earth, down to objective assessment of how we have augmented  the bequest of sound foundations, what greater mortification could possibly befall the people of Ogun, than to see this pioneer beneficiary of Awolowo’s vision fall to an abysmal low in the annual scholastic contest called WAEC! When and how did the rot commence?  These are hard, soul-searching questions that do not brook evasion.

     

    Enough of reminiscences, sweet and sour. Let us make room for a final narrative of immodesty.  After all, others have not been niggardly of late in praise of their own corners of the nation, even to the extent of dubbing us (among others) envious of their own achievements. I read one lately whose catalogue of Firsts in virtually every human undertaking checked me in stride. True or false, I have not bothered to check, but it all sounded authentic. Fortunately, one remains blissfully self-sufficient and content in the uniqueness of one’s own collective attainments. It goes beyond chauvinism or sentiment therefore that I designate our own historic landmark, Olumo, as the critical touchstone for assessing Ogun’s fidelity to her own history.  Its significations – as instructive contrast to other representative rocks, rivers, waterfalls – indeed any landmarks – may be read, admittedly, more as an act of faith or a case of selective history. My response is simple: let us take it as a provocation to the potentials of a people, an attempt to recall all, to whom Olumo is home, to their finest values, bring them to a recognition of the need to re-configure and re-furbish what is not merely symbol but also history.  Olumo – let us recollect – was a site of resistance, and it was impregnable in its time!

    The culture of ise ab’ojumu – just conduct – leads to Justice, which remains one of the ineradicable intangibles of human heritage. No culture that the world has ever produced can surpass a culture that is founded on justice – and this includes the culture of resistance to injustice, one that may manifest itself through modes of overt activism and militancy to those of passive resistance.  Now, why do I so righteously attribute to Ogun state an exemplary status within that culture of justice and fair play?

    The obvious answer lies in that immediate and vivid history that should be taught all children, right from infancy.   Even more grievous than the act of deprivation of Olumo by Aso Rock of the harvest of a universally acclaimed contest, was the assault on her dignity and entitlement to equity and undiscriminating regard! A disdainful attempt was made to shove down the people’s throats a whimsical substitute for a nationally evolved leader, violating the expressed will of millions. With near total unanimity, this surrogate was rejected. This is not an attempt to open old wounds, but what is history good for, if not to act as our pointer and teacher? Once made, history cannot be effaced.

    Rejection of that proxy was widespread within the nation, among Yoruba and non-Yoruba, but was naturally lodged at its deepest among his own people in Ogun state: they reacted with contempt for that substitute, inducing almost total social ostracism.  All known human communities will always harbour the negative exceptions, the collaborators and time-servers – I believe that Christian history records one among twelve. Well, the proportion was far, far lower among the people of Olumo where, in fact, the spearheads of resistance to that offered insult were most resolutely entrenched. That is the culture to which I refer, the culture that looks Power in the face and rejects its culture of dictation and imposition, guided by the faith of ise or iwa ab’ojumu.  It is also known as the democratic culture. Unabashedly, I hold this history enshrined as the finest hour of the people of Ogun state! If nothing else, this moral triumph remains well worth celebrating.

    But now, is this perhaps a new opportunity to redress that past? Aso Rock came down physically to Olumo this past week, decked in its cultural outfit, adorned by the idiosyncratic ‘steeple’ cap of the host, and decked in national colours. This was the occasion when the wheel seemed to have come full circle, and closure appeared to be within grasp. Here is the explication.

    The historic results of Olumo’s bid for power – as already emphasized – may have been annulled by Aso Rock – they were never discredited, never challenged.  It is the annulment that stands discredited, even treasonable! The 2015 election that brought the present Aso incumbent to power was also not disputed, the votes were overwhelmingly and freely given, defeat conceded by the opponent – the first ever such national unanimity since that watershed election of June 12th 1993.  In that respect, both Visitor and the martyred president are two of a kind – authentic products of the democratic venture, leaving all intervening occupants – that is, for over two decades – mere impostors.  Power holders they were, indisputably, but examined through a truthful democratic prism – a succession of  fidi hee, without exception.

    Viewed from an accommodating mind, the vicious cycle of denial appears to be moving – symbolically – towards terminus. If it is claimed that this visit was a birthday gift from Aso to Olumo however, then it is still a paltry handout, incomplete, since Olumo has stood at the vanguard of democracy and paid a heavy price. She won gold, but was offered pewter.

    Still missing is a final rectification that remains overdue to the festering wound of injustice, scabbed over – yes – but raw and pulsating for all that! The beneficiaries of that dogged pursuit are many, including the current incumbent of Aso Rock, himself an exemplar of the rare breed of persistence in the ambiguous face of justice, one whose name, in gargantuan letters now dominates the final approach to Abeokuta, home to Olumo.  The lettering hits you in the face! I could not help conceding – yes, a tribute so typical of the ise ab’ojumu of his hosts, children of Olumo, to name this ultra-modern housing project after the Aso Rock visitor. Musing across faces of Ogun State worthies at the rites of commemoration, among them those who had the opportunity but failed to overcome guilt, envy, personal inadequacy, and deep character warp to make their peace with history, it struck me as an opportunity for a historic but welcome irony, were Aso Rock itself, the originator of the infamous democratic disjunct, to confront the terms of a moral debt incurred by that Aso promontory, and bring to closure an unruly chapter in a nation’s history.  Now, how may this be effected?

    First – and here we come to my final act of anniversary reminiscences – a wedge of history that is both instructive and – puzzling! After the brutal curtailment of a military occupancy of Aso Rock – ‘Dodan Camp’ more accurately at the time – his successor, our same surviving spawn but suspect growth of Olumo at that first coming – ordered that the portrait of the murdered ruler be hung in all government and public offices for a full calendar year afterwards. It was, in effect, a diarchy of the living and the dead under whose shade he negotiated survival. That macabre display of fearful deference was eased out only when the departed was further immortalized on the nation’s postage stamp. Was it however  Olumo’s  ise ab’ojumu – just conduct – that had yet to thin out in the veins of that incumbent through time and power? Or was it wise inner promptings that his anointment was a mere forerunner of future power contrivances that would be known as  f’idi hee, the appeasement of, indeed pandering to, forces of which he was then mortally in awe?  It should not matter to us. The demands of Olumo today are actually far more modest, less bizarre, eminently doable and of positive augury:

    Honour this democratic flag-bearer and martyr with a postage stamp or currency bill, AND inscribe that name – MOSHOOD ABIOLA – in the scroll of Nigeria’s past presidents, that the restless ghosts of Aso and Olumo may retreat, and settle back, hand in hand, in their primordial caves!

    Abundant Anniversary Returns of this Fortieth to the people of Ogun and other celebrant states across the nation!

    Wole SOYINKA

     

     

     

     

     

     

     

  • ‘Why some languages die’

    ‘Why some languages die’

    The Bible Society of Nigeria (BSN) was 50 on Monday. In this interview with reporters, BSN General Secretary/Chief Executive Officer Rev Richard Dare Ajiboye speaks on its   achievements and challenges, among others. Joseph Eshanokpe was there.

    Why are you celebrating?

    Although we are celebrating 50 years, Bible work started in Nigeria in 1807 by The British and Foreign Bible Society (BFBS), The American Bible Society and The Scottish Bible Society. The three of them were in this country. American Bible Society will be 200 years old by May this year while the BFBS was founded in 1804. This our building was donated to us by The British and Foreign Bible Society when they were in Nigeria. They were operating from here.

    Between 1959 and 1971 we had three expatriate General Secretaries – Rev James Taylor, Ross Manning and Jacob Wood. The first indigenous General Secretary was Most Rev Dr. Joseph Soremekun; he took over in 1971. And from then till now, we have had seven and I am the eighth indigenous General Secretary. When translation started, the first Bible to be published was the Efik Bible in 1868, but in 1965, the then Eastern State Governor Sir Akanu Ibiam agitated for the establishment of a Nigerian Bible Society and in February 8, 1966, The Bible Society of Nigeria (BSN) was formed. Since then we have been doing our best to translate the word of God. In addition to what was done by the ABS, BFBS and The Scottish Bible Societies, we now have the complete Bible in 24 Nigerian languages and this year we should be able to add the 25th.

    We are celebrating the goodness of God to us as an organisation. If I am the eighth General Secretary, having eight successions is not a joke. For an organisation to pass through such generation of leadership and still standing in an environment like ours in Nigeria, it is not a joke. In our Bible distribution, in 2000, we distributed less than 300,000 Bibles in a year, but last year we distributed 2.3 million copies. In translation, before now, we have never completed any translation project in less than 38 years, but we started some projects last year and we are trusting God that before the end of 2020 we should be able to dedicate them.  These projects are Epie and Ogbia Languages in Bayelsa State. We are also starting this year Okun Bible Language translation. The language is spoken in Kogi State. We believe God that these projects will not take up to 12 years to complete.

    For an organisation that depends on donations, considering the nature of things in the country to survive for 50 years, is by the grace of God. That was why we had to celebrate. This  kicked off on January 31, with a thanksgiving service at the Cathedral Church of Christ, Marina. On February 2, we were in Enugu for a lecture delivered by Most Rev Emmanuel  Chukwuma. The event was chaired by Chief Emeka Anyaoku and on the Fourth in Abuja, there was a lecture by Bishop Matthew Kukah. It was chaired by General Yakubu Gowon and on the Eighth in Lagos, a lecture was delivered by Chief Olusegun Obasanjo; the event was chaired by Mr Felix Ohiwerei. On February 6, there was a luncheon with staff and former staff and our donors, while on February 5, a Mary Jones’ Walk to replicate what Mary Jones did in 1804 held. She was a young Welsh girl who loved the Bible so much and the parents could not afford it. So, she would go to the church to read, but not satisfied, she was going to the house of a neighbour to read. Her parents could not buy, so she saved money for six years to buy the Bible. She walked a distance of 40 kilometres to buy the Bible. When she got to the place, the only Bible left had been paid for by a priest. When she was told, she broke down. The person selling the Bible had to arrange accommodation for her because it was late and gave her the copy, saying that the person that had paid for the Bible would wait until they got another consignment. So, we want to demonstrate what she did that led to the formation of Bible Societies. When the priest that sold the Bible to her got to London, he narrated his experience and asked the people, why don’t we form an organisation that will make the word of God available and be waiting for people, rather people waiting for Bible? That was how the British and Foreign Bible Society was formed in 1804. On the sixth we held another thanksgiving at Fountain of Life Church.

    We planned to give out 100,000 copies of the Bible free if the funds were available. This would cost us N50 million. We would unveil our Legacy Bible. It is meant to be handed over from generation to generation. This process of bequeathing it can last as long as 200 years.

    What does it take to be the chief executive officer of this organisation?

    Well, it takes the grace of God. Before now, I thought I had known much about leadership having occupied leadership positons at different levels, in this organisation until I became the General Secretary; I now know better. To influence people, for an organisation like this, you need the help of the Holy Spirit. You need also to be deeply rooted in the Word of God. You must be able to balance discipline in line with the word of God. I have seen that in a Christian organisation, people do not believe that discipline should be maintained. They will remind you that the Bible said we should love our neighbours as we love ourselves. So as a leader you should know when to draw the line and discipline people with love. Besides the spiritual competence, occupying this position requires that you have sound leadership competence. Now I have to think of how to pay the salary of about 200 staff members and, for me,  to do that, will not an easy task. It requires leadership competence. So, it means you must be versed in leadership skills. You must be sound in both educational and professional competence. Your attitude to money, women must be impeccable. You must have a good home to occupy this seat because you must be of good example to others.

    Does BSN have a printing press?

    Our business is not like the secular businesses because we are not profit making. We do not have a printing press because we cannot afford it. I went to China to find out the cost of a small press that can print two million copies of the Bible in a year. It will cost about N2.5 billion to buy such a machine. We do not have such money.

    What are BSN’s challenges

    My greatest challenge as the CEO is funding and the second challenge is piracy. If I have fund, I will drive away pirates out of the market.

    How has BSN contributed to national growth and development?

    In Nigeria we are near zero when it comes national growth or economic development. Nigeria is one of the poorest countries in the world. Her per capita income is very low. When we talk about economic growth, it is about increase in Gross Income or our Gross Domestic Product (GDP).  In essence what other companies produce in a year can increase in terms of volume but if it does not translate into the personal life of people, in basic amenities, we cannot claim to have economic development. Translating to having housing, basic needs, transportation, security etc will mean economic growth and development. Let me relate BSN to national growth and development. In BSN, we are contributing to securing our culture. Somebody said that the death of a language is the death of a culture. Some of the languages that are dead today are dead because they did not have any orthography. They were not in any written form so when the older generation that could only speak the language pass on the language dies. Nothing for anybody to refer to. We have translated to 24 Nigerian languages and are working on 13 at the moment at the cost of N40 million per translation project. By this, we are securing the language and culture of the country. Culture, to a large extent, is communicated through language. By translating, publishing and distributing, we employ people and pay them salary. We pay salary of over 200 staff, helping them earn income which contribute to economic growth. We pay the Customs to clear our Bibles; we pay the shipping companies.

    So with all these, we are contributing to national growth.

     

     

     

     

     

     

     

     

  • Battling diarrhoea, the global child-killer disease

    Battling diarrhoea, the global child-killer disease

    The fight against diarrhoea got a boost when Reckitt Benkisser, the world’s leading consumer health and hygiene company, upped its commitment to the eradication of the disease among Nigerian children. The intervention could not have come at a better time than now when the nation is battling other health challenges, such as polio, Lassa fever and HIV/AIDS.  But, what are the socio-economic implications of the company’s multi-billion naira partnership with the Federal Government to fight the scourge? Assistant Editor (Arts) OZOLUA UHAKHEME reports. 

    Unknown to many, diarrhoea is much deadlier than AIDS, malaria and measles combined as it kills 2,195 children daily. The U.S. Department of Health and Human Services, Centers for Disease Control and Prevention described diarrhoea as a common illness and a global killer. Diarrhoea accounts for  one in nine child deaths worldwide, making it the second leading cause of death among children under the age of five. For children with HIV, diarrhoea is even more deadly; the death rate for these children is 11 times higher than the rate for children without HIV.

    Despite the sobering statistics, strides made over the last 20 years have shown that in addition to rotavirus vaccination and breastfeeding, diarrhoea prevention focused on safe water and improved hygiene and sanitation is not only possible, but cost effective: every $1 invested yields an average return of $25.50.

    According to the United Nations Children Education Fund (UNICEF), the diarrhoea prevalence rate in Nigeria is 18.8 percent and is one of the worst in sub-Sahara Africa and above the average of 16 percent. Diarrhoea, it said, accounts for over 16 per cent of child deaths in Nigeria and an estimated 150,000 deaths mainly among children under five occur yearly. It is mainly caused by poor sanitation and hygiene practices.

    Respiratory infections kill another 240,000. The body observed  that trends in the past five years allow for cautious optimism that significant progress will be made in reducing  the number of people globally, who practise open defecation.

    According to the Director of Project, Pharmaceutical Society of Nigeria –Partnership for Advocacy in Child and Family Health, Remi Adeseun, no fewer than 195,000 children died of pneumonia while about 150,000 lose their lives as result of diarrhoea in Nigeria yearly.

    Diarrhoea is also closely linked to mal-nutrition, a condition that is associated with more than half of all under-five deaths. Undernourished children, in turn, have compromised immune systems and at higher risk for developing pneumonia – which also contribute to high children mortality in the country. This chain reaction illustrates that good hygiene practices such as hand washing are critical for child survival and development

    In fact, 2008 was declared by the United Nations General Assembly as the International Year of Sanitation with the primary objective of mobilising both political and financial support for accelerating progress on sanitation development.

    In Nigeria, the Hand Washing Campaign is one of three targets outlined in the Action Plan developed by stakeholders for commemoration of the 2008 International Year of Sanitation (IYS). The two other targets are creating enabling environments to sustainably expand sanitation and hygiene programmes and construction of one million latrines.

     

    Timely Interventions

     

    However, it is not all gloomy for the Nigerian children. Already, the Federal Government in partnership with other NGOs and corporate bodies is determined to eradicate diarrhea among children. Recently, Minister of Health, Prof Isaac Adewole, who admitted that these are tough times, assured that Nigeria has an ambitious plan to introduce new life-saving vaccines over the next several years to tackle children related illness such as polio.

    On January19, in Abuja, Nigeria’s capital, Reckitt Benkisser upped its commitment to the eradication of diarrhoea among Nigerian children with the announcement of a multi-billion partnership with Federal Government to fight the scourge of diarrhoea among Nigerian children. This was disclosed when officials of the company paid a courtesy visit to the Vice President, Professor Yemi Osinbajo where they presented the ‘Save a Child a Minute’ N7.2billion  programme to him. Under the programme, Nigeria will receive N1.2 billion towards creating what the company called, a Healthier and Prosperous Nation.

    The RB delegation included- Rahul Murgai, Managing Director, RB West Africa; Andrew Fleming, Deputy Head of Political Section, British High Commissioner and Patty O’ Hayer, RB Global Head of External Communications & Affairs.

    Others are  Chairman RB Nigeria  Chief Olu Falomo, Marketing Director RB West Africa Oguzhan Silivrili and Chief Financial Officer RB West Africa Alasdair Peach, Deputy Country Director, Save the Children Kwame S. Boate and  Director of Advocacy and Media, Save the Children Dr. David Olayemi.

    Murgai stated that RB’s global vision is “to provide our consumers with innovative solutions for healthier lives and  happier homes”.

    He disclosed that RB has been operating in Nigeria for over 50 years and remains one of the key priority markets for continued focus and investment. Accordingly, he maintained that RB has been working to create a culture of health and hygiene and is present in country with its portfolio of trusted brands like Dettol, Nurofen, Strepsils, Gaviscon, Durex, Harpic, Mortein, and Air Wick.

    He said RB is not looking at the Nigerian opportunity over short term but see a longer term potential and that Nigeria will remain the epicenter for African growth and plays an important strategic role in serving and developing other key markets in West Africa.

    “With Dettol, a trusted name among Nigerian households and mothers, we have been actively partnering with Ministry of Health, Nigerian Medical Association, Save The Children and other NGOs to create scaled awareness around good health and hygiene. As part of our ongoing commitment, we have already reached five million mothers and 3.9 million school children over last six years to improve maternal health and reduced infant mortality in line with Nigeria commitments to the Sustainable Development Goals.

    “However, these interventions though in right direction, need much greater participation and scale from like-minded corporate NGOs and government if we were to build a truly healthier and prosperous nation.

    ‘’We believe that the implementation of National Health Act, Rota-Virus and Wash Policy will all contribute to making Nigeria healthier,’’ Murgai said.

    The impact, according to the RB boss, is startling in human terms- as ‘one child dies every minute’ under the age of five from preventable diseases, specifically diarrhea.

    “Accordingly, we are announcing the ground breaking ‘Save a Child a Minute’ programme in partnership with Save The Children and Lagos State government being piloted in Shomolu LGA where we are working to reduce prevalence and incidence of diarrhea by 50% and mortality by 80 percent.

    “What  makes the programme ground-breaking is that for the first time, a holistic approach on the WHO Seven  point plan is being implemented in Africa. The knowledge is being shared with the Federal government in anticipation of creating a national movement to fast scale the programme,” Murgai added.

    Speaking specifically on Dettol’s commitment to increasing awareness around the importance of adopting healthy hand washing habits among children, Murgai revealed that the Dettol School Hygiene Programme (SHP) which was launched in 2009 has reached more than 3.9 million children since inception with various education materials and school visits to enlighten the pupils on the importance of personal hygiene

    ”Every year Dettol reaches over 1million new moms in hospitals and 1million school children through hand washing programmes in schools to reduce infant deaths and improve maternal health through its Dettol grassroots hygiene programmes,” he said.

    Not a few analysts agree that these joint interventions have become very critical as the Water and Sanitation Programme Research reports that Nigeria loses N455 billion yearly, which is 1.3 percent of the Nigeria’s GDP to poor sanitation and hygiene which increases the risk of disease and malnutrition.

    Diarrhea disease remains a leading cause of mortality and morbidity of children in Sub-Saharan Africa, where unique geographic, economic, political, socio-cultural, and personal factors interact to create distinctive continuing challenges to its prevention and control.

    A number of different social, political, and economic factors are present in Sub-Saharan Africa which contribute to the constant morbidity from acute and persistent diarrhea, as well as intermittent epidemics of cholera and dysentery common to this region of the world.

    This continuing epidemic deserves sustained programmatic and research attention as international public health moves on to confront newer issues in infectious disease and the changing burdens of disease associated with the demographic transition.

    There are a lot of scientific evidence showing the significance of hand washing at critical moments to reduction in diarrhea which is the second leading cause of death amongst Nigerian Children (after malaria). The most recent study indicates that hand washing can reduce diarrhea episodes by about 30% and up to 47% reduction has been achieved in some cases.

    Globally, UNICEF is supporting 50 countries, including Nigeria, to implement Community Approaches to Total Sanitation (CATS) such as Community Led Total Sanitation. This is aimed at empowering communities to identify their sanitation challenges and take necessary actions to end open defecation.

    Considering the critical role of healthcare system in a nation’s well being, no amount of partnership between corporate bodies and government will be too much in order to provide adequate and effective healthcare services to Nigerians especially the children under-five years. It is expected that multinationals and other corporate bodies should key into initiatives in critical sectors that truly touch lives.

    Little wonder that four northern states refused to let down their guards in the fight to kick polio from the region even though Nigeria has been delisted from polio endemic countries. Recently, the states signed a Memorandum of Understanding (MoU) with Bill and Melinda Gates Foundation and Dangote Foundation, a pact worth about $100million to provide technical assistance to eradicate polio in the region.

    Aliko Dangote, while speaking at the ceremony in Kaduna, hailed the fact that Bill Gate believes that immunisation is life-saving, cost effective and a cornerstone of every primary health care system.

     

    Prevention and control

     

    There are key measures to prevent diarrhoea, which include: access to safe drinking-water; use of improved sanitation; hand washing with soap; exclusive breastfeeding for the first six months of life; good personal and food hygiene; health education about how infections spread and rotavirus vaccination. Diarrhoea is usually a symptom of an infection in the intestinal tract, which can be caused by a variety of bacterial, viral and parasitic organisms. Infection is spread through contaminated food or drinking-water, or from person-to-person as a result of poor hygiene.  Interventions to prevent diarrhea, including safe drinking-water, use of improved sanitation and hand washing with soap can reduce disease risk. Diarrhea can be treated with a solution of clean water, sugar and salt, and with zinc tablets.

     

    Causes of diarrhoea

     

    Infection: Diarrhoea is a symptom of infections caused by a host of bacterial, viral and parasitic organisms, most of which are spread by faeces-contaminated water. Infection is more common when there is a shortage of adequate sanitation and hygiene and safe water for drinking, cooking and cleaning. Rotavirus and Escherichia coli are the two most common etiological agents of diarrhea in developing countries.

    Malnutrition: Children who die from diarrhea often suffer from underlying malnutrition, which makes them more vulnerable to diarrhea. Each diarrhea episode, in turn, makes their malnutrition even worse. Diarrhea is a leading cause of malnutrition in children under five years old.

    Source: Water contaminated with human faeces, for example, from sewage, septic tanks and latrines, is of particular concern. Animal faeces also contain microorganisms that can cause diarrhea.

    Other causes: Diarrhoea disease can also spread from person-to-person, aggravated by poor personal hygiene. Food is another major cause of diarrhoea when it is prepared or stored in unhygienic conditions. Water can contaminate food during irrigation. Fish and seafood from polluted water may also contribute to the disease.

  • History as Osofisan wins prize

    History as Osofisan wins prize

    Renowmed playwright Prof Femi Osofisan has made history as the first black African to win the Thalia Prize for Theatre Criticism. He will be conferred with the award by the International Association of  Theatre Critics (IATC) in Septermber, EVELYN OSAGIE reports.

    Weeks after Prof Femi Osofisan won the coveted Thalia Prize 2016 for Theatre Critics, the Nigerian literati are still celebrating the feat.

    He will get the award from the International Association of Theatre Critics (IATC) in September.

    IATC, a United Nations Educational Scientific Cultural Organisation’s (UNESCO’s) Statute B partner in theatre criticism, is an association of theatre critics, scholars and  journalists in over 50 countries. The Thalia Award is the organisation’s highest honour awarded every two years to a scholar, theatre critic, or theatre practitioner whose writings have influenced critical thinking about theatre.

    Although the organisation is 60 this year, the prize is only 10 years old. Since it was created, its laureates include Eric Bentley (2006) and Richard Schechner (2010) of the United States, Jean-Pierre Sarrazac (2008) of France, Kapila Vatsyayan (2012) of India, and Eugenio Barba (2014) of Italy.

    Osofisan, who is Thalia Prize sixth laureate, has written over 50 plays and has hundreds of critical essays, four novels and five collections of poetry and the subject of several celebratory volumes in his honour. He bagged the prize two years after Nigeria became a member of IATC.

    In a statement announcing this year’s winner, former President, Canadian Centre of the IATC, Don Rubin, states that it was the Nigerian and Canadian Centres that nominated Osofisan in the belief that he is immensely deserving of being the first recipient from Africa of the IATC’s Thalia Prize.

    Rubin praised Osofisan for changing the way many people in other parts of the world now perceive Africa and African theatre.

    “He has led African theatre and drama through both his playwriting and his criticism, through his art, his journalism and his immense scholarship… Words have been his weapon against tyrannies of all sorts. Bringing his name to the whole world through the Thalia is not only appropriate but also a fitting addition to the distinguished names who have preceded him. We welcome Femi Osofisan to the ranks of Thalia laureates,” Rubin states.

    Winning the prize, Osofisan said it is, “heart-warming”. “I am happy to win. I was runner-up the year before last. I am happy that I got it this year.”

    In the same vein, the Nigerian literary community has expressed excitement over the playwright’s feat.

    Some have described the celebrated playwright and critic’s achievements as testament of the resourcefulness of the nation’s intelligentsia. Others say though Osofisan is not new to laurels, winning such a prestigious prize at 70 shows like old wine, the professor’s creative zest grows stronger with age.  Excerpts.

     

    President, IATC-Nigeria,

    Prof Emmanuel Dandaura

     

    “On behalf of the IATC-Nigeria secretariat, I am happy to inform you that one of our own, Prof Osofisan has been named winner of the coveted Thalia Prize 2016.

    “Osofisan becomes the first African and indeed first black to ever win this highly contested award which is coming shortly after I became the first Black and first African member of the executive committee of the IATC in 2014.”

     

    Prof  Olu Obafemi, Chairman, IATC

     

    “This is the first time the Thalia Award for theatre critics has been won by a black man and an African. We, on the IATC-Nigeria and the entire practitioners and critics of the theatre of Africa, proudly claim the honour. Osofisan is a worthy laureate of Thalia award which will certainly bring fillip and recognition to Nigerian and African theatre.

    “As a friend, I am richly enthused by the honour and I congratulate Femi for an honour most deserved.”

     

    Executive Secretary, National Institute for Cultural Orientation (NICO),

    Dr Barclays Ayakoroma

     

    “Professor Femi Osofisan has again made us proud in winning the 2016 Thalia award. He has always been my mentor. He is a genius. It is just unfortunate that Nigeria does not celebrate her intellectual repositories of knowledge. God no dey sleep.”

     

    President, SONTA, Prof Sunny Ododo

     

    “At the SONTA level, we are very happy and excited because Prof Osofisan is the first Blackman to win that award. As one of our foremost members, the award is an encouragement to other creative artists in our fold to continue to create new works. It is also a reward for consistently working hard.

    “IATC, which is the umbrella body of that awards the prize, has some working relationship with SONTA too. In fact, it is SONTA that brought the association to Nigeria. Prof Emmanuel Dandaura is the president of its Nigerian fold.

    It is just two years old in Nigeria and we have made this feat. It is also an endorsement and a clear testimony to the resourcefulness of Nigerian theatre critics, playwrights and artistes.

    “We can only wish him more creative strength, good health to continue to create as long as he is strong and agile. And we believe we are yet to still see the best of him because he keeps getting better and better. We look forward to more awards and recognitions. And we look forward to other theatre scholars, playwrights and artistes in our fold to also bring enduring and coveted laurels to Nigeria.”

     

    Executive Editor/Director,

    The NEWS/PM NEWS, Kunle Ajibade

     

    It attests to the greatness of Prof Osofisan’s gift as a playwright. I’m so happy for him partly because it is a wonderful birthday gift. Whoever is reading this should sing a song for the award winner who loves spicing his plays with songs.

     

    Past President, Association of Nigerian Authors (ANA), Prof Remi Raji

     

    “The name Femi Osofisan is staple in contemporary African drama; this award is an overdue recognition of his status, achievement and influence in modern drama. He has taken his genius as playwright, poet and director to other countries in Africa, Asia, America and Europe. The Thalia Prize is well deserved.”

     

    Former Member, House of Representatives and past ANA President, Dr Wale Okediran

     

    “Osofisan, easily Nigeria’s foremost theatre practitioner has remained active over the years plying his trade all over the world. His playwright skills, which has taken him to far flung places like China, Thailand, Serbia, among other places, has established him as an international artiste of note. In an era where some critics wrongly believe that literary awards are only the preserve of young writers, it is gladdening to see Prof Osofisan at almost 70 years prove the critics wrong. Apart from raising the bar of literary competitions, Femi Osofisan’s award is a refreshing reminder that the practice of Art is a lifelong career. My hearty congratulations to a teacher, mentor and friend.”

     

    Award-winning novelist and

    Professor of English Federal University Ndufu-Alike, Ebonyi State, Akachi Ezeigbo

     

    “I’m immensely proud of my colleague and friend, Prof Osofisan, for all his achievements. The Thalia Award is a strong affirmation of his greatness as a playwright, dramatist and theatre artist. He deserves the award.”

     

    Executive Producer, Thespian Family Theatre & Productions

     

    “On behalf of THESPIAN Family Theatre & Productions (TFT), I would like to say a big congratulations to Prof Osofisan on being awarded the 2016 prestigious Thalia Prize.

    “This is very well deserved. He is an author of very meaningful literature that touches the core of humanity and societal values. This aligns perfectly with our core purpose of ‘impacting the community through the performance arts’ and also informed our choice when we decided to stage two of his plays – the Midnight Hotel and Altine’s Wrath.

    “The underlying messages in the plays were so apt for the times and the social – political environment ,that in addition, we organised a special show, book reading and group discussion sessions for students in order to synthesis the key learning from Altine’s Wrath. We were quite pleased that the play made the young ones strongly resolve to uphold a value-based system that showcases the Nigerian as good family and community members, and not corrupt, insensitive and destructive.

    “Prof!’ as we at TFT fondly call him, is an icon that we are tremendously proud of. Thank you for making us proud in the Theatre Space and for engrafting a vision of what human and societal coexistence ‘should be’ or ‘should be not’ in the hearts of many!”

     

    Associate Professor of Theatre Arts University of Lagos, Dr Osita C. Ezenwanebe

     

    “Nigeria, congrats to a man who inspires me in the theatre industry. It is an honour well deserved. More grease to your elbow!”

  • Badagry Heritage Museum: A withering legacy

    Badagry Heritage Museum: A withering legacy

    The Badagry Heritage Museum was an idea conceived and executed by one of the greatest political icons Nigeria ever produced – Asiwaju Bola Ahmed Tinubu, the All Progressives Congress National Leader while he was Governor of Lagos State from 1999 – 2007. He inaugurated the museum on August 22, 2002 amidst jubilation and excitement by the people of Badagry. The museum was established as part of the attractions put in place to celebrate the then Black Heritage Festival which was originally inspired by Badagry historiography.

    It was meant to be a memory site for the African descents in the Diaspora who were the main target audience of the festival. The intention was that through gradual re-integration and subsequent engagement of the diaspora a solid relationship that would culminate in positive prospects for the diaspora to engage in socio-economic development of the State would be engendered.

    Such relationship would facilitate their involvement and consolidate their sense of belonging, and build institutions to implement coherent diaspora engagement policies for Lagos State. The Badagry Heritage Museum was then to serve as an integral component of attractions for the visitors.

    The museum building was not purposely built. The building as it reflects today was a historical building built in 1861 as administrative block by the colonial masters after the Badagry Treaty of Cession signed by Great Britain and the King and Chiefs of Badagry. It must be stated that in history the building stands today as the first administrative building for the colonial administration in Nigeria.  It gladdened the heart of the people then that the building that had stood desolate and in steady dilapidation for decades was eventually converted to a purposeful use and that for this reason it was believed the structure will be preserved as historical monument. But the building since its conversion to a museum with some paltry renovation has continued to suffer neglect and depreciation even the contents, that is, the objects and material evidence it houses are not exempted.

    There is no gainsaying the fact that the Badagry Heritage Museum has the most comprehensive collections on the history of the Trans-Atlantic Slave trade in Nigeria today. There is yet to be any such museum in Nigeria with the collections on slave trade as exhibited in the heritage museum. The concept of the museum as specific theme on slavery aimed at reconnecting the present with the past memory of the tragic slave trade in Africa using Badagry historiography was one of the greatest legacies of the Tinubu’s Administration in Lagos State. Tinubu, through the establishment of this museum has done to Africa and Nigeria in particular what the Israelis in collaboration with some international organisations have done with the history of the holocaust memorials by establishing Holocaust Museums all over major cities of the world both in America, Latin America, Europe, and Asia. The intent is not to reignite vengeance or to celebrate the holocaust memorials but admonish humanity that never should such genocidal expedition of the Nazis under Hitler be allowed to plague it again. The history of the Trans-Atlantic slave trade which was greater in magnitude, scope, figure of casualty, and timeline deserves to be preserved for humanity and that was exactly what Tinubu has done with the establishment of the Badagry Heritage Museum. But simply because it was established in Badagry and the fact that the Black Heritage Festival which inspired its establishment is no longer what it was meant to be, the museum is not seen as legacy of value to reckon with by the past administration, particularly the Ministry of Tourism during the second term of Fashola’s administration. Hence its values and what museum stands for in real sense of the word continues to decline and depreciate in abject neglect and desolation. Right from the entrance of the museum from outside one could notice neglect all over the outside walls and the main gate to the premises which are being held by ropes! The bushy, dirty and dusty environment with shanties standing on the wall to the right and back of the museum within the premises corroborated this assertion.  The great potential of museums lies in the flexibility of the idea they project and the potential for continuous development.

    A museum, according to International Council of Museums, is a non-profit making permanent living institution in the service of society and of its development, open to the public, which acquires, conserves, researches, communicates and exhibits, for purposes of study, education and enjoyment, the tangible and intangible or the material evidence of people and their environment. The modern museum is concerned about visitors’ experience, that is, visitor-centered issues: what visitors could experience, where we could see evidence for visitors’ needs and expectation and how the objects in exhibition could impact them. Virtually none of these criteria is met in the Badagry Heritage museum’s presentation as it stands today. For a stimulating visitors’ experience it is imperative to create an environment that supports the content; that is consistent with the intent of development, and keeps visitors experience as the top priority thereby putting up an exhibition that is engaging, reinforcing, comfortable, and meaningful to visitors’ experiences.

    The establishment of the Heritage Museum in Badagry considering the three principle of context, content and container seemed perfectly conceived. There would have been probably no other place in Lagos State more deserving to house the Heritage Museum.  In the aspect of the context the heritage museum is situated in larger context which is Badagry itself reputed for its slave trade activities as a major slave market and port from where millions enslaved Africans were bought and transported to sugar cane plantations in Europe and the Americas.  The content of the museum refers to its array of collections which are specifically collections on the Trans-Atlantic Slave trade hence there is perfect interaction and correlation with the history of Badagry itself and the theme of the museum. The container which is the museum architecture/building is a historical building reflecting the vestige of history of colonisation in Nigeria.

    But the state of this museum in relation to its present condition regarding its context, content and container is appalling. The micro context of this museum reflects very bad image of Lagos State as the environment looks un-kept and undeveloped. It’s absolutely lacking in aesthetics with no standard on-site amenities like good toilets, potable water supply, signs and labels, standard souvenir shops, litter bins, seating and disabled provision as well as relaxation facilities. The value of a successful museum lies in its potential to stimulate high qualitative visitors’ learning experience which will not only make them a new person but excite and enchant them to make repeat visits. This is no so of the Badagry Heritage Museum.

    Apart from its contents which are not even properly and professionally conserved as many of the exhibition objects and images are withering and some already broken due to lack of due preservative attention, the container which is the museum architecture itself and environment it sits is in abject state of disrepair and dilapidation.