The Nation Newspaper

Category: New Woman

  • ‘Being a woman is not a limitation but powerful platform for change’

    ‘Being a woman is not a limitation but powerful platform for change’

    Dr. Tessy Uba, an accomplished educationist and proprietress of Tezbloom Model Academy, Rivers State, belongs to the league of women who have overcome socio-cultural barriers to female education. Her professional journey reflects a strong passion for education, dedication to nurturing young minds, and lifelong commitment to empowering others through learning. In this interview with EVELYN OSAGIE, she speaks on her passion for girl education, her journey and more

     Being a woman

    To me, being a woman means strength with purpose, resilience with grace, and leadership with compassion. As someone who grew up in a family where girls’ education was not prioritised, I had to fight through stereotypes, resistance, and limited expectations. I am an advocate for gender equity in education and a role model for young girls.

    Raised in a family of 11 children, eight girls and three boys, my father believed educating a girl was a waste of resources because she would eventually get married, but I chose a different path. I fought hard to overcome socio-cultural barriers to female education. I pursued my education with determination and climbed to the highest level, earning a Ph.D. in Educational Administration.

    So, being a woman, to me, also means breaking barriers and redefining what’s possible, not just for myself, but for the next generation of girls watching and learning from my story. In a world that often underestimate women; I believe we must continue to show that being a woman is not a limitation.  It is a powerful platform for change.

    My journey

    My professional journey reflects a strong passion for education, dedication to nurturing young minds, and lifelong commitment to empowering others through learning. Before I became a school proprietress, I spent over ten years as a classroom teacher. I know what it means to walk into a classroom with passion, only to be met with challenges that quietly chip away at your enthusiasm. Today, as someone who now manages a team of teachers, I see those challenges from a different angle, and I can say without hesitation that several factors are affecting teachers’ performance in Nigeria, not just one. The first and most obvious is poor remuneration. Teachers are some of the most underpaid professionals in the country, despite carrying the weight of shaping future generations. It is difficult for anyone to give their best when they are worried about basic survival, feeding their families, paying rent, or commuting to school. No matter how passionate a teacher is, financial hardship can quickly drain their motivation.

    My motivation as an education

    My motivation itself goes beyond money. Despite her father’s belief that educating girls was unnecessary, my resilience and commitment to learning propelled me to attain the highest level of academic achievement. Many teachers feel undervalued and overlooked in the larger conversation about national development. Society often fails to recognise the critical role teachers’ play, and this lack of respect affects their morale. When a profession loses its dignity, it becomes difficult to attract or retain talent. There’s also the issue of limited access to training and continuous learning. Many teachers are still using outdated methods because they have not been exposed to new approaches, technologies, or best practices. In Tezbloom Model Academy, I make it a priority to train and retrain our staff regularly. But I know this is a privilege not all schools can afford. Then there’s burnout. Teachers today are not just educators—they are counselors, caregivers, and sometimes even stand-in parents. With large class sizes and little support, they are stretched thin. The pressure to produce academic results, especially in under-resourced environments, takes a heavy toll. Yet, despite all this, I still meet teachers who show up every day with remarkable dedication. What they need is not just encouragement, but a system that values their contribution, pays them fairly, supports their growth, and treats them as the professionals they are.

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    My thoughts on the current standard of education in Nigeria

    I would say that the standard of education shows great potential, but it is currently facing major challenges, especially in infrastructure, teacher training, and curriculum relevance. I have seen brilliant students held back by a lack of resources and outdated methods. However, I have also witnessed how innovation and committed educators can make a real difference. So, while there is a long way to go, I believe there is hope if we keep pushing for reforms and investing in quality teaching.

    Challenges schools face in maintaining or improving academic standards

    For me, improving academic standards in Nigeria is not a matter of passion alone; it requires confronting deeply rooted challenges.

    One of the most pressing challenges is the quality of teaching. Many schools struggle to find and keep qualified teachers, not necessarily due to a lack of talent, but because of poor remuneration, limited training opportunities, and low morale in the profession

    Many schools operate without basic facilities, functional classrooms, libraries, learning aids, or access to digital tools. When children are taught in overcrowded, poorly equipped environments, it is difficult to achieve academic excellence, no matter how dedicated the teachers may be. There’s also the issue of parental and societal support. Education works best when it is reinforced at home, yet many parents, especially in under-informed communities, see schooling as the sole responsibility of teachers. In some cases, girls are still discouraged from pursuing education. Changing such mindsets takes consistent advocacy and community engagement. Policy inconsistency from the government further complicates things. Frequent curriculum changes, insufficient funding for public education and weak regulatory oversight often leaves schools, particularly private ones, to navigate the system alone. While initiatives exist, their implementation rarely reaches the level where they can truly make a difference in classrooms across the country. Still, I remain hopeful. I have seen what is possible when educators lead with purpose and when communities rally around their schools. With the right investments and mindset shifts, we can raise the bar for Nigerian education.

    Impact of parental involvement in ward performance

    Parental involvement goes far beyond paying school fees. It includes listening to a child read at home, making time to review their work, encouraging curiosity, and, perhaps most importantly, believing in the value of their education. When children know their parents are invested in their academic journey, it boosts their confidence, attendance, and motivation. If we want to raise academic standards in Nigeria, we must do more than fix classrooms and train teachers. We must bring parents into the heart of the learning process. Education is a shared responsibility, and when schools and families work together, our children thrive.

    Beauty me

    To me, beauty goes far beyond physical appearance. Beauty is strength, purpose, and confidence wrapped in grace. It’s about being comfortable in your skin, knowing who you are, and walking in that identity with dignity. As a woman who has overcome challenges, especially in a society where the girl child’s education was once undervalued, I’ve come to see beauty in resilience, in determination, and in the quiet courage to keep going. It’s in how a woman carries herself, how she speaks life into others, and how she nurtures her family, community, and dreams. True beauty radiates from within. It’s found in simplicity, in kindness, in self-respect, and in the way we uplift others. I feel most beautiful when I’m at peace doing what I love, making a difference, and staying true to my values.

    Juggling family life with my career

    Balancing family life with a career is a delicate act, especially as a married woman with children. For me, it’s all about prioritizing and intentionality. I make it a point to dedicate quality time to my family. My spouse and children are my greatest support system and motivation. At the same time, running a school and being deeply involved in education demands focus and commitment. I’ve learned to manage my time carefully, set clear boundaries between work and home, and stay organized so that I can give my best in both areas. It’s not always easy, there are days when the demands feel overwhelming—but I believe that with good planning, open communication, and support from loved ones, it’s possible to thrive both as a mother and a professional. To me, juggling these roles is about being fully present, whether I’m at home with my family or leading my school, and finding harmony between the two.

    Fashion item I cannot do without

    There are a few fashion items I honestly can’t do without: my shoes, my phone, and a well-tailored two-piece outfit. As a school proprietress and a busy woman, I need to feel comfortable and confident throughout the day. A good pair of shoes is non-negotiable; they keep me grounded, literally and otherwise. My phone is equally essential, not just as a communication tool but also as part of how I manage and coordinate my daily responsibilities. And of course, a well-tailored two-piece is my go-to; it’s simple, classy, and versatile. I love outfits that reflect elegance without being over the top, and a two-piece outfit gives me that balance between professionalism and personal style. It’s my way of showing up looking polished and feeling like myself.

    My fashion style

    My fashion style is best described as simple, comfortable, and effortlessly classy. I believe that what you wear should reflect who you are, and for me, that means choosing outfits that are modest yet elegant, and above all, comfortable enough to carry me through a productive day, whether I’m at school with my pupils or attending a formal gathering. I don’t believe in overcomplicating things. I lean toward clean lines, soft fabrics, and timeless pieces that allow me to express confidence without saying too much. For me, style is not about trends, it’s about grace, authenticity, and being at ease in your skin. Looking good doesn’t have to be loud. I’ve found that when you dress with intention and comfort, you naturally carry yourself with poise, and that, to me, is true style.

    Relaxation

    For me, relaxation is about finding peace and balance after a busy day, especially as an educator and school proprietress. I naturally gravitate toward quiet and calm environments, so my ideal way to relax usually involves reading a good book, watching an inspiring movie, or simply enjoying some quality alone time. I find that stepping away from noise and constant activity helps me recharge mentally and emotionally. I’m someone who values solitude, it gives me space to reflect, refocus, and return to my responsibilities feeling refreshed. In a role that constantly demands giving to others, my relaxation time is when I pour back into myself, and that’s something I truly protect and cherish.

  • Esther’s Revenge returns to UK

    Esther’s Revenge returns to UK

    Nigerian actress and associate producer, Bola Stephen-Atitebi is no stranger to the British stage. But this summer, she returns with renewed resonance and unmatched power in ‘Esther’s Revenge’, a gut-wrenching solo performance that has garnered critical acclaim from Lagos to London.

    The production, which is a two-hander experiential play that has been touring since 2018, won the 2023 Brighton Fringe Award and was showcased off-Broadway at the Soho Playhouse in New York January 2024.

    It explores betrayal, abuse shame, and womanhood in a post-colonial, emotionally fractured world. But in Stephen-Atitebi’s hands, the play becomes more than a story – it becomes an invocation, a voice for women and an advocacy tool against all forms of abuse. 

    She approaches the role of ‘Esther’ with reverence and intensity. Her process blends Stanislavski’s emotional memory with Lecoq’s physical theatre, crafting a visceral, psychologically rich portrayal. From rigorous historical research—poring over documentaries, oral histories, and news archives—to spiritual preparation involving breathwork, Yoruba hymns, and highlife music, she disappears into Esther Ada Johnson with total commitment. It’s no surprise the play won the Brighton fringe international award in 2023.

    Opening Friday, June 13, at the Scarborough Fringe Festival under the artistic direction of Julian Caddy, it is set to tour the United Kingdom. The tour continues beyond Scarborough, including stops at Leeds International African Arts Festival, Bread & Roses Theatre in London, and The Alma Tavern Theatre in Bristol. For the actress, this UK tour is one of many defining moment in her cross-continental theatre journey.

    Produced by Pawstudios Africa and written and directed by Nigerian theatre maestro Kenneth Uphopho, Esther’s Revenge has been touring since 2018 and has showcased over 60 shows across Nigeria, South Africa, New York and Europe.

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    “Esther Ada Johnson murdered Hall in 1953 in a savage attack with a pair of scissors. Hall was a Colonial Railway worker and apparently she had killed him because he had returned from a home leave in England to tell her that he had married an English bride and had used the £400 Johnson had lent him to buy a taxi for his new bride so that she could start a business. Johnson was tried and convicted in 1956 and sentenced to death. She remained on ‘Death row’ in Broad Street Prison (now Freedom Park) Lagos. Her sentence was later commuted to life imprisonment. In 1961, on the first anniversary of Nigeria’s independence, Governor-General Nnamdi Azikiwe pardoned Esther Johnson in the name of the Queen. It is indeed a powerful tool advocacy tool against domestic violence of any kind,” Atitebi said.

    This is not her first UK foray. In 2004, she performed Waingi at the Greenwich & Docklands International Arts Festival under Sir Peter Badejo (OBE), holding thousands spellbound at Trafalgar Square. In 2005, she toured with ARIYA, a dance drama by Osun Arts Foundation a Liverpool City African Theatre Company, performing to sold-out venues at the Brighton Festival and Arcola Theatre.

    Two decades later, her return is triumphant. Stephen-Atitebi is no longer a visitor to British theatre—she’s a cornerstone of its global evolution. Her portrayal of Esther is as much a performance as it is a collective healing. “Audiences often cry, hug me, or whisper ‘thank you’ after the show,” she recalls. “That’s when I know Esther has done her work.”

  • God of apple

    God of apple

    It was a quiet Saturday evening as all roads lead to Lady P’s place. Her hubby was on official assignment outside the state. And she seized the opportunity to host the girls at her place. She was treating us to an evening of light goodies.

    She was celebrating her hubby’s recent win on a project which we were all aware of and made contributions to. “Hello Ladies! God has done it again o! Remember that our project: e done get head o. They’ve given us a facilitation fee and have even paid us the balance of the previous one my hubby’s company did for them earlier in the year. Please, let me host you guys tomorrow evening,” came the message on the smaller group chat that occasioned the evening event. And we were looking forward to an exciting evening. But what was supposed to be of a night of gists, wine and snacking became one of solemn reflection.

    It was a thrilling sight on the dining table that first welcomed me as I walked into the poshly decorated living room; coupled with a calming jasmine fragrance in the air.

    There was wine. There was fruit parfait. There were finger foods. And a suffocating silence with plates and drinks untouched.

    “Welcome Evelyn,” came the chorus from the table where the girls were already seated that lacked the usual enthusiasm. “What is going on here? I hope it’s not what I was thinking?” I muttered to myself as I took the empty seat by Tinu and Ada.

    Feigning ignorance, I asked: “What is going on here? Are we not supposed to be celebrating: why then is there this suffocating silence and nobody eating,” and followed their gaze towards the large TV on the wall that was fixed on a news channel, showing the recent killings in Benue where more than 150 people were reported dead.

    “Evelyn dear, leave food matter first. This Benue matter dey turn belle. I’m still shocked at the inhumanity to man that took place there,” Christabel offered.

    “This is no longer funny. Which day here were my husband and I and a family friend talking about the herdsmen banditry – with the way it is going, it would require a firm and strong hand of government to end this menace, else we may be looking at a scourge that if not properly handled may affect our food production,” Ada noted.

    “You know my husband is from Benue and I grew up in Jos. Such communal clashes are not new. Such disputes over land ownership, water access and traditional grazing routes have periodically flared into violence, with both sides arming themselves for protection. It is usually bloody,” Lady P said, sadly, while signaling to me to help myself. I poured myself a fruit wine and stated: “For me, I think the problem can be linked to climate change: desertification in the Sahel has reduced grazing lands, pushing herders southward.”

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    “It is indeed sad. These killings are becoming too much. Something has to give. Maybe we should call the God of apple to intervene, Tinu said.

    “Which one be the God of apple again,” we all asked Tinu.

    “Tinu…Tinu…Tinu, you done come again. After una go say na me dey corrupt. Which one be apple for the case of Nigeria again,” Sexy Jola asked, laughing at her joke.

    “Apple get many meaning, Tinu explain yasef,” I teased.

    “If you ask me, na who I go ask. Abeg leave me joor,” Tinu replied.

    “Nigeria matter no dey finish, let me change the channel. Abeg, make una eat o. Drink dey yapa,” Lady P urged. I grabbed myself a plate and cutleries and joined in the revelry as the discussion gravitated towards a personal note.

  • ‘First substantial money that came after our marriage was from art sales’

    ‘First substantial money that came after our marriage was from art sales’

    Prolific Nigerian artist, Ngozi Rosemary Akande, is an art administrator and a mentor, who uses her art as an advocacy for women rights and empowerment. She is the co-founder of Female Artists Association of Nigeria (FEAAN) where she served as secretary and then president. During her tenure, she impacted the lives of the women through programmes she initiated. In this interview with EVELYN OSAGIE, she speaks on her passion and more

    Growing up for you that impacted the woman you became

    Born on May 28 1965 to late Chief S.M.A Nnaji and Mrs. Victoria Atim C Nnaji of Abia State, I am the seventh out of nine children, four boys and five girls. My mother, who was from Cross River State, was a retired teacher and large scale farmer. She meant everything to me. My dad was a retired police officer and teacher. My parents had palm plantations and rubber Plantations, they owned VICSMAN Enterprises Company. I learnt to be independently-minded from them. Because of the benefits of Technical Colleges, my parents sent myself and my elder sister to Girls Technical College, Aba. Their belief on the education of the Girl child at a time when it was not very popular was highly commendable and inspirational.

    Being a woman in the arts

    Being a woman in the arts world is quite encouraging; the first substantial money that came to my family after our marriage was from art sales. Before I got married I sustain myself with portrait paintings of prominent personalities. I will not say it’s equitable, because men always get the best patronage and the best jobs. For some, if their spouses are not art inclined, they may discourage them from practicing. For me nothing stopped me from practicing my art. I have been able to marry my art with my everyday life.

    My style of art

    Ngozi paints with acrylic, oil, discarded textile materials, jute and other found objects to create impasto in her paintings. She does not limit herself to any one style because art is versatile, giving one opportunity to explore. Her themes arise from the situations she finds herself at any period. But my passion lies with protecting and advocating for women and children around the world especially in Nigeria. She has participated in several exhibitions nationally and internationally. I was drawn to modern and contemporary art. These art movements are more global. It moved away from historic and religious images of the renaissance period to more conventional themes. The impressionistic art was easier to follow because less attention is paid to details and perspective. I learnt about Renaissance, Impressionism, cubism, modernism and contemporary Art.

    My voyage into art

    The first time I encountered art was in secondary school. Being a technical college, we were exposed to different areas of vocational studies. My art teacher Mr. Owowo was dedicated. From then on I picked interest in arts and started noticing art prints in hotels and restaurants. The most common then was, the crying boy, by Giovanni, still life paintings by Caravaggio, the Last Supper by Leonardo Da Vinci, and Mona Lisa.

    The first art I had at home was my artworks in secondary school. I made a rope collage of a black and white dog, Madonna and child, and a Nigerian Coat of Arm. All were hung proudly in the living room by my father. I also made handmade cards for Christmas and birthdays for my parents. My parents were happy with my art, but my uncle who was my benefactor did not support my studying art. He preferred Secretarial Studies or Home Economics. I started my art career in Lagos in 1992, since then I have been constant on the art scene. I participated in a group exhibition in the Nigerian Consulate in Johannesburg, South Africa, in 2018 same year, I exhibited at the Nigerian Consulate in Luanda, Angola. I have participated in a group exhibition in Xavier University, Louisianian, 2019, virtual exhibitions in Chicago. 2020.

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    My passion

    For me, I knew art is my passion, I knew I wanted to pursue my career in art, I did not allow anybody or incident to deter me from practicing art. My passion is highlighted by my acclaimed art programmes that spotlight education and advocate empathy to bring an end to gender-based violence and have been well received by the public. I initiated an art competition against Gender Based Violence in Primary and Secondary schools in the FCT. Additionally, I launched the Children Creativity Fair to mark 2019’s Day of the African Child celebration. My passion is what moved me to have personal relationships with FEAAN members. If members don’t participate in exhibitions, I contact them to find out why. I personally go to pick up works of artists for exhibitions. I initiated an art residency program with the Bruce Onobrakpeya Foundation for sponsored art training for members. I have also given employment to female artists in galleries to encourage them to practice art while also earning wages. Some members who are not trained artists are given art workshop training to improve their art. The moves have earned me awards such as the Rare Gem Award from FRCN (2016), Sustainability and Promotion of Arts Award from the Lagos State Government (2018), Best Artist for Africa in Andorra (2016). Society of Nigerian Artists (SNA) Award for the Promotion of visual art among the female artists (2018).

     My role in the establishment of FEAAN

    The association was born out of the women not coming out for exhibition alongside their men counterparts. When we were all in the same association, any job or contract was executed by men. This is still happening till today. The men will always want to dominate. One of the things I achieved as the president of FEAAN was to expose female artists to the international community. That instilled confidence in the women and I also used our art to mark the United Nations International days, among the MDGs as it affects women. This actually made the Female Artists Association stand out. Before the establishment of the Female Artists Association of Nigeria in 2001, most female artists were not practicing art; they did not have the springboard to move forward. The association now gives them the platform to complement their male counterparts and also exposes them to various programmes within the association. Most recently a lot of Nigerian female artists are practising art. A lot of people are encouraged to see the works of other female artists. When I got married, in 1990, I participated in a national exhibition and was one of the juries for the cartoon contest for Beijing Declaration in 1995. I was vibrant in the art scene. That was why I was selected by the National Gallery of Art to participate in the Women in Art exhibition in 2001 that culminated into the formation of the Female Artists Association of Nigeria. As the secretary and president of the Female Artists Association of Nigeria, I was like the backbone of the association. I made contacts with stakeholders to introduce the activities of the association. I registered the association with the Nigerian Corporate Affairs Commission; I initiate programmes and execute them.

    Being 60

    I am excited to be 60. It’s just like yesterday, when I look back I can remember the years during the civil war, how we survived it and my years in secondary school and university. I thank God. I am very satisfied with my journey. I don’t know what I could have done better.

    My greatest achievements  at 60

    I do not look at myself as being successful yet. I am still striving every day to achieve success. However, excelling in my career as a civil servant to director level, getting to the peak of my profession as an artist with a PhD and training five children and they are all graduates. As an artist, I am truly grateful to God. I am happy to have mentored both male and female artists and they have excelled. In 1992, the WHO used my art work titled, “Life First Food” a pastel painting of a breast feeding baby as a campaign photo to promote exclusive breastfeeding for six months in Nigeria for a period of 10 years. I represented Nigeria in UNESCO Art For Peace. My art work titled “My Culture , My Heritage’ was selected for the United Nations 75th Anniversary. Success to me is what I have impacted on people. As the president of the Female Artists Association of Nigeria, I tried to encourage the women and formulated programmes to help them gain independence professionally. I actually go out of my way to mentor and position people to gain professionally without expecting any reward. Giving out useful information and connecting people makes me happy.

    My take away as I retire

    I was in the service for 27 years and became Director Arts and Culture at NCAC. I worked closely with the DG Mr. Obi Asika and impacted on the programmes of the council. I was among the delegates to South Africa in 2024 to discuss the mutual relationships that can tell our positive stories of our shared ideals. My exhibition was works produced over the years as a civil servant. I could not believe I had over 50 paintings in my collection. I felt they should be shown collectively. It was really awesome. I was delighted.

    Juggling careers with your work at FEAAN

    Passion for the arts: when I was in secondary school, I was discouraged to study arts but I  insisted. I love to see people who are passionate about art. I used my resources to make sure FEAAN does not go down. I am happy it’s very solid now.

    Things that women in the arts should note

    Most importantly for a woman in the art world is consistency, discipline and integrity. Women gain agency by recognising their ability and their strength and make sure they capitalise on them to achieve success.

    New legacy projects

    I am now going to settle down and do the real art. All these while, it was participating in exhibitions, from now on it will be showcasing my works. I also have the international Children Festival coming up in September to prepare the Nigerian children to be at the 7th Global Art Olympiad and the World Children Festival coming up at the Mall in Washington in June 2026.

  • Kpekere and the female Robin Hood

    Kpekere and the female Robin Hood

    “This Kpekere sweet no be small. Christabel, are you sure these will be enough to go round? ” Jolaolu asked, pointing at the big tray of the unripe plantain, popularly called ‘Kpekere’, on the dining table as she grabbed a handful of the snack.

    “Why won’t it be enough, Jola? Are we sharing it with the whole estate? It’s just for those of us here and now. This is just to keep the mouth busy while we gist.” Christabel replied.

    The Salah break was here again and the girls were relaxing at her place for the holiday. We decided to gather at our usual spot under the ebelebo tree that Eid-ul-Adha morning; but we noticed that very early the men had taken over our corner. We then decided to take the ‘party’ to Christabel’s place. And as a ‘good Nigerian’, she chose to treat us to  Kpekere snack. Nurse Cordelia and some others donated unripe plantain; while some others brought vegetable oil and fruit drinks.

    “This men them sef, so them dey jealous us since? Them know say we go gather there today na im them no waste time at all rush go take over our spot. Thank God for this Kpekere,” Barrister Ada observed as she poured the freshly fried snack on the tray; even as Cordelia took the plates to the dinning.

    “Ada, forget them! This our gathering go sweet pass them own joor. Back then in Warri where we used to live, Kpekere was a staple for us. I’ve not had for a long while now…thanks ladies for taking us back to the base,” Tamara said.

    “Ehen, come to think of it sef, this Kpekere reminds me of an experience I had in Warri, where I met a very interesting character – a female ‘Robin Hood,” Lady P stated with a smile.

    “Which one be that again,” Tamara asked, laughing. “Lady P, you done come o,” Jola added.

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    “I met this beautiful lady once many years back when I was visiting a relative of mine in Warri. I remember sharing the Kpekere snack with her as we waited to board a bus to Rivers State because I had bought the last pieces from a seller.

    “I call her female Robin Hood, although some may see her as a terrorist but I see her as a warrior. Her build was the first thing that attracted me to her – she had the frame of a world-class model that can also pass for an amazon warrior. We got talking and she told me she was a female Robin Hood, who belonged to a gang of so-called ‘freedom fighters’, fighting against those victimising those in Niger Delta. Not long after, I got talking with a relative and mentioned her and I was told she died not long after. But seriously, with all this bandit killings in the farming communities across the country, I often wondered if she was alive whether people like her would have fought against such terrorists.”

    “That would be fighting evil with evil,” Ada noted as she munched on the snack.

    “Indeed, the government needs a more proactive approach to resolving this banditry problem, especially in the farming communities. So that it would not subsequently lead to food shortage o,” Tinu interjected.

    “Oya ladies, you can all come for your snack and drink,” Christabel urged.

  • Abia APC to Kalu: your visit to Otti personal

    Abia APC to Kalu: your visit to Otti personal

    • Party vows to win state in 2027

    Abia State chapter of the All Progressives Congress (APC) has dissociated itself from the recent visit of Senator Orji Uzor Kalu to Abia State  Governor Alex Otti.

    The party said the visit was a private engagement that had no blessing from the party.

    Kalu is an APC senator representing Abia North.

    In a statement yesterday by its  Acting Publicity Secretary, Sterling Urakpa,  the APC boasted that with or without the visit, it would win the state in 2027.

    APC  frowned at   Kalu’s  accolades  on the Labour Party-led-government in the state, saying that  contradicts its stance on governance in the state

    The party maintained that the Otti  administration has been characterised by “persistent conflicts of interest, lack of transparency, and concealment of project costs and contract details from the public.”

    It warned its members against engaging in “political fraternisation” with opposition figures, emphasising the need for party discipline and unity ahead of the 2027 elections.

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    The APC also called on its ward and local government executives to protect its interests and unity, particularly in Kalu’s constituency.

    The statement partly reads: “Senator Orji Uzor Kalu’s visit was a personal engagement and does not, in any way, reflect the position or endorsement of the APC in Abia State.

    “Our stance on governance in Abia remains unchanged and was clearly articulated by our state Chairman, Dr. Kingsley Ononogbu, on May 28, 2025, during the launch of the Renewed Hope Partners in Bende Local Government Area. The party continues to express concern over the current state of affairs under the Labour Party-led government of Dr. Alex Otti, particularly about persistent conflicts of interest, lack of transparency, and the concealment of project costs and contract details from the public.

    “The Abia APC strongly disapproves of any party member engaging in political fraternisation with opposition figures under the pretext of canvassing support for President Bola Ahmed Tinubu.

    ‘’We will not condone a repeat of the 2023 scenario, where some members compromised the party’s integrity for personal benefit without punishment.

    “  Abians need to know that they are applauding for less work done with much that has been released by the APC government at the centre. Abians should always compare Abia with other state governments to know what they have lost while clapping with one hand.”

  • Akara and tale of ‘Oluronbi’

    Akara and tale of ‘Oluronbi’

    They sat under the open sky, clapping to the sonorous renditions of Yeye Ajoke’s songs. Oníkálukú jèjé ewúré, chanted Yeye Ajoke as she prepped the children on what and when to respond to her chants in the tale of “Olúrónbí and the Iroko tree”.

    Children in the estate between the ages of four and eight gathered under the ebelebo tree. There seemed to be unspoken agreement between the huge tree, the wind and the moon as the silhouette of the leaves casted shadows and joined in the chant.

    It was another Children’s Day celebration and the ladies of the Women’s Corner sought to re-create ‘tales by moonlight’ scenario of the days of yore. To make it really traditional, we got Yeye Ajoke, the oldest woman in our estate to entertain the children with didactic stories with Sexy Jola as interpreter. Even though we planned for a certain number and age range, we had a full house. Fortunately, the ladies were prepared.

    It was fun to watch as the children brought their mats from home, accompanied by their mothers. The aroma of the fried bean cake in palm oil, popularly known as “Akara elepo”, added spice to the event. The singing and clapping attracted people to their balcony. Of all the tales shared, the story and song of “Olurumbi” elicited more attention.

    “The snack and Yeye Ajoke’s Olúrónbí’s tale, reminded one of the late Kehinde Alade,” Barrister Ada observed as the ladies shared the snack. But the excitement in the air did not allow her words to sink in – they were swallowed up only to be resurrected later by another neighbour – a principal.

    “If I say “Oníkálukú jèjé ewúré”, you’d say “Ewure, ewure,” began Yeye Ajoke as the storytelling came to that of “Oluronbi”.

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    “The song of “Oluronbi” is part of a tale of a woman named Oluronbi who was barren. Our storyteller then went ahead to chant the song to an excited crowd that responded in unison. Yeye Ajoke: “Oníkálukú jèjé ewúré”

    The crowd: “Ewure, ewure,..”

    “Oluronbi went to the magical Iroko tree to ask for help conceiving,” she continued.  “Most people who would go to the spirit of the Iroko tree would offer goats, sheep, yams or fruit. Oluronbi brought nothing with her and in desperation offered her first born child. When the child was born Oluronbi tried to plead with the Iroko spirit not to take her. The Iroko spirit would not be appeased and took the child. Since then this song has been sung to remind people of Oluronbi’s sad tale… Let’s sing the song again.” She took the chants again as Mummy Alero, a school’s principal, came to join us,

    “Hello ladies! Is it just me or haven’t you noticed that Yeye’s tale and the chant brings to mind the late14-year-old Kehinde Alade,  who was shot by a police officer during a traffic stop in Ibadan on his way to WAEC exams,” she noted.

    “You took the words from my mouth. Evelyn, remember I mentioned it earlier but you seemed engrossed with snack distribution,” Ada interjected while I rolled my eyes as if to say why me.

    “Like Oluronbi’s daughter, I hope our youths would not become sacrificial lambs, o.”

    “I can’t imagine what the parents, especially the mother and his twin brother, are going through. For me, my fear is that the case should not be swept under the carpet,” Christabel queried.

    By this time, we had abandoned the excited crowd and Yeye Ajoke’s storytelling to form a small cluster of discussants near where Mummy Yinusa was frying the bean cakes in the hot pot of oil. “Indeed, it is not about another Children’s Day but what we are doing to protect our children,” I stated and joined the chants as we carried a large bowl of the snack to the crowd, “Olúrónbí ò…Joun joun…Ìrókò…Joun joun.”

  • Nigerian-born Canadian author bags awards Zanzibar

    Nigerian-born Canadian author bags awards Zanzibar

    Nigerian actress and singer, Dr. Uba Iwunwa, known as Empress Ugobeze, has been nominated as one of the recipients of the 2025 edition of World Greatness Awards Zanzibar and World Book of Royals.

    Founder and chairperson of the Ikenga Abiama Dynasty Foundation, Queen Ugobeze is a Nigerian-born Canadian author who will be honoured alongside other personalities at the event. These include His Royal Eminence, Yosef Yomtov, Most Rev. Dr. Madhu Krishan, Prof. Barthsy Ojoi Enebiene GJP, King Aba Obazi IV, and Prof. Chris Nwanne.

    In a statement, Greatness University, the organisers of the World Greatness Awards and World Book of Royals, said the event is scheduled to take place in Zanzibar, East Africa, from October 24 to 27, 2025. “The initiative is dedicated to discovering, developing, delivering, and celebrating greatness and great contributors across the globe.”

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    The institution emphasised its unique position, stating, “We are fortunate to be the world’s first and only organisation that honours unsung heroes, role models, living saints, creators, inventors, educators, celebrities, artists, royals, founders, thought leaders, founders, and diplomats. This edition will document your story and other World Greatness Royals who are civility humanitarians. You are the kings and queens, princes and princesses, duke and duchesses, chiefs and chiefesses who help people, value the people you help, and empower them to greatness”.

    While reacting to the nomination, Uba expressed her gratitude for the privilege. She said: “I am deeply honoured and humbled to be nominated for the awards in recognition of my contributions to humanitarian causes. This affirms the impactful work I have dedicated my life to and which gives me the greatest joy and strength. Receiving this honour not only celebrates my personal journey as an African royal priestess and crown queen trying to use her God-given talents and resources to make the world a better place but also highlights the collective efforts of many individuals and organisations striving to make a difference. I am inspired to continue my humanitarian work, guided by the principles of compassion and service.”

  • Chinweoke Okpalaji: Raising more women in maritime

    Chinweoke Okpalaji: Raising more women in maritime

    Mrs. Chinweoke Adanna Okpalaji, founder of Bollard Maritime UK Limited, is a changemaker, championing inclusion of women and youths in the Blue Economy. She is passionate about raising the next generation in the sector, while advocating a sustainable shipping and maritime education. As the world marked the International Day for Women in Maritime recently, Mrs. Okpalaji is celebrated for her impact in the industry in the last 25 years, serving in the public and private sectors of the industry, wearing several hats. In this interview with Assistant Editor, EVELYN OSAGIE, she speaks on her journey, passion, and fostering economically-viable, revenue-generating Blue Economy

     My growing up

    My childhood was enriching, filled with love, discipline, exploration, and nurturing. Growing up in a structured yet supportive environment gave me a strong foundation to pursue ambitious goals. My siblings and I had tremendous support from our parents.

    My dad worked in the maritime sector for over 30 years, until he took on a Federal Government appointment. I grew up in a port city. My dad often took my siblings and I onboard ships. Living in port city and having a parent that worked for the Port Authority greatly impacted my choice of career. I am one of those who stumbled into maritime without adequate knowledge of the many opportunities within the sector. This is what I would like to change for the younger generation.

    My background impacted the woman I became

    My upbringing instilled resilience, integrity, and a strong sense of responsibility. The values my parents instilled in my siblings, and I deeply influenced my professional ethics, drive for excellence, and commitment to making meaningful contributions to my organisations and the society. We are a family of six children, of which four, were Heads of three Federal Government Secondary Schools and one Private Secondary School. One was a Chapel Prefect at a Federal Secondary School, three were Valedictorians. This tells you a lot about my background and pedigree.

    We are a strong Christian family and rooted deeply in God and His word. His impact in all our lives is unquestionable.

    Being a woman

    Being a woman means strength, resilience, adaptability, and the capacity to inspire. It means being a force for positive change, overcoming challenges, and creating opportunities for others. Being a woman requires a lot of sacrifice as well. I must include this truth.

    Inspired beyond my going into a male-dominated shipping industry

    The answer is simple. I came into the sector, because my dad worked in the sector. I grew to love the sector and have championed its cause, every step of the way. I love the ‘Majesty of Ships’. Along with my partners, we own three work boats supporting offshore operations. I am happy to have a stake within the sector.

    Biggest challenges women in the Blue Economy face

    Historical biases and fewer opportunities for exposure and training have kept women’s numbers low. However, with proactive efforts and advocacy, I see this trend gradually improving as more women are stepping into leadership roles and inspiring others. The International Maritime Organisation and many Maritime Women Associations are working hard towards driving the numbers up. I am playing my part too.

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    However, one significant challenge women in the sector faces is visibility and representation in leadership roles. This happens across sectors. The most challenging I have seen occur, is the lack of inclusion of women in offshore projects. The Blue Economy is vast. There are many areas this refers to, such as maritime transport and shipping, fisheries and aquaculture, coastal and marine tourism, offshore renewable energy (wind, wave, tidal), marine biotechnology, ocean conservation and marine spatial planning. There is still a perception barrier, making it harder for women to be seen as equal contributors and leaders in all these fields. The needle keeps moving forward. The industry continues to push for inclusion. Every milestone should be celebrated.

    Surmounting bottlenecks faced

    One key bottleneck is access to finance to acquire indigenous owned ships. As we know this venture is capital intensive. What we were able to do was acquire smaller boats than we intended and lease the much bigger ships for our projects. Without significant support from the government, especially through the CVFF funds hosted by NIMASA, it can be an uphill task to acquire ships that can compete internationally, as well as fly the Nigerian flag. I believe answers and solutions to sustainable shipping can be found from this demographic, who are often excluded from decision making and conversations about a sustainable maritime sector.

    My passion

    We all want to live on a planet that will not harm us, come the future. My passion is driven by the desire to leave a sustainable legacy for future generations, ensuring that our oceans and maritime practices support environmental stewardship and economic prosperity. Also, advocating for diversity, youth engagement at an early stage and advocacy of maritime careers, is my current focus. Securing the future of the maritime workforce is important and critical to economic growth at a global and national level. An industry that accounts for 80 to 90 percent of global trade and valued at Two Trillion, according to Tradewinds in terms of vessel fleet and orderbook, should not remain obscure. Choosing a career within this sector should be intentional and guided with adequate information.

    Fostering an economically viable, revenue-generating Blue Economy

    My beloved country Nigeria is still evolving. Some progress has been made. The new Ministry of Marine and Blue Economy is a step in the right direction. There needs to be more action than steps. To catch up globally, there must be genuine and concerted efforts towards policy implementation, infrastructure development, and capacity building. My focal area is capacity building for sustainable practices in the Blue Economy.  Everyone within the sector needs to know, what exactly does sustainability within the Blue Economy mean and the benefits are to the nation and its citizens.

    Reposition the sector for growth

    The government should focus on clear policy frameworks, investments in maritime infrastructure, promotion of sustainable practices, and provide incentives for private sector participation. Then, track performance to be certain objectives for every Blue Economy project is attained. Rinse and repeat.

    My journey so far

    In the last 25 years, I have served in the public and private sector of this vast industry, wearing several hats.  I have dedicated my career to helping companies find their place within the sector, especially startups, offering consultancy and project management services with the goal of achieving their objective for setting up their maritime business. These endeavours have created impactful opportunities for so many and for me.

    It’s been an exciting and rewarding journey filled with highs like successful project deliveries and impactful advocacy campaigns, and occasional lows such as navigating industry resistance (slow to adapt to change). However, each challenge has taught me valuable lessons. We can only be resilient and keep striving to attain our goals.

    Bridging the gap in the sector would require all hands on deck, not just the government efforts. My organisation actively promotes maritime career awareness, advocates for gender inclusion, and facilitates training programs to equip women and youth with essential skills, directly enhancing diversity and economic growth. We have written a book, entitled: ‘Onshore Maritime Careers, A Guide for Teens and Everyone Else’, to create awareness about the sector, amongst young people at secondary school level. We want to start early by engaging them while they are young, and provide the necessary information, helping them choose maritime careers more intentionally, especially as they choose subjects which match their choice of career within the sector. We are securing the future of the maritime workforce. We want to see this book in every secondary school.

    My secret for consistently delivering high-impact outcomes

    My secret lies in our technical partners and alliances. They are committed to deliver and support the client 100%.

    My advice for women considering a career in the sector

    Do not overthink it. You can do it. Be determined, continuously enhance your knowledge, build robust networks, and remain resilient in the face of challenges. Your delivery and performance will speak volumes. Like the brand Nike says, ‘Just do it’

    Juggling personal/family life with career and business

    Balancing requires intentional planning, prioritising, and creating a strong support system both at work and at home. This really is the only practical way to progress as a wife and mother. It takes a village.

    My relaxation

    Outside of work, I enjoy reading, traveling, spending quality time with family and friends, riding my bike, sitting and enjoying nature, taking photographs of nature and engaging in volunteer activities, spanning my local church, community and schools.

    My thought on beauty

    Interesting question. Beauty, to me, is becoming who God has called you to be.  God beautifies you. He turns ashes to beauty. Confidence, kindness, authenticity, and embracing oneself fully is beautiful. Dressing up nicely won’t harm anyone.

    My fashion style

    My style is fun, yet practical, reflecting professionalism and comfort.

    Fashion item I cannot do without

    A well-tailored blazer, it’s versatile, professional, and always stylish. I have these in several colours. It’s my first choice, for any professional event.

    What’s next

    I am expanding advocacy efforts, scaling sustainable maritime initiatives through capacity building and knowledge acquisition, and will continue to mentor the next generation of maritime professionals. I hope to hold some activities driven by the need to inspire the next generation. They include the formal book launch of ‘Onshore Maritime Careers, A Guide for Teens and Everyone Else’; a Bollard Maritime’s online Course – Introduction to the Maritime Industry for Teens; commencement of Bollard Maritime Foundation Nigeria; student recruitment into Maritime programmes at higher education level. At Bollard Maritime, it is all about the Human Element of the sector, especially youth and women.

  • Chilled wine: The taste of take down

    Chilled wine: The taste of take down

    “Ladies …ladies…ladies! Relax. Be calming down…Gist boku,” Alice said amid laughter and shouts of the girls. Our girl had conquered.

    It was a mission accomplished for our friend and sister whose husband was literally taken away by a mistress. On getting her SOS, the ladies of the Women’s Corner sprang into action, setting up strategic teams and strategies of a ‘takedown’ mission. It was a war. And the girls were up to the task.

    It was an excited Alice that took the floor to share her success story at Tamara’s place that Friday morning. She was looking like an 18 year-old in a tank top tucked in blue jean trousers. Her words: “My husband is back,” threw the room into a frenzy of joy which she tried  hard to calm. “Helloooo! I have lots of gists for you girls; but before I begin, let me grab the wine I promised you; and some fried peppered meat,” she said and zoomed off.

    “I am so happy for her. It is not every day that you’d find such testimony,” Tinu said. “The husband is a good man who did not want his home to scatter. He could have gone with the wind, but thank God the voice of reason brought him back to his senses,” Jolaolu added as she helped to clear the table.

    “I would have sued him to Germany and back; and leave him with nothing so that his eyes go clear,” Barrister Ada interjected.

    “Jolaolu, beyond him being a good man, I think the proactive steps taken by this eminent group and our dear Sister Alice with the help of God saved the day. We must be strategic in what we do. When the need arises, it is good to speak to the right people. You may not know how many homes and marriages our coming together has mended. Whenever Evelyn writes about some of our adventures, it opens my eyes to how amazing the Women’s Corner is – we are confirmed “Wonder Women” jare,” Christabel noted.

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    “I agree. I can’t wait to hear her story,” our host, Tamara stated with excitement. Just then, Alice walked in with a bowl of meat and a surprise – it was joy to see her hubby entering with a bottle of chilled wine in hand.

    “Hello girls! This is not to disturb your gists. I came here with my wife to say  thank you for the role you all played in our lives. Without shouting or making it a public affair, you stood up for us and your efforts turned things around. Once again, thank you so much. Please, permit me to support the movement with this token,” he said as he dropped a huge envelope on the table and left amid the shouts of joy and a thousand ‘thank yous’.

    “I like a man of action. Did I not tell you Alice’s husband is a good man? In fact, he is “Odeme, my brother, the great man’. God bless,” Tamara stated. “Ehen, before we forget, oya Alice come siddon…leave fried meat alone. Come gist us, abeg,” urged Jolaolu.

    “My people na God o! What started with late nights gravitated to him coming home every other day and suddenly, I was no longer seeing my husband again. I didn’t even know things had gotten that bad until my children left for school and I was home alone. I was almost running mad with frustrations. I didn’t know when I started wearing oversized gowns and tying wrapper on my chest all over the place. While others were whispering and condemning me behind my back, it was Christabel who first openly confronted me about my looks; some of you. The way you spoke to me and the love I felt in your midst when I first attended your meeting under the elebebo tree won my heart and gave me confidence to cry out,” Alice recalled.

    “So, how were you able to win him back,” I asked, the journalist in me was interested in the “meat” of the story.

    She continued: “Following all the strategies outlined by the group, I started sending very loving and sometimes sensual text messages every 4am after my prayers. I didn’t know I was that creative.As advised I started going out to different events and snapping with young people, particularly guys, wearing those beautiful hot pants and gowns.  And I made sure I was doing daily posts.

    “I was also snapping myself on my hot pants and tops at home, and using the Canva app, I would say: ‘See what you are missing’. While you girls were calling his mistress out on social media as you advised, I was silent. Suddenly, on Wednesday, na so my husband show with an angry look on his face. ‘What do you think you are doing flaunting yourself everywhere? When did that one start?’ Before I could answer, I found myself in the bedroom, I apologised about my shortcomings and he did too and as they say the rest is history. And we’ve been home throughout yesterday, eating, cruising; and towards evening we went to watch a romantic movie and continued till this morning. And when I asked about his secretary, he said, “God punish devil! I sacked her on Monday….and here we are. I did not know the takedown would happen so fast – within a week, what has been going on in the past four months, was resolved. I can’t thank you ladies enough. Abeg, let’s pop the wine!”

    “Yes o,” we chorused.