Tag: AMVCA

  • Kemi ‘the Titan’ wins the  Trailblazer award at AMVCAs

    Kemi ‘the Titan’ wins the Trailblazer award at AMVCAs

    Kemi Lala Akindoju fondly called “Lala” is a fast rising actor, drama instructor, casting director and producer; Kemi Lala Akindoju shone like a million stars when she won the trailblazer award at the just concluded Africa Magic Viewers Choice Awards (AMVCAs). The night of glitz and glamour held at the Eko Hotels and Suites on Saturday 5 March. It is an award in recognition of years of sweat, labour, tears, and passion. The versatile actress walked away with a brand new SUV car in recognition of her efforts, and contributions to the Nigerian entertainment industry.

    She grew up in Lagos and started acting professionally in 2005. She has since featured in over 70 stage and film productions around the world. She was announced Actor of the Year at The Future Awards 2010 and was also nominated for the same award in 2012. She holds a Masters Degree in Media and Communication from the Pan-African University. Lala was part of the team of actors selected to perform at the Theatre Royale Stratford East as part of the cultural events at the cultural Olympiad during the London 2012 Olympics. She is a member of the faculty at the Lufodo Academy of Performing Arts (LAPA), where she functions as a facilitator and teaches improvisation drama.

    The self confessed multi platform actress once described herself thus, “Right now, I am an actor who performs on every platform. And every platform has different techniques and styles; in each one, you have to apply the techniques. There is no transformation or transition, because when you are transiting, it is like you are moving from one to the other.” The experience culminated in her transition from acting across various platforms, to production, and teaching not just the art, but craftsmanship as well.

    With resounding experience as an actor and a growing experience as a director and producer; Lala now runs The Make It Happen Productions which is a production company targeted at telling African stories through all mediums; especially film, television and stage.

    She produced The V-Monologues in May 2013, worked as the casting director and associate producer with Ndani TV for ‘Gidi Up’ and played the lead role in Tunde Kelani’s Dazzling Mirage.

    Lala is the convener of Open Mic Theatre, a hub for actors to bond and network and a one-stop shop for fresh talent. She is also passionate about changing the world and has become a global shaper with the World Economic Forum. She has since been selected to attend the summits in Addis-Ababa and Davos and the US.

    Kemi is a member of the team that started Theater at Terra before going on to do other things. Although her first degree in Insurance is worlds removed from what she does today, the hard working thespian has gone on to acquire a Masters in Media and Communication from the Pan African University.

  • Emotions flow at AMVCA 2016

    Emotions flow at AMVCA 2016

    It was an emotional moment for Nollywood actress and filmmaker Stephanie Linus as her movie, Dry, was named Best Overall Movie at the recent Africa Magic Viewers Choice Awards held at the Eko Hotel and Suites, Victoria Island, last Saturday.

    The ceremony, which held yesterday hosted the who-is-who in the Nigerian movie industry.

    The ceremony kicked off at about 4pm with a red carpet which was graced by some of Nollywood’s finest. After all the razzmatazz of the red carpet, guests were soon settled in to witness what has come to be regarded as one of the most prestigious award ceremonies in Africa.

    From the keenly contested to the not so prominent categories, the award ceremony had a surprise for the crowd that turned out to witness it.

    But it wasn’t just about movies, the AMVCA 2016 also paraded the best of music, interspersed with comedy from artistes drawn from all over Africa. Highlife crooner, Flavour N’abania and his Nigerian counterpart, Yemi Alade were among the artistes whose performances kept the audience on their feet. Yemi Alade, together with her dancers added energy and the much needed verve necessary for an event of such nature.

    As the award categories were reeled out, it was clear the movie lovers were in for a surprise. Although, it wasn’t quite unexpected for Funke Akindele’s Jenifa’s Diary to clean out the Best Actor in a Comedy (Folarin Falana) and Best Actress in a Comedy (Funke Akindele) categories.

    What was really surprising was the relatively unknown Daniel K Daniel clinching the Best Actor in a Drama for his role in A Soldier’s Story, beating the likes of Mike Ezuruonye, Majid Michael, Van Vicker, Segun Arinze and Blossom Chukwujekwu to the game.

    Another category that left guests wondering was the Best Actress in a Drama which was won by Adesua Etomi for her role in Falling. Etomi took down big wigs in the industry; Genevieve Nnaji (Road to Yesterday), Mary Lazarus (Don’t Cry for Me), Belinda Effah (Stop), Fulu Mugovhani (Ayanda) and Nse Ikpe-Etim (The Visit) to emerge winner.

    Another very emotional moment for attendees was the moment when tribute was paid to Nollywood’s fallen heroes. Among those honoured were Peter Bunor, Mufatau Sanni, Tosin Badmus, Prioye Sokunbi, Mike Odiachi, Olumide David, Saleh AGM, Aisha Dankano, and Benson Wanjau.

    More emotions poured in when the moment came to present the 2016 AMVCA Legendary Merit Award. The award went to Bukky Ajayi and Sadiq Daba, both veterans of repute. Sadiq was not around to receive his award, but Bukky Ajayi who made it to the ceremony had to be wheeled in.

    “There are some of you that I might have offended; please forgive me. There are some people who offended me, I have forgiven you. Thank you very much. I am very happy, from the bottom of my heart. Do not mind that I am crying. I do wish to stand up, but if I stand up, I will fall down. You all standing for me? Thank you very much. I am very grateful and I feel very honoured,” a tearful Ajayi said, rounding her speech up with the peace sign to the applause of the audience.

    Among other winners at the prestigious award were Akin Omotosho (Best Director), Trail Blazer Award (Kemi ‘Lala’ Akindoju), Best Movie (West Africa) – Genevieve, Chinny Onwugbenu and Chichi Nwoko (Road to Yesterday), Best Art Director, Frank Rajah (The Refugees); Best Television Series, Ariyike Oladipo (Daddy’s Girls); Best Short Film or Online Video, Oluseyi Amuwafo (A Day With Death), Best Lighting Designer, Stanley Ohikhuare (Common Man); Best Cinematographer, Paul Michaelson (Tell Me Sweet Something);  Best Sound Editor, Jose Guillermo (Dry) and Best Picture Editor (Shirley Frimpong-Manso, Rebecca).

  • AMVCA announce new categories, Head Judge

    PREPARATIONS are advancing for the 2016 Africa Magic Viewers’ Choice Awards. Following a recent meeting between representatives from M-Net West and East Africa and East African filmmakers in Nairobi, Kenya, three new award categories were announced.

    Also, Njoki Muhoho has been announced as the new Head Judge for the 2016 AMVCAs. Muhoho is a respected Kenyan film producer, critic and academic. Others on the panel are the Regional Director, M-Net West Africa, Wangi Mba-Uzoukwu, the Channel Head, Maisha Magic East, Margaret Mathore and the Public Relations Manager for MultiChoice Tanzania, Barbara Kambogi.

    While informing the filmmakers of the acceptance of entries for the 2016 AMVCAs, Mathore also disclosed that the edition will have three new categories.

    “For the upcoming edition, there are three new categories which are the best East African Movie, the best Southern African Movie and the best West African movie,” said Mathore.

    “All these are voting categories, and will exist side by side with the best overall movie in Africa. This is indeed an exciting opportunity for East African filmmakers to not only submit their films, but also actively contribute to the retelling of the East African story through their craft.”

    Muhoho, spoke from the perspective of having participated in the judging process of the three previous editions whilst challenging East African filmmakers to take advantage of the new entry process and show the rest of Africa just how rich and exciting the region’s content is.

    On her part, Mba-Uzoukwu said: “We have come to encourage the filmmakers present to not only enter their works, but to also encourage their peers to do the same as the AMVCAs, besides being Pan African in nature, also celebrates the best of African entertainment content for the world to see.”

    To enter for the AMVCAs, filmmakers who have produced and broadcast, or publically exhibited their works from October 1st, 2014 to September 30th 2015, should prepare a two or three minute long show reel for an online submission.

  • Entries open for AMVCA 2016

    AFTER three successful outings, Africa Magic in association with MultiChoice has called on filmmakers and all other professionals in the film and TV industry to enter their productions for the 2016 edition of its Africa Magic Viewers’ Choice Awards (AMVCA).

    Making the call, Wangi Mba-Uzoukwu, Regional Director for M-Net (West), said that Africa Magic strives to support the film and television industry across Africa even as it continues to provide world class entertainment for Africa by Africans.

    She also stated that to qualify, the works are expected to have been produced and broadcast or publicly exhibited from October 1, 2014 to September 30 2015.

    “The African film and television industry continues to show tremendous growth in the kind of content we see and the quality of existing and up and coming talent. The previous editions of the AMVCAs have had a significant impact on filmmaking and I am very certain that the next edition will have an even bigger impact on film and television across Africa,” Mba-Uzoukwu stated.

    John Ugbe, Managing Director, MultiChoice Nigeria said: “We are very excited to once again bring the AMVCAs to our viewers across the continent and indeed the world. The 2016 edition will make it four years of celebrating Africa’s finest talent in the film and television industry.”

    The third edition of the AMVCAs took place in Lagos in March of this year. The event was well attended by talent from all over Africa. This year’s ceremony saw Nigerians leading the acknowledgement race with OC Ukeje and Kehinde Bankole crowned Africa’s best actors.ac

  • Poor sound, cooling, other hitches at AMVCA

    The Africa Magic Viewers’ Choice Award (AMVCA) has come and gone but, snippets of the glamorous event will occupy social discourse for a while. JOE AGBRO JR. captured some of the remarkable moments.

    Despite well-laid plans to ensure a hitch-free award ceremony by organisers of the AMVCA, some few hitches attempted to steal a little from the event. With less than an hour to the start of the events, artisans were seen still cutting and trimming sections of the red carpet. Also, the heat along the red carpet which was generated by the light and camera crew was such that some guests had traces of sweat on their faces.

    There was also the poor sound quality which had hisses and scratches emanating from the microphones intermittently, a cause of distraction to the otherwise glamorous outing.

    In addition, the time during which commercial breaks ran was a bore on the audience. According to a review of the event posted by Nollywood producer Charles Novia on his blog, he wondered why unlike the last edition, a disc jockey was not on ground to thrill the audience before the live cameras returned.

    ‘Africa needs to see excited faces all thrilled and happy at the end of such breaks,’ he wrote. ‘Little details such as those help the overall tempo of the event.’

    Novia also referred to the uncomfortable temperature, writing: ‘And what was wrong with the cooling system in the hall? The temperature was quite humid in most areas inside the hall and not a few people were fanning themselves.’

  • Tayo Faniran lives  dream at AMVCA

    Tayo Faniran lives dream at AMVCA

    ASIDE nominees and winners of the AMVCA, the opportunity provided some entertainers, Specifically, Tayo Faniran of the Big Brother Hotshots fame, the chance of living their dreams.

    According to the former BBA housemate who got on stage to present the award of Best New Media  Online, which was won by Imeh Umoren, for his movie, Hard Times, being on stage at the AMVCAs, was a dream he had since last year.

    “This time last year, I was in my house watching this great event,” said Tayo.

    “And I said to myself and my family, ‘next year, I will be on stage. If I am not getting an award, I will be presenting one.’ So, tonight, I’m living my dream.”

    Tayo, who debuted as a Nollywood actor in February seemed so eager to live his dream that he actually wanted to jump the gun by announcing the winner without mentioning the nominees in the category first. However, Tayo lived his dream on being on the AMVCA stage.

  • AMVCA: Alibaba defends Urhobo attire

    AMVCA: Alibaba defends Urhobo attire

    Ace Nigerian comedian Ali Baba has shown he is a proud Urhobo man and is ready to defend his traditional culture any time.

    Ali Baba took to Instagram to reveal his annoyance with four of his journalist friends (not The Nation) who threw flaks at him for wearing the Urhobo traditional attire.

    According to Ali Baba, a female journalist who claims to be a fashion buff had asked him at the Eko Hotel venue of the Africa Magic Viewers Choice Awards (AMVCA), ‘Bros, didn’t you get the invite? It said ‘black tie’.’ After some laughter, Ali Baba, who tied a purple wrapper below a white long sleeved shirt and wore a black bowler hat, said he retorted by asking her, ‘did you read the part that said “black tie or Glamorous?’

    Ali Baba said he referred to the big winner of the night, Kunle Afoloyan, decked in Agbada, the traditional outfit synonymous with the southwest and northern people. And while he said the four journalists quickly concurred that Afolayan’s outfit was indeed glamourous, Ali Baba said he dropped his joker.

    “So it’s only the traditional attire from the Yoruba or Hausa speaking part of Nigeria that is glamorous,” he questioned. “Is that what you were taught in school? Or is that the position of your media house? Or is that all your knowledge about fashion availed you? Maybe you are tribalistic. May be you think Africans must look like a white man to be glamorous! Maybe you have no values! By the way, I thought this was AFRICA magic viewers’ choice awards (notice the capital letters)?”

    The comedian reported that at this point two of the journalists got the message. “Bros you are correct, but you know we were just teasing you,” they reportedly said. “HABA! Can’t you take a joke?”

    According to Ali Baba, Nigeria’s problems is not entirely due to government’s failure.

    “It is also the failure of many of us to know what is important to us as Africans and what we should value in our culture,” he wrote. “ATTIRE for journalist WEY no recognize glamorous ATTIRE. As for any journalist that thinks dressing in my traditional outfit meant for special occasions is not glamorous, please check a dictionary and revert!”

  • Charles Novia’s take on AMVCA

    Charles Novia’s take on AMVCA

    “The 2015 AMVCA had the best of glamour and much guts. I just didn’t see the glitter in the event” a bold statement from Nollywood producer Charles Novia. Novia who is quite fond of publishing his take on pop culture, celebrities and of course the AMVCA has again published on his blog his review of the show which held on Saturday.

    At 21:52 pm CAT, when IK Osakioduwa and Vimbai, hosts of the 2015 Africa Magic Viewers Choice Awards, had signed off from the show and brought in P Square, I was left scratching my head a bit as I walked out slowly out of the hall with some of the invited guests.

    I was puzzled. There was something about this year’s AMVCA which lacked the punch the last two editions had. I couldn’t place my finger on it and it kept nagging me all night as I played the event over and over in my mind. You see, I have attended lots of high-profile events and the AMVCA is one I always look forward to attending, not just as a filmmaker but also as a reviewer and this year’s was no exception. And the chaps at MNET have told me a number of times that my annual reviews are read sometimes in post-event meetings and no matter how scathing the reviews might be in some areas, they good-naturedly take the corrections and plan to plug loopholes for the next edition. And so, I decided to understand more of the behind-the-scenes planning of the AMVCA this year. A day before the event, I silently sneaked into the hall at Eko Hotels and Suites, where I watched the professional crew rehearse both the presenters and the host and hostess, painstakingly. No one really noticed me in the hall and the attention to detail during the rehearsals was impressive. I only spent thirty minutes in the hall but I appreciated the efforts put in by the crew.

    And so, the evening of the show came upon us all. And walking on the red carpet to the main hall, one had to appreciate the fashion sense on display. I can bet that the fashion  and make-up industry must have made a few millions in Nigeria yesterday because of the AMVCA. Everyone looked quite glam in their own estimation! Everyone? So, it seemed to me, even though I can safely say that the fashion on display was a combination of the outstanding, the outlandish and  the outrageous! Fashion wise, I think the irrepresible Denrele Edun flew over the cuckoo’s nest. I noticed earlier a masked lady walking the red carpet and thought to myself that someone was perhaps doing an artistic Peter Cech of Chelsea on the red carpet. Imagine my surprise when the ‘lady’ walked up to me and called my name in Denrele’s voice! It was Denrele, dressed as a lady, with butt pads and all!

    ‘Uncle Charles, that’s the idea!’ He laughed as I took a picture with him, telling him in the process that he was crazy! Did I say he was doing a Cech? Change that to Bruce Jenner, maybe! I can safely say though, that Seyi Shay could take appropriate dress lessons from Denrele though, when next she’s performing for the President or top dignitaries!

    But I digress.

    The show started at 6.30pm CAT with an opening performance by an African dance troupe. An interesting monologue by Osas Ighodaro, dressed somewhat like an African queen, asked the niggling African question ‘What if I am African?’.  I don’t know how the Shakira-styled hip shaking which Osas and a couple of female dancers did while that question was being asked, had to do with being African but I kinda thought those hips onstage lied a bit during the wriggle. The opening performance was average, in my opinion. It seemed more like the kind of performance for a boring gala night for African Heads of states than for a top profile event like AMVCA.

    That flat opening skit set the tone for the drone first half of the show. The show dragged a bit and looking at some faces seated in the hall, behind the heavily caked make-up of some people in the hall, one saw a bit of irritation during the first thirty minutes of the show.

    IK and Vimbai tried to spike up the show those first few minutes. However, I had the feeling that Vimbai’s sing-song voice wasn’t helping the nerves in the hall. IK and Vimbai tried a couple of banter which the audience received with polite laughter. IK cracked a joke about make-up and how a white lady he shagged turned out to be Mercy Johnson the next morning! Now, that was…well..politically inappropriate…for lack of a better phrase. That joke was overboard and IK got away with it, perhaps. Anyway, I think IK and Vimbai found their presenting mojo later in the show though.

    Nonso Diobi and Linda Ejiofor came onstage to present the first award of the night. Nonso seemed to like the sound of his voice as he went on a bit about how it was a tough category and how every nominee bla bla bla.Next time, keep it straight and simple, please!

    Next duo of Presenters were Akin Lewis and Oge Okoye. Oge Okoye got quite some appreciative applause from the audience for her outfit. By the way, I think her character in ‘Hotel Majestic’ is one of my favourite characters in the serial and she interpretes that role quite well.

    During the commercial breaks in the hall, the audience was a bit restless. Last year, there was a Disc Jockey who spinned some vibes which kept the audience all hyped up by the time the cameras returned to the live event. I wonder why that was not the case this year? Africa needs to see excited faces all thrilled and happy at the end of such breaks. Little details such as those help the overall tempo of the event. And what was wrong with the cooling system in the hall? The temperature was quite humid in most areas inside the hall and not a few people were fanning themselves.

    Tunde Babalola won two awards in the Writing categories and gave kudos to both Kunle Afolayan and Mildred Okwo, the Producers of the films which won him both awards in seperate categories.

    Tomi Odunsi of ‘Tinsel’ and the dreadlocked actor in ‘Hotel Majestic’ presented the ‘Best Editor’ award to Victoria Akujobi, a young lady. She kept giggling shyly in her acceptance speech like a village virgin and her gush got the audience laughing  too. It was heartwarming though to see that a woman won in that category, which is usually male dominated.

    One of the disappointments of the event was the performance by the Mavins. It was below par. I do not know how it looked to those who watched it live on television but to us in the hall, it didn’t do jack. They performed their hit song ‘Dorobucci’ and I must say that maybe the audience was ‘Doro-weary’ because the performance lacked excitement. The artistes kept singing over each other’s lines in an ‘I-too-know’ kind of way. Dija sang ( or rather mimed) for Tiwa Savage who was absent probably for obvious reasons-pregnancy or another engagement? The performance was sluggish and received just some polite applause. I wonder why they didn’t move the audience much. I can only believe that it must be because their appearance in the awards was massively overhyped and people really didn’t have anything to look forward to. It was a bit too much of MTN to have hyped their performance so much before the awards that when they came up and we all expected a bomb (oops..no apologies to Boko Haram!)all we got was a firecracker!

    Funlola Aifoyebi and Ali Nuhu had quite a good banter on stage as they presented the ‘Best Indigenous Language-Hausa’ awards. And when Fathia Balogun won in the Yoruba category, she identified with her roots by revealing that she’s just an Urhobo Babe who speaks Yoruba fluently, even though she had a couple of her Yoruba ‘supporters club’ members with  her onstage. Obi Emelonye, who won in the Igbo category, commendably spiked the audience with his Igbo acceptance speech, after Mike Ezuronye had gingered the category with his ‘Igbo Kwenu’ greetings.

    Comedians, Eddie Kadi and Basketmouth gave good account of themselves in their stand-up segments.

    Tuface Idibia also performed. I felt it was an average performance. Maybe it had to do with the din from his live band or his raunchy-looking dancers onstage, which seemed unlike Tuface. I’m wondering if he’s trying hard at this period in his career to show us he too can do the lewd background dancers stuff too? I think he’s too much of a superstar to fall for that.

    Ivie Okujaye, another actress who has impressed me in her outing on ‘Hotel Majestic’, presented The Trailblazer Award which was won by CJ Obasi. Obasi climbed up the stage and seemed to snatch the microphone from Ivie!

    The late Amaka Igwe got a posthumous Lifetime Achievement Award which was presented by Richard Mofe-Damijo, whose voice broke in pain when he called up Charles Igwe to receive the award on her behalf. The whole hall gave a standing ovation in her honour. Rest in peace, Amaka. It was heartwarming to note that she was remembered and honoured. Before that category, the names of the departed artistes in the past year scrolled across the screen, most poignantly was Muna Obiekwe’s.

    OC Ukeje won the ‘Best Actor in a drama’  category, making it the second time he would be winning an AMVCA. He was gracious enough to recognise Peace Anyiam-Osigwe of AMAA who gave him his big break, according to him. His award was presented to him by Genevieve Nnaji , who really looked good in her evening gown. Genevieve though, made a slip when she extolled Amstel Malta. She announced that the winner in that category gets a million naira and six months of Amstel Malta, a brand which she endorses as a brand ambassador. She ended her speech by cheekily saying ‘Get fat!’. Huh? I thought Amstel Malta projects itself as a low sugar, healthy, low fat beverage? Why would a brand ambassador quip on international television that it has fat, even if it was light-hearted? If I talk now, una go say….anyway. Lef matter.

    Kunle Afolayan won the ‘Best Director’ and ‘Best Movie’ categories and I think it was well deserved. ‘October 1′ is quite a formidable movie. Congrats, Kunle.

    The show ended with a performance by P Square, which was more for the watching viewers as most of the guests trooped out of the hall.

    Having observed a bit of the rehearsals a day before, I must commend the organisers for planning an event which had less mistakes this year. Everyone seemed guarded and one could not really point to any bloopers during the awards. However, in my honest opinion, I think the event lacked the full punch.

    Perhaps the show had been overhyped and one expected more? Or what? Let me put it this way; the show scores full marks for glamour.  I am yet to see a more glamourous entertainment event like the AMVCA. But the excitement for the show itself was damp. My thoughts? Next year, give us a surprise guest appearance or something. I can bet that current raves like Kiss Daniels could have spiked that crowd. Give us better entertainment value. A movie award show should leave the audience and viewers gasping. This year, people are going to talk more about who wore what ( or is it who wore who as those sneer-inducing Naija red carpet presenters would ask!)than who won which. Perhaps a Bovi could join next year as host or even Eddie Kadi or Basketmouth? Perhaps something not expected could be added to the show? It’s Africa Magic, come on! Where did the magic go?

    And something has to be upgraded about the writers who scripted the show? I didn’t feel the jokes, if any. The Presenters mostly improvised unlike last year which had a good script prompt. This year was quite bland.

    The 2015 AMVCA had the best of glamour and much guts. I just didn’t see the glitter in the event.

  • Kunle Afolayan dominates AMVCA

    Kunle Afolayan dominates AMVCA

    Kunle Afolayan’s movie ‘October 1’ dominated the 2015 Africa Magic Viewers’ Choice Awards (AMVCA) with a whopping winning nine prizes!

    October 1’ which had a total of 13 nominations won the awards for ‘Best movie’, ‘Best Director (Kunle Afolayan) and ‘Best Actress in a Drama’ (Kehinde Bankole).

    The movie also bagged awards for ‘Best Costume Designer’ (Deola Sagoe), ‘Best Lighting Designer’ (Lanre Omofaye), ‘Best Make-Up Artist’ (Lola Maja), ‘Best Sound Editing’ (Kulanen Ikyo), ‘Best Art Director’ (Pat Nebo) and ‘Best Drama Writer’ (Tunde Babalola).

    I want to thank the cast and crew for putting so much effort into this. I want to thank the Lagos State Government and Raji Babatunde Fashola also”, Afolayan said as he collected his award.

    The 2015 AMVCA held on Saturday, March 7, 2015 at the Expo hall of Eko Hotel and Suites, Lagos.

  • Glamour, class as AMVCA reignites Nollywood brand

    Glamour, class as AMVCA reignites Nollywood brand

    If Lagos were a ship, the city would list, come March 7. In few days, the coastal city will swarm with the crème of Africa’s movie crowd for the third edition of the Africa Magic Viewers’ Choice Awards (AMVCA). As the days draw nearer to the event, Associate Editor OLATUNJI OLOLADE, examines the impact of the awards initiative on the brand equity of Nollywood in Africa.

    Few people knew Nse Ikpe-Etim until her cameo appearance as an extra in film Director, Reginald Ebere’s ‘Venom of Justice.’ One decade later, she re-emerged in the Nigerian movie scene, commanding the attention of the sector’s most virulent critics courtesy her arresting interpretations thus luring movie enthusiasts to hate her and love her, just as her characters demanded.

    Either as the ambitious upstart alongside Nigeria’s movie sweethearts, Ramsey Nouah and Stephanie Okereke in the 2008 flick, “Reloaded,” the embattled character, Mariam Idoko in “Broken,” (2012) alongside Kalu Ikeagwu and Bimbo Manuel or the seasoned actress and animated “Nse” in “Journey to self” (2012), Ikpe-Etim captures the subtleties of fiction effortlessly and quite impressively, thus making her simplest interpretations memorable.

    It was for this reason that she was recently awarded the 2014 Africa Magic Viewers’ Choice Awards (AMVCA) for Best Actress in a Drama for playing “Nse” in “Journey to Self.”

    Although Ikpe-Etim is no stranger to merit awards – with two past nominations for Best Actress in a Leading Role at the fifth and eighth Africa Movie Academy Awards (AMMA) for her role in “Reloaded” and “Mr & Mrs” respectively – her AMVCA win last year unarguably broadens her horizon and improves her chances in the local and international movie sectors.

    According to her, “I’m happy that when you do work, no matter how little, someone out there sees it and says ‘hang on a minute, we might want to reward her or at least give her a mention because she’s done something…I honestly didn’t know I’d be nominated; it came as a shock that I was nominated. Secondly, I had loads of fights with people because I stayed in character and couldn’t get out … I was still acting it. (Laughs) It was worth it after all.”

    Like Ikpe-Etim, Amarachi Onoh is ecstatic about his win at the recently concluded AMVCA.

    Onoh, a graduate of the University of Port Harcourt, Rivers State, won the Best New Media: Online Video Award for his film, “Mother Tongue.” The new category was created to help usher in the arrival of a new generation of African storytellers.

    Onoh enthused that the AMVCA has opened up new opportunities to him. “It has given me some kind of leverage to talk to and approach people. It has given me credibility. More people want to work with me and those who I approach are comfortable working with me. AMVCA puts a good stamp on one’s credentials,” he said.

     Other winners

    Other winners at the 2014 AMVCA include Osita Iheme who won the Best Actor in Comedy category for his performance in The Hero; Tope Tedela clinched Best Actor in Drama award for his performance in the film, “A Mile from Home” and Olufunke Akindele won the Best Actress in Comedy award. There were a total of 29 awards in different categories and while Nigeria, the host country won 18 out of the 29 categories, Ghana won five awards, Kenya won five, while Zambia got one. However, the South African, Tanzanian, Ugandan, and Gambian nominees did not win any award.

    Building personality brand for Nollyhood

    The industry has produced The AMVCA, an initiative of Multichoice Africa, was basically established to highlight and reward the efforts of African film makers and artistes. The award, which has been commended severally as the premium merit awards for film makers in Africa, recognises outstanding achievements in the African film and broadcast sectors.

    According to the Managing Director of Multichoice Nigeria, John Ugbe, “There have been two editions of the AMVCAs and, so far, the improvement that this award has brought to African film production cannot be ignored. For us as MultiChoice, the success of these awards further showcases our commitment to recognising the amazing skills that exist in this ever-growing industry.

    Ugbe said further: “The very essence of most awards is to recognise and reward talent. We share the same objective for AMVCA at MultiChoice. Through AMVCA, we hope to promote creativity and versatility. It has often been said that competition is a good driver for improvement. So, yes AMVCA might ultimately lead to improved movie production standards across Africa. With higher stakes, comes the need to do better and continuously improve on previous performance. We aim to rank our African stars alongside international stars.”

    In pursuit of this objective, Multichoice Africa has invested heavily in the African film industry. In Nigeria for instance, Multichoice in cooperation with its partners has made a brand investment of over N55 Billion (nearly $350 Million), since it birthed in Africa. This includes: N32.4 billion invested in content via its premium channel providers, M-Net and SuperSport, N21 billion invested in technology, N1.7 billion in people development, N8.4 billion ($54.2 million) to the construction of a new head office in Ikeja, Lagos, N9 billion ($58 million) in outside broadcast (OB) vans and commissioned Africa’s first high definition (HD) studio in sports, training, production and broadcasting coverage, N135 million ($871 000) in Nigerian basketball sponsorship, N15 billion ($100 million) in VAT and various company taxes since 1999; and N5 billion ($30 million) invested in the business as capital investment.

     Impact on Nollyhood brand

    So far, practitioner in the Nigerian film industry popularly called Nollywood, have expressed delight over AMVCA’s contributions to the brand equity of the local film sector. According to them, The AMVCA serves as a remarkable fillip to local film makers’ bid to create quality and memorable African stories by collaborating with gifted scriptwriters and film makers in the country.

    Khabira Kafidipe, an actress, commended the initiative for its commitment to the advancement of local film and television production. The AMVCA, she stressed, inspires the average film maker in Nigeria to rebrand by committing themselves to the pursuit of personal development and professional excellence. The “Saworoide” and “Iwa” star noted that the awards initiative has also created a more participatory and interactive network of film makers committed to the development of African film and entertainment. “This rubs off positively on Africa as it has created a new breed of film aficionados even as it reinvigorates tested veterans and spurs us all to rededicate ourselves to the development and elevation of African film to world class status.”

    Rita Dominic, winner of 2014 AMVCA New Era award said the award serves as inspiration for local actors and film makers to do more while charting fresh and promising vistas for quality film production on the African continent. Dominic is particularly excited about AMVCA’s recognition and celebration of every professional involved in the production of a film.

    No doubt, the impact of the AMVCA extends beyond the confines of the local film sector as it also gives audiences a voice to express their heartfelt wishes and opinions about the African film industry. Through the awards, MultiChoice Africa situates itself positively as a brand in the minds of its subscribers; the broadcast organisation reemphasises its brand by acknowledging and giving exposure to the contribution of its subscribers. The awards initiative also manifests as a natural appendage of the company’s social investment portfolio which includes education and the media.

    As the continent awaits the third edition of the awards, which is scheduled to hold on March 7 at the Eko Hotel and Suites, Victoria Island, Lagos, movie enthusiasts anticipate a reenactment of the glamour and class that heralded previous editions of the event.

    Already, Nollywood is agog over the country’s nominations in the awards categories. At a special screening event held at Four Point By Sheraton, Lekki, Lagos, prolific film maker, Kunle Afolayan, heaved with excitement when his dark psychological thriller written by Tunde Babalola, scooped 13 nominations including the highly coveted Best Movie Drama and Best Movie of the Year.

    Other movies that earned multiple nominations at the 2015 AMVCA are Rita Dominic’s “The Meeting;” Lancelot Imasuen-Oduwa’s “Invasion 1897;” and Ayo Makun’s “30 Days in Atlanta” amongst others.

    There is no gainsaying the impact of the AMVCA on the Nigerian film industry; besides promoting healthy rivalry, collaborative enterprise and world-class production the awards elevates the awardees in social and professional ranking even as it furnishes them a huge platform for growth and global visibility within the shortest possible period.

    Ask AMVCA recipients like Ikpe-Etim and Onoh, they would gladly tell you how their chances had improved since they won the awards. In the same vein, AMVCA nominees like Adebimpe Adebambo, will gladly enthuse that as a film maker, all you need is one chance. Adebambo is an AMVCA nominee in the Best Costume Designer category for her work in veteran film maker, Tunde Kelani’s “Dazzling Mirage.”

    Company’s Investment on Nollyhood brand

    • N32.4 billion invested in content via its premium channel providers, M-Net and SuperSport;

    • N21 billion invested in technology;

    • N1.7 billion in people development;

    • N8.4 billion ($54.2 million) to the construction of a new head office in Ikeja, Lagos;

    • N9 billion ($58 million) in outside broadcast (OB) vans and commissioned Africa’s first high definition (HD) studio in sports, training, production and broadcasting coverage;

    • N135 million ($871 000) in Nigerian basketball sponsorship;

    • N15 billion ($100 million) in VAT and various company taxes since 1999; and

    • N5 billion ($30 million) invested in the business as capital investment.